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Cross Section (2026)

A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.

A public work for A Kind of Order with @blackartndialog @josephinedenis

Alongside @a4ronjones @thatotoeba @hazellepalmer

On view until August 31 at west wing of Toronto’s Union Station

📷 @springmorris

Cross Section (2026)

A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.

A public work for A Kind of Order with @blackartndialog @josephinedenis

Alongside @a4ronjones @thatotoeba @hazellepalmer

On view until August 31 at west wing of Toronto’s Union Station

📷 @springmorris

Cross Section (2026)

A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.

A public work for A Kind of Order with @blackartndialog @josephinedenis

Alongside @a4ronjones @thatotoeba @hazellepalmer

On view until August 31 at west wing of Toronto’s Union Station

📷 @springmorris

Cross Section (2026)

A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.

A public work for A Kind of Order with @blackartndialog @josephinedenis

Alongside @a4ronjones @thatotoeba @hazellepalmer

On view until August 31 at west wing of Toronto’s Union Station

📷 @springmorris

Cross Section (2026)

A backdrop of brood chambers, pebble clusters, bundled cables, soil and bodily migration.

A public work for A Kind of Order with @blackartndialog @josephinedenis

Alongside @a4ronjones @thatotoeba @hazellepalmer

On view until August 31 at west wing of Toronto’s Union Station

📷 @springmorris

Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”

Network Branch, 2025
Multichannel video
04:00 min

Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025

Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”

All on view @coopercole
Exhibition closes tomorrow! ⛓️✨

Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”

Network Branch, 2025
Multichannel video
04:00 min

Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025

Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”

All on view @coopercole
Exhibition closes tomorrow! ⛓️✨

Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”

Network Branch, 2025
Multichannel video
04:00 min

Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025

Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”

All on view @coopercole
Exhibition closes tomorrow! ⛓️✨

Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”

Network Branch, 2025
Multichannel video
04:00 min

Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025

Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”

All on view @coopercole
Exhibition closes tomorrow! ⛓️✨

Entangled Circulatory System, 2025
Dye sublimation fabric SEG print in aluminum frame
76” X 120” X 2”

Network Branch, 2025
Multichannel video
04:00 min

Complex Organic Polymer I
Subterrane, 2025
Enamel, 2025
Cable Dissection, 2025

Dye sublimation fabric SEG print in aluminum frame
38” X 26” X 2”

All on view @coopercole
Exhibition closes tomorrow! ⛓️✨

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Timothy Yanick Hunter at COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
“Antecedent Conditions For A Landslide”
November 13 – January 17, 2026
Photos: all images copyright and courtesy of the artist, COOPER COLE, Toronto and Bradley Ertaskiran, Montreal
@coopercole @yanickhunter @bradleyertaskiran_

Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_

Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.

The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬🪾

Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️‍🔥

Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_

Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.

The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬🪾

Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️‍🔥

Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_

Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.

The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬🪾

Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️‍🔥

Install views for Antecedent Conditions For A Landslide at @bradleyertaskiran_

Antecedent Conditions For A Landslide draws on the structural relationships between land, body, and technology, considering how these entanglements shape migratory movement and the transfer of knowledge across time and space.

The exhibition takes place in two galleries in two different cities, with one iteration at @coopercole in Toronto and another @bradleyertaskiran_ in Montreal.
The dual presentation runs until December 20, 2025
in Montreal, and through January 17, 2026 in Toronto.
🔗🧬🪾

Thank you to everyone who helped me realize this project; especially my family in JA - my mom, robbi, dane,
Michael and everyone ❤️‍🔥

30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.

Available online @ SIXTEENSIXTEEN.NET and at g44

@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall

30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.

Available online @ SIXTEENSIXTEEN.NET and at g44

@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall

30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.

Available online @ SIXTEENSIXTEEN.NET and at g44

@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall

30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.

