Salvar História do Instagram

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

“What if the freak serves no one?

Not even a radical political agenda.
What if the freak is of no use ?

Not for entertainment,
not for revolution,
not for queer theory,
not for right wing obsessions,
not for tolerance,
not for rainbow merch,
not for the runaways,
not for the home,
not for hate,
not for blaming refugees,
not for celebrating pride,
not for patriotism,
not for the army,
not for fashion,
not for aesthetics,
not for art,
not for business,
not for community,
not for hashtags,
not for history,
not for progress.

Not for sale, not for free.
Not for allies, not for solidarity.
Not for fear, not for attraction.

Not for commercials,
not for erasure,
not for contemplation,
not for inclusion,
not for rejection,
not for institutions,
not for the government,
not for lessons,
not for examples,
not for deconstruction,
not for the law,
not for breaking rules,
not for satisfaction,
not for ridicule.

Not for love, not for distraction, not for focus. Not for policing, not for freedom.
Not for Zionism, not for Islamophobia.

Not for imagination, not for reason, not for boredom, not for magic, not for language, not for silence.

Not for liberals, not for fascists.

What if the freak served no one.

Could we still exist ?
Would we ?”

🪶 @svansaarloos

Last one of the season tonight 💔 Some gorgeous images of the film @valentinaxparati shot during the rehearsals and showings of FRKS.

W @t__gonzalez__@sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @santa_hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta #edouardhugli #vincentscalbert #adinasecretan
@isabiche_campelle @val_nied @ludre
@theatredevidy @maisonsaintgervais @lelieuunique
@montevideo_marseille @centre_abc theatrebennobesson

🥹 Aujourd’hui on présente pour la 200e fois L’Âge d’or à la Biennale du CDN Orléans. Merci à @emilierousset_johncorp pour l’invitation.

C’est fou de penser que depuis qu’on a commencé cette trilogie sur le capitalisme avec @t__gonzalez__ elle a circulé dans 10 pays européens et a été jouée en 6 langues par 12 superbes performeureuses. Je suis ému de voir qu’elle continue d’exister et de trouver de nouvelles résonances.

Merci à toutes les personnes, lieux, festivals et équipes qui ont accompagné cette pièce depuis le début. En particulier au @theatredevidy -Lausanne, au @nextfestival_eu, à @larosedesvents_, au @kunstencentrumbuda, à @santarcangelofestival, au @theatredepoche_hede, au @viernulvier.gent, à @kanal.centrepompidou, à @prohelvetia , ainsi qu’à tous les partenaires et soutiens qui ont rendu cela possible.

Et à toutes les personnes qui ont marché avec nous dans les espaces de la consommation de masse, du travail et bientôt du capital, dernier volet que nous commencerons à écrire cet automne à la Cité Internationale des Arts 💖

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

Been spending a lot of time with weights and protein lately :)

Happy to share a few images from our research with @t__gonzalez__ during the past months at @tokyoartsandspace.

Many thanks to the whole TOKAS team for inviting us and for the support throughout the residency and to @prohelvetia for making this stay possible.

We’re also very grateful to Taro Inamura, Takuya Maehara, Hiromi Maruoka, Mina Nishimura, Toshiki Okada and Ayumi Seki, Miho Sano, Chiaki Soma,
Sarara Takagi and Yuichiro Yoshida, Takuya Takemoto, Yuya Tsukahara, Kota Yamazaki, Adèle Fremolle as well as to our fellow residents for their generosity and the conversations that made our time in Japan so rich.

またね

CUTE & AWKWARD
premiering in Amsterdam in two weeks
10-12 December at @frascatiamsterdam

Taking as cultural references Warsaw’s first gay cruising bar in post-communist Poland, named Fantom, and the haunted, lunatic echo of desire and loss in Annie Lennox’s ‘No More “I Love You’s’, this sleepwalking dance is an attempt to maintain a permanent immaturity of identity.

concept, choreography, performance Wojciech Grudziński
artistic collaboration, performance Lucas Lagomarsino / @luquilagomarsino
artistic collaboration Igor Cardellini / @icardell
final direction Miguel Melgares / @mamelgares
text Maria Magdalena Kozłowska / @maria_magdalena_kozlowska
video, set design Rafał Dominik / @rafaldominik
light design Jacqueline Sobiszewski / @jacwarsaw
music, sound Wojtek Blecharz / @voytek_blehash
co-produced by the Adam Mickiewicz Institute / @mickiewicz_institute
co-financed by the Ministry of Culture and National Heritage / @kultura_gov_pl

photo: @elianeroest

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Quelques images d’une étape de This is a trap
au @mahneuchatel.

