Enregistrement d'histoires Instagram

Now representing Sekou Abineri ⭐️
@sekouabineri @sekouabineri @sekouabineri

INTERGALACTIC IS HIRING 🚀

Super producers please send applications to jobs@intergalacticstudios.com ✉️

We look forward to meeting you.

INTERGALACTIC IS HIRING 🚀

Super producers please send applications to jobs@intergalacticstudios.com ✉️

We look forward to meeting you.

INTERGALACTIC IS HIRING 🚀

Super producers please send applications to jobs@intergalacticstudios.com ✉️

We look forward to meeting you.

Intergalactic appoints Leethal Reppin’ as their Director’s rep for UK & US Music Videos 🚀🪐🛰️
@intergalactic.studios
@leethalreppin

After working together on several successful projects in the past year we’re very excited for this next step 💥

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

@hyloathletics directed by @jahumby 🏆💐👟

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Still photography by @hollywhittaker
Cinematography by @jed_dop
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells

Hylo ‘It’s Not About Him’
Directed by James Humby
@hyloathletics

Starring @andymurray 🏆💐

Brand Creative Director: Sean Hamilton @itsmeseanhamilton
Director: James Humby @jahumby
Production Company: Intergalactic Studios @intergalactic.studios
Producer: Rhory Danniells @rhorydanniells
PM: Tom Ringsby @tomringsby
1st AD: Henry Heffer @henry_heffer

Crew:
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
2nd AC: Matt Buxton-Smith @mattbucco
B-Cam Op: Will Gardner @willigardner
Stills: Holly Whittaker @hollywhittaker
Gaffer: Charlie Relph charlierelph
Spark: Sid Maouche @sid.maouche
Spark: Gianni Morreale @giannimorreale
Sound Recordist: David Giles
Boom Op: Isla Bathgate
Production design: Luba Kuziw @lubakuziw
Art Assistant: Molly Brabner @mollybrabner
MUA: Chloé Pack @chlopack
Stylist: Kendall Blair @kendallblair

Cast:
Press Officer: Andy Hodgson @andyhodgsoncreative
Press PA: Samira Muse
Journalist 1: Mark Goodwill
Journalist 2: Tania Whatley
Hylo Videographer: Oleksii Avramenko
Journalist Extras: Mark Adom, Sharif Islam, Ray Burns, Paul Wicks, Cathleen Voysey, Jaasvi Shah

Post:
Editorial: Untold Studios
Editor: James Humby

VFX & Co-Production: Untold Studios @untold_studios
Head of Production: Tessa Wood
Executive Producer: Tom Igglesden
Senior Producer: Elle Lockhart
Production Co-ordinator: Gabriele Vaicekauskaite
Shoot VFX Supervisor: Paul O’Shea
Creative Director: Paul O’Shea
VFX Lead: Nick Sze
VFX Artist: Fred Heymens
Designer: Roger Chiaw
Online: Nick Sze, Richard Harris

Color: TMLS @tmls.tv
Colorist: Didrik Bråthen @didrikbrathen
Producer: Eli Sandal

Music: Memotone

Post Sound: 750
Sound Engineer: Jake Ashwell
Producer: Ella Venvell

@_onepointfour shortlist for ‘A Frog Sits in Water’ by @dylanfriesegreene 🐸 Long festival run for this short film. Swipe for laurelmaxxing poster. 🏆

@_onepointfour shortlist for ‘A Frog Sits in Water’ by @dylanfriesegreene 🐸 Long festival run for this short film. Swipe for laurelmaxxing poster. 🏆

@tamera ‘Blessings’ single artwork shot by @135alistair ♠️

Producer @rhorydanniells
Stylist @jadziascott_
Assistant styling @nottheoneyoufollow
MUA @elainelynskey

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

NAKED @gracegachot | 500T 16mm

“I knew from the start that this story had to be shot on film. The song is so personal and tactile, and anything too clean or digital felt like it would dilute the honesty we were trying to protect. Shooting on 16mm matched the emotional world of the track and elevated the simplicity of the idea without ever overpowering it. The fact we only had a limited number of takes gave every moment a real sense of presence and intention. Grace was immediately excited by the idea, and I remember saying during the pitch that I’d be hesitant to make this project any other way. In the bridge, Jed our DOP suggested using speed ramping, which became a perfect metaphor for losing control when someone you trust lets you down. Shooting on film wasn’t a stylistic choice, it was essential to the emotion of the piece.”

