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rickymundo_

Ricky Patel

Cinematographer - 🇬🇧 based - Alexa 35 owner Director&co founder of @mahogany

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Better late than never, work for HP & Ferrari featuring Lewis Hamilton, Charles LeClerc and Fred Vasseur.

Massive Thank you to @dlieb for brining me on and @irresistiblestudios for trusting me.

Director: David Lieb @Dlieb
Executive Producer: Harriet-Kate McKean @harrietkate7
Producer: Izzy Williams @izzywilliams92

Wasserman Agency: Johnny Durrant @johnnydurrant87
Wasserman Agency: Rob Stockton @robert_stockton
Wasserman Agency: Lizzie Isherwood @lizzie.isherwood

Accenture Song: Chris Serrano @serrondo
Accenture Song: Annie Egan @aniarama

DOP: Ricky Patel @rickymundo_
Focus Puller UK: Daniel Usman @therealuzzey

Service Co: Dude Productions @dude_service_italy
Line Producer: Deborah Rubertelli
Unit Manager: Riccardo Cristiano
Prod. Coordinator: Anna Gandini
1st AD: Claudio Cingoli
2nd AD: Francesca Vergani
Operator: Leonardo Osello
Focus Puller: Maurizio Ianniello
Camera Ass: Romano Molter
Camera Ass: Marco Angeloni
Data Manager: Federico Guffanti
VTR: Jacopo Gabai
Operator: Davide Carbonari

Seamstress: Loredana Vitale
Hair & Make Up CL: Marica Bertolin
Set Dressing: Amos Caparrotta
Prop Master: Francesco Bolognini
Prop Master Ass.: Nicola Mancon

Sound Designer: Brigitta Pasquadibisceglie
Key Grip: Graziano Di Domenico
Grip: Parvis Jashn Tirgan
Gaffer: Giovanni Lupi
Camera Truck: Dante Casati
Art Dept Truck: Filippo Sarzi Amade
Electrics Truck: Ivo Del Carmine
Grips Truck: Peter Palaferi
Catering Truck: Maria Teresa Sorrentino

Edit Producer: Camilla Zupi @camillazupi
Lead Editor: Alex Kirby @alexkirbyeditor
Editor: Alec Gordon @trottergordon
Grade: Jonathan Lieb @Jonathan_Lieb


435
13
3 months ago


Better late than never, work for HP & Ferrari featuring Lewis Hamilton, Charles LeClerc and Fred Vasseur.

Massive Thank you to @dlieb for brining me on and @irresistiblestudios for trusting me.

Director: David Lieb @Dlieb
Executive Producer: Harriet-Kate McKean @harrietkate7
Producer: Izzy Williams @izzywilliams92

Wasserman Agency: Johnny Durrant @johnnydurrant87
Wasserman Agency: Rob Stockton @robert_stockton
Wasserman Agency: Lizzie Isherwood @lizzie.isherwood

Accenture Song: Chris Serrano @serrondo
Accenture Song: Annie Egan @aniarama

DOP: Ricky Patel @rickymundo_
Focus Puller UK: Daniel Usman @therealuzzey

Service Co: Dude Productions @dude_service_italy
Line Producer: Deborah Rubertelli
Unit Manager: Riccardo Cristiano
Prod. Coordinator: Anna Gandini
1st AD: Claudio Cingoli
2nd AD: Francesca Vergani
Operator: Leonardo Osello
Focus Puller: Maurizio Ianniello
Camera Ass: Romano Molter
Camera Ass: Marco Angeloni
Data Manager: Federico Guffanti
VTR: Jacopo Gabai
Operator: Davide Carbonari

Seamstress: Loredana Vitale
Hair & Make Up CL: Marica Bertolin
Set Dressing: Amos Caparrotta
Prop Master: Francesco Bolognini
Prop Master Ass.: Nicola Mancon

Sound Designer: Brigitta Pasquadibisceglie
Key Grip: Graziano Di Domenico
Grip: Parvis Jashn Tirgan
Gaffer: Giovanni Lupi
Camera Truck: Dante Casati
Art Dept Truck: Filippo Sarzi Amade
Electrics Truck: Ivo Del Carmine
Grips Truck: Peter Palaferi
Catering Truck: Maria Teresa Sorrentino

Edit Producer: Camilla Zupi @camillazupi
Lead Editor: Alex Kirby @alexkirbyeditor
Editor: Alec Gordon @trottergordon
Grade: Jonathan Lieb @Jonathan_Lieb


435
13
3 months ago

Better late than never, work for HP & Ferrari featuring Lewis Hamilton, Charles LeClerc and Fred Vasseur.

