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2dhouse
2D House
• Cameras, Lenses, Grip & Lighting
• LED Volume & Studios
• Motion Control Robots
Pushing our limits so you can push yours!
@mrmoco1 Cinebot Nano now available at @2dhouse
CINEBOT NANO is the most compact robot in the Cinebot lineup, built for professional live-action filming on location or in the studio.
• PushMoco®
• Compact Size
• Up to 15 lb payload
• 3ft 2in Maximum reach
• Precise control of Focus,
Zoom and Iris
Available at 2D House.com
KNOWLED AM1600R RGB INFLATABLE LED 4X8’ LIGHT MAT @godox_canada @knowled_global
Featuring @custommadeeasy Trike
New gear at 2DHouse!
The KNOWLED AM1600R 4X8’ RGB Inflatable LED Light Mat by Godox features an air-cushioned, inflatable design that enables rapid deployment, reduced rigging weight, and efficient overhead mounting.
With 1600W of high-output RGB performance, wide CCT range, full HSI control, and high CRI/TLCI accuracy, it ensures precise, flicker-free results on camera. Integrated pixel control, along with DMX and advanced wireless networking options, enables dynamic effects and segmented animations.
Available at 2Dhouse.com or Tap Link in Bio
or send us an email rentals@2dhouse.com
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
#2dlensthursday First in North America!@ibe.optics Raptorscope FF, Part 1
One of the most unique features of the Raptorscope is in body 360° rotating image avoiding the rotation of the whole camera system.
Pan and Tilt features, help with the ease of camera rigging in tabletop, tight spaces, and low angle camera positioning.
More specs:
⚡️Pan – Tilt – Roll: 360° (Unlimited)
⚡️Aperture: F/5.6 at FF (44mm) - F/4.0 atS35 (35mm)
⚡️Camera Mount: UMS PL Mount
⚡️Focus: Near to Camera. 180° Rotation
⚡️Iris: Near to Camera. 90° Rotation
⚡️Max. Image Diameter: +44 mm / +1.73’’
⚡️Length: (Flange to Front) 32,3 cm / 12.7“ (PL to M version)
⚡️Weight: 4,4 kg / 9,8 lb
⚡️Multiple ¼ Tread for standard lens support
⚡️Front mounts: Leica M, PL, LPL
https://2dhouse.com/products/ibe-optics-raptorscope-ff
Or tap Link in Bio
Setup: @zeisscameralenses Supreme Prime 50 T1.5 + @ibe.optics Raptorscope + @blackmagicnewsofficial Ursa Cine 12K LF + @gfm_gripfactorymunich Primo Dolly
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
This week Inspiration Friday is by our Virtual production specialist Conor McNeilly @r0n0c
Alright the inspo movie i picked was “Blue Ruin” written and directed by cinematographer and director Jeremy Saulnier.
I love this movie so much because of its use of colour and lack of dialogue. It draws the viewer in by utilizing the moody blue green palette and consistent, subtle color cues to maintain its tense, thriller aesthetic. Blue hues or objects appear in nearly every shot to represent the protagonist’s desolate, trapped state. The color emphasizes the protagonist’s ghostly, isolated life and the “ruinous” theme.
The film’s visual style effectively uses a restricted, muted color palette to focus on the character’s, and the, narrative’s, grim reality and the, often violent, nature of revenge.
#2dinspirationfriday
Zeiss Aatma lenses Hands-On demo happened today at 2D House! @zeisscinematography
Fujifilm GFX Eterna 55 @fujifilmproduction and Arri Alexa Mini LF as test Cameras.
3 Focal length 35, 50 and 85 super-fast T1.5
Vintage look in modern body!
The ARRI Omnibar is coming to Canada — and you can be the first to get hands-on with it.
We’re hosting a live demo open to cinematographers, gaffers, and filmmakers. Come test it yourself and see what it’s capable of in person.
Link in bio to register. Spots are limited.
https://www.eventbrite.ca/e/1988838582739
ZEISS Aatma Lenses hands-on demo at 2D House
@zeisscinematography
Join us in person for an exciting first in Canada, a hands-on demo of the innovative ZEISS Aatma Lenses! Explore the latest lens set from ZEISS, try the lenses yourself, and chat with experts who’ll answer all your questions. It’s a perfect chance to see what makes these lenses so special up close.
Don’t miss out on this unique experience at 2D House – we can’t wait to see you there!
Registration by the Link in Bio
New gear alert!
Two @dji_ronin 4D with two sensors 6K and 8K with flex setups.
@cookeoptics SP3 compact FF primes
And a lot of accessories and set of original DJI lenses.
Bolt Jr+ POV on Aputure 80c 3 Lights Kit
@aputure.lighting @mrmoco1 @mattbeecraft
3x STORM 80c Lamp Head With Yoke
3x Mini ProLock Hyper Reflector
3x Mini Lantern Diffuser
2x CF4 Fresnel
2x CF4 Barn Doors
1x Light Dome 40
1x STORM 80c Handheld Bracket
1x STORM 80c Bowens Mount Adapter
3x D-Tap to 5.5mm DC Barrel Power Cable
3x Aputure Super Clamp
3x Aputure Universal Magic Arm
1x STORM 80c Handheld Bracket (2 total)
2x STORM 80c Bowens Mount Adapter (3 total)
1x Lantern 30
Available at 2dhouse.com
Or email us rentals@2dhouse.com
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