Lưu Câu Chuyện Instagram

This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

This glacier no longer exists.

At 16,000 ft in Peru’s Cordillera Blanca, I lit Pastoruri with a drone, revealing textures and forms never seen before.

Today it’s no longer technically a glacier. A glacier must accumulate new ice and move under its own weight. Pastoruri does neither, shrinking further each year.

What remains is a portrait of a place on the brink of disappearance, memorialised through the medium of photography and visual art.

From my @natgeo cover story. This timelapse video shows the process of illuminating Stonehenge using a light attached to a drone, a technique I began using in 2016 where I capture the final image using multiple exposures over the course of several hours.

Due to the monument being in military airspace, my drone pilot @zendrson had to call the Royal Airforce each time we were about to fly.

While we were making these images, something that was always very present was the sound of the traffic on the nearby A303 highway, and I was certain that passing motorists would have been alarmed to see what looked like an alien spacecraft flitting around above the 5,000 year old megalith.

Photographed on assignment for @natgeo / @_mallorybenedict / @alice.zoo

From my @natgeo cover story. This timelapse video shows the process of illuminating Stonehenge using a light attached to a drone, a technique I began using in 2016 where I capture the final image using multiple exposures over the course of several hours.

Due to the monument being in military airspace, my drone pilot @zendrson had to call the Royal Airforce each time we were about to fly.

While we were making these images, something that was always very present was the sound of the traffic on the nearby A303 highway, and I was certain that passing motorists would have been alarmed to see what looked like an alien spacecraft flitting around above the 5,000 year old megalith.

Photographed on assignment for @natgeo / @_mallorybenedict / @alice.zoo

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

In 2016 I started Lux Noctis, a body of work based on the simple idea of attaching a powerful light to a drone to illuminate remote places at night.
It changed everything, and transformed my artistic practice. The project made waves. I continued to experiment with this 'drone light’ technique, using the drone’s programmed moves which flew it in an orbit, and using it to paint a halo of light in the air during a long exposure.

The idea came to me in 2016 after an ingenious new drone named 3DR Solo pioneered these camera moves called SmartShots. However, I didn't try it out for real until late one night in 2017, deep in the Arizona wilderness.

Just for fun, I tried it around the pinnacles I was photographing, and the resulting image became my most career-defining piece, again subverting the idea of what a drone could be, not just a flying camera, but also a flying paintbrush.

I was intrigued by how these images only appeared in long exposures. I like to think that they exist on a plane of existence which is invisible to us, and only captured over the course of a few seconds with a camera.

It also inspired many to go out and create and try the technique for themselves. I was grateful to receive many messages thanking me, saying that what I’d done had rekindled their passion for photography, excited that there were still new ideas out there waiting to be discovered.

This idea, this trope, became something of a meme, propagating through art blogs, Reddit forums and social media. A new sub-genre of 'drone light painting' was born.

We’re bombarded everyday with beautiful photos of our world. I needed to go beyond that, and pose the question:

How can I change my own perception of our planet, and make it seem new and unexplored?

Many describe my work as ‘otherworldly’ but my aim ISN’T to produce alien-looking images, it’s actually to remind people that this is our own planet, and it’s all we have. #luxnoctisproject

My new hobby: photographing trains

My new hobby: photographing trains

My new hobby: photographing trains

My new hobby: photographing trains

My new hobby: photographing trains

My new hobby: photographing trains

My new hobby: photographing trains

Reuben Wu (@reuben) was driving when he was reminded that the 2019 lunar eclipse was about to peak. Fighting traffic and setting up his camera, he took this image from the side of a highway in the Mojave Desert.

His print “The Inconvenience of Totality” is available now in the @vital.impacts campaign: ‘The Nature of Hope: The World Jane Goodall Inspired,’ created in partnership between Vital Impacts and the Jane Goodall Institute.

One hundred percent of the profits from Dr. Jane Goodall’s signed prints will be donated directly to @JaneGoodallInst. Proceeds from all other prints will support the Jane Goodall Institute’s Roots and Shoots program and @Vital.Impacts fellowships, helping to empower the next generation of people working to protect our planet.

Thank you @cansoninfinity, @paperandinkstudio, and @theprintspace  #natureofhope

One viewpoint. Many states of light, over many hours.
A collapse of moving time

I was on Earth-212: Morant’s Curve, CPR mainline, Banff.

Popular places are popular for a reason, and I’ve been drawn to plenty of them over the years, but the challenge at a location like this is bigger, not smaller: to take the obvious frame and render it through your own eye. To make something that does the place justice while still feeling authored.

One viewpoint. Two emotional states. Photographed over many hours in the bitter cold before the crowds arrived. The longer you stay somewhere, the more chance for opportunity to meet preparation.

Which version pulls you in more?

I was on Earth-212: Morant’s Curve, CPR mainline, Banff.

Popular places are popular for a reason, and I’ve been drawn to plenty of them over the years, but the challenge at a location like this is bigger, not smaller: to take the obvious frame and render it through your own eye. To make something that does the place justice while still feeling authored.

One viewpoint. Two emotional states. Photographed over many hours in the bitter cold before the crowds arrived. The longer you stay somewhere, the more chance for opportunity to meet preparation.

Which version pulls you in more?

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Public speaking used to be something I avoided.
Then I decided to start saying yes.

On Saturday, 1,700 people showed up for my talk at @offfest Barcelona.

I spoke about how a visual language develops.
How obsession, accident, and detours accumulate into a way of seeing.

The largest audience I’ve ever spoken to.

I’ll share the full talk for a limited time with my email subscribers. Sign up to get access

Thank you OFFF

📷 @arnauroviravidal

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

Valle de las Animas, La Paz, Bolivia. Around 13,000ft, maybe 20 minutes from the city centre, and almost no one here.

The bag was an incredibly comfortable camera pack prototype I was co-developing/field-testing; it held up better at altitude than I did.

If this place were in the US or Europe it would be unrecognisable. Here is an eerily silent canyon. The only traffic an occasional hiker, a few families, and their cows

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

🌕 I was stuck in traffic one night in the Mojave Desert when a friend texted to tell me a lunar eclipse was peaking. I waited forever for a turnoff, pulled over, and set up my camera at the side of the road. The arc is an intentional pan of my tripod, made while photographing the eclipse.

January 20, 2019. The universe doesn’t wait for a convenient moment. You fit it in where you can.

This image, The Inconvenience of Totality, has never been printed before. It’s part of The Nature of Hope, a new print sale by @vital.impacts with @janegoodallinst, supporting conservation. I’m honoured to be involved again with so many renowned photographers including:

@xavibou
@pedromcbride
@jonmccormackphoto
@tinepoppe
@kiliiiyuyan
@babaktafreshi
@calliecheephotography
@hobopeeba

Link in bio.​​​​​​​​​​​​​​​​

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Ephemeris: These images will appear in my follow-up book to LUX NOCTIS, my 2018 monograph held in the libraries of MoMA, the Guggenheim, and the Met - currently in development.

LUX NOCTIS is now exceedingly hard to find. Subscribers to my mailing list can purchase the new book before it’s available anywhere else.

Sign up at the link in bio.

Aura Superior, 2024

#aeroglyph

Aura Superior, 2024

#aeroglyph

Aura Superior, 2024

#aeroglyph