Alabama Blonde
Bounty Hunter
Rep. IAG
Costume (CDG892) Casting (CSA)
Films @ Sundance, Tribeca, Sitges, Fantasia, BIFF, SXSW
@schonmagazine @eflemingcasting

Very proud to have cast this one with @davidaguglielmo
The filmmakers behind it are really exciting voices, who are precise, daring & deeply intentional in their work. It was a privilege to help build this world with them.
… and this cast is exceptional. Fearless, committed and impossible to ignore. My heart is so happy.
Excited for the world to see NightFlirt!

Very proud to have cast this one with @davidaguglielmo
The filmmakers behind it are really exciting voices, who are precise, daring & deeply intentional in their work. It was a privilege to help build this world with them.
… and this cast is exceptional. Fearless, committed and impossible to ignore. My heart is so happy.
Excited for the world to see NightFlirt!

Very proud to have cast this one with @davidaguglielmo
The filmmakers behind it are really exciting voices, who are precise, daring & deeply intentional in their work. It was a privilege to help build this world with them.
… and this cast is exceptional. Fearless, committed and impossible to ignore. My heart is so happy.
Excited for the world to see NightFlirt!

Very proud to have cast this one with @davidaguglielmo
The filmmakers behind it are really exciting voices, who are precise, daring & deeply intentional in their work. It was a privilege to help build this world with them.
… and this cast is exceptional. Fearless, committed and impossible to ignore. My heart is so happy.
Excited for the world to see NightFlirt!

Very proud to have cast this one with @davidaguglielmo
The filmmakers behind it are really exciting voices, who are precise, daring & deeply intentional in their work. It was a privilege to help build this world with them.
… and this cast is exceptional. Fearless, committed and impossible to ignore. My heart is so happy.
Excited for the world to see NightFlirt!

Pinch me!!! Bama’s first #SundanceFilmFestival. I’m speechless and screaming with gratitude that our independent series THE SCREENER will have its World Premiere at the 2026 Sundance Film Festival.
Thank you endlessly to Jim Cummings & PJ McCabe for trusting me as Costume Designer on this incredible project. 🥹 60+ inspiring cast members, 240+ costumes, and the dreamiest crew I could ever hope for. Productions, visionaries, and creatives like this are exactly why I took the biggest leap of my life 6 years ago when packing up my Aussie world and taking a chance on Los Angeles.
From the bottom of my heart, thank you to everyone on The Screener. I love you.
And the biggest shoutout to my magician of an assistant @cassidyflorencejane - I couldn’t have tackled this without you. The costume magic is ours.
Writers/Directors: @jimmycthatsme & @pojofosho
Cinematography: @macfisken
Casting: @ameyrenecasting
Producers: Michael J. McGarry & @thomasthecross
Production Manager: @jenndanger007
Production Coordinator: @slangerg
Production Design: @cthomastextor
Costume Designer: @alabamablonde
Gaffer: @ernestopletsch
VFX Supervisor: @collinblack
Our pro-bono post-producer: @julia1sabella
Hair & Make-up: @aprilfiskemua
Production Sound: @gabelinkiewicz
Original Score: @vannucci_fy
Co-Editors: @r.brett.thomas & @thebiggamemovie
Cast:
Shereen Lani Younes @shereenlani
Jon Rudnitsky @jonrudnitsky
Boni Mata @bonimata
BK Cannon @cannonbk
Shaun J. Brown @shaunjbrown
Nicolette Doke @nicolettedoke
Daryl Sabara @darylsabara
Kumail Nanjiani @kumailn
Creed Bratton @creedbratton

