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Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Type West In-Person Term One, 2026. A few weeks back we wrapped up term one of Type West at Letterform Archive. I had the pleasure of co teaching with @doreuli for another year of helping students work in revival typefaces. Always great to see another awesome class of students coming through @typewest at @letterformarchive
Thanks Masha, Brigitte, Anna, and Grendl.

#typedesign #typedesignschool #typefacedesign #typewest #graphicdesign

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Dallas Ford, Baseline Grotesk type specimen, United States, 2025 ⁠
⁠
Built upon the legacy of German grotesques and the gothic variants embraced in America, Baseline Grotesk seamlessly transitions between grotesque and gothic classifications. ⁠
⁠
Baseline is one of the many innovative typefaces born from Type West, our year-long certificate program in type design. Tap this image from the link in our bio to get updates about Type West 2027.⁠
⁠
#TypeDesign #TypeClasses #GraphicDesignLearning #ExtendedLearning #OnlineLearning#calligraphy#lettering ⁠#typography #graphicdesign #script #handlettering #graphicarts #calligraphicarts#publicationdesign ⁠
⁠

Student work part 3, from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest. Cheers to another great class with amazing students. Looking forward to the next intro type design workshop starting in September, info coming soon.

Work by:
Ximena Amaya
Kim Banyadith
Amy Yu
Lavinia Lascaris
Colin Browne
Kim Banyadith
Mikaela Buck
Megan Billman
Aaron Middleton
Phil Zhang
Evan Swamy
Lea Hidaka
& Teaching Assistant Naveen Hattis

#typedesignworkshop #firstfonts #typedesign #typefacedesign #designworkshop

Student work part 3, from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest. Cheers to another great class with amazing students. Looking forward to the next intro type design workshop starting in September, info coming soon.

Work by:
Ximena Amaya
Kim Banyadith
Amy Yu
Lavinia Lascaris
Colin Browne
Kim Banyadith
Mikaela Buck
Megan Billman
Aaron Middleton
Phil Zhang
Evan Swamy
Lea Hidaka
& Teaching Assistant Naveen Hattis

#typedesignworkshop #firstfonts #typedesign #typefacedesign #designworkshop

Student work part 3, from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest. Cheers to another great class with amazing students. Looking forward to the next intro type design workshop starting in September, info coming soon.

Work by:
Ximena Amaya
Kim Banyadith
Amy Yu
Lavinia Lascaris
Colin Browne
Kim Banyadith
Mikaela Buck
Megan Billman
Aaron Middleton
Phil Zhang
Evan Swamy
Lea Hidaka
& Teaching Assistant Naveen Hattis

#typedesignworkshop #firstfonts #typedesign #typefacedesign #designworkshop

Student work part 3, from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest. Cheers to another great class with amazing students. Looking forward to the next intro type design workshop starting in September, info coming soon.

Work by:
Ximena Amaya
Kim Banyadith
Amy Yu
Lavinia Lascaris
Colin Browne
Kim Banyadith
Mikaela Buck
Megan Billman
Aaron Middleton
Phil Zhang
Evan Swamy
Lea Hidaka
& Teaching Assistant Naveen Hattis

#typedesignworkshop #firstfonts #typedesign #typefacedesign #designworkshop

Student work part 3, from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest. Cheers to another great class with amazing students. Looking forward to the next intro type design workshop starting in September, info coming soon.

Work by:
Ximena Amaya
Kim Banyadith
Amy Yu
Lavinia Lascaris
Colin Browne
Kim Banyadith
Mikaela Buck
Megan Billman
Aaron Middleton
Phil Zhang
Evan Swamy
Lea Hidaka
& Teaching Assistant Naveen Hattis

#typedesignworkshop #firstfonts #typedesign #typefacedesign #designworkshop

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

I just published Gapski to my portfolio, a typeface developed as part of the @typewest program. I’ve been designing typefaces since 2012, but mostly through a background in calligraphy and lettering. Type West has been the chance to go deeper, with more structure and rigor.

Gapski is a revival based on metal type from @tipografiagapski , in Curitiba, Brazil, my hometown. The original type was produced by Funtimod, one of the largest active foundries in Brazil between 1920 and 1970.
This is my first text typeface project, and one of the most rewarding design challenges I’ve taken on. Unlike calligraphy or lettering, type design demands a different kind of commitment, weeks and months of refinement at a level of detail that’s hard to find in any other medium.