A l’aide d'un dispositif de cartes de visites scriptées, dans cette performance on questionne ce qui nous pousse à l'action ou à l'inaction… et toutes les forces qui nous traversent entre deux.
On interroge ces scripts qui nous guident au quotidien, ces schémas rassurants qui orientent nos choix, nos réactions et qui finissent par nous définir.

Merci à @svansaarloos, @rietums, @cmllsn_ et à l’équipe du MahN, pour l’invitation et l’accueil.

📸 Carla Corminboeuf @gascorr

Back in Warsaw. TEACH ME NOT! 4 days in Warsaw, 23–26 October at @nowy_teatr

TEACH ME NOT! is a choreography of trust and dependence, of admiration and quiet resentment – a dialogue that emerges only through the absence of the master.

Sweat stains. Fingerprints on mirrors. Dust gathering in the corners. The dance studio is swollen with silent traces of cohorts who have inscribed themselves onto every surface. Within this charged space, is a relationship structure without a teacher simply a duet of the mutually submissive? Without hierarchy, is saying “no” even possible? What might a choreography of refusal look like?

Concept, Choreography, Performance: Wojciech Grudziński
Artistic Collaboration, Performance: Maria Magdalena Kozłowska / @maria_magdalena_kozlowska 
Dramaturgical Support, Artistic Collaboration: Klaudia Hartung-Wójciak, Joanna Ostrowska / @hartungwojciak @joanna_ostrowska_ 
Artistic Collaboration: Igor Cardellini / @icardell 
Text: Weronika Murek / @weronika_murek 
Video, Set Design: Rafał Dominik / @rafaldominik 
Costume Design: Marta Szypulska / @jaszypa 
Light Design: Jacqueline Sobiszewski / @jacwarsaw 
Music, Sound: Lubomir Grzelak, Wojtek Blecharz / @lubomirgrzelak @voytek_blehash 
Curatorial oversight: Olga Drygas / @lg.drgs 
Production support: Iwa Ostrowska / @ivekocko
Video: Vladimir Bertozzi / @3000eyes
Public Relations: Igor Sekuła / @isekua 

Production: Zodiak – Centre for New Dance, Nowy Teatr, Adam Mickiewicz Institute / @zodiak_helsinki @nowy_teatr 
With the Support of: ICK Dans Amsterdam
Co-organised by the Adam Mickiewicz Institute / @mickiewicz_institute 
Funded by the Ministry of Culture and National Heritage of the Republic of Poland / @mkis_gov_pl 
Co-financed by the City of Warsaw / @miasto_warszawa

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

Somewhere between the crowded beaches of Rimini, Bioshock Infinite, Guy Ritchie and Zhang Yimou movies, ginger tomato sauce, the Venice Mostra and life in Lambrate…

Today at 4pm and Sunday at 4:00 and 6:30pm we present EL VIAJE in Milan.
@xinalessandro takes you to a nearby “island,” and during this walk through the city, he connects his personal story to the urban landscape.
It’s about human and non human fluxes, borders, identity, belonging and freedom.

This performance is presented in collaboration with @basemilano. Thanks to @lindipietro for the invitation and trust, and to @agnesedacol, the Base team and @milanomediterranea_mm for making it possible.

The format is inspired by an original idea developed within the Colectivo Utópico. The piece is rewritten and adjusted to the performer’s personal story and the context of the performance.
Link in bio.

—

Tra le brutte spiagge di Rimini, Bioshock Infinite, calisthenics, la GoPro, i film di Guy Ritchie e di Zhang Yimou, la salsa di pomodoro allo zenzero, la Mostra del Cinema e la vita a Lambrate…

Oggi alle 16:00 e domenica alle 16:00 e alle 18:30 presentiamo EL VIAJE a Milano.
@xinalessandro ti porta verso un’“isola” vicina e, durante questa camminata attraverso la città, intreccia la sua storia personale con il paesaggio urbano.
Si parla di flussi umani e non umani, di confini, identità, appartenenza e libertà.

