Instagram Hikaye Kaydet

“Säg det igen” (Say It Again), part of the show “Forstadier” taking place at @ringstedgalleriet and Ringsted Hospital.

“Säg det igen” is a video installation presented within a large wooden crate standing in the middle of the floor, functioning as a room within a room. Inside, an 8-minute 3D-animated video is set in a clinical, institutional scenography. In this digital space, a single stacking chair is moved by invisible forces: tipping, spinning, sliding, and falling in rhythm with a minimalist soundtrack of a flute, two chords on a piano, and the sound of someone humming nearby. Choreographed into a dance.

Photo Morten K Jakobsen

“Säg det igen” (Say It Again), part of the show “Forstadier” taking place at @ringstedgalleriet and Ringsted Hospital.

“Säg det igen” is a video installation presented within a large wooden crate standing in the middle of the floor, functioning as a room within a room. Inside, an 8-minute 3D-animated video is set in a clinical, institutional scenography. In this digital space, a single stacking chair is moved by invisible forces: tipping, spinning, sliding, and falling in rhythm with a minimalist soundtrack of a flute, two chords on a piano, and the sound of someone humming nearby. Choreographed into a dance.

Photo Morten K Jakobsen

“Säg det igen” (Say It Again), part of the show “Forstadier” taking place at @ringstedgalleriet and Ringsted Hospital.

“Säg det igen” is a video installation presented within a large wooden crate standing in the middle of the floor, functioning as a room within a room. Inside, an 8-minute 3D-animated video is set in a clinical, institutional scenography. In this digital space, a single stacking chair is moved by invisible forces: tipping, spinning, sliding, and falling in rhythm with a minimalist soundtrack of a flute, two chords on a piano, and the sound of someone humming nearby. Choreographed into a dance.

Photo Morten K Jakobsen

“Säg det igen” (Say It Again), part of the show “Forstadier” taking place at @ringstedgalleriet and Ringsted Hospital.

“Säg det igen” is a video installation presented within a large wooden crate standing in the middle of the floor, functioning as a room within a room. Inside, an 8-minute 3D-animated video is set in a clinical, institutional scenography. In this digital space, a single stacking chair is moved by invisible forces: tipping, spinning, sliding, and falling in rhythm with a minimalist soundtrack of a flute, two chords on a piano, and the sound of someone humming nearby. Choreographed into a dance.

Photo Morten K Jakobsen

My work "Stages" at Ringsted Sygehus, part of the show I’m currently participating in at @ringstedgalleriet

Open until the 11th of april ✨

Photos by Morten K. Jakobsen

My work "Stages" at Ringsted Sygehus, part of the show I’m currently participating in at @ringstedgalleriet

Open until the 11th of april ✨

Photos by Morten K. Jakobsen

My work "Stages" at Ringsted Sygehus, part of the show I’m currently participating in at @ringstedgalleriet

Open until the 11th of april ✨

Photos by Morten K. Jakobsen

My work "Stages" at Ringsted Sygehus, part of the show I’m currently participating in at @ringstedgalleriet

Open until the 11th of april ✨

Photos by Morten K. Jakobsen

My work "Stages" at Ringsted Sygehus, part of the show I’m currently participating in at @ringstedgalleriet

Open until the 11th of april ✨

Photos by Morten K. Jakobsen

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Some pictures from the showing of my new piece Whereabouts at @klaipedabiennial, along with a few from its making.

Picture 1, 2 & 3: Arvydas Gurkšnis

Aske Thiberg šokio performansas „Buvimo vieta“

Rugsėjo 6 d. 18.00 val. Klaipėdos kultūros fabrike (C salėje), Bangų g. 5A, I-oji Klaipėdos bienalė tęsis su menininko Aske Thiberg šokio performansu „Buvimo vieta“ (2025).

Aske Thiberg (g. 1994) — Kopenhagoje gyvenantis švedų vizualusis menininkas.Jo pristatomas 20–30 minučių trukmės šokio performansas paremtas minimalistine choreografija ir garsais. Kūrinys įkvėptas Locking šokio stiliaus, jame abejinga veido išraiška ir judesio, garso pasikartojimas trina ribą tarp žmogaus ir mašinos. Kyla klausimas — ar menininkas reaguoja į muziką, ar pati muzika valdo kūną, paversdama jį automatizuotu avataru.

