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The clowns have been sent in!

Come see us this summer from June 17-August 9 just north of Chicago for a weekend (or weekday) in the country. @marriotttheatre

A LITTLE NIGHT MUSIC
by Stephen Sondheim and Hugh Wheeler

The clowns have been sent in!

Come see us this summer from June 17-August 9 just north of Chicago for a weekend (or weekday) in the country. @marriotttheatre

A LITTLE NIGHT MUSIC
by Stephen Sondheim and Hugh Wheeler

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

BRIGADOON Just Got a MASSIVE @latimes RAVE 🌟🌟🌟🌟🌟

Don't Miss Out. Get Tickets. #LinkInBio 🌿 🪻 ✨

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

Our brand new Brigadoon is open.

For nearly three years, this piece existed mostly in private: in notes apps and rehearsal rooms, in half-finished thoughts, in airports and 3 a.m. emails and long walks and seemingly impossible hope. For years it was fueled by a kind of delusional optimism and unearned confidence of, like, a gold prospector? All to say: I started all of this medium-unhinged because who was I to think that one can simply *rewrite a classic musical* and emerge psychologically unchanged?

And then somehow—impossibly, like #Brigadoon itself—it all became real.

What moves me most is not that this adaptation exists. It’s that it exists because of people. Of community. Of a love and respect for art-form and one another.

To @k8spelman—my whyfe and artistic soulmate, our director, choreographer leader and my counterpART. We dreamed this thing together and built it with the strange faith that sometimes exists between two people before there is evidence. (Which feels very “Mr Forsythe” of us…) This world is tattooed with both our fingerprints. Thank you to @kim.c.hudman and @mabelweismann and our all female SM team who prove why women in leadership is always a remarkable force.

Danny Feldman and everyone at @pasadenaplayhouse took a chance on two women steering a beloved giant and gave us room to imagine.

And then there are the friends. Old friends. New friends. Students. Mentors. Collaborators. Heroes. People from every era of my little tiny artistic life appearing at exactly the right chapter to breathe life into these beautiful people and gorgeous town, that once only existed in my imagination...

A special thank you to my patient husband Alec, MamaSilbs, both Lerner and Loewe estates, and all of the inspirations (you know who you are). Thank you for loving me through the glamorous process known as “watching someone stare silently into middle distance and call it work.”

Theatre is never made alone. It is created and consumed in community. Thank you to our perfect cast, orchestra, crew, designers and @ryantymensky
I feel very lucky to stand among you.
We all, BrigaDID it. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

Production 📸 : Jeff Lorch
Red Carpet: Yoshi Morimoto

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

At a loss for words.

After years in the making, @alsilbs’s new adaptation of Brigadoon has its opening night tonight at @pasadenaplayhouse. It’s her FIRST EVER opening night as a PLAYWRIGHT. I am bursting with pride.

I had the privilege of sitting in on some rehearsals, tech and previews, and what I witnessed was the most joyful, loving, and efficient cradle of creation I have ever seen.

This production is led by the singular @k8spelman, a visionary director and dear friend, who miraculously balances conviction, decisiveness and a collaborative atmosphere theatre artists dream of. Katie’s hand has touched and informed this production as much as Al’s, and the play could not be better for it.

Something Katie does better than anybody, is stage vibrant communities, and that is exactly what she has done here both on stage and off. The team of world class cast, creative, production, crew, and orchestra who brought this show to life is too large to count.

The cast is:
@maxizpad
#betsymorgan
@tynedalyonline
@donnavivino
@happyandersonacting
@daniel.j.yearwood
@kylievictoria2
@spencermilford
@jkell30
@michaelscottharris
@wadesworld76
@caliano
@asian_with_a_camera
@csaculla
@_amandaclement
@evanenannik
@julialenn0n
@sophieldavid
@ames__smith
@gabrielnavarrojr
@maddielacambra
@gil_sweeney

Stage Management by @jillgsm
Associate Choreography by @kim.c.hudman.
Assistant Direction by @mabelweismann
Music Supervision by #darylarchibald
Music Direction by @bradkgardner
Scenic Design by @jasonsherwooddesign
Costume Design by @raqueladornocostumedesign
Lighting Design by @smithworkslighting
Sound Design by @erdberg and @ursulakwongbrown
Wig, Hair and Makeup Design by @saboralbee
Props by @douglaspuskas
Casting by @ryantymensky

An incredible 22 piece orchestra

Production helmed by @dannyfeld and @skydream

Thank you all (and so many more) for making Al’s dream come true.

And to the friends, family, and angels who held Al and I as we grew to meet this moment, you know who you are. This could not have been possible without you.

To Al: I love ye. I love ye. I love ye.

BRIGADOON is running now through June 14.