La performance è presentata in collaborazione con @basemilano.
Grazie a @lindipietro per l’invito e la fiducia, ad @agnesedacol, allo staff di Base e a @milanomediterranea_mm per averla resa possibile.

Il formato è ispirato a un’idea originale concepita con il Colectivo Utópico. Viene riscritto e adattato alla storia personale del performer e al contesto della performance.
Link in bio.

📸 @eric.persona

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

New work from my residency @ekwc_oisterwijk :)

During these months I took some stock footage...
Those generic, functional, watermark-stamped images meant to blend in the corporate narratives, not to be looked at for themselves.

So I turned them into ceramic reliefs, more abstract than the source photos and yet more tangible, questioning relations between value and image today.
What makes commercial worth and value in art? Who controls that? These pieces are based on pictures of enclosures, fences, security walls... property infrastructures keeping you out, unless you pay.

📸 @yufeiig

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

Ça mêle les colliers coquillages Y2K, le Club Med, Hornet, René Daumal, le PSG, la Meta et Belsunce….

Aujourd’hui 19h, demain et dimanche à 10h et 19h on présente EL VIAJE à Marseille. @rebeudespres t’emmène vers une « île » voisine et, au cours de cette marche à travers la ville, il connecte son histoire perso au paysage. Il y est question de flux humains et non humains, de frontières, d’identité, d’appartenance et de liberté, low key.

Cette performance est présentée en collaboration avec le @festivaldemarseille.
Merci Marie Didier pour l’invitation et la confiance 💕.

Ce format a été conçu à l’origine en collaboration avec Colectivo Utópico. Il est réécrit pour chaque nouvelle itération.

Lien ds la bio - c complet mais on vient d’ajouter qq places 🐨

📸 @xdartayre

This picture was on the fake document that Mustaf Ahmeti’s mother managed to obtain when they fled Kosovo at the height of ethnic cleansing in 1999.

They made it out — and after a 2000 km journey, partly on foot and sometimes hidden in trucks, they found refuge and eventually settled in Belgium. ❤️‍🔥

This Saturday and Sunday at 3PM, @mustav_a takes us to EL VIAJE, a journey to a nearby “island.”
During this walk through Ghent, they weave their personal story into the landscapes we cross — touching on human and non-human flows, borders, exotisation, identity, belonging and visibility.

This performance is presented in collaboration with @viernulvier.gent
Thank you @mariekedemunck2.0 for the invitation and your trust.

This format was first collaboratively conceived with Colectivo Utópico and is rewritten for each new iteration

📸 @larsduchateau

This picture was on the fake document that Mustaf Ahmeti’s mother managed to obtain when they fled Kosovo at the height of ethnic cleansing in 1999.

They made it out — and after a 2000 km journey, partly on foot and sometimes hidden in trucks, they found refuge and eventually settled in Belgium. ❤️‍🔥

This Saturday and Sunday at 3PM, @mustav_a takes us to EL VIAJE, a journey to a nearby “island.”
During this walk through Ghent, they weave their personal story into the landscapes we cross — touching on human and non-human flows, borders, exotisation, identity, belonging and visibility.

This performance is presented in collaboration with @viernulvier.gent
Thank you @mariekedemunck2.0 for the invitation and your trust.

This format was first collaboratively conceived with Colectivo Utópico and is rewritten for each new iteration

📸 @larsduchateau

This picture was on the fake document that Mustaf Ahmeti’s mother managed to obtain when they fled Kosovo at the height of ethnic cleansing in 1999.

They made it out — and after a 2000 km journey, partly on foot and sometimes hidden in trucks, they found refuge and eventually settled in Belgium. ❤️‍🔥

This Saturday and Sunday at 3PM, @mustav_a takes us to EL VIAJE, a journey to a nearby “island.”
During this walk through Ghent, they weave their personal story into the landscapes we cross — touching on human and non-human flows, borders, exotisation, identity, belonging and visibility.