Nuotrauka: Rita Blue
Daugiau informacijos: www.klaipedabiennial.lt
Organizatoriai: Klaipėdos kultūrų komunikacijų centras (KKKC)
Pagrindinis partneris: Šiuolaikinio meno centras, Vilnius
Bienalę finansuoja Klaipėdos miesto savivaldybė, Lietuvos kultūros taryba, Danijos meno fondas.

ENGLISH

Aske Thiberg performance “Whereabouts”

On the 6th of September at 6 PM the 1st Klaipėda Biennial will continue at Klaipėdas Culture Factory (Hall C), Bangų st. 5A, with the dance performance “Whereabouts” (2025) by artist Aske Thiberg.

Aske Thiberg (b. 1994) is a Copenhagen-based Swedish visual artist.He presents a 20-30 minute dance performance based on minimalist choreography and sounds. Inspired by the Locking dance style, the work blurs the boundary between man and machine through indifferent facial expressions and repetition of movement and sound. The question is whether the artist is reacting to the music, or whether the music itself is controlling the body, turning it into an automated avatar.

Photo: Rita Blue
For more information: www.klaipedabiennial.lt
Organizers: Klaipėda Culture Communication Center (KKKC).
Main Partner of the Biennial: Contemporary Art Center, Vilnius.
Funded by: Klaipėdas City Municipality, Lithuanian Council for Culture, Danish Arts Foundation.

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Documentation and stills from @kunstverein_duesseldorf friday the 27th of June ✨

Stills: Brothers, 5 min (2009) & Family, 12 min (2024).

Part of the series "Numbers Of Weeks Later", curated by @claramariablasius

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

Video and photos from a few different cameras during the first and second showing of my performance ‘There’s a’, held at @denfrie.cph in the beginning of June.

Performer: Poul Helmer Laursen

Documentation: Christian Brems, Malle Madsen & Simon Jakobsson

The piece was made for the festival The Performance Bulletin, curated by @ibenelmstrom

I’m showing work next Friday at @kunstverein_duesseldorf — a big mix of old and new films, live readings, and dance! 🕺 Would love to see you there.

"We warmly invite you to ‘four weeks later: Aske Thiberg’ which takes place on Friday, June 27, 2025, 7 pm.

Aske Thiberg’s work transfers notions of detachment and alienation from digital space into the physical and shifts the social relations of analog bodies into computer-generated scenes, alternately fusing and juxtaposing the real with the virtual, motion with emotion, playfulness with melancholy, and collectivity with isolation. For “four weeks later,” Thiberg presents a choreography consisting of several sequences of video, text, and dance themed around family. Using the body as material, the artist’s performances largely draw from his practice of “locking,” a dance style that emerged in the 70s in the context of funk music. The dance’s repetitive, seemingly automated moves, its percussive clapping and stomping sounds, and its gestural “locking”—i.e., breaks and freezes—create a mechanical, even robotic expression. Circling both the connections and the separations of body and language, this physical rhythmicity is echoed in other elements of Thiberg’s work; 3D animated stop-motion films, intrusively beeping audio, and monotonously recited texts. Set in familiar social contexts, the artist’s anecdotal narratives, like the films, focus on mundane scenarios and details, while often taking increasingly absurd turns. Emphasizing the choreographic potential of text, Thiberg’s cross-media performances deploy reading aloud as a kind of movement. For the artist, performance itself is a medium for the expression of a shared feeling of isolation, a way of being “disconnected together”.

Aske Thiberg (b. 1994 in Sweden) is a Copenhagen-based visual artist holding an MFA from the Royal Danish Academy of Fine Arts, Copenhagen.

The event is part of our program series ‘(number of) weeks later’ and is organized by Clara Maria Blasius."

@claramariablasius

I’m showing work next Friday at @kunstverein_duesseldorf — a big mix of old and new films, live readings, and dance! 🕺 Would love to see you there.

"We warmly invite you to ‘four weeks later: Aske Thiberg’ which takes place on Friday, June 27, 2025, 7 pm.

