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One month until opening, Elly Fishman (@elly__fish) for The New York Times (@nytimes) featured artist Mark Bradford (@markbradfordart) and his monumental commission for the Obama Presidential Center (@obamafoundation): "City of the Big Shoulders."

Bradford’s monumental 38-foot painting engages deeply with Chicago’s history of migration, mapping structural racism and urban resilience through layered ephemera of Black life.

“We are always looking for place, trying to find our place,” he said. “I want people to lay their stories on top of the map.” In that sense, he added, “it can be what you want it to be. The painting becomes yours.”

The work joins an extraordinary roster of contemporary artists curated by Virginia Shore (@vshorev), under the direction of Louise Bernard (@louisebernard_of), including Kiki Smith, Jenny Holzer, and Chicago’s Theaster Gates and Nick Cave. Together, the site-specific works reflect the Obamas’ belief that art belongs at the heart of civic life.

Images: @evanpjenkins for the New York Times

One month until opening, Elly Fishman (@elly__fish) for The New York Times (@nytimes) featured artist Mark Bradford (@markbradfordart) and his monumental commission for the Obama Presidential Center (@obamafoundation): "City of the Big Shoulders."

Bradford’s monumental 38-foot painting engages deeply with Chicago’s history of migration, mapping structural racism and urban resilience through layered ephemera of Black life.

“We are always looking for place, trying to find our place,” he said. “I want people to lay their stories on top of the map.” In that sense, he added, “it can be what you want it to be. The painting becomes yours.”

The work joins an extraordinary roster of contemporary artists curated by Virginia Shore (@vshorev), under the direction of Louise Bernard (@louisebernard_of), including Kiki Smith, Jenny Holzer, and Chicago’s Theaster Gates and Nick Cave. Together, the site-specific works reflect the Obamas’ belief that art belongs at the heart of civic life.

Images: @evanpjenkins for the New York Times

One month until opening, Elly Fishman (@elly__fish) for The New York Times (@nytimes) featured artist Mark Bradford (@markbradfordart) and his monumental commission for the Obama Presidential Center (@obamafoundation): "City of the Big Shoulders."

Bradford’s monumental 38-foot painting engages deeply with Chicago’s history of migration, mapping structural racism and urban resilience through layered ephemera of Black life.

“We are always looking for place, trying to find our place,” he said. “I want people to lay their stories on top of the map.” In that sense, he added, “it can be what you want it to be. The painting becomes yours.”

The work joins an extraordinary roster of contemporary artists curated by Virginia Shore (@vshorev), under the direction of Louise Bernard (@louisebernard_of), including Kiki Smith, Jenny Holzer, and Chicago’s Theaster Gates and Nick Cave. Together, the site-specific works reflect the Obamas’ belief that art belongs at the heart of civic life.

Images: @evanpjenkins for the New York Times

One month until opening, Elly Fishman (@elly__fish) for The New York Times (@nytimes) featured artist Mark Bradford (@markbradfordart) and his monumental commission for the Obama Presidential Center (@obamafoundation): "City of the Big Shoulders."

Bradford’s monumental 38-foot painting engages deeply with Chicago’s history of migration, mapping structural racism and urban resilience through layered ephemera of Black life.

“We are always looking for place, trying to find our place,” he said. “I want people to lay their stories on top of the map.” In that sense, he added, “it can be what you want it to be. The painting becomes yours.”

The work joins an extraordinary roster of contemporary artists curated by Virginia Shore (@vshorev), under the direction of Louise Bernard (@louisebernard_of), including Kiki Smith, Jenny Holzer, and Chicago’s Theaster Gates and Nick Cave. Together, the site-specific works reflect the Obamas’ belief that art belongs at the heart of civic life.

Images: @evanpjenkins for the New York Times

One month until opening, Elly Fishman (@elly__fish) for The New York Times (@nytimes) featured artist Mark Bradford (@markbradfordart) and his monumental commission for the Obama Presidential Center (@obamafoundation): "City of the Big Shoulders."

Bradford’s monumental 38-foot painting engages deeply with Chicago’s history of migration, mapping structural racism and urban resilience through layered ephemera of Black life.

