Instagram Story Save

«Что нравится Александру Овечкину?» (dircut)

Yandex Go - @aksutinje @evgenity @anya.lu @ulekredbull

Креатив - MADRE @madre_dream: Андрей Потехин @apotekhin и Маша Борзилова @smeloch

Magic Camp - @wearemagiccamp _squad.ad_ @kanikovski

Production - @stereotactic

Режиссер-постановщик — Алексей Смирнов @alesha_smirnov
Оператор-постановщик — Владимир Ушаков @ushakov.dp
Второй режиссер — Эрика Леонтяк @ernieleont
Художник-постановщик — Денис Токарев @tokarev_meerkat
Художник по костюмам — Екатерина Лазарева @lazareva_.k
Фотограф — Дима Черный@dimachyornyy
Директор съемочной группы — Дмитрий Димчевский ddimch
Заместитель директора съемочной группы — Михаил Гоглов @gogadze
Продюсер — Полина Циммерман @namesofvenus
Ассистент продюсера — Илья Жуковкин @zhukovking
Пост-продакшн продюсер — Алиса Хандурина @seentetique
Ассистент пост-продакшн продюсера — Алексей Зинов @ben.zinov
Режиссер монтажа - Кирилл Хандурин@Khaki.editing
Технический монтажер - Юлия Иванова @ulchiva
Графика - Lustra FX @lustrafx
Колорист - Тимофей Голобородько @timofeyg_colorist
Композитор - Александр Глазков @glazkovsound

MEGAFON [ BACKSTAGE ]

Казалось бы, небольшой ролик — всего минута. Но за этой минутой стоит титаническая работа всей команды.

Сегодня реклама давно вышла за рамки привычного формата. Это уже не что-то примитивное, а полноценный высокотехнологичный продукт, который передает смыслы и качества через самые передовые инструменты. В этом проекте мы соединили аналоговый подход — длительную подготовку, строительство декораций — с современными технологиями: motion control, большим объемом графики и AI. Были задействованы практически все доступные инструменты.

И главное — все эти инструментыи решения мы рассматриваем как часть лабораторного процесса. Реклама — это лаборатория, где можно экспериментировать, чтобы затем переносить эти наработки в кино и другие творческие проекты.

🎥 @dmitrylyapahin

MegaFon Mobile Operator

Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Music by @xumanmusic
Edited by @admitricks

Starring @actorsashapetrov
Created by @instinct.moscow
Client by megafon

Produced by Hoodyakov Production
Head of Production @donorleone
Executive Producer @elya.khakimova
Production Coordinators @annanovikova4243@alexeyvolosach
Unit Production Manager @juliacheh
Post Production Producer @vitaly_kurapov

1AD @laposhina
2AD @polinaaav

Costume Designers @qooldevich@upetizauglom
Assistant Costume Designer  @koleskina@zavtra_budu  @boryavolkov

Makeup Artist @stolbovaekaterina
Makeup Assistant @inspector_makeup

Casting by @maroussia1985
Casting Assistant @uliana_e   @spakeeva 
Extras Assistant @obraz1

Set Decorator @amashapokrasote
Property Master #olgakryachkova
Construction Coordinator @_burmistrovsergey_
SFX Supervisor @sfxstudio.ru#valera.grankov

CG Studio @studioknife
Sound Designer @stanislav.paushev
Colorist @alexanderzolotarev

MEGAFON [ Dir Cut ]

Directed by @ladokvataniya
Director of Photography @ushakov.dp
Production Designer @alexey_yandovskiy
Music by @xumanmusic
Edited by @admitricks

Starring @actorsashapetrov
Created by @instinct.moscow

Client by megafon
@in_zabava
@sasha_potapova
@nekto_ju
@elena_igoshina
@kdanl
@apriljuli
@leravsemprivet

Produced by Hoodyakov Production
Executive Producer @elyakhakimova
Post Production Producer @vitaly_kurapov
Production Coordinators @annanovikova4243@alexeyvolosach
Unit Production Manager @juliacheh

First Assistant Director @laposhina_
Second Assistant Director @poliiinaaav

Costume Designers @qooldevich@upetizauglom
Assistant Costume Designers  @koleskina@zavtra_budu  @boryavolkov

Make-Up Artist @stolbovaekaterina
Make-Up Assistant @inspector_makeup

Casting by @maroussia1985
Casting Assistants @uliana___e@spakeeva 
Extras Casting @obraz1
Assistant to Mr.Petrov @balasholya

Focus Puller @boodarash
Camera Engineers @po6y@stanislav1201
Gaffer @ageevanton
Fly Head Operator @eduardmeerovich
Gimbal Operator @m.kuzmin777

