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With two films at this year’s @festivaldecannes — @jtfirstman’s ‘Club Kid’ and @nwrefn’s ‘Her Private Hell’ — and a newfound sense of self-confidence, Diego Calva has the wind at his back.

“Now I really feel that I have to please myself and I have to tell my own story. I’m not gonna be part of something that I don’t want to be in,” @diegocalva tells @whatcaityfound. “Before, I was in the position where I just wanted to be part of everything. You want to eat the whole world in a moment, and now I’m more chill about it.”

Read #DiegoCalva’s interview online now via the link in bio. Photography by @andreamontanooo, fashion by @tess_psn and grooming by @petransellge. #cannes2026

For the lead characters in ‘The Beloved,’ a film about filmmaking by Rodrigo Sorogoyen, life on set becomes increasingly fraught when their personal and professional lives irrevocably blur. The same cannot be said for Marina Foïs, who appears in the film and counts the Spanish director among her friends. For @marinafois, “there’s an added pleasure and emotion when you love the person you’re working with,” she told Mastermind ahead of the film’s premiere at this year’s @festivaldecannes.

At the link in bio, #MarinaFois reflects on making her second film with #RodrigoSorogoyen — this time playing a role he wrote just for her — and her memories of festivals past. #cannes2026 #thebeloved

Every shot in ‘Fatherland,’ a concise black-and-white film by Paweł Pawlikowski, is perfectly lit. Here, as in his previous films ‘Cold War’ and ‘Ida,’ the Polish director illuminates the encroachment of post-war Soviet oppression in eerie-yet-beautiful monochrome.

Set in 1949, ‘Fatherland’ follows writer and Nobel laureate Thomas Mann (Hanns Zischler) as he returns to Germany, 16 years after he fled Nazi occupation, with his daughter, Erika (Sandra Hüller). Read our review online via the link in bio. @festivaldecannes #cannes2026 #sandrahuller #HannsZischler #pawelpawlikowski #fatherland

Two films, both alike in sensuality, screened simultaneously at @festivaldecannes this week. Each depicted intense, life-altering affairs between women, but where ‘A Woman’s Life’ by Charline Bourgeois-Tacquet strove for realism, Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma’ went for surreal, balls-to-the-walls maximalism. Read our review online now at the link in bio.

Above, @leadrucker and @melaniethierry in ‘A Woman’s Life’ #cannes2026 @janedoesnotknow @welcometocampmiasma

The @festivaldecannes is well underway, and Mastermind is covering the action with reviews, interviews and reporting. First up, @elsspethh surveys the state of film criticism, speaks to veteran critics @davidehrlich and #Serge Kaganski about how the profession has changed and the future websites like @letterboxd represent. Read now via the link in bio #Cannes2026 #letterboxd

Responsible for some of fashion’s most unforgettable makeup moments, Pat McGrath has helped transform runways into high-octane beauty spectacles. The industry has changed enormously since she first began creating her bold, technically defiant looks, which are now endlessly referenced and recreated.

“What’s changed for the better is how beauty is shared and defined,” @patmcgrathreal tells @whatcaityfound. “And there’s more diversity now, more skin tones, more identities visible than when I started. What I miss a little is that private, exploratory feeling – testing and discovering backstage before everything was instantly documented. That sense of magic was special.”
Read #PatMcGrath’s full interview in #Mastermind19, out now.

Photography @richardburbridge
Fashion @conor_manning
Makeup Direction @patmcgrathreal
Makeup @jennasaisquoii using La Beauté @LouisVuitton
Hair @joeygeorge
Manicure @jinsoonchoi
Models @saaracaballero 
Casting @piergiorgio and @jussivuorenlehto
Production @felixcadieu for @neighborsbrooklyn

Responsible for some of fashion’s most unforgettable makeup moments, Pat McGrath has helped transform runways into high-octane beauty spectacles. The industry has changed enormously since she first began creating her bold, technically defiant looks, which are now endlessly referenced and recreated.

“What’s changed for the better is how beauty is shared and defined,” @patmcgrathreal tells @whatcaityfound. “And there’s more diversity now, more skin tones, more identities visible than when I started. What I miss a little is that private, exploratory feeling – testing and discovering backstage before everything was instantly documented. That sense of magic was special.”
Read #PatMcGrath’s full interview in #Mastermind19, out now.

Photography @richardburbridge
Fashion @conor_manning
Makeup Direction @patmcgrathreal
Makeup @jennasaisquoii using La Beauté @LouisVuitton
Hair @joeygeorge
Manicure @jinsoonchoi
Models @saaracaballero 
Casting @piergiorgio and @jussivuorenlehto
Production @felixcadieu for @neighborsbrooklyn

A breath of fresh air, @isitnobis photographed by @ethanjamesgreen in #Mastermind19, out now

Photography #ethanjamesgreen
Creative Direction @marieameliesauve
Fashion @conor_manning
Hair @lucas.a.wilson
Makeup @hannah_murray1
Manicure @lollykoonnails
Model #JuliaNobis
Casting @piergiorgio and @jussivuorenlehto
Production @tannservices

A breath of fresh air, @isitnobis photographed by @ethanjamesgreen in #Mastermind19, out now

Photography #ethanjamesgreen
Creative Direction @marieameliesauve
Fashion @conor_manning
Hair @lucas.a.wilson
Makeup @hannah_murray1
Manicure @lollykoonnails
Model #JuliaNobis
Casting @piergiorgio and @jussivuorenlehto
Production @tannservices

Bits and peaces from The Fix, featuring @rebeccalongendyke photographed by @roeethridge. More in #Mastermind19, out now.

