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a gentle usher into the void - 2025

Marina Abramovic
from last year, shot at her home in New York
🪢
@abramovicinstitute

Marina Abramovic
from last year, shot at her home in New York
🪢
@abramovicinstitute

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

2025.zip vol 2 💾

turned 30 & had the best summer of my life
🌬️🍃

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

I want to let you all in on the process behind my most recent project

For the longest time I had wanted to explore darkroom printmaking (being self taught I always had resentments never learning the basics of my craft). When @zoelukov graciously offered me a studio residency at @wsanyc I decided to turn it into a makeshift darkroom and create a series of works for my show in @asmundarsalur with @miles.greenberg

The goal was to explore the idea of intimacy on a grand scale, to capture a fleeting moment of an encounter with a group of people and etch it into a life size portrait. So I decided that the best approach would be to make Photograms (it’s a camera-less process where a flicker of light imprints the subjects directly onto photosensitive paper).
So basically… I was creating a darkroom inside a darkroom.
(continues in comments)

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 3 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @galerieronmandos
@gemmarollsbentley

previously Duets WSA @zoelukov @kyledewoody @wsanyc

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 2 - 2025
Photogram triptych, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

𝓥𝓸𝓻𝓽𝓮𝔁: 𝓽𝓱𝓮 𝓞𝓻𝓰𝔂 𝓢𝓮𝓻𝓲𝓮𝓼 1 - 2025
Photogram triptych on photo sensitive paper, painted with resin
2 x 3 meters

currently on view at @asmundarsalur

Við bjóðum ykkur hjartanlega velkomin á opnun sýningarinnar, 𝑺*𝒙 𝑻𝒂𝒑𝒆 eftir Viðar Loga og Miles Greenberg, þann 20. september kl. 18!

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Viðar Logi (f. 1995 í Dalvík, Íslandi) er sjálflærður íslenskur listamaður búsettur í New York. Hann vinnur þvert á ljósmyndun, vídeó og skúlptúr, en í verkum sínum skoðar hann dulhyggju og afbyggingu á hinu figuríska formi. Hann hefur unnið með Björk á Fossora, var valinn á Forbes 30 Under 30 2024 og sýnt verk á V&A, Centre Pompidou, Kunsthal Rotterdam og Piccadilly Lights/Circa.

Miles Greenberg (f. í 1997, Montreal) er gjörningalistamaður og skúlptúristi sem vinnur með líkamann í stórum og skynrænum innsetningum, oft með langvinnum gjörningum. Greenberg hefur sýnt á alþjóðavettvangi, m.a. í Louvre í París, Neue Nationalgalerie og Feneyjatvíæringnum, og verið gestalistamaður hjá Palais de Tokyo og The Watermill Center. Árið 2023 var hann á lista Forbes 30 Under 30 í flokknum listir og menning.

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We warmly welcome you to the opening of the exhibition 𝑺*𝒙 𝑻𝒂𝒑𝒆 by Viðar Logi and Miles Greenberg, on September 20 at 6 PM!

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Vidar Logi (b. 1995 in Dalvík, Iceland) is a self-taught Icelandic visual artist based in New York. Working across photography, video, and sculpture, he explores mysticism through manipulated figurative forms. He collaborated with Björk on Fossora, was named to Forbes 30 Under 30 in 2024, and has exhibited at V&A, Centre Pompidou, Kunsthal Rotterdam, and Piccadilly Lights/Circa.

Miles Greenberg (b. 1997, Montreal) is a performance artist and sculptor whose large-scale, immersive installations explore the body as sculptural material, often through extreme durational performances. Greenberg has performed internationally, including at the Louvre, Neue Nationalgalerie, and the Venice Biennale, and has held residencies at Palais de Tokyo and The Watermill Center. In 2023, he was listed on Forbes 30 Under 30 in Art & Style.

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Acne Paper 20th anniversary issue

photographer: @vidarlogi
stylist: @eddagud
makeup artist: @daniel_s_makeup
hair stylist: @alipirzadeh
set designer: @andrewlimclarkson
tablet 3D design & sculpting: @james.t.merry
manicure: @the.fingersofgod
casting: @sveacasting
models: @ratedrabina_@gaiaorgeas @nyauethriam
producer: @lolaproduction
@thomasperssonstudio 🏆

Acne Paper 20th anniversary issue

photographer: @vidarlogi
stylist: @eddagud
makeup artist: @daniel_s_makeup
hair stylist: @alipirzadeh
set designer: @andrewlimclarkson
tablet 3D design & sculpting: @james.t.merry
manicure: @the.fingersofgod
casting: @sveacasting
models: @ratedrabina_@gaiaorgeas @nyauethriam
producer: @lolaproduction
@thomasperssonstudio 🏆

Acne Paper 20th anniversary issue

photographer: @vidarlogi
stylist: @eddagud
makeup artist: @daniel_s_makeup
hair stylist: @alipirzadeh
set designer: @andrewlimclarkson
tablet 3D design & sculpting: @james.t.merry
manicure: @the.fingersofgod
casting: @sveacasting
models: @ratedrabina_@gaiaorgeas @nyauethriam
producer: @lolaproduction
@thomasperssonstudio 🏆

Acne Paper 20th anniversary issue

photographer: @vidarlogi
stylist: @eddagud
makeup artist: @daniel_s_makeup
hair stylist: @alipirzadeh
set designer: @andrewlimclarkson
tablet 3D design & sculpting: @james.t.merry
manicure: @the.fingersofgod
casting: @sveacasting
models: @ratedrabina_@gaiaorgeas @nyauethriam
producer: @lolaproduction
@thomasperssonstudio 🏆

Acne Paper 20th anniversary issue

photographer: @vidarlogi
stylist: @eddagud
makeup artist: @daniel_s_makeup
hair stylist: @alipirzadeh
set designer: @andrewlimclarkson
tablet 3D design & sculpting: @james.t.merry
manicure: @the.fingersofgod
casting: @sveacasting
models: @ratedrabina_@gaiaorgeas @nyauethriam
producer: @lolaproduction
@thomasperssonstudio 🏆