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Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

.
Réflexion sur le métissage entre cultures arabophone
et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow: @guillaumebesson_
Basel Grotesk Mono Book: Office for Typography (@chillllllllll ) | Optimo

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Repros @akim_omer

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

logo, symbole, lettrage pour @921.vevey
identité visuelle par @buro.k9

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

Glimpses of Réflexion sur le métissage entre cultures arabophone et occidentale dans la typographie

Thesis development

135 pages
Laser printed at écal on Olin bulk 80g
Typefaces:
TWK Continental Book + Shadow by @guillaumebesson_@type.weltkern
Basel Grotesk Mono Book by @chillllllllll | @optimofoundry

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic

Thanks to
Alexandru Balgiu @designingwriting
Deodaat Tevaearai
Federico Nicolao @nicolao.federico
Anaïs Chourin
Benjamin Plantier
Guillaume Gameiro
Fondation Jan Michalski
écal
And everyone evolved in the development of the publication

Published by @ecal and @fondation_janmichalski
2024-2025

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

.
Système latin, Système arabe, Système multi-script
État des lieux, introduction critique et enjeux des systèmes multi-scripts entre l’écriture latine et arabe

Travail de mémoire
Supervised by Alexandru Balgiu @designingwriting
190pages
230x305cm
Laser printed on Olin bulk 80g/citrus popset 80g
Dos carré collé+hard cover by reliure Serrex
UV printed dust cover on folex
Font: modern gothic regular/times new Roman
écal 2024

Special thanks to
@lana.soufeh
@sinafakour
@markus_lange
for their insight on the topic
And all other people involved in the process 🤍

still an ongoing research…

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

RIP🤍 @laparada.lausanne

Identité visuelle et lettrage pour @laparada.lausanne

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Identité pour @lowkey_archives
2024
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Neue Haas + TWK Continental @guillaumebesson_ @type.weltkern

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

Lettering, illustration and visual experimentation for @bandini____ ’s covers FX Phone+ Dim Echoes.
Thanks for the trust 🔄🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

.
Asemik Group is a committed collective originating from Germany. Founded in response to the resumption of coal mining in Germany,
a group of artists and graphic designers from the Berliner scene come together to metabolize their ideas and start a militant movement.
The group does not align itself with any political wing, so members of Asemik Group come from the right, the left, the center, or from
no political background at all.

The name Asemik Group is directly inspired by the concept of asemic writing. In addition to acts of civil disobedience, the collective explores new territories in typography and character creation by breaking free from traditional graphic dogmas.

Asemik Group asserts itself primarily through press vandalism.
This involves directly intervening on the offset plates of official printing presses to disseminate their message through the press. To do this, AG members engrave asemic, semic, or illustrative slogans on the offset plates using a drill.

Offset manual prints on broadsheet 45g
Supervised by @adelinemollard
Visual identity
Ecal 2022

Thank @akim_omer for the pictures 🫶🏻

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

vroumvroum super gamos
Dessin à main levée
Sicile 2024

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
. 00-ZW.OGCHPAP-R/V — 06.NOV.2024
.
.
.
.
.
.
. 130x175 [mm]
. 156 pages
. Olin Bulk 80 [gr]
. Laser printed
. Font : modern gothic regular+mono
. This booklet, having the same size than a 30gr Zweifel crisps bag, shows every single crisp from its bag. Each crisp has been scanned, measured, weighed and more.
. Editorial project made under the supervision of Gilles Gavillet and Jonathan Hares
. écal 2023

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

.
Diploma
maas khat
2/3—the web
.
.
.
.
Ma’as typeface is a family of variable, experimental, Arabic and Latin fonts inspired by Al-Kufi Al-Handassi calligraphy, found mainly in Oriental architecture, and by early XXth century dutch geometric fonts. Through this work, I question the balance of power between Latin and Arabic script as well as the technological tools’ efficiency when it comes to draw Arabic characters (or all other writing systems following an other structure than the Latin one).

The theme of multi-script is currently revealing a plethora of issues linked to the balance of power between two distinct writing systems. Ma’as Typeface metabolizes my thesis writing andresearch, which explores questions of identity and power between Latin and Arabic scripts through their formal characteristics, evolution and historical context.

The historical calligraphic reference for each of the two scripts avoids stylistic mimicry of one towards the other. The aim is to design two scripts that can interact seamlessly within a common graphic space and strike an equivalant power dynamic.

Supervised by @aurele_sack and @gavillet_cie
Special thanks @lana.soufeh for her precious inputs, to @martialgrin for coding assistance and all people involved in the process of creation 🌀🤍

T-shirt oversized Heavy Jersey (220 gsm)

Édition limitée
Tailles disponibles : S, M, L

Serigraphie: @bisou.collectif
Graphisme et illustration: @veveyzan

Prix: 30 chf
DM pour les commandes!

T-shirt oversized Heavy Jersey (220 gsm)

Édition limitée
Tailles disponibles : S, M, L

Serigraphie: @bisou.collectif
Graphisme et illustration: @veveyzan

Prix: 30 chf
DM pour les commandes!

T-shirt oversized Heavy Jersey (220 gsm)

Édition limitée
Tailles disponibles : S, M, L

Serigraphie: @bisou.collectif
Graphisme et illustration: @veveyzan

Prix: 30 chf
DM pour les commandes!

T-shirt oversized Heavy Jersey (220 gsm)

Édition limitée
Tailles disponibles : S, M, L

Serigraphie: @bisou.collectif
Graphisme et illustration: @veveyzan

Prix: 30 chf
DM pour les commandes!