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an audio-visual movement experience as part of @platform.presents’ Asian Heritage Week Naarm edition, in partnership with @interconnectstudio

31.05

ticket link in bio

//
direction, choreography by @ether_link
performance by @ate_cheska_ @taichi.ishii1965 @alnerborce @ether_link
lighting/fx by @joli.boardman @inkala.xyz
sound design by @88rontan
dj sets by @sinresolver55555 @ilyypad
venue at @interconnectstudio

//
graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link w/ @honey_star.s assist x

“红”/ Hóng

Direction/Movement Direction: @ether_link
DP: @0ojin_
Production house: @bourgeois_av
Sound design: @88rontan
Set Assist/BTS: @ackergray
Grip: @88rontan
Grade: @joshnai.mov
Edit: @ether_link @joshnai.mov
Top made by @haevn.ly
Styling/HMU/Talent: @ether_link

🌹

INTERLINK_CELLS 
31.05
ticket link in bio

_PERFORMERS_HIGHLIGHT

@taichi.ishii1965
TAICHI ISHII is a Japanese performance and movement artist based in Narrm/Melbourne. Their practice explores trance, vulnerability, sensuality, and the shifting relationship between body and perception. Through improvisation, somatic exploration, and
sculptural physicality, they create performances that move between ritual, intimacy, and transformation.
Drawing influence from butoh, contemporary
performance, nightlife culture, and meditative states, Taichi approaches the body as both landscape and medium — a site where memory, instinct, softness, and tension coexist.

@ate_cheska_
TE BAJAO is a movement artist who slinks and writhes through dark sensuality, pain and mythology. They’ve dipped their toes and immersed in many spaces and practices that involve body and movement. Te’s practice is ever evolving and draws from life experiences and raw energy.

@alnerborce
ALNER BORCE is a dancer, performer and choreographer based in Naarm recognised for his distinctive presence and versatility. With a unique movement quality rooted from his diverse training in Jazz, Contemporary and different street styles, Alner demonstrates a spectacular edge to any stage he steps onto. 
He has appeared on some of Australia’s most prominent stages including the Golden Plains Festival, the Adelaide Fringe, Sydney Mardi Gras, Midsumma Festival, Rod Laver Arena and the AFL Grand Final. His credits include Trixie Mattel, Kween Kong, Becca Hatch, Baker Boy, Tones and I and Snoop Dogg to name a few.

@ether_link
JOYCE LIU (they/she) is a Chinese-Australian artist based in Naarm, working mainly as a choreographer, performance artist, and movement director. Their movement explores ritualistic flow and creaturesque textures. Joyce’s work often leans into the surreal and incorporates technological elements to create world-building performances.

˚✧₊⁎

graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link

INTERLINK_CELLS 
31.05
ticket link in bio

_PERFORMERS_HIGHLIGHT

@taichi.ishii1965
TAICHI ISHII is a Japanese performance and movement artist based in Narrm/Melbourne. Their practice explores trance, vulnerability, sensuality, and the shifting relationship between body and perception. Through improvisation, somatic exploration, and
sculptural physicality, they create performances that move between ritual, intimacy, and transformation.
Drawing influence from butoh, contemporary
performance, nightlife culture, and meditative states, Taichi approaches the body as both landscape and medium — a site where memory, instinct, softness, and tension coexist.

@ate_cheska_
TE BAJAO is a movement artist who slinks and writhes through dark sensuality, pain and mythology. They’ve dipped their toes and immersed in many spaces and practices that involve body and movement. Te’s practice is ever evolving and draws from life experiences and raw energy.

@alnerborce
ALNER BORCE is a dancer, performer and choreographer based in Naarm recognised for his distinctive presence and versatility. With a unique movement quality rooted from his diverse training in Jazz, Contemporary and different street styles, Alner demonstrates a spectacular edge to any stage he steps onto. 
He has appeared on some of Australia’s most prominent stages including the Golden Plains Festival, the Adelaide Fringe, Sydney Mardi Gras, Midsumma Festival, Rod Laver Arena and the AFL Grand Final. His credits include Trixie Mattel, Kween Kong, Becca Hatch, Baker Boy, Tones and I and Snoop Dogg to name a few.

@ether_link
JOYCE LIU (they/she) is a Chinese-Australian artist based in Naarm, working mainly as a choreographer, performance artist, and movement director. Their movement explores ritualistic flow and creaturesque textures. Joyce’s work often leans into the surreal and incorporates technological elements to create world-building performances.

˚✧₊⁎

graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link

INTERLINK_CELLS 
31.05
ticket link in bio

_PERFORMERS_HIGHLIGHT

@taichi.ishii1965
TAICHI ISHII is a Japanese performance and movement artist based in Narrm/Melbourne. Their practice explores trance, vulnerability, sensuality, and the shifting relationship between body and perception. Through improvisation, somatic exploration, and
sculptural physicality, they create performances that move between ritual, intimacy, and transformation.
Drawing influence from butoh, contemporary
performance, nightlife culture, and meditative states, Taichi approaches the body as both landscape and medium — a site where memory, instinct, softness, and tension coexist.