Massive Thank you to @dlieb for brining me on and @irresistiblestudios for trusting me.

Director: David Lieb @Dlieb
Executive Producer: Harriet-Kate McKean @harrietkate7
Producer: Izzy Williams @izzywilliams92

Wasserman Agency: Johnny Durrant @johnnydurrant87
Wasserman Agency: Rob Stockton @robert_stockton
Wasserman Agency: Lizzie Isherwood @lizzie.isherwood

Accenture Song: Chris Serrano @serrondo
Accenture Song: Annie Egan @aniarama

DOP: Ricky Patel @rickymundo_
Focus Puller UK: Daniel Usman @therealuzzey

Service Co: Dude Productions @dude_service_italy
Line Producer: Deborah Rubertelli
Unit Manager: Riccardo Cristiano
Prod. Coordinator: Anna Gandini
1st AD: Claudio Cingoli
2nd AD: Francesca Vergani
Operator: Leonardo Osello
Focus Puller: Maurizio Ianniello
Camera Ass: Romano Molter
Camera Ass: Marco Angeloni
Data Manager: Federico Guffanti
VTR: Jacopo Gabai
Operator: Davide Carbonari

Seamstress: Loredana Vitale
Hair & Make Up CL: Marica Bertolin
Set Dressing: Amos Caparrotta
Prop Master: Francesco Bolognini
Prop Master Ass.: Nicola Mancon

Sound Designer: Brigitta Pasquadibisceglie
Key Grip: Graziano Di Domenico
Grip: Parvis Jashn Tirgan
Gaffer: Giovanni Lupi
Camera Truck: Dante Casati
Art Dept Truck: Filippo Sarzi Amade
Electrics Truck: Ivo Del Carmine
Grips Truck: Peter Palaferi
Catering Truck: Maria Teresa Sorrentino

Edit Producer: Camilla Zupi @camillazupi
Lead Editor: Alex Kirby @alexkirbyeditor
Editor: Alec Gordon @trottergordon
Grade: Jonathan Lieb @Jonathan_Lieb


435
13
3 months ago

Was insanely lucky to get on this job thank to @tobytrackman, can not be thankful enough. #EltonJohn for the #worldgoldcouncil

Full film coming soon!

Golden team:
Producers: @kellyjaneruane @connie.harris
Editor: @toughlife68
DoP’s: @rickymundo_
Gaffer: @amarjeet_gaffer
Production design: @jpgdesign
Composer: @roblewiscomposer
PM: Nuria Harrison#Made possible by @chrispage01


85
4
8 months ago

When @mug_7 and @westernedgepics approached me with the idea of creating hyperreal scenes for our jockey storyline, I knew we had the opportunity to push creative boundaries. It was a dream to envision where we could take this and how far we could stretch our ideas.

To bring this vision to life, I called upon the best in the business:
@dlp_remotes joined us to master the tracking shots.
@uppercutproductions rose to the challenge of mounting the most powerful light possible onto a drone.

It was a tricky evening, coordinating the timing of twilight with the movements of the horse, drone, and tracking vehicle. But with teamwork and determination, we captured some truly magical moments.