📸: @lordylorch

For anyone born in #LosAngeles, a feature like this in the @latimes is an honor. But to be featured here for rewriting classic #musicals for the #theatre alongside @thedavidhenryhwang (a fellow #LA-born theatre artist!) is company I *never* dreamed to keep. Thank you to #Brigadoon, @pasadenaplayhouse and the Lerner and Loewe estates for this enormous honor. 🔗 in bi0 & stories!

Go see and support ALL of these classics as they make their way through LA this spring.

✍️: @maljanem
📸: @jason_armond

For anyone born in #LosAngeles, a feature like this in the @latimes is an honor. But to be featured here for rewriting classic #musicals for the #theatre alongside @thedavidhenryhwang (a fellow #LA-born theatre artist!) is company I *never* dreamed to keep. Thank you to #Brigadoon, @pasadenaplayhouse and the Lerner and Loewe estates for this enormous honor. 🔗 in bi0 & stories!

Go see and support ALL of these classics as they make their way through LA this spring.

✍️: @maljanem
📸: @jason_armond

For anyone born in #LosAngeles, a feature like this in the @latimes is an honor. But to be featured here for rewriting classic #musicals for the #theatre alongside @thedavidhenryhwang (a fellow #LA-born theatre artist!) is company I *never* dreamed to keep. Thank you to #Brigadoon, @pasadenaplayhouse and the Lerner and Loewe estates for this enormous honor. 🔗 in bi0 & stories!

Go see and support ALL of these classics as they make their way through LA this spring.

✍️: @maljanem
📸: @jason_armond

For anyone born in #LosAngeles, a feature like this in the @latimes is an honor. But to be featured here for rewriting classic #musicals for the #theatre alongside @thedavidhenryhwang (a fellow #LA-born theatre artist!) is company I *never* dreamed to keep. Thank you to #Brigadoon, @pasadenaplayhouse and the Lerner and Loewe estates for this enormous honor. 🔗 in bi0 & stories!

Go see and support ALL of these classics as they make their way through LA this spring.

✍️: @maljanem
📸: @jason_armond

It with profound sorrow that I join the world in mourning the loss of a once-in-generation musician, Michael Tilson Thomas.

I have many memories, (and some shall always remain privately ‘mine’), but what I can say is that MTT gave me was so much more than “a shot” when he selected me—a total nobody— to sing *his* Maria. He also gave me the gift of contributing to the legacy of West Side Story and to crossover music history, happily preserved for all time on our glorious recording.

But above all, MTT unsentimentally taught me how to believe in myself, and the lesson that sometimes? that is a slow process. The story that captures this:

One day, during our week leading up to ‘West Side Story’ rehearsal he brought me in to his office. I truly believed I was being fired. The imposter syndrome was real. But that is not what happened. “You’re singing sharp when you get nervous,” he said. “I know. That does happen when I get nervous I’ll fix it,” I replied, horrified. “Singing sharp often happens when people try too hard,” MTT continued, “They overshoot the note trying to be more than they are. I don’t need you to be more than you are. You are ‘Ein großer Künstler’ Alexandra. A great artist. Be exactly what you are, fully, don’t shrink, don’t puff, and you’ll be perfection.”

I was staggered. I almost cried. “So I’m not fired?”
“Absolutely not.”
“But… I don’t know if I can trust myself like that.”
“Then trust ME. I’m Michael Tilson Thomas and I know what I’m doing! I chose YOU. And I don’t regret it. Trust ME until you trust yourself. Sometimes belief can be collaborative. Nothing wrong with that.”

May we all learn from this.

May his memory be a blessing. I know it shall always be for me. 🤍

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

No words. Because *every last word I could ever have*, is in those pages. || Day 1. Let’s go. Och aye. 🏴󠁧󠁢󠁳󠁣󠁴󠁿

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

‘ALL I NEED IS THE GIRL’ – 2026

There aren’t words to express what it meant to be invited back to share the stage with my forever girlfriend @robynhurder (inarguably one of our *greatest* triple threats) and recreate this iconic scene and choreography from GYPSY (originally directed / put on us in 2019 by pal @tonyyazbeckofficial— iconic Tulsa himself!)

Ohhhhh how the world has changed since then. How both of our lives, bodies, hearts and careers have evolved and shifted in those 7 years. And yet, like the magic that is emotional and muscle memory: there it all was, like not a moment had passed for this version of Tulsa and Louise. A very special take on the agony of unrequited love…

Thank you @broadwaycares for the honor and the gift. ✨

📸 📸: @michaelhullnyc & @rebeccajmichelson
_________________

BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

ONE DAY MORE, 2026

The 20th Anniversary production of @broadwaycares, BROADWAY BACKWARDS was everything one could dream of. An honor to revisit “Jean” opposite @iamibradleydean with old friends and new.