DIRECTOR: Callum Lloyd-James @callumlloydjames
PRODUCER: Rhory Danniells @rhorydanniells
PRODUCTION COMPANY: Intergalactic Studios @intergalactic.studios
1st AD: Henry Heffer @henry_heffer
CHOREOGRAPHER: Paulette Minott @pauletteminott
DOP: Jed Darlington-Roberts @jed_dop
1st AC: James Huthwaite @iameshuth
GAFFER: Charlie Relph @charlierelph
SPARK: Gianni Morreale @gg.creates_
MAKEUP & HAIR: Charlie MacDonald @makeupbycharliemac
GRADE: Company 3 @company_3
POST PRODUCER: Edwin Elkington @edwinelkproducer
COLOURIST: Dom Phipps @d.phipps.colour
PROCESSING LAB: Kodak Film Labs: NYC

@sonnyfodera & @poppybaskcomb ‘Think About Us’ by Jess Clover 🛏️

director @jessclover
dop @vladws
producer @rhorydanniells
1st ad @henry_heffer
pa @ciarankwalker @hollywhittaker
1st ac @samuel35mm
gaffer @inigo_woodhamsmith
desk op @nightsjourney
spark @sachapeers
grip @sw_grips
production designer @lubakuziw
art assistant Emily Leggett
hair Nathan Dell
BTS @martell.txv
edit @jessclover
grade @vladws
production company @intergalactic.studios
label @solotoko
marketing @charlieshawx100
mgmt @threesixzero @ana.schl @soro4eva

💥 RUMBLE UK ZINE LAUNCH 💥
Thursday 4th December | 6-9pm

@photobookcafe
4 Leonard Circus, EC2A 4DQ
(Shoreditch)

Drinks + DJs + Physical media 📚

See you there sucka x

‘STARVED’ A short nightmare written and directed by Simon Halsall and starring Anupam Tripathi is now available in full on YouTube.
Link in stories.

@acepicturesentertainment present
an @intergalactic.studios production

Writer, Director, Editor: @simonhalsall

CAST
Anupam Tripathi
Annette Badland @annettebadland
Yannick Wood @yannick.wood
Alexander Halsall @alexanderhalsall91
Jamie Alexander @jamesalexanderfilms
Christian D’Ippolito @dippo from Citadel

PRODUCERS
@rhorydanniells
@tomringsby

EXECUTIVE PRODUCERS
Anupam Tripathi
@petewong13
Emma Lee
Johnny Chang
@m.p.halsall
@bryanhwang3
@achrislee
@theboldncourageous

CREW
DoP @karol_jurga
Sound Design & Mix: Matis Rei
Production Design @giorgia_joseph_art
First Assistant Director @henry_heffer
Creative Consultant @jona_headon
Production Assistant @ciarankwalker
Production Sound Mixer: David Giles, @nikos.sound , Valerio Cerini
Boom Operator @langner_alex
VFX @jakobthorhallsson @bepsley John Searle
Colourist @_ntcolour
Creature Hair, Makeup & Prosthetics Designer @monaturnbull
Movement Director @harrypriceprojects
Ring Design & Creation @simasdesigns
Gaffer @mgthedp
Steadicam Operator @steadicojan
First Assistant Camera @dimi_vakrilov_
Second Assistant Camera @alicefleurtucker
Camera Trainee @callumlindsay01
DIT @chinesekato @andreturazzi
Foley: Foley Walkers
End Title Design & Poster @studiozoid
Hair and Makeup @lauravallejo_makeup
Creature Hair, Makeup and Prosthetic Trainee @halle.isobel.art
Catering: David Robinson
Transportation: Pete Halsall

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥

Save the date: Thursday 4th December from 18.00 at the Photobook Cafe. @tomringsby launches RUMBLE - a photozine exploring the UK Pro Wrestling community both in the spotlight of the ring and the privacy of the dressing rooms.

Limited to 100 editions - the zine is hand-made by @zone6press with graphic design by @guillaumenoodles

Come through for an evening of music, drinks and faceplants 💥💥💥