Salvar História do Instagram
Salvar História, Reels, Foto, Vídeo, Destaques, IGTV do Instagram de graça online
Welcome to Machine Nostalgia. Here you can start exploring the replica of London and then you gradually transform it into something else. Be aware! Your choices are determining how the space is changing around you.
A bit older, wiser and published this Spring!
Our chapter “ARchive: Human-Building Interaction Through Lived Archival Systems Across Space and Time” is part of the book “Human-Building Interaction: The Nexus of Architecture, Building Science and Interaction Design”, a Springer series in Adaptive Environments. Link in bio or DM me for more info.
The initial research started 5 years ago at @bartlett_b_pro and slowly grew into a bigger theoretical and technical framing.
3 is a bonus of me definitely NOT holding a cigarette between my fingers
A bit older, wiser and published this Spring!
Our chapter “ARchive: Human-Building Interaction Through Lived Archival Systems Across Space and Time” is part of the book “Human-Building Interaction: The Nexus of Architecture, Building Science and Interaction Design”, a Springer series in Adaptive Environments. Link in bio or DM me for more info.
The initial research started 5 years ago at @bartlett_b_pro and slowly grew into a bigger theoretical and technical framing.
3 is a bonus of me definitely NOT holding a cigarette between my fingers
A bit older, wiser and published this Spring!
Our chapter “ARchive: Human-Building Interaction Through Lived Archival Systems Across Space and Time” is part of the book “Human-Building Interaction: The Nexus of Architecture, Building Science and Interaction Design”, a Springer series in Adaptive Environments. Link in bio or DM me for more info.
The initial research started 5 years ago at @bartlett_b_pro and slowly grew into a bigger theoretical and technical framing.
3 is a bonus of me definitely NOT holding a cigarette between my fingers
A bit older, wiser and published this Spring!
Our chapter “ARchive: Human-Building Interaction Through Lived Archival Systems Across Space and Time” is part of the book “Human-Building Interaction: The Nexus of Architecture, Building Science and Interaction Design”, a Springer series in Adaptive Environments. Link in bio or DM me for more info.
The initial research started 5 years ago at @bartlett_b_pro and slowly grew into a bigger theoretical and technical framing.
3 is a bonus of me definitely NOT holding a cigarette between my fingers
A bit older, wiser and published this Spring!
Our chapter “ARchive: Human-Building Interaction Through Lived Archival Systems Across Space and Time” is part of the book “Human-Building Interaction: The Nexus of Architecture, Building Science and Interaction Design”, a Springer series in Adaptive Environments. Link in bio or DM me for more info.
The initial research started 5 years ago at @bartlett_b_pro and slowly grew into a bigger theoretical and technical framing.
3 is a bonus of me definitely NOT holding a cigarette between my fingers
Something is wrong with the internet and we all feel it ❤️🩹 Join us for a three-day collective manifesto and workshop to name that feeling together, mapping our digital lives, drafting the principles we refuse to live without online, and building webpages from scratch.
Bring your love, your rage, and your hope.
More info and tickets to events available @metalabel__ (link in bio)
19, 25 & 26 April
Athens, Greece
🇬🇷
Something is wrong with the internet and we all feel it ❤️🩹 Join us for a three-day collective manifesto and workshop to name that feeling together, mapping our digital lives, drafting the principles we refuse to live without online, and building webpages from scratch.
Bring your love, your rage, and your hope.
More info and tickets to events available @metalabel__ (link in bio)
19, 25 & 26 April
Athens, Greece
🇬🇷
Something is wrong with the internet and we all feel it ❤️🩹 Join us for a three-day collective manifesto and workshop to name that feeling together, mapping our digital lives, drafting the principles we refuse to live without online, and building webpages from scratch.
Bring your love, your rage, and your hope.
More info and tickets to events available @metalabel__ (link in bio)
19, 25 & 26 April
Athens, Greece
🇬🇷
Something is wrong with the internet and we all feel it ❤️🩹 Join us for a three-day collective manifesto and workshop to name that feeling together, mapping our digital lives, drafting the principles we refuse to live without online, and building webpages from scratch.
Bring your love, your rage, and your hope.
More info and tickets to events available @metalabel__ (link in bio)
19, 25 & 26 April
Athens, Greece
🇬🇷
very late timeline video of the process -visuals for @serenaclho fashion release and performance, Penumbra, Copenhagen
all made with open source software
#blender #3d #photopea
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
I will be talking about 3D archives and collective memory past and ongoing research at @berlinscienceweek with @e.t.e.ns, through two projects on alternative data structures and interfaces. The presentation is meant to be in a collaborative format, inviting conversation and generation of new ideas.