Pinch me!!! Bama’s first #SundanceFilmFestival. I’m speechless and screaming with gratitude that our independent series THE SCREENER will have its World Premiere at the 2026 Sundance Film Festival.
Thank you endlessly to Jim Cummings & PJ McCabe for trusting me as Costume Designer on this incredible project. 🥹 60+ inspiring cast members, 240+ costumes, and the dreamiest crew I could ever hope for. Productions, visionaries, and creatives like this are exactly why I took the biggest leap of my life 6 years ago when packing up my Aussie world and taking a chance on Los Angeles.
From the bottom of my heart, thank you to everyone on The Screener. I love you.
And the biggest shoutout to my magician of an assistant @cassidyflorencejane - I couldn’t have tackled this without you. The costume magic is ours.
Writers/Directors: @jimmycthatsme & @pojofosho
Cinematography: @macfisken
Casting: @ameyrenecasting
Producers: Michael J. McGarry & @thomasthecross
Production Manager: @jenndanger007
Production Coordinator: @slangerg
Production Design: @cthomastextor
Costume Designer: @alabamablonde
Gaffer: @ernestopletsch
VFX Supervisor: @collinblack
Our pro-bono post-producer: @julia1sabella
Hair & Make-up: @aprilfiskemua
Production Sound: @gabelinkiewicz
Original Score: @vannucci_fy
Co-Editors: @r.brett.thomas & @thebiggamemovie
Cast:
Shereen Lani Younes @shereenlani
Jon Rudnitsky @jonrudnitsky
Boni Mata @bonimata
BK Cannon @cannonbk
Shaun J. Brown @shaunjbrown
Nicolette Doke @nicolettedoke
Daryl Sabara @darylsabara
Kumail Nanjiani @kumailn
Creed Bratton @creedbratton

Pinch me!!! Bama’s first #SundanceFilmFestival. I’m speechless and screaming with gratitude that our independent series THE SCREENER will have its World Premiere at the 2026 Sundance Film Festival.
Thank you endlessly to Jim Cummings & PJ McCabe for trusting me as Costume Designer on this incredible project. 🥹 60+ inspiring cast members, 240+ costumes, and the dreamiest crew I could ever hope for. Productions, visionaries, and creatives like this are exactly why I took the biggest leap of my life 6 years ago when packing up my Aussie world and taking a chance on Los Angeles.
From the bottom of my heart, thank you to everyone on The Screener. I love you.
And the biggest shoutout to my magician of an assistant @cassidyflorencejane - I couldn’t have tackled this without you. The costume magic is ours.
Writers/Directors: @jimmycthatsme & @pojofosho
Cinematography: @macfisken
Casting: @ameyrenecasting
Producers: Michael J. McGarry & @thomasthecross
Production Manager: @jenndanger007
Production Coordinator: @slangerg
Production Design: @cthomastextor
Costume Designer: @alabamablonde
Gaffer: @ernestopletsch
VFX Supervisor: @collinblack
Our pro-bono post-producer: @julia1sabella
Hair & Make-up: @aprilfiskemua
Production Sound: @gabelinkiewicz
Original Score: @vannucci_fy
Co-Editors: @r.brett.thomas & @thebiggamemovie
Cast:
Shereen Lani Younes @shereenlani
Jon Rudnitsky @jonrudnitsky
Boni Mata @bonimata
BK Cannon @cannonbk
Shaun J. Brown @shaunjbrown
Nicolette Doke @nicolettedoke
Daryl Sabara @darylsabara
Kumail Nanjiani @kumailn
Creed Bratton @creedbratton