“We are always looking for place, trying to find our place,” he said. “I want people to lay their stories on top of the map.” In that sense, he added, “it can be what you want it to be. The painting becomes yours.”

The work joins an extraordinary roster of contemporary artists curated by Virginia Shore (@vshorev), under the direction of Louise Bernard (@louisebernard_of), including Kiki Smith, Jenny Holzer, and Chicago’s Theaster Gates and Nick Cave. Together, the site-specific works reflect the Obamas’ belief that art belongs at the heart of civic life.

Images: @evanpjenkins for the New York Times

Opening tomorrow | Jean-Marie Appriou’s exhibition at @palazzostrozzi, hosted in the Fondazione’s Project Space.

Titled CANTO INFINITO, the exhibition presents new works conceived for Palazzo Strozzi by Appriou — a distinctive voice in contemporary sculpture. Working in aluminium, bronze and wax, the French artist shapes figures that hover between human, animal and vegetal.

🗓️ May 22 – August 23 2026
📍 Fondazione Palazzo Strozzi, Florence, Italy

#PalazzoStrozzi #JeanMarieAppriou

Images: Jean-Marie Appriou. CANTO INFINITO, exhibition views, Firenze, Palazzo Strozzi, Project Space, 2026. © Jean-Marie Appriou, by SIAE. Photo Ela Bialkowska, OKNO Studio, Courtesy Fondazione Palazzo Strozzi, Firenze.

Opening tomorrow | Jean-Marie Appriou’s exhibition at @palazzostrozzi, hosted in the Fondazione’s Project Space.

Titled CANTO INFINITO, the exhibition presents new works conceived for Palazzo Strozzi by Appriou — a distinctive voice in contemporary sculpture. Working in aluminium, bronze and wax, the French artist shapes figures that hover between human, animal and vegetal.

🗓️ May 22 – August 23 2026
📍 Fondazione Palazzo Strozzi, Florence, Italy

#PalazzoStrozzi #JeanMarieAppriou

Images: Jean-Marie Appriou. CANTO INFINITO, exhibition views, Firenze, Palazzo Strozzi, Project Space, 2026. © Jean-Marie Appriou, by SIAE. Photo Ela Bialkowska, OKNO Studio, Courtesy Fondazione Palazzo Strozzi, Firenze.

Opening tomorrow | Jean-Marie Appriou’s exhibition at @palazzostrozzi, hosted in the Fondazione’s Project Space.

Titled CANTO INFINITO, the exhibition presents new works conceived for Palazzo Strozzi by Appriou — a distinctive voice in contemporary sculpture. Working in aluminium, bronze and wax, the French artist shapes figures that hover between human, animal and vegetal.

🗓️ May 22 – August 23 2026
📍 Fondazione Palazzo Strozzi, Florence, Italy

#PalazzoStrozzi #JeanMarieAppriou

Images: Jean-Marie Appriou. CANTO INFINITO, exhibition views, Firenze, Palazzo Strozzi, Project Space, 2026. © Jean-Marie Appriou, by SIAE. Photo Ela Bialkowska, OKNO Studio, Courtesy Fondazione Palazzo Strozzi, Firenze.

Opening tomorrow | Jean-Marie Appriou’s exhibition at @palazzostrozzi, hosted in the Fondazione’s Project Space.

Titled CANTO INFINITO, the exhibition presents new works conceived for Palazzo Strozzi by Appriou — a distinctive voice in contemporary sculpture. Working in aluminium, bronze and wax, the French artist shapes figures that hover between human, animal and vegetal.

🗓️ May 22 – August 23 2026
📍 Fondazione Palazzo Strozzi, Florence, Italy

#PalazzoStrozzi #JeanMarieAppriou

Images: Jean-Marie Appriou. CANTO INFINITO, exhibition views, Firenze, Palazzo Strozzi, Project Space, 2026. © Jean-Marie Appriou, by SIAE. Photo Ela Bialkowska, OKNO Studio, Courtesy Fondazione Palazzo Strozzi, Firenze.

