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yoelzeor
Yoel Peled
Royal academy of Antwerp
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
To Be High
The School of Visual Theatre 2024
My precious theatre, I come to you with all of my petrol mermaids.
We will splash black waves of oil on your walls. We wish to climb higher until we touch your light sky. We ask you to take care of our bodies and give them a moment to dry in the sun of another city.
We are on our way in diamond cars.
Please teach us how to locate on a new earth.
Performers: Amit Zaretsky, Reyan Chaaban, Liora Mrejen, Rotem Levi, Nitzan Shafran, Oren Yehoshua
Scenography and Sound: Yoel Peled, Nitzan Shafran
Costumes: Nitzan Shafran
Text: Oren Yehoshua
“THOMIM” is a project by the twins Yoel and Amos Peled, a connection of the words twins and abyss in Hebrew. Moving between industrial, noise, power electronics, folk, and experimental music. The project started in 1997 (when they were rescued) and has since experienced many incarnations, their music performances take many shapes in telepathy.
Their music has a place under a manuscript for a story of evolution, and noise that sounds like Mercury that removes the air. A pesticide that decided to leave the leaf to his friends and learn how to eat soil. A Lighthouse that stopped moving and his light that is shining toward the one blind shark while he explains his poor destiny to a clown pigeon.
Thomim - Paradise Must Be Nice Fest - Neue Zukunft - June 8 2025
“THOMIM” is a project by the twins Yoel and Amos Peled, a connection of the words twins and abyss in Hebrew. Moving between industrial, noise, power electronics, folk, and experimental music. The project started in 1997 (when they were rescued) and has since experienced many incarnations, their music performances take many shapes in telepathy.
Their music has a place under a manuscript for a story of evolution, and noise that sounds like Mercury that removes the air. A pesticide that decided to leave the leaf to his friends and learn how to eat soil. A Lighthouse that stopped moving and his light that is shining toward the one blind shark while he explains his poor destiny to a clown pigeon.
Thomim - Paradise Must Be Nice Fest - Neue Zukunft - June 8 2025
‘Slumberless’, 4 it was a sometimes
A gallery installation at @bezalelgallery
Architectural design: @gilshachar
Photos by: @hadas_hay_
‘Slumberless’, 4 it was a sometimes
A gallery installation at @bezalelgallery
Architectural design: @gilshachar
Photos by: @hadas_hay_
‘Slumberless’, 4 it was a sometimes
A gallery installation at @bezalelgallery
Architectural design: @gilshachar
Photos by: @hadas_hay_
‘Slumberless’, 4 it was a sometimes
A gallery installation at @bezalelgallery
Architectural design: @gilshachar
Photos by: @hadas_hay_
‘Slumberless’, 4 it was a sometimes
A gallery installation at @bezalelgallery
Architectural design: @gilshachar
Photos by: @hadas_hay_
Thomim - Clean plate
@yoelzeor @as12fg45
Live performance Berlin 24.08.2024
Artwork by Lurch Craven
@caracalibera
Lettering By Codice Chiuso & Horbo
@codicechiuso @horbo.0
Text by B.Z. & expediitn
@arninitu_shawushka @expediitn
Mixed by Thomim
Mastered by expediitn
The activity of the Parasites involves modifying the excretory system by usurping the filtration function of “Hazardous Substances” (Category 4-A). However, their threat-assessment criteria have been deemed non-compliant with established humanitarian safety standards (Regulation 89-F).
The usurpation of filtration functions renders the Host incapability of modifying the “Hazardous” List. Encounters with substances that disprove the List’s validity (i.e., functionally non-deleterious despite formal similarity to listed elements) result in exponential increases in excretion volume, coupled with a loss of qualitative analysis efficacy. This leads to unfounded expansion of the List.