Aske Thiberg’s work transfers notions of detachment and alienation from digital space into the physical and shifts the social relations of analog bodies into computer-generated scenes, alternately fusing and juxtaposing the real with the virtual, motion with emotion, playfulness with melancholy, and collectivity with isolation. For “four weeks later,” Thiberg presents a choreography consisting of several sequences of video, text, and dance themed around family. Using the body as material, the artist’s performances largely draw from his practice of “locking,” a dance style that emerged in the 70s in the context of funk music. The dance’s repetitive, seemingly automated moves, its percussive clapping and stomping sounds, and its gestural “locking”—i.e., breaks and freezes—create a mechanical, even robotic expression. Circling both the connections and the separations of body and language, this physical rhythmicity is echoed in other elements of Thiberg’s work; 3D animated stop-motion films, intrusively beeping audio, and monotonously recited texts. Set in familiar social contexts, the artist’s anecdotal narratives, like the films, focus on mundane scenarios and details, while often taking increasingly absurd turns. Emphasizing the choreographic potential of text, Thiberg’s cross-media performances deploy reading aloud as a kind of movement. For the artist, performance itself is a medium for the expression of a shared feeling of isolation, a way of being “disconnected together”.

Aske Thiberg (b. 1994 in Sweden) is a Copenhagen-based visual artist holding an MFA from the Royal Danish Academy of Fine Arts, Copenhagen.

The event is part of our program series ‘(number of) weeks later’ and is organized by Clara Maria Blasius."

@claramariablasius

I’m showing a new piece called “There’s a” next Thursday the 5th and Friday the 6th at 17:00, as part of the festival The Performance Bulletin at @denfrie.cph. You can book a free front row seat through their website—or just show up, there’s space for everyone! Kh

Performer: Poul Helmer Laursen
Curated by @ibenelmstrom

I’m showing a new piece called “There’s a” next Thursday the 5th and Friday the 6th at 17:00, as part of the festival The Performance Bulletin at @denfrie.cph. You can book a free front row seat through their website—or just show up, there’s space for everyone! Kh

Performer: Poul Helmer Laursen
Curated by @ibenelmstrom

I’m showing a new piece called “There’s a” next Thursday the 5th and Friday the 6th at 17:00, as part of the festival The Performance Bulletin at @denfrie.cph. You can book a free front row seat through their website—or just show up, there’s space for everyone! Kh

Performer: Poul Helmer Laursen
Curated by @ibenelmstrom

I’ve put together a one-hour mix for @thelakeradio, featuring music I’ve created over the years for my performances and video work. It also includes readings of short stories I’ve written—some old, some brand new. You can listen to it on their website, SoundCloud, or in your podcast app 🥳

I’ve put together a one-hour mix for @thelakeradio, featuring music I’ve created over the years for my performances and video work. It also includes readings of short stories I’ve written—some old, some brand new. You can listen to it on their website, SoundCloud, or in your podcast app 🥳

I’ve put together a one-hour mix for @thelakeradio, featuring music I’ve created over the years for my performances and video work. It also includes readings of short stories I’ve written—some old, some brand new. You can listen to it on their website, SoundCloud, or in your podcast app 🥳

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

Footage from the opening of my solo show "Family" at @inter.pblc, where I presented a performance piece with dance steps synchronized to the editing and sound of the video shown on the wall.

The exhibition is open until the 28th of December.

Documentation by Rasmus Erichs Lång

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

One of the seven wall texts from my show ‘Family’ at @inter.pblc 🌸

Images from my solo show ‘Family’ at @inter.pblc, consisting of a series of wall texts, a video, and a performance.

Open until December 28th.

Documentation by @briankurefoto

Images from my solo show ‘Family’ at @inter.pblc, consisting of a series of wall texts, a video, and a performance.

Open until December 28th.

Documentation by @briankurefoto

Images from my solo show ‘Family’ at @inter.pblc, consisting of a series of wall texts, a video, and a performance.

Open until December 28th.

Documentation by @briankurefoto

Images from my solo show ‘Family’ at @inter.pblc, consisting of a series of wall texts, a video, and a performance.

Open until December 28th.

Documentation by @briankurefoto

Images from my solo show ‘Family’ at @inter.pblc, consisting of a series of wall texts, a video, and a performance.

Open until December 28th.

Documentation by @briankurefoto