@ate_cheska_
TE BAJAO is a movement artist who slinks and writhes through dark sensuality, pain and mythology. They’ve dipped their toes and immersed in many spaces and practices that involve body and movement. Te’s practice is ever evolving and draws from life experiences and raw energy.

@alnerborce
ALNER BORCE is a dancer, performer and choreographer based in Naarm recognised for his distinctive presence and versatility. With a unique movement quality rooted from his diverse training in Jazz, Contemporary and different street styles, Alner demonstrates a spectacular edge to any stage he steps onto. 
He has appeared on some of Australia’s most prominent stages including the Golden Plains Festival, the Adelaide Fringe, Sydney Mardi Gras, Midsumma Festival, Rod Laver Arena and the AFL Grand Final. His credits include Trixie Mattel, Kween Kong, Becca Hatch, Baker Boy, Tones and I and Snoop Dogg to name a few.

@ether_link
JOYCE LIU (they/she) is a Chinese-Australian artist based in Naarm, working mainly as a choreographer, performance artist, and movement director. Their movement explores ritualistic flow and creaturesque textures. Joyce’s work often leans into the surreal and incorporates technological elements to create world-building performances.

˚✧₊⁎

graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link

INTERLINK_CELLS 
31.05
ticket link in bio

_PERFORMERS_HIGHLIGHT

@taichi.ishii1965
TAICHI ISHII is a Japanese performance and movement artist based in Narrm/Melbourne. Their practice explores trance, vulnerability, sensuality, and the shifting relationship between body and perception. Through improvisation, somatic exploration, and
sculptural physicality, they create performances that move between ritual, intimacy, and transformation.
Drawing influence from butoh, contemporary
performance, nightlife culture, and meditative states, Taichi approaches the body as both landscape and medium — a site where memory, instinct, softness, and tension coexist.

@ate_cheska_
TE BAJAO is a movement artist who slinks and writhes through dark sensuality, pain and mythology. They’ve dipped their toes and immersed in many spaces and practices that involve body and movement. Te’s practice is ever evolving and draws from life experiences and raw energy.

@alnerborce
ALNER BORCE is a dancer, performer and choreographer based in Naarm recognised for his distinctive presence and versatility. With a unique movement quality rooted from his diverse training in Jazz, Contemporary and different street styles, Alner demonstrates a spectacular edge to any stage he steps onto. 
He has appeared on some of Australia’s most prominent stages including the Golden Plains Festival, the Adelaide Fringe, Sydney Mardi Gras, Midsumma Festival, Rod Laver Arena and the AFL Grand Final. His credits include Trixie Mattel, Kween Kong, Becca Hatch, Baker Boy, Tones and I and Snoop Dogg to name a few.

@ether_link
JOYCE LIU (they/she) is a Chinese-Australian artist based in Naarm, working mainly as a choreographer, performance artist, and movement director. Their movement explores ritualistic flow and creaturesque textures. Joyce’s work often leans into the surreal and incorporates technological elements to create world-building performances.

˚✧₊⁎

graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link

INTERLINK_CELLS 
31.05
ticket link in bio

_PERFORMERS_HIGHLIGHT

@taichi.ishii1965
TAICHI ISHII is a Japanese performance and movement artist based in Narrm/Melbourne. Their practice explores trance, vulnerability, sensuality, and the shifting relationship between body and perception. Through improvisation, somatic exploration, and
sculptural physicality, they create performances that move between ritual, intimacy, and transformation.
Drawing influence from butoh, contemporary
performance, nightlife culture, and meditative states, Taichi approaches the body as both landscape and medium — a site where memory, instinct, softness, and tension coexist.

@ate_cheska_
TE BAJAO is a movement artist who slinks and writhes through dark sensuality, pain and mythology. They’ve dipped their toes and immersed in many spaces and practices that involve body and movement. Te’s practice is ever evolving and draws from life experiences and raw energy.

@alnerborce
ALNER BORCE is a dancer, performer and choreographer based in Naarm recognised for his distinctive presence and versatility. With a unique movement quality rooted from his diverse training in Jazz, Contemporary and different street styles, Alner demonstrates a spectacular edge to any stage he steps onto. 
He has appeared on some of Australia’s most prominent stages including the Golden Plains Festival, the Adelaide Fringe, Sydney Mardi Gras, Midsumma Festival, Rod Laver Arena and the AFL Grand Final. His credits include Trixie Mattel, Kween Kong, Becca Hatch, Baker Boy, Tones and I and Snoop Dogg to name a few.

@ether_link
JOYCE LIU (they/she) is a Chinese-Australian artist based in Naarm, working mainly as a choreographer, performance artist, and movement director. Their movement explores ritualistic flow and creaturesque textures. Joyce’s work often leans into the surreal and incorporates technological elements to create world-building performances.

