Wright About Jazz
“I write about the jazz that stops me in my tracks—and try to take you there with me.” Jazz written the Wright way.

There’s a point somewhere deep into the evening — the last cocktail glasses catching the low light, conversations beginning to dissolve into the room’s soundtrack — where De-Phazz have always made perfect sense. Not in the traditional jazz-club way where audiences sit motionless in reverential silence, but in those beautifully blurred spaces where rhythm, atmosphere and memory seem to move together.
That has always been the magic of De-Phazz. Full review link on bio or visit us at www.wrightaboutjazz.com

Outside, the Thames flickered beneath the Southbank lights, planes drifted low towards Heathrow and London carried on around us, but inside the hall time slowed completely. One of those rare evenings where silence between the notes said just as much as the music itself.
A standing ovation felt inevitable. Full review link in bio or visit the website www.wrightaboutjazz.com
#JulianLage #ScenesFromAbove #RoyalFestivalHall #BlueNoteRecords #LondonJazz JazzGuitar

“Downstairs at Green Note, connection wasn’t part of the performance — connection was the performance.” For the full review please click link in Bio @wrightaboutjazz

Colours doesn’t drift… it shifts—changing shade as it goes, and taking you with it.” For the full review Link in bio. @wrightaboutjazz @_freddiebenedict @dynamiclondon

“Somewhere between the piano and the lyric, these songs stop being familiar and start being his.” A beautiful collection!!
Full review: Link In Bio

There’s a moment, when you sit with this record, where the question shifts. For the full album review Link in bio.

There’s something deeply satisfying about hearing where it all began for Esther. The Early Years isn’t just a retrospective—it’s a window into the London jazz scene at a time when you had to earn every note, every gig, every ounce of credibility. Link in bio for full review.

When people imagine the perfect jazz ballad delivered in its perfect setting, this is the scene: the lights low, the room hushed, a songwriter laying her truth bare, and a pianist beside her who understands every emotional contour. Full review at www.writeaboutjazz.com

A natural raconteur, Williams paused to share a story—of her enduring love for Stevie Wonder, and the almost comical misfortune of having missed him not once, but twice when he had quietly appeared downstairs at Ronnie’s, each time discovering it only the following day.
Full review under ‘Live Reviews’ link in Bio

Upstairs at Ronnie Scott’s — where the smallest moments carry the most weight.
Jo Harrop, at her most intimate and most powerful.
👉 Full review – link in bio
#jazz #ronniescotts #joharrop #livejazz
#jazzvocals ukjazz wrightaboutjazz
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