Grateful for the incredible crew who made this possible. Stay tuned for more glimpses into our journey! 🎬🐎


38
4
1 years ago

Shot earlier this year, thanks @emassey91 for jumping on


30
2
1 years ago

Seriously fun shoot to be involved in earlier this year. From Dalston to Iceland on a shoestring budget. Thank you
FX and Saul for brining me on x

SAUL NASH AND THE WOOLMARK COMPANY PRESENT JUXTAPOSITION

DANCER: @5eirian
CAST: MOSES ALEXANDER, JAYDN BRIGGS, JUDE CARMICHAEL, WARREN MENDY, MING TANG

DIRECTOR: @fxgoby
PRODUCER: @sinnottttttttttttt
BRAND CREATIVE DIRECTOR: @saul.nash
BRAND COMMUNICATIONS: KALLAN HUGHES
SAUL NASH STUDIO: TOM BURR, ROSS DRAPER,
1ST AD: @rose_esme_lucas
2ND AD: NICK FINEGAN RUNNER: CHIRAG LOBO
DOP: RICKY PATEL
FOCUS PULLER: @jhuthwaite20
DRONE OP: ARNAR THOR THORSSON GAFFER: @samh_horne
ELECTRICIAN: ALED WILLIAMS
SOUND RECORDIST: FELIX WAVERLEY-HUDSON SOUND OP: EMILY COMPTON
SOUND DESIGN AND MIX: JM FINCH
MOVEMENT DIRECTION: FAYE STOESER, SAUL NASH
PRODUCTION DESIGNER: CHARLOTTE TOON
STYLIST & CONSULTANT: ELGAR JOHNSON SHOES: UGG CUSTOMISED BY SAUL NASH GLASSES: OAKLEY
HAIR STYLIST: NAT BURY
HAIR STYLIST: ROSIE GRACE SMITH MAKE- UP ARTIST: ABIGAIL ALEXANDER ASSISTANT: JASMINE CARTER
VFX: GERMAN DIEZ
GRADE: GOERGE K AT BLACKKITE
BTS PHOTOGRAPHER: JACK CHIPPER BTS VIDEOGRAPHER: DANIEL OFORI-ATTA
ICELAND SERVICE COMPANY: LABRADOR
PRESS AND COMMS: KARLA OTTO


85
9
1 years ago

A late post but a great reminder how much I loved shooting this documentary with good friends @dali.thinks & @tafbal.

Feel like an age ago but we had great fun.

This was shot on Leica Lomo anamorphics which is a custom built made my self and @mjsimpson.xyz and @_bemo

Find the full film here https://vimeo.com/347048700


3
1
1 years ago


What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago


What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

What a journey this was, with a great team, thank you @gussy_sb for bringing me on, you have made such a great final film.We heard a huge amount of epic stories from all the interviews, but to cut it down to this great film must of been so incredibly hard. Massive love and credit to you @gussy_sb. Also what a great soundtrack to the film. If you haven’t seen it head over to BBC iPlayer


72
13
1 years ago

One year anniversary today, just been a dream married to @marbag, to many more years to come ❤️❤️😍❤️First bit of content from the wedding, better late than neverThank you @balan.evans for the video x


116
15
1 years ago

New ShowReel for 2024, Enjoy ❤️.

Hopefully we can work together very soon.

Thanks to @balan.evans for the edit.


152
19
1 years ago

34
1
3 years ago

New Era @neweraeurope - Always on Side 🧢

Always so much fun to be apart of this campaign, lots of love to the whole team.

Production Company: SJ Film @sjfilm_

Director: Ross Stirling @ross_juice
Producer: @alessialendrum

DOP: Ricky Patel @rickymundo_
Photographer: Andy Whitton @andrewwhitton

Agency: Studio Juice @studiojuice
Design Lead: Paul Ricketts @paulorder
Account Manager: Lucy Jamieson @lucyjamieson3
Senior Copywriter/Content Strategist: Hayden East @haydeneast
Retoucher/Artworker: Leon Heinimann

Service Company: Pixels and Celluloid @pixelsandcelluloid

Edit: Elyse Raphael // tenthree @elyseraphael @tenthree_editing
Edit Producer: Clel Allen // tenthree
Colourist: Tom Mangham // Black Kite @thomasmangham @blackkitestudios
Colour Producer: Lewes Bridson // Black Kite
Online: Filippo Mira @philippe.paname
Sound: James Hall // Obodo Sound @obodosound
Music: Dan Mufson @danmufson

Talent:
Jose Agustín Rodriguez Cordero
Jin Cheng Xi
Carla Illes Mejias
Jesus Vasquez Nava

Casting Agency: Mycasting
Casting Agent: Mayca Guerra
Casting Assistant: Hannah Schubert