Pinch me!!! Bama’s first #SundanceFilmFestival. I’m speechless and screaming with gratitude that our independent series THE SCREENER will have its World Premiere at the 2026 Sundance Film Festival.
Thank you endlessly to Jim Cummings & PJ McCabe for trusting me as Costume Designer on this incredible project. 🥹 60+ inspiring cast members, 240+ costumes, and the dreamiest crew I could ever hope for. Productions, visionaries, and creatives like this are exactly why I took the biggest leap of my life 6 years ago when packing up my Aussie world and taking a chance on Los Angeles.
From the bottom of my heart, thank you to everyone on The Screener. I love you.
And the biggest shoutout to my magician of an assistant @cassidyflorencejane - I couldn’t have tackled this without you. The costume magic is ours.
Writers/Directors: @jimmycthatsme & @pojofosho
Cinematography: @macfisken
Casting: @ameyrenecasting
Producers: Michael J. McGarry & @thomasthecross
Production Manager: @jenndanger007
Production Coordinator: @slangerg
Production Design: @cthomastextor
Costume Designer: @alabamablonde
Gaffer: @ernestopletsch
VFX Supervisor: @collinblack
Our pro-bono post-producer: @julia1sabella
Hair & Make-up: @aprilfiskemua
Production Sound: @gabelinkiewicz
Original Score: @vannucci_fy
Co-Editors: @r.brett.thomas & @thebiggamemovie
Cast:
Shereen Lani Younes @shereenlani
Jon Rudnitsky @jonrudnitsky
Boni Mata @bonimata
BK Cannon @cannonbk
Shaun J. Brown @shaunjbrown
Nicolette Doke @nicolettedoke
Daryl Sabara @darylsabara
Kumail Nanjiani @kumailn
Creed Bratton @creedbratton

Pinch me!!! Bama’s first #SundanceFilmFestival. I’m speechless and screaming with gratitude that our independent series THE SCREENER will have its World Premiere at the 2026 Sundance Film Festival.
Thank you endlessly to Jim Cummings & PJ McCabe for trusting me as Costume Designer on this incredible project. 🥹 60+ inspiring cast members, 240+ costumes, and the dreamiest crew I could ever hope for. Productions, visionaries, and creatives like this are exactly why I took the biggest leap of my life 6 years ago when packing up my Aussie world and taking a chance on Los Angeles.
From the bottom of my heart, thank you to everyone on The Screener. I love you.
And the biggest shoutout to my magician of an assistant @cassidyflorencejane - I couldn’t have tackled this without you. The costume magic is ours.
Writers/Directors: @jimmycthatsme & @pojofosho
Cinematography: @macfisken
Casting: @ameyrenecasting
Producers: Michael J. McGarry & @thomasthecross
Production Manager: @jenndanger007
Production Coordinator: @slangerg
Production Design: @cthomastextor
Costume Designer: @alabamablonde
Gaffer: @ernestopletsch
VFX Supervisor: @collinblack
Our pro-bono post-producer: @julia1sabella
Hair & Make-up: @aprilfiskemua
Production Sound: @gabelinkiewicz
Original Score: @vannucci_fy
Co-Editors: @r.brett.thomas & @thebiggamemovie
Cast:
Shereen Lani Younes @shereenlani
Jon Rudnitsky @jonrudnitsky
Boni Mata @bonimata
BK Cannon @cannonbk
Shaun J. Brown @shaunjbrown
Nicolette Doke @nicolettedoke
Daryl Sabara @darylsabara
Kumail Nanjiani @kumailn
Creed Bratton @creedbratton
Slay some bacon on a biscuit & let’s go! @thelaststopinyumacounty • made by a bunch of bad ass babes • lead by fearless legend @francisgalluppi • officially hits theatres on May 10th!!!
In the meantime, check out our tasty trailer 👅🫶🏻🤠 still pinching myself over this one. See y’all at the cinema on May 10th!
Proud to have cast Stefano Pennisi’s award winning horror film ‘dont.4get2smile’ with @davidaguglielmo - it has finished its incredible international festival run & is now available to watch on YouTube.
Written & Directed by. @fano500
Produced by. @fano500 + @bernardjhunt
Casting by: @davidaguglielmo + @eflemingcasting
Starring: @sabrinaschlegelmejia @nathacfn @alyssa_nasca @madisonshaffer @ponyboydesoye

