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“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

“Behind The 8-Ball”

Feature film

A high-functioning cocaine addict’s life begins to crumble as his drug use intensifies, pushing him to face his inner battles and seek redemption before losing everything he values.

Lead Cast: @grantrosenmeyer @seansanjova @allottaalexis @katherinemcunningham @itsavarosed @nettawalks and Nora Dunn

Director/Writer/EP: @artisanalinterrobang
Producers: @grantrosenmeyer @katelynhenslin
Line Producer: @katelynhenslin
Co-Producers: @patrick_ryan_richter @yajairamarie84
UPM: @patrick_ryan_richter
Location Manager: @gustavodirects
Script Supervisor: @jessica_siletzky
1st AD: @bailisirishcreamm
Additional 1st AD: @caitlinwmcfadden
2nd AD: @taylordcasey
Additional 2nd AD: @spencermstoneberg
Production Coordinator: @drtacowashere
Production Accountant: @yajairamarie84
Intimacy Coordinator: @sofia_tew
PA’s: Joe Yonan and Mikala Woodfork
DOP: David Foy
Camera Operator: @stillhere.media
1st AC: @miles.andersen
2nd AC: @kyliereneeclark
DIT/Media Manager: @brandonbunr
Camera/G&E/Production Intern: @mke_film
Gaffer: @gerritfahr
BBE: @dhruvohno
Key Grip: @hatlebergfilm
BBG: @simonskonnor
Dolly Grip: @mgarrettg.mov @_skalak
Swing G&E: @lmelero__
Additional Swing G&E: @v.broda_ @_0chris0
Production Designer: @crisgarcia__13
Set Decorator: @jandiazrom
Art Hand/Vanities PA: @noeticsorcerer
Costumer Designer: @klsydnvr
Set Costumer: @veronicasheaffer
Head HMU: @spacetomboy
Additional HMU: @therealhenrimitchelle @hannahandruss
Location Sound Mixer: @vicks.audio
Boom Operators: @aspiringaudiophile and Loren Olsen
Craft Services: @nicelasagna
Set Medic/Drug Handlers: Bessie Athens and Steve Vick
Editor: Melissa Lawrenz
Colorist: @rjcroft
Post Production House: @periscopepostandaudio
Original Music by: @amigothedevil

Shot on: Arri Alexa 35 with Lomo Round Front and Atlas Orion 2x Anamorphic Primes

Additional sequence shot on: Sony Fx3 with rehoused vintage Angenieux Zoom

Camera gear provided by: @daufcam @abelcine

Lighting and Grip gear provided by: @atlaslightingchicago

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

#Writer / #Director/ Co-Producer Bridget Frances Harris (@bridgetfrancesharris):
Receiving the NFP grant from Panavision felt kismet for Places of Worship. In our first talks, I knew immediately that Panavision understood the surreal, sensual, and spiritual vision we were going for. Shooting in mostly low-light locations, they presented us with super fast lenses.

Panavision Chicago instilled an enormous amount of confidence in me; I felt like my artistry was treated with respect, and our team was granted such special gifts to achieve this project. While any story should be able to stand on its own, I know that the dreamy atmosphere we captured wouldn’t have been the same without the very specific tools we utilized. Taking the digital edge off created a subtle omnipresence to the film, which contributed to the religious and sexual paranoia I was looking to capture in this young person’s life. I know me and the rest of the holy trinity (David and Katelyn) will forever remember this experience shooting with Panavision.

#DOP David Foy (@_davidfoy):
After much consideration we decided on the Ultra Speeds/Super Speeds for their soft, warm, and nostalgic look. We primarily shot the 40mm and 50mm as they felt right for the intimacy we were after, without feeling overly obtrusive. The 50mm Super Speed T/1 was integral in conveying the inviting aura of a certain Godly figure. Shooting close to, if not wide open, for most of the film produced a beautifully classic image that is rich in texture. Panavision was so generous throughout the process and really brought a level of expertise, as well as a sense of community that is truly one of a kind. They really took care of us.

#Producer Katelyn Henslin (@katelynhenslin):
Most of us went to film school together. We grew up knowing Panavision as the golden standard. Partnering with them elevated the experience for all of us and our movie is better because of it. I am honored Bridget trusted me with her story, and I will always be proud to stand next to David while he works. I’m so grateful to Panavision for believing in us!

