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How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

How does chief conductor Kirill Petrenko view the forthcoming 2026/27 season of the Berliner Philharmoniker? Speaking at a press conference in the Philharmonie, he discussed the works that matter most to him — from little-known musical depictions of nature to an “Everest of music” and music “as if from another world”.

💡 Read the full account of the conference on our website via the link in bio.

📷 Monika Rittershaus (1), Stephan Rabold (4)

Luminous, incandescent, and electrifying: the Berliner Philharmoniker performs Shostakovich's Seventh under the baton of Yannick Nézet-Séguin. Watch the full performance from 2024 in the Digital Concert Hall. Link in bio.

#BerlinPhil #DigitalConcertHall #Shostakovich #YannickNézetSéguin

🎉🎶 A touch of serenity for Satie’s birthday: his Gymnopédie No. 1, with Sir Simon Rattle and the Berliner Philharmoniker, recorded at the Waldbühne in 2005!
#BerlinPhil #DigitalConcertHall #EricSatie #Orchestra #LiveMusic

🎶🎥 Hundreds of concerts. One week to explore. Order your free season brochure and enjoy a 7-day ticket to the Digital Concert Hall. The new season starts here. Link in bio.

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

Join us LIVE in the Digital Concert Hall at 7 pm (Berlin time): Klaus Mäkelä conducts Igor Stravinsky’s The Firebird and Andrew Norman’s Play with the Berliner Philharmoniker.

More than a century separates these two works, yet both are shaped by ideas of movement and control. Drawing on Russian folklore, Stravinsky contrasts folk-inspired melodies with the music of Katschei’s dark world, while Andrew Norman approaches the orchestra itself as a shifting network of exchanges.

Watch live in the Digital Concert Hall. Link in bio.

📸 Photos by Stephan Rabold

#BerlinPhil #DigitalConcertHall #KlausMäkelä

The "Glagolitic Mass" stands among Leoš Janáček's most singular creations. Written for soloists, chorus, organ and orchestra, it sets an Old Church Slavonic text and transforms it into something entirely its own.

Discover the full performance, conducted by Sir Simon Rattle, in the Digital Concert Hall. Link in bio.

#BerlinPhil #DigitalConcertHall #LeošJanáček #SirSimonRattle

A century separates Stravinsky's The Firebird and Andrew Norman's Play. Klaus Mäkelä invites you to watch both works LIVE with the Berliner Philharmoniker in the Digital Concert Hall this Saturday!

Link in bio.

#BerlinPhil #DigitalConcertHall #KlausMäkelä

💔🎵 Few orchestral works move between such extremes – the torment of hell and the tenderness of a love remembered. Kirill Petrenko conducts the Berliner Philharmoniker in Tchaikovsky's Francesca da Rimini. Now streaming in the Digital Concert Hall – link in bio.
#BerlinPhil #DigitalConcertHall #KirillPetrenko #Tchaikovsky

🎶🐦 Before The Firebird, Stravinsky set aside an unfinished opera about a nightingale. By the time he returned to it, his musical language had been transformed. Pierre Boulez conducts Le Rossignol, with Barbara Hannigan as soloist. Now streaming in the Digital Concert Hall – link in bio.
#BerlinPhil #DigitalConcertHall #Stravinsky #Boulez #BarbaraHannigan

Andrew Norman's "Sabina", as realised by Kirill Petrenko, grows out of the composer's experience at Santa Sabina in Rome at dawn, where sunrise through translucent stone windows filled the church with shifting light across marble and mosaic. The impression became the basis of the work.

This week, the Berliner Philharmoniker presents the premiere of Norman's "Play", conducted by Klaus Mäkelä. The work turns on questions of power, manipulation, and control.

Listen to "Sabina" and tune in on 9 May for the premiere of "Play", all in the Digital Concert Hall.

#BerlinPhil #DigitalConcertHall #KirillPetrenko #AndrewNorman

Described by Tchaikovsky himself as a requiem, the "Pathétique" is inspired by the eternal themes of human existence and of art: life and death, love and abandonment, as well as rebellion, struggle, resignation, and despair.

Ahead of his return this week, revisit Klaus Mäkelä's 2023 performance of Symphony No. 6 with the Berliner Philharmoniker in the Digital Concert Hall.

#BerlinPhil #DigitalConcertHall #Tchaikovsky #Mäkelä

✨🎂Today marks Fauré’s birthday! Sir Simon Rattle conducted Fauré’s Pavane in 2003.
#BerlinPhil #DigitalConcertHall #GabrielFauré #LiveMusic