The symposium theme “Crisis Economy: Synaesthetic Archive, Self-Reliance, and Post-Humanitarian Infrastructure” investigates how war, migration and extractive infrastructures fragment societies, and how cultural collectives can create mutual aid economies.
Registration via the link in bio.
6-7 November 2025
1. Personal images using Lev Manovich Phototrails methodology
2. Website info Berlin Science week
3. Data memorial - an ongoing project and open source code
4. Bernard Stiegler introducing Techniques and Time
5. Data memorial - instagram data visualization github repository
6. Pont cloud semantic segmentation results
7. Clustering results
8. Data structure for 3D temporal data
9. Interface sketch
By @e.t.e.ns Radical Consultant on Creative Technology @ip.pie Iliana Papadopoulou,ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ is an experimental, interactive artwork that unfolds as an archive of layered spatial and social narratives from the village of Stavros in Crete. Developed during the @eaxo.stavros artist residency, the project uses video game environments, 3D scanning, and algorithmic text clustering to reveal how histories of conflict, abandonment, and tourism become inscribed in the built environment.
Decaying houses, liminal spaces awaiting legal resolution, and sites where nature struggles with artificial design form a landscape marked by both resilience and fragility. Through this assemblage, the work exposes the embedded social dynamics between locals, transient visitors, expat communities, and religious institutions, while engaging with questions of how memory and progress are inscribed into sites of everyday life.
Rather than producing a definitive archive, the project proposes a fragmentary and non-linear system of memory, one that embraces technological imperfections and partial perspectives. Online texts, local stories, and algorithmically generated clusters of meaning merge with 3D models of transitional spaces, producing a commons that resists closure. In doing so, ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ explores the role of digital media as both a mode of preservation and a form of reinterpretation, highlighting new models of critical making where technology, data, and artistic research intersect. The archive reflects nostalgia that may be imagined rather than lived, while at the same time pointing to the Anthropocene transformations specific to this region.
ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ
By @e.t.e.ns Radical Consultant on Creative Technology @ip.pie Iliana Papadopoulou,ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ is an experimental, interactive artwork that unfolds as an archive of layered spatial and social narratives from the village of Stavros in Crete. Developed during the @eaxo.stavros artist residency, the project uses video game environments, 3D scanning, and algorithmic text clustering to reveal how histories of conflict, abandonment, and tourism become inscribed in the built environment.
Decaying houses, liminal spaces awaiting legal resolution, and sites where nature struggles with artificial design form a landscape marked by both resilience and fragility. Through this assemblage, the work exposes the embedded social dynamics between locals, transient visitors, expat communities, and religious institutions, while engaging with questions of how memory and progress are inscribed into sites of everyday life.
Rather than producing a definitive archive, the project proposes a fragmentary and non-linear system of memory, one that embraces technological imperfections and partial perspectives. Online texts, local stories, and algorithmically generated clusters of meaning merge with 3D models of transitional spaces, producing a commons that resists closure. In doing so, ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ explores the role of digital media as both a mode of preservation and a form of reinterpretation, highlighting new models of critical making where technology, data, and artistic research intersect. The archive reflects nostalgia that may be imagined rather than lived, while at the same time pointing to the Anthropocene transformations specific to this region.
ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ
By @e.t.e.ns Radical Consultant on Creative Technology @ip.pie Iliana Papadopoulou,ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ is an experimental, interactive artwork that unfolds as an archive of layered spatial and social narratives from the village of Stavros in Crete. Developed during the @eaxo.stavros artist residency, the project uses video game environments, 3D scanning, and algorithmic text clustering to reveal how histories of conflict, abandonment, and tourism become inscribed in the built environment.
Decaying houses, liminal spaces awaiting legal resolution, and sites where nature struggles with artificial design form a landscape marked by both resilience and fragility. Through this assemblage, the work exposes the embedded social dynamics between locals, transient visitors, expat communities, and religious institutions, while engaging with questions of how memory and progress are inscribed into sites of everyday life.
Rather than producing a definitive archive, the project proposes a fragmentary and non-linear system of memory, one that embraces technological imperfections and partial perspectives. Online texts, local stories, and algorithmically generated clusters of meaning merge with 3D models of transitional spaces, producing a commons that resists closure. In doing so, ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ explores the role of digital media as both a mode of preservation and a form of reinterpretation, highlighting new models of critical making where technology, data, and artistic research intersect. The archive reflects nostalgia that may be imagined rather than lived, while at the same time pointing to the Anthropocene transformations specific to this region.
ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ
By @e.t.e.ns Radical Consultant on Creative Technology @ip.pie Iliana Papadopoulou,ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ is an experimental, interactive artwork that unfolds as an archive of layered spatial and social narratives from the village of Stavros in Crete. Developed during the @eaxo.stavros artist residency, the project uses video game environments, 3D scanning, and algorithmic text clustering to reveal how histories of conflict, abandonment, and tourism become inscribed in the built environment.
Decaying houses, liminal spaces awaiting legal resolution, and sites where nature struggles with artificial design form a landscape marked by both resilience and fragility. Through this assemblage, the work exposes the embedded social dynamics between locals, transient visitors, expat communities, and religious institutions, while engaging with questions of how memory and progress are inscribed into sites of everyday life.
Rather than producing a definitive archive, the project proposes a fragmentary and non-linear system of memory, one that embraces technological imperfections and partial perspectives. Online texts, local stories, and algorithmically generated clusters of meaning merge with 3D models of transitional spaces, producing a commons that resists closure. In doing so, ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ explores the role of digital media as both a mode of preservation and a form of reinterpretation, highlighting new models of critical making where technology, data, and artistic research intersect. The archive reflects nostalgia that may be imagined rather than lived, while at the same time pointing to the Anthropocene transformations specific to this region.
ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ
By @e.t.e.ns Radical Consultant on Creative Technology @ip.pie Iliana Papadopoulou,ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ is an experimental, interactive artwork that unfolds as an archive of layered spatial and social narratives from the village of Stavros in Crete. Developed during the @eaxo.stavros artist residency, the project uses video game environments, 3D scanning, and algorithmic text clustering to reveal how histories of conflict, abandonment, and tourism become inscribed in the built environment.
Decaying houses, liminal spaces awaiting legal resolution, and sites where nature struggles with artificial design form a landscape marked by both resilience and fragility. Through this assemblage, the work exposes the embedded social dynamics between locals, transient visitors, expat communities, and religious institutions, while engaging with questions of how memory and progress are inscribed into sites of everyday life.
Rather than producing a definitive archive, the project proposes a fragmentary and non-linear system of memory, one that embraces technological imperfections and partial perspectives. Online texts, local stories, and algorithmically generated clusters of meaning merge with 3D models of transitional spaces, producing a commons that resists closure. In doing so, ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ explores the role of digital media as both a mode of preservation and a form of reinterpretation, highlighting new models of critical making where technology, data, and artistic research intersect. The archive reflects nostalgia that may be imagined rather than lived, while at the same time pointing to the Anthropocene transformations specific to this region.
ʷᵉʳᵉ ʸᵒᵘ ʰᵉʳᵉ
Tomorrow night at 9pm @latraacskatecafe ❤️🔥
Programmed with @veryimportantplaylist.gr @ip.pie
Films by @ahwesh_peggy @babakahteshamipour @taeras @lne.tsekeraout @ddrimna @veryimportantplaylist.gr @ip.pie @totalrefusal @nasiakt
+ DJs @djforever123456789 @hybokh 💿
Animation by @ip.pie
@immaterialfilmclub, Athens 16/9 @latraacskatecafe
9pm - late
With films by @veryimportantplaylist.gr @ip.pie @ddrimna @ahwesh_peggy @babakahteshamipour @taeras @lne.tsekeraout & more
+ DJs @hybokh @djforever123456789
Story Save - Melhor ferramenta gratuita para salvar Stories, Reels, Fotos, Vídeos, Destaques e IGTV no seu celular.
Story-save.com é uma ferramenta online intuitiva que permite aos usuários baixar e salvar vários tipos de conteúdo, incluindo histórias, fotos, vídeos e materiais do IGTV, diretamente do Instagram. Com o Story-Save, você pode facilmente baixar conteúdo diverso do Instagram e visualizá-lo quando quiser, mesmo sem acesso à internet. Esta ferramenta é perfeita para aqueles momentos em que você encontra algo interessante no Instagram e quer salvar para ver depois. Use o Story-Save para garantir que você não perca a chance de levar seus momentos favoritos do Instagram com você!
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Perguntas Frequentes
- 1. Vá para a ferramenta de Download de Histórias do Instagram.
- 2. Digite o nome de usuário do perfil do Instagram no campo fornecido e clique no botão Baixar.
- 3. Você verá todas as Histórias disponíveis para o período de 24 horas. Selecione as que deseja e clique em Baixar.