Opening tomorrow | Jean-Marie Appriou’s exhibition at @palazzostrozzi, hosted in the Fondazione’s Project Space.

Titled CANTO INFINITO, the exhibition presents new works conceived for Palazzo Strozzi by Appriou — a distinctive voice in contemporary sculpture. Working in aluminium, bronze and wax, the French artist shapes figures that hover between human, animal and vegetal.

🗓️ May 22 – August 23 2026
📍 Fondazione Palazzo Strozzi, Florence, Italy

#PalazzoStrozzi #JeanMarieAppriou

Images: Jean-Marie Appriou. CANTO INFINITO, exhibition views, Firenze, Palazzo Strozzi, Project Space, 2026. © Jean-Marie Appriou, by SIAE. Photo Ela Bialkowska, OKNO Studio, Courtesy Fondazione Palazzo Strozzi, Firenze.

Now open @woltertonpark two exhibitions where contemporary art meets 18th-century Palladian grandeur.

'Phyllida Barlow: disruptor' — over 70 works spanning five decades from the late British sculptor, whose plywood, plaster and scrim constructions press against Wolterton's marble and stone with awkward, precarious force.

'Daisy Parris: Fist Full of Dreams' — new paintings inspired by the Norfolk landscape, alongside the artist's first large-scale textile installation, Kiss the Storm, bringing raw emotion and grit to the Hall's formal interiors.

📍 Until 31 October 2026

#PhyllidaBarlow #DaisyParris

Images:
1-2. Installation view, Phyllida Barlow ‘disruptor’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Phyllida Barlow Estate
3. Installation view, Daisy Parris ‘Fist Full of Dreams’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Daisy Parris/ Sim Smith.
4. Daisy Parris, Kiss the Storm, Royal College of Physicans, 14.10.25, by Patrick Young.
5. Exterior of Wolterton. Courtesy of Wolterton.

Now open @woltertonpark two exhibitions where contemporary art meets 18th-century Palladian grandeur.

'Phyllida Barlow: disruptor' — over 70 works spanning five decades from the late British sculptor, whose plywood, plaster and scrim constructions press against Wolterton's marble and stone with awkward, precarious force.

'Daisy Parris: Fist Full of Dreams' — new paintings inspired by the Norfolk landscape, alongside the artist's first large-scale textile installation, Kiss the Storm, bringing raw emotion and grit to the Hall's formal interiors.

📍 Until 31 October 2026

#PhyllidaBarlow #DaisyParris

Images:
1-2. Installation view, Phyllida Barlow ‘disruptor’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Phyllida Barlow Estate
3. Installation view, Daisy Parris ‘Fist Full of Dreams’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Daisy Parris/ Sim Smith.
4. Daisy Parris, Kiss the Storm, Royal College of Physicans, 14.10.25, by Patrick Young.
5. Exterior of Wolterton. Courtesy of Wolterton.

Now open @woltertonpark two exhibitions where contemporary art meets 18th-century Palladian grandeur.

'Phyllida Barlow: disruptor' — over 70 works spanning five decades from the late British sculptor, whose plywood, plaster and scrim constructions press against Wolterton's marble and stone with awkward, precarious force.

'Daisy Parris: Fist Full of Dreams' — new paintings inspired by the Norfolk landscape, alongside the artist's first large-scale textile installation, Kiss the Storm, bringing raw emotion and grit to the Hall's formal interiors.

📍 Until 31 October 2026

#PhyllidaBarlow #DaisyParris

Images:
1-2. Installation view, Phyllida Barlow ‘disruptor’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Phyllida Barlow Estate
3. Installation view, Daisy Parris ‘Fist Full of Dreams’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Daisy Parris/ Sim Smith.
4. Daisy Parris, Kiss the Storm, Royal College of Physicans, 14.10.25, by Patrick Young.
5. Exterior of Wolterton. Courtesy of Wolterton.

Now open @woltertonpark two exhibitions where contemporary art meets 18th-century Palladian grandeur.

'Phyllida Barlow: disruptor' — over 70 works spanning five decades from the late British sculptor, whose plywood, plaster and scrim constructions press against Wolterton's marble and stone with awkward, precarious force.