“The time is now. The day is here.” 🏳️‍🌈

Photos here by the brilliant @michaelhullphoto and @rebeccajmichelson— whose hugs were one of the best part of the evening.
_____________•______________
BROADWAY BACKWARDS
Written, Directed and Choreographed by Robert Bartley
Music Supervisors: @tedarthur, @marymitchellc
Music Director: @stevenmcuevas
Choreographer and Associate Director: @adamant9
Co-choreographers: @tinylamotte, @colby_q
Production Stage Manager: @esarab
Props Designers: Jenna Snyder, @alexanderwylie87
Lighting Designers: @jeffcroiter, @colleenashleyd
Sound Designers: Marie Renee Foucher, Josh Maszle
Costume Designers: @kittycassetti, @jgersz, Alex Rocky, @tiecarlton
Hair Designers & Supervisors: @meganburkeartistry, @wigkedtiff
Makeup Designers & Supervisors: @joshuabarrymua, @meganburkeartistry
Casting Consultant: @castingbyarc

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

From out of the mist... 🌿🌿🌿 Casting news for BRIGADOON is here!

Tony Award Nominee MAX VON ESSEN (An American in Paris, Anastasia, Evita) as Tommy Albright, BETSY MORGAN (Kimberly Akimbo, The King and I, A Little Night Music) as Fiona MacLaren, HAPPY ANDERSON (The Merchant of Venice, Netflix's Mindhunter) as Jeff Douglas, DANIEL YEARWOOD (Hamilton, Stephen Sondheim's Old Friends) as Charlie Dalrymple, & Tony Award and six time Emmy Award Winner TYNE DALY as Widow Lundie.

The production features a new adaptation by ALEXANDRA SILBER inspired by the original book and lyrics by ALAN JAY LERNER, with music by FREDERICK LOEWE, and will be directed and choreographed by KATIE SPELMAN. Additional casting and creative team announcements are coming soon!

BRIGADOON is our stage May 13 – June 14, 2026. Tickets on sale now!

@maxizpad
@happyandersonacting
@daniel.j.yearwood
@tynedalyonline
@k8spelman
@alsilbs

On March 7th at 7pm at Baruch Performing Arts Center @baruchpac Alexandra Silber’s AFTER ANATEVKA kicks off performances in @prospectmusicals IGNITE Concert Festival!Tickets at www.ProspectMusicals.org — one night only!Guest artists include Cailen Fu, Adam Kantor, Danny Kornfeld, Becca Suskauer and performer and music director Ben Moss.The evening features original songs by Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, and Jeffrey Stock.FIDDLER ON THE ROOF music by Jerry Bock and lyrics by Sheldon Harnick.
#broadwaymusicals #fiddlerontheroof #jewishstories #newmusicaltheatre

Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵

Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off.Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength.The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel.

performed by author Alexandra Silber with music director Ben Moss

featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer

Original Songs by:Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock

One night only. Ticket link in bio! 🧡
@alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower
#afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre

Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵

Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off.Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength.The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel.

performed by author Alexandra Silber with music director Ben Moss

featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer

Original Songs by:Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock

One night only. Ticket link in bio! 🧡
@alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower
#afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre

Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵

Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off.Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength.The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel.

performed by author Alexandra Silber with music director Ben Moss

featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer

Original Songs by:Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock

One night only. Ticket link in bio! 🧡
@alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower
#afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre

Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵

Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off.Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength.The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel.

performed by author Alexandra Silber with music director Ben Moss

featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer

Original Songs by:Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock

One night only. Ticket link in bio! 🧡
@alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower
#afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre

Prospect's IGNITE Concert Festival begins performances March 7th with AFTER ANATEVKA! 🩵

Broadway performer and author Alexandra Silber shares a musicalized book reading of her novel, After Anatevka, which picks up where Fiddler on the Roof left off.Hodel takes center stage as she attempts to join her fiancé Perchik in Siberia, facing extraordinary obstacles and finding inner strength.The evening includes beloved songs from the classic musical, alongside original songs inspired by Silber's novel.

performed by author Alexandra Silber with music director Ben Moss

featuring special guest artists: Cailen Fu, Adam Kantor, Danny Kornfeld and Becca Suskauer

Original Songs by:Oran Eldor & Adam Overett, Matthew Sklar & Amanda Green, Julianne Wick Davis & Maggie-Kate Coleman, Will Reynolds & Eric Price, Jeffrey Stock

One night only. Ticket link in bio! 🧡
@alsilbs @benkmoss @adamjkantor @cailenfu @dannykornfeld @beccaflower
#afteranatevka #newmusicaltheatre #prospectmusicals #igniteconcertfestival #fiddler #jewishstories #nyctheatre