Available online @ SIXTEENSIXTEEN.NET and at g44

@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall

30 x 34in / Offset printing on newsprint / 2025
SIXTEENSIXTEEN.NET compiles floating thoughts, illustration, and research materials with reference to the traditional newspaper format. Separately, the contributors reflect on Black interiority, the body, gender presentation, and the social parade of normalcy. SIXTEENSIXTEEN.NET includes the works of Gyimah Gariba, Khadijah Morley, Ashley Marshall and produced with the support of Gallery 44 Centre for Contemporary Photography, Toronto Canada.

Available online @ SIXTEENSIXTEEN.NET and at g44

@g44photo @peenutbuttahbabe @gyimahg #ashleymarshall

Thorax, 2025
Digital Multi Channel Video
480p
3min 20sec

Bug Test, 2025
Digital video, OLED Screen
3 x 3 x 3 cm
1.5 x 1.5 x 1.5 in.

🐜🫀💿🔗

Thorax, 2025
Digital Multi Channel Video
480p
3min 20sec

Bug Test, 2025
Digital video, OLED Screen
3 x 3 x 3 cm
1.5 x 1.5 x 1.5 in.

🐜🫀💿🔗

Complex Organic Polymer I, 2025
Dye sublimation fabric SEG Print, Aluminum frame
101.6 x 71.12 cm
40 x 28 in.

Continuous Dimensional Thorax
Sidony O’Neal & Timothy Yanick Hunter
June 13 – July 26, 2025
@thirdborn.mx
Cozumel 86, #8, Roma Nte., Cuauhtémoc
06700 Ciudad de México, CDMX

Thank you to @thirdborn.mx ! And the brilliant and gifted @sidony_oneal for joining up with me ⭐️⭐️⭐️

Complex Organic Polymer I, 2025
Dye sublimation fabric SEG Print, Aluminum frame
101.6 x 71.12 cm
40 x 28 in.

Continuous Dimensional Thorax
Sidony O’Neal & Timothy Yanick Hunter
June 13 – July 26, 2025
@thirdborn.mx
Cozumel 86, #8, Roma Nte., Cuauhtémoc
06700 Ciudad de México, CDMX

Thank you to @thirdborn.mx ! And the brilliant and gifted @sidony_oneal for joining up with me ⭐️⭐️⭐️

Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm

Things You’ve Left behind, 2024
Two channel video
03:00 min

𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐

Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm

Things You’ve Left behind, 2024
Two channel video
03:00 min

𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐

Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm

Things You’ve Left behind, 2024
Two channel video
03:00 min

𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐

Continuation, 2024
SEG fabric on Aluminum Frame
170 x 111 cm

Things You’ve Left behind, 2024
Two channel video
03:00 min

𝑊𝑎𝑣𝑒𝑡𝑎𝑏𝑙𝑒 (𝑁𝑖𝑛𝑒 𝑁𝑖𝑔ℎ𝑡) on view @gallerykendrajaynepatrick
22 November - 19 January, 2025 🌙 🌐

Altitude, 2024
Dye sublimation fabric SEG print in aluminum frame
55 x 46 inches

Remote Viewing, 2024
Dye sublimation fabric SEG print in aluminum frame
38 x 40 inches

Altitude, 2024
Dye sublimation fabric SEG print in aluminum frame
55 x 46 inches

Remote Viewing, 2024
Dye sublimation fabric SEG print in aluminum frame
38 x 40 inches

Noise / Grain
September 13 - November 9, 2024

ILY2
925 NW Flanders St
Portland, Oregon
@ily2.ily2 🌺 🌺🌺

And a pic of the rose garden

Noise / Grain
September 13 - November 9, 2024

ILY2
925 NW Flanders St
Portland, Oregon
@ily2.ily2 🌺 🌺🌺

And a pic of the rose garden

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

If you miss someone and they’re no longer here, it’s okay to be sad!💐

Stereo As A Prefix, 2024

On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸

Stereo As A Prefix, 2024

On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸

Stereo As A Prefix, 2024

On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸

Stereo As A Prefix, 2024

On view at the @mocatoronto for the GTA24 exhibition. Many many thanks @katekmwong @toleeners @ebotron and the whole crew for the support ✨🩸