maxime pascal
Je suis à Helsingborg là je me régale
26/27 season: A first opera season with three new musical directors is also rich in concert formats. Principal Guest Conductors Maxime Pascal and Michele Spotti, as well as Conductor in Residence Titus Engel and the Orchestra of the Deutsche Oper Berlin, cordially invite you to these events.
“Licht auf Parsifal” feat. works by Karlheinz Stockhausen and Richard Wagner
On 8 Sept 2026 for the Musikfest Berlin at the Konzerthaus Berlin – with Titus Engel, Attilio Glaser, Tarq Nazmi et al.
“Music of Many” concert-happening feat. compositions by John Cage and Karlheinz Stockhausen
On 5 + 6 Dec 2026 at the Hamburger Bahnhof with Titus Engel, Thom Luz and the Zafraan Ensemble.
“Rosenkavalier Enigma” feat. works by Edward Elgar and Richard Strauss
On 16 Dec 2026 with Jonathan Nott, Corinne Winters et al.
“Turangalîla” feat. works by Richard Wagner and Olivier Messiaen
On 7 Feb 2027 at the Berliner Philharmonie with Maxime Pascal, Pierre-Laurent Aimard, Cécile Lartigau et al.
“Wagner Fantastique” feat. works by Richard Wagner and Hector Berlioz
On 29 Jun 2027 at the Deutsche Oper Berlin with Michele Spotti, Kristina Stanek et al.
… as well as 2 concerts by the Deutsche Oper Berlin Big Band and over 38 further events within the series “Cantadoras”, “Nachtmusiken”, “Tischlereikonzerte”, “Jazz & Lyrics”, “Unlimited Salon”, “Im Kino”, “Late Nights” and “Glam Nights”.
Don’t miss out – advance booking is now open via 2026.deutscheoperberlin.de – accessible also via Linktree in bio!
#2627Season @olgaprader @titus.engel.dirigent @maxime.pascal @michelespotti_conductor @elisaerkelenz @beatebreidenbach @orchester_deutsche_oper_berlin @mwanzamujila @baragisladottir @ctmfestival @yorck.kinogruppe @berlinerfestspiele
@hamburger_bahnhof @konzerthausberlin @attilioglaser @tareq_nazmi @thom_luz @zafraanensembe @corinnesoprano @pierrelaurentaimard @cecilelartigau_onde @ruebejazz @d1ff3rance @paulalilar @kristinastanek @sofiajernberg @deryayildirim_official @sainkho_namtchylak @golnarshahyar @atenaeshtiaghi @sadovska.mariana @diehl_august @ninahoss_actress @ofczarekofficial @tomhickox @borosagency
Video © Bo
Kanelbulle, kardemummabulle eller croissant denna klämdag? 🥐☕️
Det må vara kardemummabullens dag idag, 15 maj – men varför välja, menar vår chefsdirigent Maxime Pascal. 🇫🇷✨🇸🇪
Vi har rum för alla smaker och toner🤗🎶

🎶🔥 Hur låter ett sammanbrott – och vad händer efteråt?
Den 22 maj kliver vi rakt in i Hector Berlioz dramatiska universum, där besatt kärlek övergår i hallucinationer, och där musiken till slut blir en väg tillbaka till livet.
Tillsammans med vår chefsdirigent Maxime Pascal och skådespelaren, och här recitatören, Stina Ekblad rör vi oss i gränslandet mellan symfoni och teater, mellan inre röster och yttre verklighet.
Symphonie Fantastique och Lélio, ou le retour à la vie är inte bara musik – det är en berättelse som fortsätter där de flesta verk slutar.
Välkommen till en säsongsfinal som känns. Inifrån och ut.
🪄 Läs hela artikeln med Maxime och Stina på helsingborgskonserthus.se
📸: @lisa_wikstrand
❤️🔥 KÄRLEK, VANSINNE & ÅTERFÖDELSE I PASCALS PASSIONSFINAL
🎬 Välkommen in i Berlioz värld. Inför säsongsfinalen möter du här vår chefsdirigent Maxime Pascal och skådespelaren Stina Ekblad i ett samtal om de två verken, berättelsen och det sceniska mötet mellan symfoni och teater.
🎼 Symphonie Fantastique och Lélio, ou le retour à la vie är en resa genom mörker, dröm och återkomst, där gränsen mellan verklighet och fantasi suddas ut.
Det här är vår säsongsfinal. Och den känns.
Vi ses i Stora salen 22 maj!
🔥 Biljetter finns på helsingborgskonserthus.se

DECEMBER 17, 18, 19, 2026
Hector Berlioz
L'Enfance du Christ, Oratorio, op. 25
Berliner Philharmoniker (@berlinphil)
Musical direction Maxime Pascal
Rundfunkchor Berlin (@rundfunkchor)
Mezzo-soprano (Sainte Marie) Julie Boulianne (@julieebouliannee)
Tenor (Un récitant) Allan Clayton
Baritone (Saint Joseph) Huw Montague Rendall (@huwmontaguerendall)
Bass (Hérode) Jean Teitgen (@teitgenjean)
Baritone (Un père de famille) Edwin Crossley-Mercer (@edwincrossleymercer)
Baritone (Polydorus) Theodore Platt (@theodoreplatt)
Tenor (Un centurion) Caspar Singh (@caspsingher)
📸 : Simon Gosselin
Dal 22 aprile al 9 maggio al Teatro alla Scala è in scena la nuova produzione di Pelléas et Mélisande di Claude Debussy, con la regia di Romeo Castellucci e la direzione di @maxime.pascal.
L'opera verrà trasmessa in diretta su LaScalaTv il 30 aprile dalle 19.45 con @richtertenorofficiel (Pelléas), @sara__blanch (Mélisande), Simon Keenlyside (Golaud), Marie-Nicole Lemieux (Geneviève) e @johnrelyeabass (Arkel).