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin

With her first lead role completed and a Warhol-era Candy Darling biopic gaining traction, @harinef is shaping a multidisciplinary career in full stride. Wearing @loewe for her Schön! 50 print cover story, the actor, model, writer and producer reflects on a path that moves from page to runway to screen. “I realised that I was meant to be an actor for life,” she says. “I figured that if I could withstand that – and even take pleasure in it, which I did – then I was in the right profession.”
Your personal printed copy of Schön! 50 is available now via link in @schonmagazine bio.
Schön! editor in chief. @raoulkeil
photography. @lissette_emma
fashion. @junglelin
talent. @harinef @imgmodels
casting. @eflemingcasting
hair. @blakeerik @forwardartists
make up. @kyequinlan
set design. @laurahugh.es
lighting. @nocturnalfame
creative production. @cassidy.ac
production. @softs1de @juicehousecreative
production company. @juicehousecreative
behind-the-scenes + production assistant. @slee.gem
location. @bailey_lecat
retouch. @lissette_emma
words. @raeganrubin
@imprint_film is going to @tribeca for its 25th year!
In a near-future where knowledge can be traded for citizenship, a desperate mother buys an immigrant’s expertise to give her daughter a competitive edge - at a cost she never imagined.
Cast. Wrenn Schmidt, @officialkokoraine + Alex Wyndham
Writer/Director. @ranjing0108
Writer. Yumiko Fujiwara
Producers. @fionahardingham + @selena_moon_cat
Exec Producers. Priscilla Li, @jiacheng.jw @megan_cycling @natalie_wetzig @yanchengzhang99 @portlynn.tagavi
Cinematographer. @kaikrausedp
Production Designer. @doriane_desfaugeres
Costume Designer. @alabamablonde
Hmu Designer. @taytayschulte
Hmu for KoKo Raine. @emmawillishmu
Editor. @yuepu
Composer. @mattwmusic
Sound Designer. @yanchengzhang99
UPM. @moncastrob
1st AD. @middletonfilms
Associate Producer. @lilyyyy_ka
Set Decorator. @emilyhenninger
Props. @emilyg1245
Assistant Costume Designer. @russel_kipke
@americanfilminstitute @adaptedpictures @littlepawspictures + Black Rhino

With ‘Ride or Die’, ‘Ted Lasso’ and ‘High in the Clouds’ on the horizon, hannah_waddingham is stepping into a standout year. Wearing @statnaia_corsets_ and @mrselfportrait for her Schön! 50 cover story, she opens up about how her journey has always been rooted in craft. “You find that you’re made of such strong stuff that you just keep plowing on,” she says, “I think that’s the key.”
Your personal printed copy of Schön! 50 is available now via the link in @schonmagazine bio
Schön! editor in chief. @raoulkeil
photography. @rhysframpton
fashion. @has.hejazi
talent. hannah_waddingham
casting. @eflemingcasting
hair. @elleclancyhair
make up. @charlieduffymakeup @carolhayesmanagement using @lisaeldridgemakeup
nails. @adornedbyaliyah @carolhayesmanagement using @nailorder, @lucypastorellitools_ +
@loccitane
photography assistants. @ethyweathy + @roryronnie
words. @raeganrubin

With ‘Ride or Die’, ‘Ted Lasso’ and ‘High in the Clouds’ on the horizon, hannah_waddingham is stepping into a standout year. Wearing @statnaia_corsets_ and @mrselfportrait for her Schön! 50 cover story, she opens up about how her journey has always been rooted in craft. “You find that you’re made of such strong stuff that you just keep plowing on,” she says, “I think that’s the key.”
Your personal printed copy of Schön! 50 is available now via the link in @schonmagazine bio
Schön! editor in chief. @raoulkeil
photography. @rhysframpton
fashion. @has.hejazi
talent. hannah_waddingham
casting. @eflemingcasting
hair. @elleclancyhair
make up. @charlieduffymakeup @carolhayesmanagement using @lisaeldridgemakeup
nails. @adornedbyaliyah @carolhayesmanagement using @nailorder, @lucypastorellitools_ +
@loccitane
photography assistants. @ethyweathy + @roryronnie
words. @raeganrubin