Photography #roeethridge
Creative direction @marieameliesauve
Fashion @conor_manning
Hair @hairbyorlandopita
Makeup @susiesobol
Manicure @lollykoonnails
Set Design @megankiantos
Model #rebeccalongendyke
Casting @piergiorgio and @jussivuorenlehto
Production @henstoothproductions

Bits and peaces from The Fix, featuring @rebeccalongendyke photographed by @roeethridge. More in #Mastermind19, out now.

Photography #roeethridge
Creative direction @marieameliesauve
Fashion @conor_manning
Hair @hairbyorlandopita
Makeup @susiesobol
Manicure @lollykoonnails
Set Design @megankiantos
Model #rebeccalongendyke
Casting @piergiorgio and @jussivuorenlehto
Production @henstoothproductions

Now that spring is rumbling to life, the season has come for long walks in blossoming nature. At the link in bio, British journalist and author of ‘Wonderlands: British Garden Designers at Home’ @clarecoulson shares her recommendations for where to sit under cherry blossom trees, observe bearded irises or bask in a meadow – and why the UK is so proud of its gardening heritage. Above, Gresgarth Hall, by @aralennoxboyd, photographed by @eva_nemeth

Happy 80th birthday to the wonderful Walter Pfeiffer! Tomorrow, a new retrospective spanning 55 years of the Swiss photographer’s work opens at @pinacotecaagnelli, titled “In Good Company.” The show testifies to his relentless appetite for art-making. “I’m always working without a break, never a break. It’s always like this. I work all the time. I have a huge amount of work because I was only happy when I worked,” @walterpfeiffer_official tells @jeremyolds in #Mastermind19. Read the full interview online now via the link in bio.

Above, some images #WalterPfeiffer shot for our latest issue. In the first slide, @danakatesmith and @henryrank_ wear @celine; in the second, @rabanne

Creative direction @marieameliesauve
Fashion @conor_manning
Hair @damienboissinothair
Makeup @hiromi_ueda
Manicure @marie.rosa
Set Design @sophear_van
Casting @piergiorgio and @jussivuorenlehto
Production @newlightfilms

Happy 80th birthday to the wonderful Walter Pfeiffer! Tomorrow, a new retrospective spanning 55 years of the Swiss photographer’s work opens at @pinacotecaagnelli, titled “In Good Company.” The show testifies to his relentless appetite for art-making. “I’m always working without a break, never a break. It’s always like this. I work all the time. I have a huge amount of work because I was only happy when I worked,” @walterpfeiffer_official tells @jeremyolds in #Mastermind19. Read the full interview online now via the link in bio.

Above, some images #WalterPfeiffer shot for our latest issue. In the first slide, @danakatesmith and @henryrank_ wear @celine; in the second, @rabanne

Creative direction @marieameliesauve
Fashion @conor_manning
Hair @damienboissinothair
Makeup @hiromi_ueda
Manicure @marie.rosa
Set Design @sophear_van
Casting @piergiorgio and @jussivuorenlehto
Production @newlightfilms

In 2013, the philanthropist Maja Hoffmann established LUMA Arles, an institution designed by the late Frank Gehry that is now a global cultural powerhouse and a laboratory for artistic, scientific and ecological innovations. And it’s just one part of her far more ambitious vision, she tells Donatien Grau in #Mastermind19.

“LUMA’s project was based on the idea that art cannot change the world, but that society must take artists’ ways of thinking into account, and that artists are not there just to decorate. Artistic creation is one thing, but it’s creative thinking that interests me more,” she says.

Read the full interview in the new issue, out now. Photos of @luma_arles by @matthieusalvaing; portrait of #MajaHoffman by @theodegueltzl. #frankgehry #lumaarles #arles

In 2013, the philanthropist Maja Hoffmann established LUMA Arles, an institution designed by the late Frank Gehry that is now a global cultural powerhouse and a laboratory for artistic, scientific and ecological innovations. And it’s just one part of her far more ambitious vision, she tells Donatien Grau in #Mastermind19.

“LUMA’s project was based on the idea that art cannot change the world, but that society must take artists’ ways of thinking into account, and that artists are not there just to decorate. Artistic creation is one thing, but it’s creative thinking that interests me more,” she says.

Read the full interview in the new issue, out now. Photos of @luma_arles by @matthieusalvaing; portrait of #MajaHoffman by @theodegueltzl. #frankgehry #lumaarles #arles

In 2013, the philanthropist Maja Hoffmann established LUMA Arles, an institution designed by the late Frank Gehry that is now a global cultural powerhouse and a laboratory for artistic, scientific and ecological innovations. And it’s just one part of her far more ambitious vision, she tells Donatien Grau in #Mastermind19.

“LUMA’s project was based on the idea that art cannot change the world, but that society must take artists’ ways of thinking into account, and that artists are not there just to decorate. Artistic creation is one thing, but it’s creative thinking that interests me more,” she says.

Read the full interview in the new issue, out now. Photos of @luma_arles by @matthieusalvaing; portrait of #MajaHoffman by @theodegueltzl. #frankgehry #lumaarles #arles

Pfantastic Mr Pfeffer - @walterpfeiffer_official shoots a new series for #Mastermind19. See the full story in the new issue.

Above: @danakatesmith wears @dior and @henryrank_ wears @versace

Photography #walterpfeiffer
Videography @quentinsaunier
Creative direction @marieameliesauve
Fashion @conor_manning
Hair @damienboissinothair
Makeup @hiromi_ueda
Manicure @marie.rosa
Set Design @sophear_van
Casting @piergiorgio and @jussivuorenlehto
Production @newlightfilms
Music @romainbarry