Pixels & Cellulloid Crew:
Producer: Robin van Calcar
Production Manager: Stian Tramas Nesheim
1st AD: John Lines
Production Assistant: Justin Hewitt
Production Assistant: Angel Perez Sanchez
3rd AD: Elisa Iglesias
1st AC: Juan Hernandez Ramirez
2nd AC / DIT: Jakub Jedrzejewski
Best Boy: Gustavo F. Muriano Feal
Spark: Bartolome Lomeña Cantos
Make up: Leonie Schuurman
Styling Assistant: Sarina Richartz
Transport: Lino Paniagua

Camera Rental:
EPC Fuengirola
Marcel Paniagua

Lighting Rental:
Aluzine Fuengirola


81
1
3 years ago

Fun one day shoot in Italy end of last year
with @wibmerfabio @greyglaister @klimstagrama

#redbull #insta #insta360 #fabio #bike


65
5
3 years ago


Story Save - Najlepsze darmowe narzędzie do zapisywania historii, rolek, zdjęć, wideo, wyróżnionych, IGTV na telefonie.

Story-save.com to intuicyjne narzędzie online, które umożliwia pobieranie i zapisywanie różnych treści, w tym historii, zdjęć, wideo i materiałów IGTV bezpośrednio z Instagrama. Dzięki Story-Save możesz łatwo pobierać różnorodne treści z Instagrama, a także oglądać je w dogodnym czasie, nawet bez dostępu do internetu. To narzędzie jest idealne na chwile, kiedy znajdziesz coś interesującego na Instagramie i chcesz zapisać to na później. Użyj Story-Save, aby nie przegapić okazji, aby zabrać ulubione momenty z Instagrama ze sobą!

Nasze zalety:

Brak potrzeby rejestracji

Unikaj pobierania aplikacji i rejestracji, przechowuj historie w internecie.

Wysoka jakość

Zakończ z kiepską jakością treści, zachowuj tylko wysokiej rozdzielczości historie.

Dostępność na wszystkich

Urządzenia Pobieraj historie z Instagrama za pomocą każdej przeglądarki, iPhone'a, Androida.

Całkowicie darmowe

Absolutnie bez opłat. Pobierz dowolną historię bez żadnych kosztów.

Najczęściej zadawane pytania

Funkcja pobierania historii na Instagramie została zaprojektowana w celu zapewnienia bezpiecznej i wysokiej jakości metody pobierania historii z Instagrama. Jest łatwa w obsłudze i nie wymaga rejestracji ani logowania. Wystarczy skopiować link, wkleić go i cieszyć się treścią.
Pobieranie historii z Instagrama to prosty proces, który obejmuje trzy kroki:
  • 1. Przejdź do narzędzia do pobierania historii z Instagrama.
  • 2. Następnie wpisz nazwę użytkownika profilu Instagram w podanym polu i kliknij przycisk Pobierz.
  • 3. Zobaczysz wszystkie historie dostępne w bieżącym 24-godzinnym okresie. Wybierz te, które chcesz pobrać, i kliknij Pobierz.
Wybrana historia zostanie szybko zapisana w pamięci lokalnej Twojego urządzenia.
Niestety, nie jest możliwe pobieranie historii z prywatnych kont z powodu ograniczeń prywatności.
Nie ma limitu na liczbę historii, które można pobrać. Usługa pobierania historii jest dostępna do nieograniczonego użytku i jest całkowicie darmowa.
Tak, legalne jest pobieranie i zapisywanie historii z Instagrama innych użytkowników, pod warunkiem, że nie będą one wykorzystywane do celów komercyjnych. Jeśli zamierzasz je wykorzystać komercyjnie, musisz uzyskać zgodę właściciela treści i przypisać mu autorstwo za każdym razem, gdy historia jest używana.
Wszystkie pobrane historie są zazwyczaj zapisywane w folderze Pobrane na Twoim komputerze, niezależnie od tego, czy używasz Windowsa, Maca, czy iOS. Na urządzeniach mobilnych historie są zapisywane w pamięci telefonu i powinny natychmiast pojawić się w aplikacji Galeria po pobraniu.