Click the link in bio to find out more about #Panavision’s #Newfilmmakerprogram!

Waiting for the Light to Change is NOW available to rent or own on all cable, satellite and digital platforms including @appletv

So happy this is finally out in the world. It was truly a labor of love. What a journey it has been.

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

Got engaged to my best friend earlier this year, it was a cold Monday in January, a singer performed Labi Siffre’s “Bless the telephone” nearby, Chris captured it on film, some of our friends were there to cheer us on, Mollie climbed into the fountain (to get the shot of course), they told me we got an unexpected applause from everyone near us that day…it was perfect.

📸: @christiana__vasquez

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

It’s rare to have a collaborator that just gets you, like really really gets you…like to the point where you finish each other’s sentences. It’s even less common when that collaborator is one of your best friends. It makes it much easier to buy in and throw your whole soul into something.

Many memories were made on this project, but I will never forget the day Emma and I sat in my car outside of her apartment and went back and forth and back and forth until we finally talked ourselves into shooting 16. Logistically it made no sense at all, but we knew in our hearts it was right, and so we pooled all of our resources together and just barely scraped by to make it happen. The result is better than I could’ve ever imagined. This is the first film I’ve ever shot on film and it will always be a special one for me. Our beautiful cast, and beast of a crew are what made this dream even remotely attainable. This is all of ours. A truly special moment in time.

“Glass Dallas”

Short Film

An immigrant carpenter with a growing life in New York City must decide if she will return home after her sister’s drug addiction resurfaces.

Shot on location in NYC and Hamburg, DE last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

EP’s: @pillsemm @katinescher @head.lessfilms @b.barantschik
Writer/Director: @pillsemm
Producers: @pillsemm @ale_ale_johndro Arian Behpour
Production Designer: @madisondec_18
DOP: David Foy
1st AC: @evanrwilkins
2nd AC: @gusthornton
Gaffer (NYC): @qriffin
Grip (NYC): @trevor.werb
Gaffer (Hamburg, DE): @sawyer_gaunt
Location Sound Mixer (NYC): @ryanchenderson ,
Location Sound Mixer (Hamburg, DE): @conor_hibbler
Art Hands (NYC): @maeve.anna @owenbradner
Production assistants: @a.campofiori @fakeleozhang
Editor: @pillsemm
Post Sound Designer: @henry___hawks
Color: @rjcroft
Composer: @bakedpotato

Lead Cast:
@katinescher
@john.duddy

Special thanks to @aprilzgoldberg @abelcine @brakelight.pictures @negativelandfilm @brokenlandbar @argonprops @diamondlilbar @mononoawarefilm @natalie.bonanno @katiemlinek @hillaryesthersproul @gerritfahr Tim Murray, Armin, Matti, Azita, and all who donated their time and energy to the project.

Today marks our 8th year together. To the one who forever grounds me, loves me unconditionally, and is with me through it all, happy anniversary my love❤️

Today marks our 8th year together. To the one who forever grounds me, loves me unconditionally, and is with me through it all, happy anniversary my love❤️

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

Far and away one of THE most challenging shoots I’ve ever done, but so deeply rewarding. AND my 2nd international shoot (more of these please!). So proud of this and indescribably grateful for the resiliency of this small but mighty crew and our wonderful cast.

“La Malédiction”

Short Film

After discovering the aftermath of a ritualistic killing in her home, a young woman journeys into her family’s mysterious past in order to uncover the identity of her assailant and break the curse that threatens her sanity and life as she knows it.

Shot on location in the south of France last fall on 16mm Vision 3 500T 7219. @kodak_shootfilm

Executive Producers: @b.barantschik @head.lessfilms @yumeego @chrisb_real
Writer/Director: @b.barantschik
Producer: Arian Behpour
1st AD: @sawyer_gaunt
Script Supervisor: @oumaima_bji
DOP: David Foy
2nd Unit DP: @evanrwilkins
1st Assistant Camera: @evanrwilkins
2nd Assistant Camera: @gusthornton
Gaffer: @stillhere.media
Key Grip: @davidkongii
Best Boy Grip + Electric: @gerritfahr
Sound Mixer: @conor_hibbler
Production Designer: @pillsemm
Set Decorator: @madisondec_18
Art Hand: @trevor.werb
Key Production Assistant: @ryanchenderson
Editor: @brandonbunr
Color: @shmowells
Post Sound Designer: @henry___hawks