Camera @yourrental
Motion Control @kran.spiderarm
Motion Control Bolt X @bigblack.studio

Set Decorator @amashapokrasote
Property Master #olgakryachkova
Construction Coordinator @_burmistrovsergey_
SFX Supervisors @sfxstudio.ru#valera.grankov
Location Manager @10nikiforco
Location Coordinator @nik_locations

CG Studio @studioknife
Sound Designer @stanislav.paushev
Colorist @alexanderzolotarev
Storyboard Artist @anton_smolkin

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

For the project ‘Haqqim Bor’ DP. @ushakov.dp moved away from strict realism, using ARRI Signature Primes and Impression V filters to let the image evolve emotionally toward a softer, more childlike perspective. Guided by texture, light, and filtration rather than references, the visual language deliberately avoids conventional social realism.

Read the full breakdown - Link in bio

🔎1- ARRI Signature Prime 29mm T1.8
🔎2- ARRI Signature Prime 35mm T1.8
🔎3- ARRI Signature Prime 29mm T1.8
🔎4- ARRI Signature Prime 21mm T1.8
🔎5- ARRI Signature Prime 18mm T1.8
🔎6- ARRI Signature Prime 25mm T1.8
🔎7- ARRI Signature Prime 29mm T1.8
🔎8- ARRI Signature Prime 18mm T1.8
🔎9- ARRI Signature Prime 21mm T1.8
🔎10- ARRI Signature Prime 29mm T1.8
🔎11- ARRI Signature Prime 25mm T1.8
🔎12- ARRI Signature Prime 25mm T1.8
🔎13- ARRI Signature Prime 35mm T1.8
🔎14- ARRI Signature Prime 75mm T1.8
🔎15- ARRI Signature Prime 18mm T1.8
🔎16- ARRI Signature Prime 18mm T1.8
🔎17- ARRI Signature Prime 21mm T1.8
📹 ARRI Alexa 35
Writer/Dir. @ladokvataniya
DP. @ushakov.dp
Editor. @admitricks
Production Designer. @alexey_yandovskiy
Set Decorator. @amashapokrasote
Props Master. @vika_kusichka
Wardrobe Stylists. @sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist. @ekaterina.seryakova.78
1st AD. @mackmapple
Gaffer. @timurazim
1st AC. @yoldoshbekov_o
Composer. @xumanmusic
Sound Designer. @stanislav.paushev
Storyboard Artist. @anton_smolkin
Producers. @khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer. @ladokvataniya
Production Company. @khabimedia
VFX. @studioknife
.
.
#lensaddiction #arrisignatureprime

@vimeo Best of the Year for HAQQIM BOR

When I received my first @vimeostaffpicks for Fata Morgana eight years ago, I was incredibly proud. Now there are five of them, and each one is special. @vimeo has been — and remains — a key international platform and a bridge to new opportunities and industry attention.

The numbers are simple: out of tens of thousands of works submitted from around the world, only about 300 projects receive a Staff Pick each year. And from those 300, only 10 make it into the Best of the Year. The odds are minimal — which makes being in the top ten especially meaningful.

For me, it’s yet another confirmation of a simple truth: the budget is always secondary. What matters most is the idea, the message to the world, and the team capable of carrying that idea through all the challenges of production.

Когда я восемь лет назад получил свой первый Staff Pick за “Fata Morgana”, я был безумно горд. Теперь их уже пять, и каждый — особенный.

Сухие цифры: из десятков тысяч работ со всего мира Staff Pick ежегодно получают всего лишь 300 проектов. Из этих 300 — только десятки попадают в Best of the Year.

Для меня это очередное подтверждение простого факта: бюджет всегда вторичен. Главное — идея, послание миру и команда, способная пронести эту идею через все тернии производства.

Поздравляю всех причастных!

Yandex Music [ Palindrome*| Dir Cut ]

*A palindrome is a word, number, phrase, or sequence that reads the same forwards and backwards.

To let the camera move to any point in space, we hung the motion control system upside down. Our team of specialists designed a structure that could safely hold a multi-ton motion control rig with the camera hanging upside down.

Чтобы камера могла оказаться в любой точке пространства, мы подвесили motion control вверх ногами. Команда специалистов спроектировала конструкцию, способную безопасно удерживать многотонный motion control с камерой, висящий вверх ногами.