Thomim - Clean plate
@yoelzeor @as12fg45
Live performance Berlin 24.08.2024
Artwork by Lurch Craven
@caracalibera
Lettering By Codice Chiuso & Horbo
@codicechiuso @horbo.0
Text by B.Z. & expediitn
@arninitu_shawushka @expediitn
Mixed by Thomim
Mastered by expediitn
The activity of the Parasites involves modifying the excretory system by usurping the filtration function of “Hazardous Substances” (Category 4-A). However, their threat-assessment criteria have been deemed non-compliant with established humanitarian safety standards (Regulation 89-F).
The usurpation of filtration functions renders the Host incapability of modifying the “Hazardous” List. Encounters with substances that disprove the List’s validity (i.e., functionally non-deleterious despite formal similarity to listed elements) result in exponential increases in excretion volume, coupled with a loss of qualitative analysis efficacy. This leads to unfounded expansion of the List.
Thomim - Clean plate
@yoelzeor @as12fg45
Live performance Berlin 24.08.2024
Artwork by Lurch Craven
@caracalibera
Lettering By Codice Chiuso & Horbo
@codicechiuso @horbo.0
Text by B.Z. & expediitn
@arninitu_shawushka @expediitn
Mixed by Thomim
Mastered by expediitn
The activity of the Parasites involves modifying the excretory system by usurping the filtration function of “Hazardous Substances” (Category 4-A). However, their threat-assessment criteria have been deemed non-compliant with established humanitarian safety standards (Regulation 89-F).
The usurpation of filtration functions renders the Host incapability of modifying the “Hazardous” List. Encounters with substances that disprove the List’s validity (i.e., functionally non-deleterious despite formal similarity to listed elements) result in exponential increases in excretion volume, coupled with a loss of qualitative analysis efficacy. This leads to unfounded expansion of the List.
Thomim - Clean plate
@yoelzeor @as12fg45
Live performance Berlin 24.08.2024
Artwork by Lurch Craven
@caracalibera
Lettering By Codice Chiuso & Horbo
@codicechiuso @horbo.0
Text by B.Z. & expediitn
@arninitu_shawushka @expediitn
Mixed by Thomim
Mastered by expediitn
The activity of the Parasites involves modifying the excretory system by usurping the filtration function of “Hazardous Substances” (Category 4-A). However, their threat-assessment criteria have been deemed non-compliant with established humanitarian safety standards (Regulation 89-F).
The usurpation of filtration functions renders the Host incapability of modifying the “Hazardous” List. Encounters with substances that disprove the List’s validity (i.e., functionally non-deleterious despite formal similarity to listed elements) result in exponential increases in excretion volume, coupled with a loss of qualitative analysis efficacy. This leads to unfounded expansion of the List.
The foundation discovered above ground! Architectural model together with Gil Shahar for the exhibition Black Tear in the quration & apotheosis of the one and only @eitanbenmoshestudio Eitan Ben Moshe
In @bezalelgallery
The foundation discovered above ground! Architectural model together with Gil Shahar for the exhibition Black Tear in the quration & apotheosis of the one and only @eitanbenmoshestudio Eitan Ben Moshe
In @bezalelgallery
The foundation discovered above ground! Architectural model together with Gil Shahar for the exhibition Black Tear in the quration & apotheosis of the one and only @eitanbenmoshestudio Eitan Ben Moshe
In @bezalelgallery
The foundation discovered above ground! Architectural model together with Gil Shahar for the exhibition Black Tear in the quration & apotheosis of the one and only @eitanbenmoshestudio Eitan Ben Moshe
In @bezalelgallery
The foundation discovered above ground! Architectural model together with Gil Shahar for the exhibition Black Tear in the quration & apotheosis of the one and only @eitanbenmoshestudio Eitan Ben Moshe
In @bezalelgallery
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
who comes after us
The performance was created for an event in memory of the artist Uri Katzenstein at the Holon Digital Art Center
big thanks for @leila_rose_bari @quepuessay @eden.cohen_ @amitzar_ @buddyhole @thecenterfordigitalart @udi_edelman
pic: @yotamgor
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
show that will never happen N1
Author of overtures and spirituality
Created in Blender
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