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apocstore
APOC STORE
A curated fashion and art marketplace
@apoclondon open Mon-Sun 12-7pm
Global shipping 🌍
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
See @BarnabyMakes works @apoclondon or DM us for the catalogue.
Earlier this year, APOC launched a rotating gallery series for independent designers alongside fashion — a space that changes with each takeover. Debut artist Barnaby Lewis fills it with hand-worked steel furniture and sculptural objects that feel both industrial and domestic.
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
Now open, the first of our Gallery series with @Barnabymakes.
Barnaby’s works will be for sale at @apocstorelondon and apoc-store.com alongside our fashion designers.
Read more about it on @dezeen
Pics by @studio_adamson
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
@cd1974.com_ pop-up @apoclondon
Come get your perfect jeans.
Choose a pair of jeans in store, get measured, and have your jeans custom made by CD1974.
Limited numbers available.
Saturday 30 May 2026 @apoclondon
12–7pm
Unit 41, Regent Studios
8 Andrews Rd, E8 4QN
First come, first served 🪡
New brooches and wall pieces by Sisse Bjerre available online at apoc-store.com
New brooches and wall pieces by Sisse Bjerre available online at apoc-store.com
New brooches and wall pieces by Sisse Bjerre available online at apoc-store.com
New brooches and wall pieces by Sisse Bjerre available online at apoc-store.com
New brooches and wall pieces by Sisse Bjerre available online at apoc-store.com
BJERSBORN Jelika Wool Jacket in store at APOC London and available online at apoc-store.com
BJERSBORN Jelika Wool Jacket in store at APOC London and available online at apoc-store.com
BJERSBORN Jelika Wool Jacket in store at APOC London and available online at apoc-store.com
BJERSBORN Jelika Wool Jacket in store at APOC London and available online at apoc-store.com
BJERSBORN Jelika Wool Jacket in store at APOC London and available online at apoc-store.com
New Ala Tianan in store at APOC London and available online at apoc-store.com
New Ala Tianan in store at APOC London and available online at apoc-store.com
New Ala Tianan in store at APOC London and available online at apoc-store.com
New Ala Tianan in store at APOC London and available online at apoc-store.com
New Ala Tianan in store at APOC London and available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
New B.A.D. shoes in store at APOC London and select styles available online at apoc-store.com
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
Alizee Quitman is a metal artisan, working directly with the material—raw, resistant, and marked by fire. Her practice challenges traditional associations of jewelry with softness, romance, and passive beauty, instead confronting how bodies are expected to appear and behave.
Drawing from industrial, utilitarian, and often masculine-coded objects, she transforms them into bold accessories designed to be seen—pieces that catch the light, disrupt, and redefine a silhouette. Her work turns tools into ornaments, shifting their function into symbols of presence and self-definition.
Working almost exclusively with upcycled materials, she captures the imprint of past objects as well as industrial fragments in recycled metal, creating pieces that carry memory across time. Her collections emerge as a series of armors, fossils and talismans—objects that hold the weight of a collapsing world, yet transform it into strength and empowerment.
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
TWIST TARGET Vol 1: BARRAGÁN
Available this Thursday, April 30th, 2026 in @APOCLONDON
B.Y.O.E.N. “Bring Your Own Ethnographic Needle” combines visual work, interviews, and written investigations around BARRAGÁN’s practice.
The issue explores identity, image-making, and circulation across fashion, digital culture, and institutional spaces.
Creative Direction: @fiorelladecaro
Editors: @samoharding @fin.gdc @lisomangliso
Graphic Design: @pauline_hill14
Contributing Artist: @ruby_l00bi
Photography: @hendrik.schneider
First image shot by @ang1e06
Styling @playboyxeddie assisted by @chloegrigorian
Casting @lukemcintosh_ @forbidden2enterwithoutsmiling
it’ll be painless I promise🤞🏻
Sunday 19 April@apoclondon
12pm - 7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
I’ll be tattooing your chosen word onto latex pieces at the pop-up (ofc not when you are wearing them!)
Very limited pieces
First come, first served
See you Sunday
first ever pop-up!! with @apocstore ❦
Come get a tattoo with me
Choose a handmade latex piece and have your own word tattooed by me with my cursive handwriting on the spot!
exclusively designed for the pop-up
choker, cuff, glove
limited pieces
no online release
Sunday 19 April 2026 at @apoclondon APOC LONDON only
12-7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
First come, first served
Can’t wait to see you all <3
first ever pop-up!! with @apocstore ❦
Come get a tattoo with me
Choose a handmade latex piece and have your own word tattooed by me with my cursive handwriting on the spot!
exclusively designed for the pop-up
choker, cuff, glove
limited pieces
no online release
Sunday 19 April 2026 at @apoclondon APOC LONDON only
12-7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
First come, first served
Can’t wait to see you all <3
first ever pop-up!! with @apocstore ❦
Come get a tattoo with me
Choose a handmade latex piece and have your own word tattooed by me with my cursive handwriting on the spot!
exclusively designed for the pop-up
choker, cuff, glove
limited pieces
no online release
Sunday 19 April 2026 at @apoclondon APOC LONDON only
12-7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
First come, first served
Can’t wait to see you all <3
first ever pop-up!! with @apocstore ❦
Come get a tattoo with me
Choose a handmade latex piece and have your own word tattooed by me with my cursive handwriting on the spot!
exclusively designed for the pop-up
choker, cuff, glove
limited pieces
no online release
Sunday 19 April 2026 at @apoclondon APOC LONDON only
12-7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
First come, first served
Can’t wait to see you all <3
first ever pop-up!! with @apocstore ❦
Come get a tattoo with me
Choose a handmade latex piece and have your own word tattooed by me with my cursive handwriting on the spot!
exclusively designed for the pop-up
choker, cuff, glove
limited pieces
no online release
Sunday 19 April 2026 at @apoclondon APOC LONDON only
12-7 pm
Unit 41, Regent Studios, 8 Andrews Rd, E8 4QN
First come, first served
Can’t wait to see you all <3
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
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