'Daisy Parris: Fist Full of Dreams' — new paintings inspired by the Norfolk landscape, alongside the artist's first large-scale textile installation, Kiss the Storm, bringing raw emotion and grit to the Hall's formal interiors.

📍 Until 31 October 2026

#PhyllidaBarlow #DaisyParris

Images:
1-2. Installation view, Phyllida Barlow ‘disruptor’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Phyllida Barlow Estate
3. Installation view, Daisy Parris ‘Fist Full of Dreams’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Daisy Parris/ Sim Smith.
4. Daisy Parris, Kiss the Storm, Royal College of Physicans, 14.10.25, by Patrick Young.
5. Exterior of Wolterton. Courtesy of Wolterton.

Now open @woltertonpark two exhibitions where contemporary art meets 18th-century Palladian grandeur.

'Phyllida Barlow: disruptor' — over 70 works spanning five decades from the late British sculptor, whose plywood, plaster and scrim constructions press against Wolterton's marble and stone with awkward, precarious force.

'Daisy Parris: Fist Full of Dreams' — new paintings inspired by the Norfolk landscape, alongside the artist's first large-scale textile installation, Kiss the Storm, bringing raw emotion and grit to the Hall's formal interiors.

📍 Until 31 October 2026

#PhyllidaBarlow #DaisyParris

Images:
1-2. Installation view, Phyllida Barlow ‘disruptor’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Phyllida Barlow Estate
3. Installation view, Daisy Parris ‘Fist Full of Dreams’, Wolterton, 2026. Photo: Eva Herzog courtesy of Wolterton. © Daisy Parris/ Sim Smith.
4. Daisy Parris, Kiss the Storm, Royal College of Physicans, 14.10.25, by Patrick Young.
5. Exterior of Wolterton. Courtesy of Wolterton.

Don't miss @hauserwirth exhibitions, just opened in London, exploring the power of reinvention, language and perception across generations of modern and contemporary art.

✨'Roni Horn. Seizure of Hope' - Horn's first London solo show in over a decade, featuring new work and a rare cast-glass sculpture that probes identity and emotional uncertainty.

✨'Francis Picabia. Expanding Horizons' - a major survey spanning five decades of one of the 20th century's most restlessly inventive artists.

📍 21 May – 1 August 2026
Hauser & Wirth London

Don't miss @hauserwirth exhibitions, just opened in London, exploring the power of reinvention, language and perception across generations of modern and contemporary art.

✨'Roni Horn. Seizure of Hope' - Horn's first London solo show in over a decade, featuring new work and a rare cast-glass sculpture that probes identity and emotional uncertainty.

✨'Francis Picabia. Expanding Horizons' - a major survey spanning five decades of one of the 20th century's most restlessly inventive artists.

📍 21 May – 1 August 2026
Hauser & Wirth London

Don't miss @hauserwirth exhibitions, just opened in London, exploring the power of reinvention, language and perception across generations of modern and contemporary art.

✨'Roni Horn. Seizure of Hope' - Horn's first London solo show in over a decade, featuring new work and a rare cast-glass sculpture that probes identity and emotional uncertainty.

✨'Francis Picabia. Expanding Horizons' - a major survey spanning five decades of one of the 20th century's most restlessly inventive artists.

📍 21 May – 1 August 2026
Hauser & Wirth London

@CasaBatlloContemporary and @FundacioMiro present a major new exhibition exploring three defining Catalan figures of the 20th century: Antoni Gaudí, Joan Miró, and Joaquim Gomis.

Opening 8 July 2026, Gaudí, Miró, Gomis: Deconstructed is the second exhibition at Casa Batlló Contemporary, the new space within @CasaBatllo dedicated to reinterpreting Gaudí’s legacy through contemporary creation.

Co-organised with Fundació Joan Miró and developed with creative studio @TomorrowBureau, the exhibition combines original works by Miró, photographs by Gomis, and newly commissioned digital installations incorporating photogrammetry, animation, sound, 3D scanning, and generative AI.