With ‘Ride or Die’, ‘Ted Lasso’ and ‘High in the Clouds’ on the horizon, hannah_waddingham is stepping into a standout year. Wearing @statnaia_corsets_ and @mrselfportrait for her Schön! 50 cover story, she opens up about how her journey has always been rooted in craft. “You find that you’re made of such strong stuff that you just keep plowing on,” she says, “I think that’s the key.”
Your personal printed copy of Schön! 50 is available now via the link in @schonmagazine bio
Schön! editor in chief. @raoulkeil
photography. @rhysframpton
fashion. @has.hejazi
talent. hannah_waddingham
casting. @eflemingcasting
hair. @elleclancyhair
make up. @charlieduffymakeup @carolhayesmanagement using @lisaeldridgemakeup
nails. @adornedbyaliyah @carolhayesmanagement using @nailorder, @lucypastorellitools_ +
@loccitane
photography assistants. @ethyweathy + @roryronnie
words. @raeganrubin

With ‘Ride or Die’, ‘Ted Lasso’ and ‘High in the Clouds’ on the horizon, hannah_waddingham is stepping into a standout year. Wearing @statnaia_corsets_ and @mrselfportrait for her Schön! 50 cover story, she opens up about how her journey has always been rooted in craft. “You find that you’re made of such strong stuff that you just keep plowing on,” she says, “I think that’s the key.”
Your personal printed copy of Schön! 50 is available now via the link in @schonmagazine bio
Schön! editor in chief. @raoulkeil
photography. @rhysframpton
fashion. @has.hejazi
talent. hannah_waddingham
casting. @eflemingcasting
hair. @elleclancyhair
make up. @charlieduffymakeup @carolhayesmanagement using @lisaeldridgemakeup
nails. @adornedbyaliyah @carolhayesmanagement using @nailorder, @lucypastorellitools_ +
@loccitane
photography assistants. @ethyweathy + @roryronnie
words. @raeganrubin

With ‘Ride or Die’, ‘Ted Lasso’ and ‘High in the Clouds’ on the horizon, hannah_waddingham is stepping into a standout year. Wearing @statnaia_corsets_ and @mrselfportrait for her Schön! 50 cover story, she opens up about how her journey has always been rooted in craft. “You find that you’re made of such strong stuff that you just keep plowing on,” she says, “I think that’s the key.”
Your personal printed copy of Schön! 50 is available now via the link in @schonmagazine bio
Schön! editor in chief. @raoulkeil
photography. @rhysframpton
fashion. @has.hejazi
talent. hannah_waddingham
casting. @eflemingcasting
hair. @elleclancyhair
make up. @charlieduffymakeup @carolhayesmanagement using @lisaeldridgemakeup
nails. @adornedbyaliyah @carolhayesmanagement using @nailorder, @lucypastorellitools_ +
@loccitane
photography assistants. @ethyweathy + @roryronnie
words. @raeganrubin

Sadie Sink - “luminous,” “heartbreaking,” and quietly stealing the show in Romeo and Juliet on the West End.
Already undeniable from Stranger Things and The Whale - having her as our Schön! Summer 2024 print cover… it felt like catching her next chapter as it began.
@sadiesink_ for @schonmagazine issue 42
Schön! EIC. @raoulkeil
Photography. @_davidmolle_
Fashion. @chelseavolpestylist
Casting. @eflemingcasting @alabamablonde
Hair. @gonn24
Make up. @quinnmurphy
Nails. @artebytak
Photo Assist. @insta_grant2 + @danielroaart
Faahion Assist. @jordanalexanderbryant @itsjaimeyadigg laurine.aiello
Hair Assist. @kumi_hair_nyc
location: @pier59studios
words: @kelseyjbarnes