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From 22 April to 9 May, Teatro alla Scala presents a new production of Pelléas et Mélisande by Claude Debussy, staged by Romeo Castellucci and conducted by Maxime Pascal.
The opera will be broadcast live on LaScalaTv on 30 April at 7.45pm, featuring Bernard Richter (Pelléas), Sara Blanch (Mélisande), Simon Keenlyside (Golaud), Marie-Nicole Lemieux (Geneviève) and John Relyea (Arkel).
Video Di Stefano - Lodolo D'Oria © Teatro alla Scala
«Debussy sentiva qualcosa prima nella sua mente, nel suo corpo, nel suo mondo interiore. E come musicista, la ricerca di tutta la sua vita è stata quella di far sentire agli altri ciò che lui sentiva dentro di sé.»
Nell’intervista, @maxime.pascal riflette sulla scrittura di Pelléas et Mélisande e sul rapporto tra suono, materia e immaginazione, al centro della nuova produzione firmata da Romeo Castellucci.
L'opera è in scena dal 22 aprile e sarà trasmessa live su LaScalaTv il 30 aprile dalle 19.45.
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"Debussy heard something first in his mind, in his body, in his inner world. And as a musician, the quest of his life was to make others hear what he heard inside himself."
In the interview, Maxime Pascal reflects on the writing of Pelléas et Mélisande and on the relationship between sound, matter and imagination at the core of the new production directed by Romeo Castellucci.
The opera has been on stage since 22 April and will be broadcast live on LaScalaTv on 30 April from 7.45pm.
Video Di Stefano - Lodolo D'Oria © Teatro alla Scala
Make Love … and welcome to the 26/27 season!
Dr Aviel Cahn’s first season as Artistic Director is here, and with a fresh new look, a new website and an exciting artistic vision, it promises plenty of surprises.
Look forward to unusual premieres in contemporary productions, exciting world premieres, new concert formats and cycles, artists in residence, as well as curatorial concepts, fresh perspectives and dialogues in the urban space with the cross-disciplinary UNLIMITED programme.
Discover the brand-new season on 2026deutscheooerberlin.de and the season brochure on Issuu – both also accessible via Linktree in bio!
On Wednesday, 15 April at 10 am, we will open the early-bird ticket sale for all holders of the Deutsche Oper Card 26/27 (more info via Linktree in bio) and members of the Förderkreis (Patron circle).
General advance booking starts on 2 May 2026.
#2627Season #Opera #Berlin #AvielCahn @olgaprader @titus.engel.dirigent @michelespotti_conductor @maxime.pascal @elisaerkelenz @beatebreidenbach @orchester_deutsche_oper_berlin @chor_der_deutschen_oper_berlin @junge_deutscheoperberlin @mwanzamujila @baragisladottir @sofiajernberg @zadmoultaka @s_k_kennedy @dirigiedre @annahandler.music @milorau4 @iipm_milorau @conticonductor @peterlundberlin @fcbergman @stefanomontanariconduc @kornelmundruczo @directorkramer @wolfgang_tillmans @rirkrit_team @mouvoir_company @zafraanensemble @senkultgz @commerzbankstiftung @maccosmeticsgermany @karlschlechtstiftung @evs_musikstiftung @livingberlincom @berlincapitalclub @borosagency
Animation © Olga Prader / Boros Agency
Music: From VÍDDIR (2020) © Bára Gísladóttir
Maxime Pascal on one of the most extraordinary sound worlds in opera: the role of the birds in Olivier Messiaen’s Saint François d’Assise.
The way Messiaen translates birdsong into music becomes a central poetic principle and at the same time a unique challenge for the orchestra and the conductor: absolute precision, the most delicate tonal colours, and an ear pushed to the very limits of perception are required to bring these sounds of nature to life within the musical space.
Look forward to a production of exceptional spiritual and sonic intensity.
🎟️ Secure your tickets now and be part of this unique operatic experience: link in bio.
***
Maxime Pascal über eine der außergewöhnlichsten Klangwelten der Opernliteratur: die Rolle der Vögel in Olivier Messiaens Saint François d’Assise.
Wie Messiaen Vogelgesänge in Musik übersetzt, wird hier zum zentralen poetischen Prinzip und zugleich zu einer besonderen Herausforderung für das Orchester und den Dirigenten: höchste Präzision, feinste Klangfarben und ein Hören bis an die Grenze des Wahrnehmbaren sind gefragt, um diese Naturstimmen im musikalischen Raum lebendig werden zu lassen. Freuen sie sich auf eine Produktion von außergewöhnlicher spiritueller und klanglicher Intensität.
🎟️ Jetzt Tickets sichern und Teil dieses besonderen Opernerlebnisses werden: Link in Bio.
Just around the corner: The 26/27 season is coming closer andin six days’ time, on 14 April, Dr Aviel Cahn will present his first season as Artistic Director of the Deutsche Oper Berlin.
Look forward to a total of seven major premieres and several world premieres, numerous concerts and special events, surprising cycles and new productions, as well as an extraordinary opening weekend.
Bargain hunters and early birds take note: With the Deutsche Oper Card 26/27, you can book the entire season at special rates and take part in the early-bird booking period for over two weeks, starting 15 April. Get your card via Linktree in bio!
General ticket sales begin on 2 May 2026.
#2627Season #Countdown #Opera #Berlin #AvielCahn @titus.engel.dirigent @michelespotti_conductor @maxime.pascal @elisaerkelenz @beatebreidenbach @orchester_deutsche_oper_berlin @chor_der_deutschen_oper_berlin @junge_deutscheoperberlin
Animation © @borosagency
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