As I tell my students: lettering only needs to work for the specific letters in a given piece. Type is different. You’re building a complete system that has to function across every possible combination of letters, punctuation, and spacing.

The family is still evolving, currently expanding from Hairline to Black.
Thanks to the entire Type West team for building a program that genuinely pushes you to think differently. More ahead.

You can check it out on my portfolio at jacksonalves.com or link in bio.

Open to collaborations and custom type projects, feel free to reach out 🤓

#typedesign #typography #jacksonalves

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Student work part 1 from my Spring 2026 online Intro to modern type design workshop with @letterformarchive & @typewest.
My next edition of this class will start in August.

Work by:
Kim Banyadith @banyadith
Ximena Amaya @ximenaamayac
Evan Swamy @fightsgiantrobots
Amy Yu @amyyu_amyme
Lea Hidaka
Mikaela Buck

#typedesignworkshop #firstfonts #typedesign #typefacedesign

Join us starting on April 22nd, 2026, for an online workshop: Intro to Modern Type Design with @fercozzi_letras

During this 10-week online workshop (Wednesdays from 5 to 8PM PST on zoom), you'll learn what it takes to create your own original typefaces and gain an understanding of the methodologies and software used to produce high-quality digital type.

While focusing on the techniques and best practices for designing and spacing type, Fer will introduce you to the conceptual foundations of type design, including proofing and testing work. Throughout the workshop you'll learn various lessons about type, history, sketching, and get weekly feedback on your projects.

This workshop is suitable for designers starting to think about type and for designers with some type design experience, hoping to improve upon their skills and processes. Some experience with drawing Bézier curves (in Adobe Illustrator, for instance) and with typography is recommended but not required.

If you are interested in joining Type West, our yearlong certificate program in type design, taking this workshop is a great way to build your type design portfolio for its competitive application process.

⭐Register to attend with the link in our bio ⭐

Introduction to Modern Type Design
Fer Cozzi
Wednesdays, April 22nd – June 24th
5:00pm – 8:00pm PT / 10:00am –1:00pm AEST
Online via Zoom

#letterformarchive#typewest#typedesign#typography#visualdesign#designworkshop

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

STUDENT WORK — Linner by @brigittelalala. A glimpse of what our Type West 2025 In-Person students were up to. I couldn’t resist testing it on the scanner 😅 Thank you for giving me a copy — printed and handbound specimens = ❤️

“
A portmanteau, Linner can refer to a meal eaten between lunch and dinner. It is a term I am quite fond of, having eaten many linners after school at my family’s Vietnamese restaurant while doing homework or sneakily playing gameboy behind a book at table 17, where my mom could keep an eye on us while manning the register. It’s quite apt that now, a couple decades later, I find myself sustained by many more linners throughout a year of night classes at Type West.

Linner can also refer to a chonky, hopefully tasty (and tasteful) display typeface resulting from some unplanned design constraints: the Sharpie Magnum Marker and a vertical mouse were the only tools I could hold comfortably during the 8 weeks my drawing hand recovered from a freak accident at the gym.

This book is a peek behind the curtain of Linner’s creation and is the culmination of the original typeface assignment during the latter two terms of TypeWest, a year-long program on the study of type design at the Letterform Archive in San Francisco, California.
“

#typeface #font #typewest

Join us to celebrate the achievements of the 2025 Type West graduates with an exclusive one-day showcase of their original typefaces, meticulously crafted throughout 2025.

Immerse yourself in their design journey, as the graduates unveil their typeface projects with captivating process books, sketches, and more. Engage with the designers themselves and discover the intricacies of letterforms.

This one-day exhibition is perfect for local designers eager to explore the art of typeface design. It's more than an exhibition; it's a chance to connect with former Type West students, meet tutors, and mingle with the next generation of talented designers.

Save the date and we'll see you here!

In-Person 2025 Cohort:
Naveen Hattis
Brigitte La @brigittelalala
Katie Shia @slimshiady
Sam Song @_samsong_
Yvonne Yeh @yvonne

Thank you to all of our instructors!