Lead Cast:
@ninedurso
@julian.delacelle
@ibelovedwitch

Shot on: Arri SR3A with Zeiss Super Speed MKII S16 Primes + Canon 11-165mm Zoom

Camera Equipment Provided by:
@panavisionofficial

Lighting & Grip Equipment Provided by: @nicefilmindustry

A still from a 16mm stock test we did on a peaceful day awhile back ft. @pillsemm

Late to the party, but this is a cute little short I shot awhile back with some great people. My first time shooting a comedy.

“Hey Kiddo”

Writer/Director: @melissajkong
Producer: @aimytien
1st AD: @talkjudy
Script Supervisor: @chifilmmaker
Director of Photography: 🥸
1st Assistant Camera: @caincamacho97
Gaffer: @stillhere.media
Key Grip: @hatlebergfilm
Sound Mixer: @agr_audio
Production Designer: @crisgarcia__13
Hair & Make-Up: @lastlookswitherica
Editor: @lnhtrnn
Color: @jordanamandes
Production Assistants: @jas.dgzmn, Lexi Saunders, Wren Farrell

Cast:
@doran_k
@helenjoolee
@jjgeltown

Shot on: Arri Alexa Mini LF with Angenieux Optimo 16-42mm & 30-80mm Zooms

Camera Equipment Provided by:
@daufcam

Lighting & Grip Equipment Provided by: @atlaslightingchicago

Late to the party, but this is a cute little short I shot awhile back with some great people. My first time shooting a comedy.

“Hey Kiddo”

Writer/Director: @melissajkong
Producer: @aimytien
1st AD: @talkjudy
Script Supervisor: @chifilmmaker
Director of Photography: 🥸
1st Assistant Camera: @caincamacho97
Gaffer: @stillhere.media
Key Grip: @hatlebergfilm
Sound Mixer: @agr_audio
Production Designer: @crisgarcia__13
Hair & Make-Up: @lastlookswitherica
Editor: @lnhtrnn
Color: @jordanamandes
Production Assistants: @jas.dgzmn, Lexi Saunders, Wren Farrell

Cast:
@doran_k
@helenjoolee
@jjgeltown

Shot on: Arri Alexa Mini LF with Angenieux Optimo 16-42mm & 30-80mm Zooms

Camera Equipment Provided by:
@daufcam

Lighting & Grip Equipment Provided by: @atlaslightingchicago

Late to the party, but this is a cute little short I shot awhile back with some great people. My first time shooting a comedy.

“Hey Kiddo”

Writer/Director: @melissajkong
Producer: @aimytien
1st AD: @talkjudy
Script Supervisor: @chifilmmaker
Director of Photography: 🥸
1st Assistant Camera: @caincamacho97
Gaffer: @stillhere.media
Key Grip: @hatlebergfilm
Sound Mixer: @agr_audio
Production Designer: @crisgarcia__13
Hair & Make-Up: @lastlookswitherica
Editor: @lnhtrnn
Color: @jordanamandes
Production Assistants: @jas.dgzmn, Lexi Saunders, Wren Farrell

Cast:
@doran_k
@helenjoolee
@jjgeltown

Shot on: Arri Alexa Mini LF with Angenieux Optimo 16-42mm & 30-80mm Zooms

Camera Equipment Provided by:
@daufcam

Lighting & Grip Equipment Provided by: @atlaslightingchicago

Late to the party, but this is a cute little short I shot awhile back with some great people. My first time shooting a comedy.

“Hey Kiddo”

Writer/Director: @melissajkong
Producer: @aimytien
1st AD: @talkjudy
Script Supervisor: @chifilmmaker
Director of Photography: 🥸
1st Assistant Camera: @caincamacho97
Gaffer: @stillhere.media
Key Grip: @hatlebergfilm
Sound Mixer: @agr_audio
Production Designer: @crisgarcia__13
Hair & Make-Up: @lastlookswitherica
Editor: @lnhtrnn
Color: @jordanamandes
Production Assistants: @jas.dgzmn, Lexi Saunders, Wren Farrell

Cast:
@doran_k
@helenjoolee
@jjgeltown

Shot on: Arri Alexa Mini LF with Angenieux Optimo 16-42mm & 30-80mm Zooms

Camera Equipment Provided by:
@daufcam

Lighting & Grip Equipment Provided by: @atlaslightingchicago

Late to the party, but this is a cute little short I shot awhile back with some great people. My first time shooting a comedy.

