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Everyone at Lucasfilm was deeply saddened to learn of the passing of Marcia Lucas. One of three Oscar-winning editors who worked on Star Wars: A New Hope, she also contributed to American Graffiti, among other early Lucasfilm productions. We join the global filmmaking community in mourning her loss.

Read the statement from Lucasfilm at the link in our bio.

bringing Grogu to life.

Experience Star Wars: The Mandalorian and Grogu, now playing in theaters and IMAX. Tap the link in bio to get tickets now.

On point and on @PrimeVideo. All episodes of “Spider-Noir” are now streaming in both Authentic Black and White and True-Hue Full Color, with Visual Effects and Animation by @ILMVFX.

Experience all of ILM’s work on Stranger Things Season 5 in this exclusive reel.

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

Last month members of ILM’s original crew from Star Wars: A New Hope gathered at our former studio space in Southern California. 50 years ago in 1976, they were busily preparing the world’s most innovative visual effects facility to create over 300 shots for George Lucas’ space fantasy. Guests at the reunion included everyone from modelmakers and production coordinators to visual effects supervisors and camera operators. Some crews remain bonded forever.

Photography by Chloe Dykstra 📸

“I will never look at barbecued chicken the same way,” jokes ILM visual effects supervisor Bill Georgiou in reference to the research his team conducted for the Demogorgons in Stranger Things S5. Read the full story from Jay Stobie about ILM’s work on the hit Netflix series, featuring Georgiou and colleagues Stephen Tong, George Kuruvilla, and Arnab Sanyal at the link in our bio!

“I will never look at barbecued chicken the same way,” jokes ILM visual effects supervisor Bill Georgiou in reference to the research his team conducted for the Demogorgons in Stranger Things S5. Read the full story from Jay Stobie about ILM’s work on the hit Netflix series, featuring Georgiou and colleagues Stephen Tong, George Kuruvilla, and Arnab Sanyal at the link in our bio!

“I will never look at barbecued chicken the same way,” jokes ILM visual effects supervisor Bill Georgiou in reference to the research his team conducted for the Demogorgons in Stranger Things S5. Read the full story from Jay Stobie about ILM’s work on the hit Netflix series, featuring Georgiou and colleagues Stephen Tong, George Kuruvilla, and Arnab Sanyal at the link in our bio!

“I will never look at barbecued chicken the same way,” jokes ILM visual effects supervisor Bill Georgiou in reference to the research his team conducted for the Demogorgons in Stranger Things S5. Read the full story from Jay Stobie about ILM’s work on the hit Netflix series, featuring Georgiou and colleagues Stephen Tong, George Kuruvilla, and Arnab Sanyal at the link in our bio!

The VFX Voice Summer 2026 issue has arrived ✨

Go behind the scenes of The Mandalorian and Grogu, celebrate @ilmvfx’s 50th anniversary and explore the visual effects shaping some of the industry’s most anticipated projects, including Toy Story 5 and Andy Serkis’ Animal Farm.

Read the new issue at the link in bio or on VFXVoice.com

#vfx #ves #visualeffectssociety #visualeffects #mandolorianandgrogu

🎙 New podcast with @ilmvfx on the 25th anniversary of ‘Pearl Harbor’!

Ben Snow, who was a CG supervisor on the film, and Hayden Landis, then a sequence supervisor, join @beforesmag for a fun discussion on the big VFX innovations from the Michael Bay movie.

These include the breakthrough development of ambient occlusion, and other key CG efforts. Plus some rarely talked about new approaches to
motion capture.

We also discuss the stunning practical effects solutions, including massive gimbal work, and the incredible miniatures.

Listen in here:

https://beforesandafters.com/2026/06/04/how-ilm-invented-ambient-occlusion-for-pearl-harbor/

🎙 New podcast with @ilmvfx on the 25th anniversary of ‘Pearl Harbor’!

Ben Snow, who was a CG supervisor on the film, and Hayden Landis, then a sequence supervisor, join @beforesmag for a fun discussion on the big VFX innovations from the Michael Bay movie.

These include the breakthrough development of ambient occlusion, and other key CG efforts. Plus some rarely talked about new approaches to
motion capture.

We also discuss the stunning practical effects solutions, including massive gimbal work, and the incredible miniatures.

Listen in here:

https://beforesandafters.com/2026/06/04/how-ilm-invented-ambient-occlusion-for-pearl-harbor/

🎙 New podcast with @ilmvfx on the 25th anniversary of ‘Pearl Harbor’!

Ben Snow, who was a CG supervisor on the film, and Hayden Landis, then a sequence supervisor, join @beforesmag for a fun discussion on the big VFX innovations from the Michael Bay movie.

These include the breakthrough development of ambient occlusion, and other key CG efforts. Plus some rarely talked about new approaches to
motion capture.

We also discuss the stunning practical effects solutions, including massive gimbal work, and the incredible miniatures.

Listen in here:

https://beforesandafters.com/2026/06/04/how-ilm-invented-ambient-occlusion-for-pearl-harbor/

🎙 New podcast with @ilmvfx on the 25th anniversary of ‘Pearl Harbor’!

Ben Snow, who was a CG supervisor on the film, and Hayden Landis, then a sequence supervisor, join @beforesmag for a fun discussion on the big VFX innovations from the Michael Bay movie.

These include the breakthrough development of ambient occlusion, and other key CG efforts. Plus some rarely talked about new approaches to
motion capture.

We also discuss the stunning practical effects solutions, including massive gimbal work, and the incredible miniatures.

Listen in here:

https://beforesandafters.com/2026/06/04/how-ilm-invented-ambient-occlusion-for-pearl-harbor/

Did you hear that?👂🎞️ Go behind the scenes at Skywalker Sound to see how the talented team of editors and Foley artists brought the history of Disneyland to life frame-by-frame in Disneyland Handcrafted, directed by Leslie Iwerks. Watch the full making-of and then stream the film today on Disney Parks YouTube and Disney+ 📺 #Emmy

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Check out some photos from last night’s special anniversary screening of “The Rocketeer” at the historic El Capitan Theatre in Hollywood! The screening included a Q&A with director Joe Johnston, executive producer Larry Franco, production designer James D. Bissell, and moderator Leonard Maltin. Watch the film now on Disney+.

Model Maker John Goodson shares his thoughts on Star Wars returning to the big scene at The World Premiere of The Mandalorian and Grogu. Get your tickets at the link in our bio!

A scene from the movie, “Hulk” (2003) featuring Eric Bana. Directed by Ang Lee - Elm Street/Universal Studios Hollywood, California.@universalstudioslot - Find out MORE at AllAboutLosAngeles.com

#hulk #thenandnow #universalstudioshollywood #losangeles #filminglocation

A scene from the movie, “Hulk” (2003) featuring Eric Bana. Directed by Ang Lee - Elm Street/Universal Studios Hollywood, California.@universalstudioslot - Find out MORE at AllAboutLosAngeles.com

#hulk #thenandnow #universalstudioshollywood #losangeles #filminglocation