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⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

⚔️New piece on Bandcamp today!!!⚔️

Accretion

This piece began as a score based on a cellular automata that developed into the cover artwork and research around the black midi community.Interpreted for digital piano and synthesizer, it translates sonically to notes accumulating in density filling the sonic field; the cacophony reveals evolving patterns and structures.Where entropy seems dominant, order unfolds. Harmony and dissonance are not antagonists but complimentary.

📸: @ryanthayerdavis
Cover art from my 2025 solo show @colabprojectstx TY @notseangaulager for your support!!!

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

Afterimages, 2025 (1 min excerpt) Work for amplified and deconstructed piano. The culmination of over a years worth research, this iteration foregrounds a direct dialogue with the weight of the instrument’s physicality and its three hundred years of history through disembodying and amplifying the afterimages of its resonance. Addressing the lingering effects of this moment in human technicity attempt to call into focus our relationship to perception, our bodies, and to the various scales / implications of time. @bardmfa

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

…but nodes in a network

1. 100 Gecs at Terminal 5
2. Ways of Seeing, BBC episode 1
3. Hiroshi Yoshimura at '86 Hinoemata Performance Festival
4. 999 Drum Machine Circle
5. Cheese over one million times
6. goodiepal live 2001
7. Nick Land - Meltdown

This Saturday!! Sliding scale tickets link in Bio
“Music for a Cyborg Piano”
A performance featuring @smokeyemery (Daniel Hipólito) and Uxelite (Juan Cisneros)

Utilizing Cisneros’ modified prepared piano, @colabprojectstx presents a site-specific set of performances activating Cisneros’ sound sculpture as their sound system.

Saturday, March 15th, Doors at 7pm
Performances start at sunset (7:30) and will consist of two solo performances each around 30 minutes long and then a collaborative set for the final 30 minutes

Tethered Ashes by Juan Cisneros features a body of work researching urbanization, genre, algorithm, and indeterminacy in music composition. Through deconstructed instruments, scores, and installation, a lens on listening, environment, and power dynamics is called to focus.

FREE Opening Reception: Sat, 3/1 (7-11p)

This exhibition can be visited during FREE hours on any Saturday in March from 12-6p at @colabprojectstx (5419 Glissman Rd).

More info:
Juan Cisneros (@uxelite) is a multidisciplinary artist/musician born, living, and working in Austin Texas. His work addresses our relationship to technology, media, and how culture and memory are shaped through music, sound, and the mediated image. Juan has participated in a string of performances and group shows utilizing humor and speculative fiction to grapple with internet culture and corporeality. He has also exhibited and performed in various international shows and collaborations.

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Every piano I’ve encountered since June 2024

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

Ten Notes on a Summer’s Work (Bard summer 2024 WIP) TY @francesmortel for crit photos&videos

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

// Process cycles mapping scaffolding chasing //

Moments from the ensemble collaboration @memermomonday 5.22.24 with @auxauxauxaux @xppr5dash9 @sleepcopy

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

ME MER MO MONDAY MAY 20

I will be performing this Monday new works in collaboration with a stellar ensemble of @xppr5dash9 @auxauxauxaux @sleepcopy

I’ve been cooking some compositions for groups performances with a focus on improvisation, man-machine relationships, and alternative composition techniques.  Veering towards the generative, extemporaneous, and potentially clamorous.

DETAILS

7:30 Heavy Stars
8:30 Joey Reyes
9:30 JU4N’S Ensemble Extempore

Visuals by Screen Tears (Matthew Rodriguez)
DJ Chris P throughout the evening

AT DADALAB 2008 ALEXANDER AVE.

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

What if we kissed on page 76 of Documents of Contemporary Art: The Archive? PT.2
1 - Ancient Structure On The Moon Filmed By Armstrong, 1969
2 - Electrolarynx Karaoke
3 - Hello Kitty hotel
4 - What David Icke & Alex Jones DON'T NOW
5 - computer chronicles c64 with a layer added every second
6 - 4 u Palu by balerhgae
7 - A Tribute to Students and to Our Troops by Fred Spencer
8 - DJ OS Wars-Crybb
9 - Burn you livejournal a prelude
10 - Nicki Rose - Personality Crisis

Releasing an EP of selections from @memermomonday performances from the last year.6 meditations on extemporaneous composing, shoegaze impressionism, and cybernetic musings

MMM2223 up on @bandcamp now

Thnx to @bradgoehl & @trustworthyemployee for help making it happen

Releasing an EP of selections from @memermomonday performances from the last year.6 meditations on extemporaneous composing, shoegaze impressionism, and cybernetic musings

MMM2223 up on @bandcamp now

Thnx to @bradgoehl & @trustworthyemployee for help making it happen

Releasing an EP of selections from @memermomonday performances from the last year.6 meditations on extemporaneous composing, shoegaze impressionism, and cybernetic musings

MMM2223 up on @bandcamp now

Thnx to @bradgoehl & @trustworthyemployee for help making it happen

Releasing an EP of selections from @memermomonday performances from the last year.6 meditations on extemporaneous composing, shoegaze impressionism, and cybernetic musings

MMM2223 up on @bandcamp now

Thnx to @bradgoehl & @trustworthyemployee for help making it happen

Notes from Creative Sound Studies workshop: On the subject of the nature of improvisation, I kept coming back to these two pillars of experimentation.The story of how these two came to even collaborate is one of tenuous circumstances and serendipity.

Second slide is two quotes that echoing the same principle.Life without play is not life at all.

Notes from Creative Sound Studies workshop: On the subject of the nature of improvisation, I kept coming back to these two pillars of experimentation.The story of how these two came to even collaborate is one of tenuous circumstances and serendipity.

Second slide is two quotes that echoing the same principle.Life without play is not life at all.