I have loved Sarah Yarkin’s work for so long. So this was truly such a pleasure 🥰 @sarahyarkin is worlds away from the cynical, sarcastic Rhonda she portrays in the teen series School Spirits. Instead, the California-born actor is warm from the very first moment. It’s a contrast she’s fully aware of, and she admits that she initially struggled to relate to the sharp-tongued ghost haunting the halls of Split River High.
Ahead of the season three finale, she sat down with Schön! to reflect on Rhonda’s character development, queer storytelling, and what’s next. Are you looking forward to the new season?
Read the full interview at the #linkinbio
photography. @kendrafrankle
fashion. @itsamandalim represented by The Only Agency
talent. @sarahyarkin
casting. @eflemingcasting / @alabamablonde
hair. @hairbyjohnd
make up. @tanyamakeupandhair
production. @cassidy.ac
interview. @amberalouise

I have loved Sarah Yarkin’s work for so long. So this was truly such a pleasure 🥰 @sarahyarkin is worlds away from the cynical, sarcastic Rhonda she portrays in the teen series School Spirits. Instead, the California-born actor is warm from the very first moment. It’s a contrast she’s fully aware of, and she admits that she initially struggled to relate to the sharp-tongued ghost haunting the halls of Split River High.
Ahead of the season three finale, she sat down with Schön! to reflect on Rhonda’s character development, queer storytelling, and what’s next. Are you looking forward to the new season?
Read the full interview at the #linkinbio
photography. @kendrafrankle
fashion. @itsamandalim represented by The Only Agency
talent. @sarahyarkin
casting. @eflemingcasting / @alabamablonde
hair. @hairbyjohnd
make up. @tanyamakeupandhair
production. @cassidy.ac
interview. @amberalouise

I have loved Sarah Yarkin’s work for so long. So this was truly such a pleasure 🥰 @sarahyarkin is worlds away from the cynical, sarcastic Rhonda she portrays in the teen series School Spirits. Instead, the California-born actor is warm from the very first moment. It’s a contrast she’s fully aware of, and she admits that she initially struggled to relate to the sharp-tongued ghost haunting the halls of Split River High.
Ahead of the season three finale, she sat down with Schön! to reflect on Rhonda’s character development, queer storytelling, and what’s next. Are you looking forward to the new season?
Read the full interview at the #linkinbio
photography. @kendrafrankle
fashion. @itsamandalim represented by The Only Agency
talent. @sarahyarkin
casting. @eflemingcasting / @alabamablonde
hair. @hairbyjohnd
make up. @tanyamakeupandhair
production. @cassidy.ac
interview. @amberalouise

I have loved Sarah Yarkin’s work for so long. So this was truly such a pleasure 🥰 @sarahyarkin is worlds away from the cynical, sarcastic Rhonda she portrays in the teen series School Spirits. Instead, the California-born actor is warm from the very first moment. It’s a contrast she’s fully aware of, and she admits that she initially struggled to relate to the sharp-tongued ghost haunting the halls of Split River High.
Ahead of the season three finale, she sat down with Schön! to reflect on Rhonda’s character development, queer storytelling, and what’s next. Are you looking forward to the new season?
Read the full interview at the #linkinbio
photography. @kendrafrankle
fashion. @itsamandalim represented by The Only Agency
talent. @sarahyarkin
casting. @eflemingcasting / @alabamablonde
hair. @hairbyjohnd
make up. @tanyamakeupandhair
production. @cassidy.ac
interview. @amberalouise

I have loved Sarah Yarkin’s work for so long. So this was truly such a pleasure 🥰 @sarahyarkin is worlds away from the cynical, sarcastic Rhonda she portrays in the teen series School Spirits. Instead, the California-born actor is warm from the very first moment. It’s a contrast she’s fully aware of, and she admits that she initially struggled to relate to the sharp-tongued ghost haunting the halls of Split River High.
Ahead of the season three finale, she sat down with Schön! to reflect on Rhonda’s character development, queer storytelling, and what’s next. Are you looking forward to the new season?
Read the full interview at the #linkinbio
photography. @kendrafrankle
fashion. @itsamandalim represented by The Only Agency
talent. @sarahyarkin
casting. @eflemingcasting / @alabamablonde
hair. @hairbyjohnd
make up. @tanyamakeupandhair
production. @cassidy.ac
interview. @amberalouise