The exhibition positions Gaudí, Miró, and Gomis within a shared creative world shaped by Barcelona, nature, experimentation, and materiality, drawing new links between architecture, art, and contemporary technology.

Images
1. Tomorrow Bureau, 2026 © Successió Miró, 2026.
2. Gaudí XIII, Joan Miró, 1979. Fundació Joan Miró, Barcelona © Successió Miró, 2026.
3. Joaquim Gomis, Joan Miró, Mme. Matisse and Joan Prats on the terrace of Casa Batlló, Barcelona/ Odette Gomis/1946/ Fons Joaquim Gomis, dipositat a l’Arxiu Nacional de Catalunya © Hereus de Joaquim Gomis. Fundació Joan Miró, Barcelona 2026.

@CasaBatlloContemporary and @FundacioMiro present a major new exhibition exploring three defining Catalan figures of the 20th century: Antoni Gaudí, Joan Miró, and Joaquim Gomis.

Opening 8 July 2026, Gaudí, Miró, Gomis: Deconstructed is the second exhibition at Casa Batlló Contemporary, the new space within @CasaBatllo dedicated to reinterpreting Gaudí’s legacy through contemporary creation.

Co-organised with Fundació Joan Miró and developed with creative studio @TomorrowBureau, the exhibition combines original works by Miró, photographs by Gomis, and newly commissioned digital installations incorporating photogrammetry, animation, sound, 3D scanning, and generative AI.

The exhibition positions Gaudí, Miró, and Gomis within a shared creative world shaped by Barcelona, nature, experimentation, and materiality, drawing new links between architecture, art, and contemporary technology.

Images
1. Tomorrow Bureau, 2026 © Successió Miró, 2026.
2. Gaudí XIII, Joan Miró, 1979. Fundació Joan Miró, Barcelona © Successió Miró, 2026.
3. Joaquim Gomis, Joan Miró, Mme. Matisse and Joan Prats on the terrace of Casa Batlló, Barcelona/ Odette Gomis/1946/ Fons Joaquim Gomis, dipositat a l’Arxiu Nacional de Catalunya © Hereus de Joaquim Gomis. Fundació Joan Miró, Barcelona 2026.

@CasaBatlloContemporary and @FundacioMiro present a major new exhibition exploring three defining Catalan figures of the 20th century: Antoni Gaudí, Joan Miró, and Joaquim Gomis.

Opening 8 July 2026, Gaudí, Miró, Gomis: Deconstructed is the second exhibition at Casa Batlló Contemporary, the new space within @CasaBatllo dedicated to reinterpreting Gaudí’s legacy through contemporary creation.

Co-organised with Fundació Joan Miró and developed with creative studio @TomorrowBureau, the exhibition combines original works by Miró, photographs by Gomis, and newly commissioned digital installations incorporating photogrammetry, animation, sound, 3D scanning, and generative AI.

The exhibition positions Gaudí, Miró, and Gomis within a shared creative world shaped by Barcelona, nature, experimentation, and materiality, drawing new links between architecture, art, and contemporary technology.

Images
1. Tomorrow Bureau, 2026 © Successió Miró, 2026.
2. Gaudí XIII, Joan Miró, 1979. Fundació Joan Miró, Barcelona © Successió Miró, 2026.
3. Joaquim Gomis, Joan Miró, Mme. Matisse and Joan Prats on the terrace of Casa Batlló, Barcelona/ Odette Gomis/1946/ Fons Joaquim Gomis, dipositat a l’Arxiu Nacional de Catalunya © Hereus de Joaquim Gomis. Fundació Joan Miró, Barcelona 2026.

In town for #NewYorkArtWeek and ready to explore beyond the fairs? Don't miss out on these standout exhibitions.

🎨 Louisa Chase: The Eighties
📍 Berry Campbell (@berrycampbell)
Marking the artist’s debut at the gallery since announcing her representation, Louisa Chase: The Eighties features paintings and works on paper featuring a dynamic interplay of symbolic imagery, energetic marks, and expressive color.

