Renato Grieco
phonofagista

I'm glad to announce that I'm one of the artists selected for B'A 2026 @unaboccatadarte
My new installation/performance - Continua - will open on June 21st in the beautiful setting of Lugo Vicentino.
A huge thank to @fondazioneelpis @threesproductions
and to @martaoliva @sara.maggioni Giovanni Paolin @biancabuccioli
co-performer @strilloooooooo costumes @ornellacardillo
portrait by @giovannisallsano styling @_lavandala
P.S. I'm thinking about renting a Malga up in the mountains for an afterparty (with sleeping options). It all depends on the headcount. shoot me a DM if you plan on coming.

I'm glad to announce that I'm one of the artists selected for B'A 2026 @unaboccatadarte
My new installation/performance - Continua - will open on June 21st in the beautiful setting of Lugo Vicentino.
A huge thank to @fondazioneelpis @threesproductions
and to @martaoliva @sara.maggioni Giovanni Paolin @biancabuccioli
co-performer @strilloooooooo costumes @ornellacardillo
portrait by @giovannisallsano styling @_lavandala
P.S. I'm thinking about renting a Malga up in the mountains for an afterparty (with sleeping options). It all depends on the headcount. shoot me a DM if you plan on coming.

I'm glad to announce that I'm one of the artists selected for B'A 2026 @unaboccatadarte
My new installation/performance - Continua - will open on June 21st in the beautiful setting of Lugo Vicentino.
A huge thank to @fondazioneelpis @threesproductions
and to @martaoliva @sara.maggioni Giovanni Paolin @biancabuccioli
co-performer @strilloooooooo costumes @ornellacardillo
portrait by @giovannisallsano styling @_lavandala
P.S. I'm thinking about renting a Malga up in the mountains for an afterparty (with sleeping options). It all depends on the headcount. shoot me a DM if you plan on coming.

I'm glad to announce that I'm one of the artists selected for B'A 2026 @unaboccatadarte
My new installation/performance - Continua - will open on June 21st in the beautiful setting of Lugo Vicentino.
A huge thank to @fondazioneelpis @threesproductions
and to @martaoliva @sara.maggioni Giovanni Paolin @biancabuccioli
co-performer @strilloooooooo costumes @ornellacardillo
portrait by @giovannisallsano styling @_lavandala
P.S. I'm thinking about renting a Malga up in the mountains for an afterparty (with sleeping options). It all depends on the headcount. shoot me a DM if you plan on coming.

future performances and events in anticipation of our upcoming record on @shelter_press
more soon

future performances and events in anticipation of our upcoming record on @shelter_press
more soon

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes

At Prada Frames curated by @formafantasma I was invited by @threesproductions to present a new performative project.
As the symposium In Sight explored the complexities of contemporary visual culture, these compositions for solo violin,harp, and flute sought a different kind of clarity—one found in the physical and the tactile.
Reimagining fantasias, bagatelles, and proto-dances as raw, essential forms, the pieces aim to become an intimate dialogue between the performers, their gestures, and the historic architecture of the Sacristia del Bramante.
Performed by the superb @laura_masotto on violin @elenacantarutti on harp @avecchiatoooo on flute
@prada
#pradaframes
a farewell dance to say goodbye to this elegant old lady who stayed on my side during the last months. so long scugnizza.
Premiering at Assembly: @HanneLippard and Renato Grieco (@___knn___) present a new performance exploring voice, language, and music. Created during a three-month residency at Somerset House Studios with @goetheinstitut_london, the piece experiments with layered voices and tones, mixing speech and music to blur the line between the two.
The work takes the form of overlapping dialogues and monologues, with live musical elements played on the viola da gamba, a Renaissance-era string instrument. This Assembly premiere will be further developed for @CTMFestival Berlin in 2027.
Link in bio to book!

🐚 thrilled to present “Un ordine delle cose”, our second issue: awork by the composer Renato Grieco, inspired by Jacques Brosse’s meditative catalogue of animals, minerals, fossils, and elemental forms. Rather than illustrating the book, the piece crosses it obliquely, reshaping its images through voice, resonance, and metamorphic drift.
At the center of the release stands a sculptural tuning fork designed by Alfatih and hand-forged by Ettore Palombi: an antiqued-bronze object hovering between relic and instrument, photographed here by Manuela Naddeo. A physical counterpoint to the disembodied sonic work, it appears as an osteological shard, a fragment of an imagined organism holding a silent vibration.
In Francesco Cavaliere’s words:
“Renato Grieco, with his typical rasp as if his voice were coming out from the mouth of a cave, lets into his cavities the things that Jacques Brosse catalogues in his mythical book. Yet the moment they cross the threshold of his mouth they transform!
They echo, throwing themselves back into his deepest inside puffing.
If it is a jellyfish, this becomes an excavated fossil — very deep.
If it is a stone, imagine how far down this can fall.
And so, in the darkness of the uvula, the things Brosse describes get lost in Grieco’s grotto; they are no longer found. One only listens to them.”
Mastered by Sean McCann.
"L'Insignificante" recorded by Guido Marziale at Auditorium Novecento, Naples.
Featuring Antonina Nowacka, Mifu, Glauco Salvo, and Enrico Malatesta.
Design by Alfatih.
Manufactured by Ettore Palombi.
Photography by Manuela Naddeo.
Edition of 29 tuning forks.
Pre-order starts today, shipping begins on Monday December 22nd, 2025.
Portrait by Diana Del Franco.
@___knn___ @alfatiharufa @cristiddio_ @manuela.naddeo @auditoriumnovecento @gui_eks @cavaliere.circles7 @recitalprogram @antoninawidt @daniele_grande @glaucosalvo @_enricomalatesta_ @diana_dlfr
LINK IN BIO