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

@sundancescreener doesn’t pull punches. It’s about the version of the industry we all recognize - where films become currency, access becomes leverage, and the people making the work often have the least control.
It captures the ecosystem as it actually is: quiet hierarchies, unspoken politics, deals happening in rooms you’re not in… until you are.
Working with @jimmycthatsme & @pojofosho on this was a reminder of why I’m still here - the collaboration, the risk, and the rare alignment of people who actually care about the work.
Because the system isn’t built for you to win - but sometimes you find the ones who want the work to. And want you there with it.
Photos by @fenwickrockwell
Stay tuned - & thank you to @hollywoodreporter for your words.

Model, mover, truth-teller: Vivian Jenna Wilson is stepping into her power in a world determined to test it. At 21, she’s walking runways in Paris, carving a path in fashion, and refusing to stay silent. She never asked for the label “activist,” but she’s living the reality of one - not out of desire, but necessity.
“I don’t really care if people call me an activist or not, » she says, wearing @rvng.couture for her Schön! 49 cover story. « I advocate for trans rights because that’s something I need to do… You have to be political as a trans person.”
Discover Schön! 49 featuring Vivian Jenna Wilson available in print + digital download via link in @schonmagazine bio.
photography. @alexkjustice
fashion. @studio_stackpole @artistscollectivemanagement
talent. @vivllainous
casting. @eflemingcasting
hair. @kellypeachbeauty @walterschupfermanagement
make up. @pircillapae @aframe_agency
photography assistant. @sadiejeanspezzano
fashion assistant. @julia.poersch
production. @claralarosa
production assistant. @cassidy.ac
words. @katie.s94

Model, mover, truth-teller: Vivian Jenna Wilson is stepping into her power in a world determined to test it. At 21, she’s walking runways in Paris, carving a path in fashion, and refusing to stay silent. She never asked for the label “activist,” but she’s living the reality of one - not out of desire, but necessity.
“I don’t really care if people call me an activist or not, » she says, wearing @rvng.couture for her Schön! 49 cover story. « I advocate for trans rights because that’s something I need to do… You have to be political as a trans person.”
Discover Schön! 49 featuring Vivian Jenna Wilson available in print + digital download via link in @schonmagazine bio.
photography. @alexkjustice
fashion. @studio_stackpole @artistscollectivemanagement
talent. @vivllainous
casting. @eflemingcasting
hair. @kellypeachbeauty @walterschupfermanagement
make up. @pircillapae @aframe_agency
photography assistant. @sadiejeanspezzano
fashion assistant. @julia.poersch
production. @claralarosa
production assistant. @cassidy.ac
words. @katie.s94

Model, mover, truth-teller: Vivian Jenna Wilson is stepping into her power in a world determined to test it. At 21, she’s walking runways in Paris, carving a path in fashion, and refusing to stay silent. She never asked for the label “activist,” but she’s living the reality of one - not out of desire, but necessity.
“I don’t really care if people call me an activist or not, » she says, wearing @rvng.couture for her Schön! 49 cover story. « I advocate for trans rights because that’s something I need to do… You have to be political as a trans person.”
Discover Schön! 49 featuring Vivian Jenna Wilson available in print + digital download via link in @schonmagazine bio.
photography. @alexkjustice
fashion. @studio_stackpole @artistscollectivemanagement
talent. @vivllainous
casting. @eflemingcasting
hair. @kellypeachbeauty @walterschupfermanagement
make up. @pircillapae @aframe_agency
photography assistant. @sadiejeanspezzano
fashion assistant. @julia.poersch
production. @claralarosa
production assistant. @cassidy.ac
words. @katie.s94

