UNTIL RIOTS

Yaldson! is out now
Performed and produced by Francesco Leali, Alessandro Branca
Artwork by @fixer.zone
You can now pre-order/stream ‘To Dance is to Resist’ and ‘Sin’ via the @untilriots Bandcamp page. DSP pre-save link in story if you’re into that.

You can now pre-order the original score for To Dance is to Resist by @yourbodyendshere. Full soundtrack out on the 17th of April. Link in bio.
Film Directed by @julian.lautenbacher
Music produced and mixed by @yourbodyendshere
Additional cello recordings by @utentemedio
Mastered by @france.fabris at Greenhouse Studios
Very excited to have our audiovisual ep ‘PETRA’ out today! Available on Bandcamp with four prints making a special poster in heavy grain black matte paper 🪨
PETRA’ is a site-specific audiovisual work created in an empty oil cistern on the Swedish island of Svanö.
The original 36-minute performance was commissioned by NONAGON Festival in 2022 for the Nordic Lights residency, focussing thematically on ‘oil.’
Every place carries imprints of events that unfold over time—a geographical palimpsest. Around the cistern of Svanö is the natural fodder for future crude oil, consisting of ancient plant and animal matter. Below the cistern is the land from which the Swedish vocal tradition of kulning (Nordic herding calling) grew and flourished. Far below is stone: the spine of the earth from which we forcefully extract fossil fuels in our need to satisfy societal demand. Etymologically, the word ‘petroleum’ came into usage in 1546 and translates from Latin to mean ‘stone oil.’
Through their collaborative audiovisual work, Fabris and Grayson weave a narrative deeply rooted in the cistern’s historical and geographical narrative. Deconstructed sounds from found objects, processed field recordings, and footage from the site have been pieced together with live kulning and dramatically shaped by the 25-second reverb of the tank itself.
Data charts tracking global oil demand and consumption have been used to form the structure of the piece, depicting a transformation from organic matter into petrochemical substances that have great potential to both empower and danger.
Written, produced and recorded by Francesco Fabris and Ava Grayson.
Vocals, metal pipes, electronics by Ava Grayson.
Visuals, guitar, electronics by Francesco Fabris.
Mixed and mastered at @greenhouse.studios , Reykjavík, Iceland.
Thank you: @nonagonfestival, Nordic Light Residency,@tovenowen, @annietxdne, @yourbodyendshere
#audiovisual #av #fieldrecording #performance #liveelectronics
“PETRA” pt.2 out now and Bandcamp full EP pre-order!
PETRA’ is a site-specific audiovisual work created in an empty oil cistern on the Swedish island of Svanö.
The original 36-minute performance was commissioned by NONAGON Festival in 2022 for the Nordic Lights residency, focussing thematically on ‘oil.’
Every place carries imprints of events that unfold over time—a geographical palimpsest. Around the cistern of Svanö is the natural fodder for future crude oil, consisting of ancient plant and animal matter. Below the cistern is the land from which the Swedish vocal tradition of kulning (Nordic herding calling) grew and flourished. Far below is stone: the spine of the earth from which we forcefully extract fossil fuels in our need to satisfy societal demand. Etymologically, the word ‘petroleum’ came into usage in 1546 and translates from Latin to mean ‘stone oil.’
Through their collaborative audiovisual work, Fabris and Grayson weave a narrative deeply rooted in the cistern’s historical and geographical narrative. Deconstructed sounds from found objects, processed field recordings, and footage from the site have been pieced together with live kulning and dramatically shaped by the 25-second reverb of the tank itself.
Data charts tracking global oil demand and consumption have been used to form the structure of the piece, depicting a transformation from organic matter into petrochemical substances that have great potential to both empower and danger.
Written, produced and recorded by Francesco Fabris and Ava Grayson.
Vocals, metal pipes, electronics by Ava Grayson.
Visuals, guitar, electronics by Francesco Fabris.
Mixed and mastered at @greenhouse.studios , Reykjavík, Iceland.
Thank you: @nonagonfestival, Nordic Light Residency,@tovenowen, @annietxdne, @yourbodyendshere

Francesco Fabris & Ava Grayson present ‘PETRA’ - out on 06/12/24.
‘PETRA’ is a site-specific audiovisual work created in an empty oil cistern on the Swedish island of Svanö. The original 36-minute performance was commissioned by NONAGON Festival in 2022 for the Nordic Lights residency, focussing thematically on ‘oil.’
Every place carries imprints of events that unfold over time—a geographical palimpsest. Around the cistern of Svanö is the natural fodder for future crude oil, consisting of ancient plant and animal matter. Below the cistern is the land from which the Swedish vocal tradition of kulning (Nordic herding calling) grew and flourished. Far below is stone: the spine of the earth from which we forcefully extract fossil fuels in our need to satisfy societal demand. Etymologically, the word ‘petroleum’ came into usage in 1546 and translates from Latin to mean ‘stone oil.’
Through their collaborative audiovisual work, Fabris and Grayson weave a narrative deeply rooted in the cistern’s historical and geographical narrative. Deconstructed sounds from found objects, processed field recordings, and footage from the site have been pieced together with live kulning and dramatically shaped by the 25-second reverb of the tank itself.
Data charts tracking global oil demand and consumption have been used to form the structure of the piece, depicting a transformation from organic matter into petrochemical substances that have great potential to both empower and danger.
Written, produced & recorded by Francesco Fabris & Ava Grayson
Vocals, metal pipes, electronics by Ava Grayson
Visuals, guitar, electronics by Francesco Fabris
Mixed & mastered at Greenhouse Studios, Reykjavík, Iceland

Francesco Fabris & Ava Grayson present ‘PETRA’ - out on 06/12/24.
‘PETRA’ is a site-specific audiovisual work created in an empty oil cistern on the Swedish island of Svanö. The original 36-minute performance was commissioned by NONAGON Festival in 2022 for the Nordic Lights residency, focussing thematically on ‘oil.’
Every place carries imprints of events that unfold over time—a geographical palimpsest. Around the cistern of Svanö is the natural fodder for future crude oil, consisting of ancient plant and animal matter. Below the cistern is the land from which the Swedish vocal tradition of kulning (Nordic herding calling) grew and flourished. Far below is stone: the spine of the earth from which we forcefully extract fossil fuels in our need to satisfy societal demand. Etymologically, the word ‘petroleum’ came into usage in 1546 and translates from Latin to mean ‘stone oil.’
Through their collaborative audiovisual work, Fabris and Grayson weave a narrative deeply rooted in the cistern’s historical and geographical narrative. Deconstructed sounds from found objects, processed field recordings, and footage from the site have been pieced together with live kulning and dramatically shaped by the 25-second reverb of the tank itself.
Data charts tracking global oil demand and consumption have been used to form the structure of the piece, depicting a transformation from organic matter into petrochemical substances that have great potential to both empower and danger.
Written, produced & recorded by Francesco Fabris & Ava Grayson
Vocals, metal pipes, electronics by Ava Grayson
Visuals, guitar, electronics by Francesco Fabris
Mixed & mastered at Greenhouse Studios, Reykjavík, Iceland
The Founding Fathers - Watch the video by multifaceted artist @fixer.zone for @yourbodyendshere’s ‘A Beast, A Mouth’ off his new LP ‘Let Us Descend’.

Handmade stalactite ‘Alba’ candles by @cereitaliane – ‘Love Is a Knife With a Blade For a Handle’ out on 23/02 via @untilriots
Your Body Ends Here - T’s and Dad hats now shipping exclusively via our Bandcamp page

Your Body Ends Here - T’s and Dad hats now shipping exclusively via our Bandcamp page
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