Lead Instructor:
Maria Doreuli @doreuli

Co-Instructors:
Kel Troughton @keltroughton
Christopher Slye
Graham Bradley @a.plus.type

Visiting Lecturers:
Peter Nowell @pnowelldesign
Anna Khorash @horashann
Aleksandra Samuļenkova @aleksandrasamulenkova
Cyrus Highsmith @occupantfonts
Miguel Sousa

Register to attend for free in our bio!

#letterformarchive #typewest #typography #typedesign #fonts

Join us to celebrate the achievements of the 2025 Type West graduates with an exclusive one-day showcase of their original typefaces, meticulously crafted throughout 2025.

Immerse yourself in their design journey, as the graduates unveil their typeface projects with captivating process books, sketches, and more. Engage with the designers themselves and discover the intricacies of letterforms.

This one-day exhibition is perfect for local designers eager to explore the art of typeface design. It's more than an exhibition; it's a chance to connect with former Type West students, meet tutors, and mingle with the next generation of talented designers.

Save the date and we'll see you here!

In-Person 2025 Cohort:
Naveen Hattis
Brigitte La @brigittelalala
Katie Shia @slimshiady
Sam Song @_samsong_
Yvonne Yeh @yvonne

Thank you to all of our instructors!

Lead Instructor:
Maria Doreuli @doreuli

Co-Instructors:
Kel Troughton @keltroughton
Christopher Slye
Graham Bradley @a.plus.type

Visiting Lecturers:
Peter Nowell @pnowelldesign
Anna Khorash @horashann
Aleksandra Samuļenkova @aleksandrasamulenkova
Cyrus Highsmith @occupantfonts
Miguel Sousa

Register to attend for free in our bio!

#letterformarchive #typewest #typography #typedesign #fonts

Join us to celebrate the achievements of the 2025 Type West graduates with an exclusive one-day showcase of their original typefaces, meticulously crafted throughout 2025.

Immerse yourself in their design journey, as the graduates unveil their typeface projects with captivating process books, sketches, and more. Engage with the designers themselves and discover the intricacies of letterforms.

This one-day exhibition is perfect for local designers eager to explore the art of typeface design. It's more than an exhibition; it's a chance to connect with former Type West students, meet tutors, and mingle with the next generation of talented designers.

Save the date and we'll see you here!

In-Person 2025 Cohort:
Naveen Hattis
Brigitte La @brigittelalala
Katie Shia @slimshiady
Sam Song @_samsong_
Yvonne Yeh @yvonne

Thank you to all of our instructors!

Lead Instructor:
Maria Doreuli @doreuli

Co-Instructors:
Kel Troughton @keltroughton
Christopher Slye
Graham Bradley @a.plus.type

Visiting Lecturers:
Peter Nowell @pnowelldesign
Anna Khorash @horashann
Aleksandra Samuļenkova @aleksandrasamulenkova
Cyrus Highsmith @occupantfonts
Miguel Sousa

Register to attend for free in our bio!

#letterformarchive #typewest #typography #typedesign #fonts

Join us to celebrate the achievements of the 2025 Type West graduates with an exclusive one-day showcase of their original typefaces, meticulously crafted throughout 2025.

Immerse yourself in their design journey, as the graduates unveil their typeface projects with captivating process books, sketches, and more. Engage with the designers themselves and discover the intricacies of letterforms.

This one-day exhibition is perfect for local designers eager to explore the art of typeface design. It's more than an exhibition; it's a chance to connect with former Type West students, meet tutors, and mingle with the next generation of talented designers.

Save the date and we'll see you here!

In-Person 2025 Cohort:
Naveen Hattis
Brigitte La @brigittelalala
Katie Shia @slimshiady
Sam Song @_samsong_
Yvonne Yeh @yvonne

Thank you to all of our instructors!

Lead Instructor:
Maria Doreuli @doreuli

Co-Instructors:
Kel Troughton @keltroughton
Christopher Slye
Graham Bradley @a.plus.type

Visiting Lecturers:
Peter Nowell @pnowelldesign
Anna Khorash @horashann
Aleksandra Samuļenkova @aleksandrasamulenkova
Cyrus Highsmith @occupantfonts
Miguel Sousa

Register to attend for free in our bio!

#letterformarchive #typewest #typography #typedesign #fonts

Join us to celebrate the achievements of the 2025 Type West graduates with an exclusive one-day showcase of their original typefaces, meticulously crafted throughout 2025.