Model, mover, truth-teller: Vivian Jenna Wilson is stepping into her power in a world determined to test it. At 21, she’s walking runways in Paris, carving a path in fashion, and refusing to stay silent. She never asked for the label “activist,” but she’s living the reality of one - not out of desire, but necessity.
“I don’t really care if people call me an activist or not, » she says, wearing @rvng.couture for her Schön! 49 cover story. « I advocate for trans rights because that’s something I need to do… You have to be political as a trans person.”
Discover Schön! 49 featuring Vivian Jenna Wilson available in print + digital download via link in @schonmagazine bio.
photography. @alexkjustice
fashion. @studio_stackpole @artistscollectivemanagement
talent. @vivllainous
casting. @eflemingcasting
hair. @kellypeachbeauty @walterschupfermanagement
make up. @pircillapae @aframe_agency
photography assistant. @sadiejeanspezzano
fashion assistant. @julia.poersch
production. @claralarosa
production assistant. @cassidy.ac
words. @katie.s94

Model, mover, truth-teller: Vivian Jenna Wilson is stepping into her power in a world determined to test it. At 21, she’s walking runways in Paris, carving a path in fashion, and refusing to stay silent. She never asked for the label “activist,” but she’s living the reality of one - not out of desire, but necessity.
“I don’t really care if people call me an activist or not, » she says, wearing @rvng.couture for her Schön! 49 cover story. « I advocate for trans rights because that’s something I need to do… You have to be political as a trans person.”
Discover Schön! 49 featuring Vivian Jenna Wilson available in print + digital download via link in @schonmagazine bio.
photography. @alexkjustice
fashion. @studio_stackpole @artistscollectivemanagement
talent. @vivllainous
casting. @eflemingcasting
hair. @kellypeachbeauty @walterschupfermanagement
make up. @pircillapae @aframe_agency
photography assistant. @sadiejeanspezzano
fashion assistant. @julia.poersch
production. @claralarosa
production assistant. @cassidy.ac
words. @katie.s94

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser

Costume Design for IMPRINT
In a near-future world where knowledge can be surgically bought and sold, a desperate mother purchases an immigrant’s expertise to give her young daughter an edge - only to uncover the devastating hidden costs of this new economy.
Cast.
Wrenn Schmidt
Koko Raine
Alex Wyndham
Valerie Yu
Milinka Winata
Writer & Director. Ran Wang @ranjing0108
Co-writer. Yumiko Fujiwara
Producers. Fiona Hardingham @fionahardingham +
Selena Leoni @selena_moon_cat
Cinematographer: Kai Krause @kaikrausedp
Production Designer: Doriane Desfaugeres @doriane_desfaugeres
Costume Designer. Alabama Blonde @alabamablonde
Casting Director: Stacey Rice
Editor: Evita Yuepu Zhou @yuepu
Composer: Matt Wang @mattwmusic
Sound Designer: Yancheng Zhang @yanchengzhang99
UPM: Mon Castro @moncastrob
1st AD: Graehme Middleton
2nd AD & EP & BTS Photographer: Jiacheng Wang @jiacheng.jw
Set Decorator: Emily Henninger @emilyhenninger
Prop Master: Emily Gould @emilyg1245
Script Supervisor: Howard Huang @howardhplzzz
Make up Artist: Taylor Schulte @taytayschulte
Costume Design Assistant: Rasul Kipkeev @russel_kipke
Associate Producer: Lily Guo
Production Sound: Cory Baker
Gaffer: Nick Conroy @nick__conroy
1st Assistant Camera: Briana Del Giorno @bdel_icious
2nd AC: Lauren Mosco
Key Grip: AJ Starzak @shotbyajstarzak
VFX Sup: Zijun Ma
Still Photographer: Bahareh Ritter @bahareh.co
BTS photography: Michael Jimenez
Colorist: Frederik Bokkenheuser
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