🐚 thrilled to present “Un ordine delle cose”, our second issue: awork by the composer Renato Grieco, inspired by Jacques Brosse’s meditative catalogue of animals, minerals, fossils, and elemental forms. Rather than illustrating the book, the piece crosses it obliquely, reshaping its images through voice, resonance, and metamorphic drift.
At the center of the release stands a sculptural tuning fork designed by Alfatih and hand-forged by Ettore Palombi: an antiqued-bronze object hovering between relic and instrument, photographed here by Manuela Naddeo. A physical counterpoint to the disembodied sonic work, it appears as an osteological shard, a fragment of an imagined organism holding a silent vibration.
In Francesco Cavaliere’s words:
“Renato Grieco, with his typical rasp as if his voice were coming out from the mouth of a cave, lets into his cavities the things that Jacques Brosse catalogues in his mythical book. Yet the moment they cross the threshold of his mouth they transform!
They echo, throwing themselves back into his deepest inside puffing.
If it is a jellyfish, this becomes an excavated fossil — very deep.
If it is a stone, imagine how far down this can fall.
And so, in the darkness of the uvula, the things Brosse describes get lost in Grieco’s grotto; they are no longer found. One only listens to them.”
Mastered by Sean McCann.
"L'Insignificante" recorded by Guido Marziale at Auditorium Novecento, Naples.
Featuring Antonina Nowacka, Mifu, Glauco Salvo, and Enrico Malatesta.
Design by Alfatih.
Manufactured by Ettore Palombi.
Photography by Manuela Naddeo.
Edition of 29 tuning forks.
Pre-order starts today, shipping begins on Monday December 22nd, 2025.
Portrait by Diana Del Franco.
@___knn___ @alfatiharufa @cristiddio_ @manuela.naddeo @auditoriumnovecento @gui_eks @cavaliere.circles7 @recitalprogram @antoninawidt @daniele_grande @glaucosalvo @_enricomalatesta_ @diana_dlfr
LINK IN BIO

Hanne Lippard & Renato Grieco
The Traditional Colors of France
commissioned by @fraccorsica curated by @fabiendanesi
thank you @villamassimo.de / @fondazione.morra / @calliesberlin for the support
pic: Davy Denke

Hanne Lippard & Renato Grieco
The Traditional Colors of France
commissioned by @fraccorsica curated by @fabiendanesi
thank you @villamassimo.de / @fondazione.morra / @calliesberlin for the support
pic: Davy Denke

My viola da gamba was severely damaged.
"The brief story of a spoonmaker" is a solo piece released today.
It's the last proper document I have of its voice before the crack.
link in bio to purchase it and contribute to its reparation.
portrait pic: Antonella Giunta

My viola da gamba was severely damaged.
"The brief story of a spoonmaker" is a solo piece released today.
It's the last proper document I have of its voice before the crack.
link in bio to purchase it and contribute to its reparation.
portrait pic: Antonella Giunta

next live shows
Sirene (choreography @cenere_luna assistent @ilaria.quaglia)
July 24 - Fringe Festival, Monte Echia, Napoli
solo
Pungilingua (una piecèce sulla goccia nell'orecchio)
July 27 @elementi.zone at the sunrise at Cervia's dock
August 29 @operaestate Chiesa di San Giovanni, Bassano Del Grappa
Agape (choreography Luna Cenere w/ Ilaria Quaglia, @davidetagliavini_ )
August 30 at Danza Estate, Bergamo
w/ @pricepriceprice
August 7 at @helmhaus_zuerich Zurich
portrait by @3sam3clarke3
style by @anamorph.equipment

little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all

little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all

little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all

little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all

little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all
little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all
little update about the last things I put out
Vampiro Passivo - composizione per organo in forma di apparizione
installation/score Perugia, Italy
commissioned and produced by @trascendanza_ets and @edicola_518
graphic design @manuela.naddeo
score supervision@nebula_giulio.tosti
I also contributed to the last @dankinzelman project Unfall by recomposing the woodwinds consort through the most exquisite musique concréte protocols
freshly released by the Italian solid @kohlhaasrecords
cover art by @fdrclp mastered by @senufoeditions
Radio Carrion by Double Goocher Shop (Australian sound poet Hopkins and I) is just out via the NYC finest @readinggroup_company
originally commissioned by @radiophreniaglasgow
mastered by @de_lamperi
Sound Chapters - voices of sound experimentation in Italy
it's a book. last chapter is about my work Pungilingua
curated by @nubprojectspace and @gabri3l3tosi and published by @viaindustriae
I also played viola da gamba in @heith___ last record Escape Lounge and @merlinmodulaw song Heaven and nagra tape recorder on @riccardo.laforesta the lower primate in us 2
pics 1-2 by @manuela.naddeo
pics 3-4-5 by @elenatredici
good luck with your life y'all

aficionado
Hanne Lippard and Renato Grieco present a new collaborative repertoire: a harmonic dialogue between the vocal timbre of Grieco's viola da gamba and Lippard's linguistic practice.
portrait: Fabio Artese

aficionado
Hanne Lippard and Renato Grieco present a new collaborative repertoire: a harmonic dialogue between the vocal timbre of Grieco's viola da gamba and Lippard's linguistic practice.
portrait: Fabio Artese

aficionado
Hanne Lippard and Renato Grieco present a new collaborative repertoire: a harmonic dialogue between the vocal timbre of Grieco's viola da gamba and Lippard's linguistic practice.
portrait: Fabio Artese
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