˚✧₊⁎

graphic credits
direction, talent by @ether_link
photography, edit by @carlinandcamera
set by @ether_link @carlinandcamera
assist, bts by @jemerry.christmas
graphic edit by @ether_link

INTERLINK_CELLS
may 31
the intersection of organic and inorganic bodies

ticket link in bio

direction, performance, edit: @ether_link
videography, lighting, colourgrade: @carlinandcamera
set: @ether_link @carlinandcamera
assist: @jemerry.christmas
song: AAAAK @hsxchcxcxhs

☆☆
dc: @ether_link
dancers: @puisabel_ @florence.kurniawan @lugofigoo @yazzy_middleton @builiilii @maggie.wm_
@o2studios
song: a point most crucial @c_a_r_r_i_e_r_

thank you for all your beautiful expressions!!

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

movement direction for @chantellelucyl’s “Portals” SS26 @melbfashionfestival Independent Program

LEAD TEAM
Movement Direction and Choreography @ether_link
CCTV AV Tech and Digital Design @a.frich
Sound Performance and Composer @44angelboy44
MUA Creative Lead @yyrp
Hair Creative Lead @jjermaiine
Jewellery and chain accessories by @hardt_______
_

Talent in Walking order

LOOK 1 Adelita @adeliiitaa
LOOK 2 Natty @Nnathalynn
LOOK 3 Amy @Amy_clark
LOOK 4 Haruka @harukasato.jp
LOOK 5 Fran @Frsnvidal
LOOK 6 Tomas @tomazsu_
LOOK 7 Shannon @badpuppics
LOOK 8 Li @1uckyli
LOOK 9 Tzion @tzion___
LOOK 10 Isabella @Isabella.graece
LOOK 11 June @junebellebabe
LOOK 12 Amelie @Amelip1000
LOOK 13 Matthis @Thissma_
LOOK 14 Laura Mae @Lauramaewill
LOOK 15 Diva @divascum
LOOK 16 Tori @torimccann
LOOK 17 Lanre @LarryBlackmoooore
LOOK 18 Wayne @w_a_y_n_e_s_c_o_t_t
LOOK 19 Zoe @luckofth3draw
LOOK 20 Faith @Chocolatekrispykream
LOOK 21 Sandy @notpriscilla
LOOK 22 Mae @mae.anagnostis
LOOK 23 Charlotte @charlotteerowee
LOOK 24 Sha’ad @gramofshaad
LOOK 25 Faith @111cupidsfool
_

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

@ether_link
ETHER — Pavilion, Night 3

This wasn’t a set. It was a rupture.

ETHER didn’t just challenge the grammar of rave culture, she pulverised it. New art, new dance, new sound collided with the ghost of old rave logics and blew them open, not through force, but through sheer, disarming beauty.

Where the crowd came primed for velocity, hard, high, extractive techno she offered the opposite: a slow, sumptuous descent. Downtempo drone stretched into live noise scores, time dilated, and narrative replaced drop. It demanded patience. It demanded presence.

A VHS camera was taped to her body, its gaze unstable, intimate, archival. The footage streamed onto the walls as though a voyeuristic home video, plastic sheets that breathed with the wind, activated not by stage mechanics, but by the movement of 20,000 bodies. The crowd became the infrastructure of the work.

Programmed as a one-hour durational performance under the curatorial vision of @i_am_offerings, this was a high-risk insertion into a space not built for stillness. And that risk was palpable. It took real courage to hold that line, to resist the pull toward spectacle and instead stretch the field into something cinematic, ritualistic.

Something shifted.

People stopped chasing stimulation and began orienting themselves differently, fixed, gathering, adjusting, settling. Watching. The plastic became a capsule. The Pavilion, briefly, became a cinema. Not for escape, but for encounter.

Suspended within a web of pipes, ropes, and energetic tension, ETHER moved like a cyborg tethered to life force, brutal, vine-like, abstract. Not dancing for the crowd, but within a system of constraints and transmissions. Body as conduit. Signal as choreography.

It was poetic. It was highly conceptual. It was deeply felt.

And in a festival environment that often rewards immediacy, this work chose deep time and, remarkably, the crowd followed.

@jason_de_cox imagery
Artwork, experience design and curation @i_am_offerings
Produced by @uniteplayperform

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

ETHER X ETHAN for @cynetic__ @h34ven0n34rth_ ‘s @netgala event 👾

direction: @spirits0ng @ether_link
dj: @spirits0ng
movement/performance: @ether_link
projections: @oddh0st / @a.frich
lighting: @inkala.xyz / @joli.boardman
cable nest: @soya_florist / @kevin.twan
space: @altarspace.info
cam footage by @shiiitake_mushrooom

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

scenes from DONT STOP
a dance thriller film on aliens, sex work, and techno.

grateful for the love. trailer soon.

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

𝕒𝕣𝕥𝕖𝕗𝕒𝕔𝕥_𝕍𝕆𝕀𝔻 for @platform.presents x @joshua_arvy_so “Limitless Play” experimental night

a very special collaboration with @honey_star.s on live soundscape 🫂
wearing @haevn.ly black bodice
@jxdng on the smoke + sm more

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

under the wings of @_l_u_i_ for @tessellate.club 🧚🏻‍♂️

alongside @lilyharding (+ @parisrrobinson)
soundscape @genevieve___fry
wearing @haevn.ly

@o2studios 🪷
chorey: @ether_link
w/ @puisabel_ and @florence.kurniawan

song: “serendipity march” - @kangding_ray