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Super excited to announce we’re working on the Antwaun Gay documentary!! Based on the book When a Man Exhales, where the secret brother of Marvin Gaye reveals his trauma and his journey through life after the tragic incident of his brother’s death.

Stay tuned for more. Link in bio to donate, and DM to know about upcoming opportunities!

Super excited to announce we’re working on the Antwaun Gay documentary!! Based on the book When a Man Exhales, where the secret brother of Marvin Gaye reveals his trauma and his journey through life after the tragic incident of his brother’s death.

Stay tuned for more. Link in bio to donate, and DM to know about upcoming opportunities!

Super excited to announce we’re working on the Antwaun Gay documentary!! Based on the book When a Man Exhales, where the secret brother of Marvin Gaye reveals his trauma and his journey through life after the tragic incident of his brother’s death.

Stay tuned for more. Link in bio to donate, and DM to know about upcoming opportunities!

Super excited to announce we’re working on the Antwaun Gay documentary!! Based on the book When a Man Exhales, where the secret brother of Marvin Gaye reveals his trauma and his journey through life after the tragic incident of his brother’s death.

Stay tuned for more. Link in bio to donate, and DM to know about upcoming opportunities!

Super excited to announce we’re working on the Antwaun Gay documentary!! Based on the book When a Man Exhales, where the secret brother of Marvin Gaye reveals his trauma and his journey through life after the tragic incident of his brother’s death.

Stay tuned for more. Link in bio to donate, and DM to know about upcoming opportunities!

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

#ShoutOutSunday to our Director of Photography/Producer: Aaron Robinson @aaronnyle 📸
#RobinABirdInTheHand #FanFilm #Robin #RedHood

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Salt in the Sea of Life is an Emory University Thesis Film for Director Zuri Greene. The film is about a family navigating the loss of a loved one—told through the eyes of a young boy watching his uncle and grandmother grieve in completely different ways. For this film, I suggested we strip lines of dialogue down andjust focus on raw emotions. Working with Zuri was a gift, he trusted me and didn’t handcuff me to standard coverage. Then we tore his script down to its emotional core and rebuilt it around the blocking that motivated character’s to take action and express what they needed.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

For this scene, I pushed to remove the dialogue and shoot at 48fps. I wanted to suspend the moment in time. I wanted the tension to stretch—to trap the character in the moment.I asked myself: what does it feel like when you’re stuck in a moment with someone and you can’t express your frustration? To me, just letting her read her lines, “Son, I’m mad at you…. Because you did XYZ” felt TOO VANILLA. So we took her voice away and let her live in the silence. No escape, just sitting in that anger until it finally boiled over.

Director: @zuri_greene_
Producer: Dimi Deju
Line Producer: Maya Ashe
Director of Photography: @brianbradley_dop
1st AD: Siena Lonsdorf
2nd AD: Elliana Henríquez Quallo
1st AC: @manofallseasons 
2nd AC: Will Chen
Script Supervisor: Carmen Weishan Herold
Boom Operator/Sound: @vonte_atl
Production Sound Mixer: Sarinah Reichle
Art Director: Jaelyn Dudley
Gaffer: @aaronnyle
Key Grip: @greatscott.atl
Grip: Rita Feng
Grip:Eugene Wang & Micah Parr

Camera Package
Camera: RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35’s 14, 24, 35, 50, 85, and 135
Rental House: @neildearmancamera

#cinematography, #reddigitalcinema, #alexa35, #canonk35, #sonyvenice

Hey guys! Our Director and founder, Aaron Robinson wanted to introduce himself and what all @thelastsonmovie movie has to offer!

We’re looking for crew as our department heads and will be starting our crowd funding this week!

#indiefilm #preproduction #filmmakers #filmtok #filmmakersoftiktok #filmmakingtips

It’s safe I promise

I almost look like I know what I’m doing here

Adding music to photos because I guess that’s what we do now

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

One story. One lens. One student at a time.

Recently, we set the stage for an online course on Intrusive Leadership — shot to feel like a personal, one-on-one conversation. Every frame was intentional: warm welcomes in soft, natural light… focused classroom moments that draw you in… and powerful, intimate scenes that carry the weight of life’s hardest topics.

At Stay True Productions, we don’t just roll cameras — we direct emotion, frame purpose, and capture truth. Because when the message matters, it deserves to look and feel unforgettable.

#StayTrueProductions #StorytellingWithPurpose #FilmWithHeart #IntrusiveLeadership #CinematicStorytelling #OnSet #VideoProduction

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

Production stills from Director Luke LaBouff’s Coming-of-Age comedy “Strike!”. A story about a group of friends trying to Bowl on Friday night and everything goes wrong. 

CREW
Director: @luke_labouff
Unit Production Manager: Roger Berard
1st Assistant Director: @brendeneason
Cinematographer: @brianbradley_dop 
1st AC: @marioandarias
2nd AC: @alnb__dp
Sound: Reid Wyrick
Gaffer: @aaronnyle
Best Boy Grip: Ben Groff
Best Boy Electric: @luc_sabatier 
Grip: @greatscott_atl
Production Designer: Ashley Bradford
Prop Master: Diana Pascual
Assistant Props: Rachel Hu
Key HMU: @signaturebeautybyshaunice
Costume Designer: Casey Burns
Wardrobe Supervisor: Naja Bryant
Colorist: @brianbradley_dop

CAMERA PACKAGE
RED Epic-Weapon @reddigitalcinema
Lenses: Canon v35: 24mm, 35mm, 50mm, & 85mm
Lenses: @v35project 

CAST
Jamari Benton
Piper Verbrick
Ry Murphy
Jack Obien

LIGHTING PACKAGE @aputure.lighting
(1) Aputure 1200d
(1) Aputure 600c
(1) Aputure Nova 600c
(1) Aputure Nova 300c
(2) Aputure 300x
(4) Infinity RGB Aputure Tubes

#cinematic, #cinebible, #cameraporn, #lensporn, #cinematography, #doplife, #redvraptor, #redcamera, #zeisslens, #vintagelens, #lensculture, #dzoom, #dzofilm, #dzo, #reddigitalcinema, #zeisscameralenses, #panavision, #panavisionlenses #alexa35, #bowling, #thebigllebowski

This page is no longer for gaffing and business. It’s now a creative page for music and films. Welcome to it! If you want to follow my lighting team and their journey please follow @_sin.lightingLet the PrettySongs rollout begin.

I guess out on all platforms 💎 Maybe Aaron will pop out soon who knows

#gr3ydiamond #diamondcor3 #hydraxide #alternative #rap