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tsimbl
Shaun Williams
Yesterday we played the last big concert of our tour 🎻
It’s a huge pleasure to be part of the amazing Friling Festival. We’re still here, enjoying the workshops, meeting new people and sharing our energy along the way ✨
Feeling very grateful for these beautiful days, the music, the people and all the shared moments together ❤️
Huge thanks to Styriarte and @styrianklezmore for having us!
#FrilingFestival #LiveMusic #WorldMusic #DruziYiddishUkrainian #OnTour
🔎 Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence. Indispensable to the state’s cultural project, they were celebrated as virtuosi of national folklore and enlisted as bards to inspire, unite and pacify the socialist “new man”. Yet the same regime that relied on lăutari for their virtuosity also denied their ethnicity, erased the Romani language from public use, and kept a watchful eye on their performances, movements, and personal lives.
✍️ Written by Shaun Williams ( @tsimbl ) ethnomusicologist, musician, documentarist.
Read the full article on theatticmag.com
#thesonicturn #theattic #romaculture #romacultureincommunism
#nomadiccultures #romanimusic #sonicstudies #musicandpolitics
🔎 Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence. Indispensable to the state’s cultural project, they were celebrated as virtuosi of national folklore and enlisted as bards to inspire, unite and pacify the socialist “new man”. Yet the same regime that relied on lăutari for their virtuosity also denied their ethnicity, erased the Romani language from public use, and kept a watchful eye on their performances, movements, and personal lives.
✍️ Written by Shaun Williams ( @tsimbl ) ethnomusicologist, musician, documentarist.
Read the full article on theatticmag.com
#thesonicturn #theattic #romaculture #romacultureincommunism
#nomadiccultures #romanimusic #sonicstudies #musicandpolitics
🔎 Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence. Indispensable to the state’s cultural project, they were celebrated as virtuosi of national folklore and enlisted as bards to inspire, unite and pacify the socialist “new man”. Yet the same regime that relied on lăutari for their virtuosity also denied their ethnicity, erased the Romani language from public use, and kept a watchful eye on their performances, movements, and personal lives.
✍️ Written by Shaun Williams ( @tsimbl ) ethnomusicologist, musician, documentarist.
Read the full article on theatticmag.com
#thesonicturn #theattic #romaculture #romacultureincommunism
#nomadiccultures #romanimusic #sonicstudies #musicandpolitics
🔎 Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence. Indispensable to the state’s cultural project, they were celebrated as virtuosi of national folklore and enlisted as bards to inspire, unite and pacify the socialist “new man”. Yet the same regime that relied on lăutari for their virtuosity also denied their ethnicity, erased the Romani language from public use, and kept a watchful eye on their performances, movements, and personal lives.
✍️ Written by Shaun Williams ( @tsimbl ) ethnomusicologist, musician, documentarist.
Read the full article on theatticmag.com
#thesonicturn #theattic #romaculture #romacultureincommunism
#nomadiccultures #romanimusic #sonicstudies #musicandpolitics
🔎 Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence. Indispensable to the state’s cultural project, they were celebrated as virtuosi of national folklore and enlisted as bards to inspire, unite and pacify the socialist “new man”. Yet the same regime that relied on lăutari for their virtuosity also denied their ethnicity, erased the Romani language from public use, and kept a watchful eye on their performances, movements, and personal lives.
✍️ Written by Shaun Williams ( @tsimbl ) ethnomusicologist, musician, documentarist.
Read the full article on theatticmag.com
#thesonicturn #theattic #romaculture #romacultureincommunism
#nomadiccultures #romanimusic #sonicstudies #musicandpolitics
Manele is one of Romania’s most beloved genre, and its most debated one. Tracing its origins from Ottoman-era lament songs to rhythmic dance hits, dive into the story of how manele evolved over 150 years, and how it became a living symbol of class, race, and cultural identity.
✍️ Written by Shaun Williams ( @tsimbl ), ethnomusicologist, musician and documentarist.
Read the full article on theatticmag.com
This article is part of the project The Sonic Turn, co-financed by @fondul_cultural_national
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#thesonicturn #theattic #manele #shaunwilliams #romanimusic #romaniculture
Manele is one of Romania’s most beloved genre, and its most debated one. Tracing its origins from Ottoman-era lament songs to rhythmic dance hits, dive into the story of how manele evolved over 150 years, and how it became a living symbol of class, race, and cultural identity.
✍️ Written by Shaun Williams ( @tsimbl ), ethnomusicologist, musician and documentarist.
Read the full article on theatticmag.com
This article is part of the project The Sonic Turn, co-financed by @fondul_cultural_national
.
.
.
#thesonicturn #theattic #manele #shaunwilliams #romanimusic #romaniculture
Manele is one of Romania’s most beloved genre, and its most debated one. Tracing its origins from Ottoman-era lament songs to rhythmic dance hits, dive into the story of how manele evolved over 150 years, and how it became a living symbol of class, race, and cultural identity.
✍️ Written by Shaun Williams ( @tsimbl ), ethnomusicologist, musician and documentarist.
Read the full article on theatticmag.com
This article is part of the project The Sonic Turn, co-financed by @fondul_cultural_national
.
.
.
#thesonicturn #theattic #manele #shaunwilliams #romanimusic #romaniculture
Manele is one of Romania’s most beloved genre, and its most debated one. Tracing its origins from Ottoman-era lament songs to rhythmic dance hits, dive into the story of how manele evolved over 150 years, and how it became a living symbol of class, race, and cultural identity.
✍️ Written by Shaun Williams ( @tsimbl ), ethnomusicologist, musician and documentarist.
Read the full article on theatticmag.com
This article is part of the project The Sonic Turn, co-financed by @fondul_cultural_national
.
.
.
#thesonicturn #theattic #manele #shaunwilliams #romanimusic #romaniculture
Manele is one of Romania’s most beloved genre, and its most debated one. Tracing its origins from Ottoman-era lament songs to rhythmic dance hits, dive into the story of how manele evolved over 150 years, and how it became a living symbol of class, race, and cultural identity.
✍️ Written by Shaun Williams ( @tsimbl ), ethnomusicologist, musician and documentarist.
Read the full article on theatticmag.com
This article is part of the project The Sonic Turn, co-financed by @fondul_cultural_national
.
.
.
#thesonicturn #theattic #manele #shaunwilliams #romanimusic #romaniculture
#liveatlondohome #jamlăutăresc #lăutari #lautari #jamatlondohome #ferencgábor
#liveatlondohome #jamlăutăresc #lăutari #lautari #jamatlondohome #ferencgábor
#liveatlondohome #jamlăutăresc #lăutari #lautari #jamatlondohome #ferencgábor
#liveatlondohome #jamlăutăresc #lăutari #lautari #jamatlondohome #ferencgábor
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