This performance is presented in collaboration with @viernulvier.gent
Thank you @mariekedemunck2.0 for the invitation and your trust.

This format was first collaboratively conceived with Colectivo Utópico and is rewritten for each new iteration

📸 @larsduchateau

This picture was on the fake document that Mustaf Ahmeti’s mother managed to obtain when they fled Kosovo at the height of ethnic cleansing in 1999.

They made it out — and after a 2000 km journey, partly on foot and sometimes hidden in trucks, they found refuge and eventually settled in Belgium. ❤️‍🔥

This Saturday and Sunday at 3PM, @mustav_a takes us to EL VIAJE, a journey to a nearby “island.”
During this walk through Ghent, they weave their personal story into the landscapes we cross — touching on human and non-human flows, borders, exotisation, identity, belonging and visibility.

This performance is presented in collaboration with @viernulvier.gent
Thank you @mariekedemunck2.0 for the invitation and your trust.

This format was first collaboratively conceived with Colectivo Utópico and is rewritten for each new iteration

📸 @larsduchateau

This picture was on the fake document that Mustaf Ahmeti’s mother managed to obtain when they fled Kosovo at the height of ethnic cleansing in 1999.

They made it out — and after a 2000 km journey, partly on foot and sometimes hidden in trucks, they found refuge and eventually settled in Belgium. ❤️‍🔥

This Saturday and Sunday at 3PM, @mustav_a takes us to EL VIAJE, a journey to a nearby “island.”
During this walk through Ghent, they weave their personal story into the landscapes we cross — touching on human and non-human flows, borders, exotisation, identity, belonging and visibility.

This performance is presented in collaboration with @viernulvier.gent
Thank you @mariekedemunck2.0 for the invitation and your trust.

This format was first collaboratively conceived with Colectivo Utópico and is rewritten for each new iteration

📸 @larsduchateau

Frks in Gva till Sunday w @t__gonzalez__ @sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta
#edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied@ludre @svansaarloos
@theatredevidy @maisonsaintgervais @lelieuunique @actoral_ @centre_abc theatrebennobesson
@matthieucroizier

🧻

Frks in Gva till Sunday w @t__gonzalez__ @sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta
#edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied@ludre @svansaarloos
@theatredevidy @maisonsaintgervais @lelieuunique @actoral_ @centre_abc theatrebennobesson
@matthieucroizier

🧻

Frks in Gva till Sunday w @t__gonzalez__ @sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta
#edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied@ludre @svansaarloos
@theatredevidy @maisonsaintgervais @lelieuunique @actoral_ @centre_abc theatrebennobesson
@matthieucroizier

🧻

Frks in Gva till Sunday w @t__gonzalez__ @sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta
#edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied@ludre @svansaarloos
@theatredevidy @maisonsaintgervais @lelieuunique @actoral_ @centre_abc theatrebennobesson
@matthieucroizier

🧻

Frks in Gva till Sunday w @t__gonzalez__ @sara.leghissa @__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta
#edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied@ludre @svansaarloos
@theatredevidy @maisonsaintgervais @lelieuunique @actoral_ @centre_abc theatrebennobesson
@matthieucroizier

🧻

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati

Genève, FRKS est à @maisonsaintgervais de jeudi à dimanche!! ❤️‍🔥

I’m so glad to bring together these beautiful artists from France, Italy, Belgium and Germany and to have been able to develop this cross genres lyrical emo group piece with them.

Special thanks to @t__gonzalez__ @sara.leghissa@__a__lix @steve_katona @sophia.rodriguez.goldberg @shadejuliette @ttristana.t_t @herwanlegaillard @__hildegarda @emma.slalomeici @romainguillet.studio @rietums @195cc @emmanuellefuentes @atelier.planeta for believing in the project and bringing their intelligence, sensitivity and craft to the stage.

And heartfelt thanks to #edouardhugli #vincentscalbert #adinasecretan @isabiche_campelle @val_nied @ludre @svansaarloos for their crucial work in making this happen.

Gratitude to our partner institutions @theatredevidy @maisonsaintgervais @lelieuunique @festival_actoral @centre_abc theatrebennobesson for their generous support.

📸 @matthieucroizier / 📹 @valentinaxparati