🎨 Overexposed: Art, Technology, and the Body
📍 Museum of the Moving Image (@movingimagenyc)
Taking its title from a Sylvia Plath poem, Overexposed interrogates the implications of being able to see inside the body. From X-rays and ultrasounds to MRI and, CT scans, and endoscopy, the exhibition examines how medical imaging technologies have reshaped how we look at, understand, and control the human body.

🎨 Carol Bove
📍Guggenheim (@guggenheim)
The first museum survey and largest presentation to date of the work of American artist Carol Bove, the Guggenheim’s exhibition traces pivotal shifts across the artist’s 25-year career, ranging from her early drawings to a new, monumental series of scrap metal and steel tubing compositions known as “collage sculptures.”

Images
1.Louisa Chase (1951 - 2016), Wave, 1982 © The Estate of Louisa Chase. Courtesy Berry Campbell, New York.
2. Mini-theater featuring Zuza Banasińska’s “Grandmamauntsistercat” (2024). Thanassi Karageorgiou / Museum of the Moving Image.
3. Carol Bove courtesy of the Guggenheim Museum.

In town for #NewYorkArtWeek and ready to explore beyond the fairs? Don't miss out on these standout exhibitions.

🎨 Louisa Chase: The Eighties
📍 Berry Campbell (@berrycampbell)
Marking the artist’s debut at the gallery since announcing her representation, Louisa Chase: The Eighties features paintings and works on paper featuring a dynamic interplay of symbolic imagery, energetic marks, and expressive color.

🎨 Overexposed: Art, Technology, and the Body
📍 Museum of the Moving Image (@movingimagenyc)
Taking its title from a Sylvia Plath poem, Overexposed interrogates the implications of being able to see inside the body. From X-rays and ultrasounds to MRI and, CT scans, and endoscopy, the exhibition examines how medical imaging technologies have reshaped how we look at, understand, and control the human body.

🎨 Carol Bove
📍Guggenheim (@guggenheim)
The first museum survey and largest presentation to date of the work of American artist Carol Bove, the Guggenheim’s exhibition traces pivotal shifts across the artist’s 25-year career, ranging from her early drawings to a new, monumental series of scrap metal and steel tubing compositions known as “collage sculptures.”

Images
1.Louisa Chase (1951 - 2016), Wave, 1982 © The Estate of Louisa Chase. Courtesy Berry Campbell, New York.
2. Mini-theater featuring Zuza Banasińska’s “Grandmamauntsistercat” (2024). Thanassi Karageorgiou / Museum of the Moving Image.
3. Carol Bove courtesy of the Guggenheim Museum.

In town for #NewYorkArtWeek and ready to explore beyond the fairs? Don't miss out on these standout exhibitions.

🎨 Louisa Chase: The Eighties
📍 Berry Campbell (@berrycampbell)
Marking the artist’s debut at the gallery since announcing her representation, Louisa Chase: The Eighties features paintings and works on paper featuring a dynamic interplay of symbolic imagery, energetic marks, and expressive color.

🎨 Overexposed: Art, Technology, and the Body
📍 Museum of the Moving Image (@movingimagenyc)
Taking its title from a Sylvia Plath poem, Overexposed interrogates the implications of being able to see inside the body. From X-rays and ultrasounds to MRI and, CT scans, and endoscopy, the exhibition examines how medical imaging technologies have reshaped how we look at, understand, and control the human body.

🎨 Carol Bove
📍Guggenheim (@guggenheim)
The first museum survey and largest presentation to date of the work of American artist Carol Bove, the Guggenheim’s exhibition traces pivotal shifts across the artist’s 25-year career, ranging from her early drawings to a new, monumental series of scrap metal and steel tubing compositions known as “collage sculptures.”

Images
1.Louisa Chase (1951 - 2016), Wave, 1982 © The Estate of Louisa Chase. Courtesy Berry Campbell, New York.
2. Mini-theater featuring Zuza Banasińska’s “Grandmamauntsistercat” (2024). Thanassi Karageorgiou / Museum of the Moving Image.
3. Carol Bove courtesy of the Guggenheim Museum.