“Hey Kiddo”

Writer/Director: @melissajkong
Producer: @aimytien
1st AD: @talkjudy
Script Supervisor: @chifilmmaker
Director of Photography: 🥸
1st Assistant Camera: @caincamacho97
Gaffer: @stillhere.media
Key Grip: @hatlebergfilm
Sound Mixer: @agr_audio
Production Designer: @crisgarcia__13
Hair & Make-Up: @lastlookswitherica
Editor: @lnhtrnn
Color: @jordanamandes
Production Assistants: @jas.dgzmn, Lexi Saunders, Wren Farrell

Cast:
@doran_k
@helenjoolee
@jjgeltown

Shot on: Arri Alexa Mini LF with Angenieux Optimo 16-42mm & 30-80mm Zooms

Camera Equipment Provided by:
@daufcam

Lighting & Grip Equipment Provided by: @atlaslightingchicago

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

We wrapped on my 2nd feature film ‘Behind The Eight-Ball’ a couple days ago. As I sit here in my friends apartment, which I’ve been staying in the last 2 months I can’t help but feel an overwhelming sense of gratitude towards all of the people that championed this project forward.

There’s so much bullshit you have to go through to get a film off the ground, let alone into production, then in front of people. It’s easy to feel like all the forces that be are against you. It’s hard to put into words whatfilm and filmmaking, but specifically indie filmmaking means to me. It’s truly a gift and a privilege to be a part of.

@grantrosenmeyer thank you for thinking of me, I quite literally would not be here without you. Thank you for the trust man.

@artisanalinterrobang thank you for trusting me with your story and providing the freedom to explore this world with you. Love ya bud.

@katelynhenslin there are WAY to many things to list out here, but know that I love ya and you were the backbone of this entire thing.

@stillhere.media and @brandonbunr you are my two best friends in the world. You both mean more to me than I can really quantify. Thank you for dealing with me and my bullshit on and off set.

@miles.andersen and @kyliereneeclark thank you for rocking with me and keeping the vibe and the energy positive always. And…letting me rip around with the camera and put it down in places I probably shouldn’t have lol.

@gerritfahr and @hatlebergfilm thank you for keeping me honest and busting your asses day in and day out. The images and experiences would not be what they are without you two.

@crisgarcia__13 you and your small but mighty art team absolutely killed it. It was a pleasure to light and shoot your sets. Thank you for the collaboration.

@daufcam @atlaslightingchicago @abelcine this film would not have happened without your graciousness and willingness to support the indie film community in Chicago. You helped make dreams come true.

There are so many people not mentioned here who have my utmost gratitude and respect. You know who you are🫶.

I’ll see you all on the next one…

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

4 countries (not including layovers), a stupid amount of planes, 2 short films, just shy of 30 rolls of 16mm, 3 labs, 5 different cameras…and 1 broken one, a ton of beautiful moments, a ton of challenging moments, some downright impossible moments, and a bunch of learning experiences…maybe 3 of the more stressful months of my life, but perhaps 3 of the best and most fun as well.

@pillsemm and @b.barantschik, I am eternally grateful for your friendship, collaboration, and trust in bringing your visions to life for my first outings on film. To the casts and crews that made these films possible with their resilience and perseverance, you have my heart, my gratitude, and my utmost respect. Lots to come, and to many more!

Photos taken by: @madisondec_18 @trevor_werb @julian.delacelle

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc

“Meantime” Music Video for @corneliamurr

Production Company: @head.lessfilms
Director: @pillsemm
Producer: @arianbehpour
Director of Photography: 😬
Steadicam Operator: @connorhargreavescamera
1st AC: @evanrwilkins
Colorist: @shmowells
Production Assistant: @chrissymolloy

Shot on: Arri Alexa 35 with B&L Super Baltar Primes & Angenieux 25-250mm Optimo Zoom

Camera Equipment Provided by: @abelcine

Lighting & Grip Equipment Provided by: @aframe_nyc