Immerse yourself in their design journey, as the graduates unveil their typeface projects with captivating process books, sketches, and more. Engage with the designers themselves and discover the intricacies of letterforms.

This one-day exhibition is perfect for local designers eager to explore the art of typeface design. It's more than an exhibition; it's a chance to connect with former Type West students, meet tutors, and mingle with the next generation of talented designers.

Save the date and we'll see you here!

In-Person 2025 Cohort:
Naveen Hattis
Brigitte La @brigittelalala
Katie Shia @slimshiady
Sam Song @_samsong_
Yvonne Yeh @yvonne

Thank you to all of our instructors!

Lead Instructor:
Maria Doreuli @doreuli

Co-Instructors:
Kel Troughton @keltroughton
Christopher Slye
Graham Bradley @a.plus.type

Visiting Lecturers:
Peter Nowell @pnowelldesign
Anna Khorash @horashann
Aleksandra Samuļenkova @aleksandrasamulenkova
Cyrus Highsmith @occupantfonts
Miguel Sousa

Register to attend for free in our bio!

#letterformarchive #typewest #typography #typedesign #fonts

I will be teaching another edition of my intro to type design workshop starting Jan 29 with@letterformarchive and @typewest. 10 week online workshop all about designing typefaces. Students will learn about the craft and history of letterforms, and create their own working typeface.

Link in bio, or feel free to dm with questions

#typedesign #typedesignworkshop #designworkshop #graphicdesign #graphicdesignworkshop

I will be teaching another edition of my intro to type design workshop starting Jan 29 with@letterformarchive and @typewest. 10 week online workshop all about designing typefaces. Students will learn about the craft and history of letterforms, and create their own working typeface.

Link in bio, or feel free to dm with questions

#typedesign #typedesignworkshop #designworkshop #graphicdesign #graphicdesignworkshop

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

Fluidence is a display typeface that captures the expressive flow of Chinese brush calligraphy in Latin letters. With its dynamic modulation, bold contrast, and abrupt directional shifts, it evokes the energy of an ink brush moving vividly to the whimsical temperament of its holder. A playful and modern typeface, Fluidence nods to the rich, timeless beauty of Chinese and East Asian culture. Fluidence is best suited for headlines, branding, posters, or any project that needs a touch of movement and charm.

Bonnie Zhou (@thebonniezhou) is a Canadian artist and designer based in Brooklyn, New York. Her work explores the visual beauty of language, emphasizing expressiveness, fluidity, and rhythm. Her practice includes Chinese brush calligraphy, neon glass bending, figure painting, and type design, all rooted in same principles of form and movement. In a previous life Bonnie worked as a frontend engineer on Google's Material Design system, where she took her very first type design workshop — and has kept that spark alive ever since.

#letterformarchive#typewest#typography #typedesign

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

⏰ Extension alert! Type West In-Person + Online application deadlines have been extended until November 14th at 12:59PM PST. Now's the chance to apply if you were considering. 👀 Don't hesitate to get in touch with us if you have any questions about your application!⁠
⁠
Tap the link in our bio to learn more about the program and apply today!⁠
⁠
Typeface featured: Spore Print by Aitana Cantú, Type West '24⁠
⁠
#TypeDesign #TypographicArts #TypeWest

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign

What would the typeface look like in my dream video game? Mayari started with the visions of games like Stardew Valley, Animal Crossing and Breath of the Wild combined with some of my favorite elements from my childhood like Sailor Moon to create my ultimate cozy game. The typeface would be kinda cute, squishy, magical and full of personality. Mayari takes the logic of a textura calligraphy but with a twist of squish and stardust. It currently has three styles with plans to expand. Mayari is best suited for larger display United Statesge like titles, headlines and oversized copy. Mayari was made to add a little sparkle and magic to everyday life.

April Moralba (@crashboomdesigns ) is a San Diego based graphic designer, illustrator, lettering artist and now baby type designer. She’s known for her playful lettering, whimsical use of color, enthusiastic attitude and coffee shop recommendations. Her breadth of work is diverse experimental and always evolving to perfectly fit the needs of the project at hand. If she’s not drawing letters, she’s probably playing video games, with her daughter at the park or watching a k-drama. Borahae!

#letterformarchive #typewest #typography #typedesign