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

The Mount Street Neighbourhood Summer Festival returns from 4–20 June 2026, launching during London Gallery Weekend and marking the start of London’s summer cultural season.

At the heart of the festival is a new cultural hub at 62 South Audley Street, bringing together art, publishing, fashion and food through an ambitious two-week programme.

Highlights include:
✨A Thames & Hudson pop-up bookshop with rare editions, talks and signings
✨A 10-year celebration from Le Monde Béryl with exclusive new styles
✨Live collages and public workshops by Kathryn Maple
✨One-of-a-kind pieces by By Walid

Opening Weekend: 4–6 June 2026
Festival Dates: 4–20 June 2026
@mountstreetneighbourhood

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Sundaram Tagore Gallery (@sundaramtagore) opens its expansive new London home at 27 Pall Mall with 'Hybridity and Belonging in Contemporary Art' - the inaugural exhibition in the gallery’s new multilevel space!

Bringing together artists including Hiroshi Senju, Tayeba Lipi and Kenny Nguyen, the exhibition explores identity, displacement and cross-cultural exchange through painting, sculpture and installation.

On view until 20 June.

#SundaramTagoreGallery

Images:Courtesy of Sundaram Tagore Gallery & Stabb Interiors & Lorenc Design.

Now in preview! @154artfair, the leading international art fair dedicated to contemporary art from Africa and the African diaspora, opens at the Starrett-Lehigh Building in New York.

In this twelfth New York edition, the fair will welcome more than 20 exhibitors, from Lagos to London, São Paulo to Nassau, reflecting the pulse of contemporary African creativity across continents.

Led by Brazilian curator and professor Igor Simões, a curated section '1-54 Presents: Brazil Beyond Brazil' will shed light on Brazil’s position as the largest African-descendant nation outside the continent.

📍Starrett-Lehigh Building
600 West 27th Street
New York, NY 10001

📆
VIP & Press Preview Days⁠:
Wednesday, May 13, 2026, 11am – 7pm
Thursday May 14, 2026, 11am – 4pm⁠

Public Days:
Thursday, May 14, 2026, 4pm – 8pm⁠
Friday, May 15, 2026, 11am – 7pm⁠
Saturday, May 16, 2026, 11am – 7pm⁠
Sunday, May 17, 2026, 11am – 5pm

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Just outside Venice, a new cultural destination opens its doors.

Set within two historic villas along the Riviera del Brenta, Ca’ Riviera (@ca.riviera) launches with ‘The Shape of the Self / La forma del Sé’, bringing together artists across generations in a dialogue on identity and transformation.
 
#ContemporaryArt #CaRiviera

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Art Basel brings Zero 10 to Basel for the first time.
 
Curated by Trevor Paglen (@trevorpaglen) and Eli Scheinman (@eli_schein), the expanded platform explores how artists are responding to AI, digital systems and life online, bringing together 20 exhibitors working at the forefront of digital art.
 
@artbasel
#ContemporaryArt #ArtBasel

Inside Iceland's pavilion. Ásta Fanney Sigurðardóttir weaves myths, charms and charged objects into a constellation that shifts between the cosmic and the everyday.

@labiennale #BiennaleArte2026 #IcelandicPavilion

Inside Iceland's pavilion. Ásta Fanney Sigurðardóttir weaves myths, charms and charged objects into a constellation that shifts between the cosmic and the everyday.

@labiennale #BiennaleArte2026 #IcelandicPavilion

Inside Iceland's pavilion. Ásta Fanney Sigurðardóttir weaves myths, charms and charged objects into a constellation that shifts between the cosmic and the everyday.

@labiennale #BiennaleArte2026 #IcelandicPavilion

Inside Iceland's pavilion. Ásta Fanney Sigurðardóttir weaves myths, charms and charged objects into a constellation that shifts between the cosmic and the everyday.

@labiennale #BiennaleArte2026 #IcelandicPavilion

Inside Iceland's pavilion. Ásta Fanney Sigurðardóttir weaves myths, charms and charged objects into a constellation that shifts between the cosmic and the everyday.

@labiennale #BiennaleArte2026 #IcelandicPavilion