В результате ролик стал визуальным палиндромом — его можно смотреть с начала или с конца.

directed by @ladokvataniya
director of Photography @ushakov.dp
production — @stereotactic
producer @tatyasha
assistant producer @mr_duters

brand @music.yandex
chief marketing officer @ana_bra
brand lead @stasybabu
brand marketing manager @olyagrineva
сreative director @jvngleboy
producer: @here.im.lina
artist relations: @diana_pshkvsk
independent creatives: @made.by.cdd

1st AD @laposhina_
2d AD @poliiinaaav
production design @alexey_yandovskiy
production design assistant @amashapokrasote
costume @upetizauglom
make up @boiko_igorchik
casting @maroussia1985
roboarm @kran.spiderarm
production manager @gogadze @ddimch @inshootwetrust
edit @admitricks
music @bsk.nsk
sound design @stanislav.paushev
cg @kogan_mikhail
color @alexandrezolotarev
post production @carambaomg
assistant post production @ben.zinov
technical edit @rideti

В нашем новом выпуске how2make режиссер Ладо Кватания и оператор Владимир Ушаков рассказывают о работе над проектом с максимально нетривиальной технической задачей.

Повесив motion control к потолку, они добились беспрерывной траектории движения камеры в декорации, и за этим стоит огромная подготовительная работа. Команда сделала целых 3 прешута до того, как выйти на площадку, а в день съемок еще 8 часов достраивала траектории на площадке. Больше подробностей — в самом выпуске!

Наше уважение @ladokvataniya @ushakov.dp

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

“We wanted to avoid the typical look of social drama films — the dark, grey, heavy feeling. Many films about trauma or violence use cold or colorless tones, but I think that sometimes makes the audience feel too far away. We researched the architecture of Uzbekistan in detail — the typical buildings, regional layouts. Every house you see in the film is based on a real one. We had just two weeks to prepare and three shooting days. It felt like all of Uzbekistan helped us — people opened their doors, offered support. It was incredibly moving.” - Kvataniya Lado, director

“Haqqim Bor”

Writer & Director: @ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexanderzolotarev

Production Designer:@alexey_yandovskiy
Props Master:@vika_kusichka
Wardrobe Stylists:@sonibatur & @irinadtoka & @ksyustar
Hair & Makeup Artist:@ekaterina.seryakova.78
1st AD:@mackmapple
Gaffer:@timurazim
1st AC:@yoldoshbekov_o
Composer:@xumanmusic
Sound Designer:@stanislav.paushev
Storyboard Artist: @anton_smolkin
Producers:@khabi.nabiev & @imnel.lly & @kamoliddin_xamrayev
Executive Producer:@ladokvataniya

Production Company:@khabimedia
VFX:@studioknife

Camera:ARRI ALEXA 35

We got a @vimeo Staff Pick for our latest short film [ Haqqim Bor ]

Thank you to the @vimeo team for recognizing our work. This means a lot — and now, more people will have a chance to see it.

Congratulations to the entire team. Everyone gave their all. If this story helps save even one child’s life, it was all worth it.

Спасибо команде @vimeo за то, что отметили нашу работу. Это особенно важно — теперь о ней узнают больше людей.

Поздравляю всю команду. Каждый вложил себя без остатка. Если эта история поможет спасти хотя бы одну детскую жизнь — значит, всё было не зря.

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

Commercial Feature: Tochka Bank - “Change Your Job”

Director:@ladokvataniya
DP:@ushakov.dp
Editor:@admitricks
Colorist:@alexandrezolotarev

Production Designer:@alexey_yandovskiy
Props Master:@mariana_mari
Makeup Artist:@boiko_igorchik
Choreographer:@tronov_sasha
UPM:@inshootwetrust
Gaffer:@ageevanton
1st AC:@baikov_baikov
2nd AC:@po6y
Sound Designer: @xumanmusic
Post Producer: @shomodi
Producer:@tania.solomatina
Executive Producer:@arisharisharishh

Agency:@voskhodforpeace
Production Company:@daddys.film
Post House:@studioknife

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.

[ HAQQIM BOR ] BACKSTAGE

Травма не уходит. Она не исчезает с годами. Она врастает в тело, становится частью взгляда, походки, дыхания. Она остаётся в пространстве — в доме, в классе, в коридоре детского сада. Места, где должно быть безопасно, становятся замкнутыми ловушками, которыми ребёнок вынужден носиться всю жизнь — как улитка свою раковину.

Этот фильм — попытка сделать невидимое видимым. Чтобы взрослые увидели то, что предпочитают не замечать. Услышали то, что им удобнее игнорировать. Чтобы осознали: молчание — тоже форма насилия.

***

Trauma doesn’t fade. It doesn’t disappear with time. It grows into the body — becomes part of the way a child walks, breathes, looks. It lives in places: a classroom, a hallway, a bedroom. Spaces meant to be safe turn into traps a child carries forever — like a snail and its shell.

This film is an attempt to make the invisible visible. To force adults to see what they’ve chosen not to see. To hear what they’ve refused to listen to. To understand: silence is a form of violence too.