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GUILT

MV for YOUNA @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

GUILT

Concept Photos for @youna_kr

Production
UNDoX @and_unorthodox
TPY SYSTEM @tpy_system

Executive Producers
YOUNA JUNG @youna_kr
ROSY SHIN @rosyofmidnight

Producer
SUJIN KIM @and_unorthodox

Creative Director
HAKJU KIM @gyenzadoff

Visual Director
SUJIN KIM @and_unorthodox

Directed & Edited by
JUNGYOON PARK @parkjarmusch

Assistant Director
JOO HEON HAN @zoohoney_

Director of Photography
JUNHYUNG PARK @and_unorthodox

Assistant Camera
HANEUL JIN @fliilfme

Photography
UNDoX @and_unorthodox

Art Department
TPY SYSTEM @tpy_system

Art Assistants
HYELIM KIM @skittles___s
MYEONG UN PARK @unparkk

Hair & Makeup
MINJU BAEK @maquillage_ju

Stylist
NON-STITCH CLUB @non_stitch_club
Chief - WOOVING
Staff - HWIRIN LEE

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Space for
@newbalance U509 : Directed by @aw___boy

Ice dyeing symbolizes the process of creating new harmony through the meeting of individual personalities and New Balance. The fabric objects dyed around the New Balance U509 are inspired by how the brand infuses each person‘s identity.

Creative directing @studiotuh
Production @tpy_system
Production assistant @e___mean @cyb3rpink.2001 @taehouiehhonebak @kim_mongmong_ @ganoooooooks @shiniire @0_j_3_u_3_n_1 @joshuahavingpark

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Ring design and breakaway plate production
by @Tpy_system

CLOSE YOUR EYES
The 3rd Mini Album ‘blackout’
Special Kit and Ring

Designed and Fabricated
by sophisticated

black & breakout kit :
Chulho Hwang @s_fe_ho
Beomseok Chae @beomseok_chae
Minjin Park @mnjnpark
TPY System @tpy_system
Gyuseong Lim @________8sp8ces

Ring Design :
Hakju Kim @gyenzadoff
Gyuseong LIm @________8sp8ces

Photo by Namuk Kim @kimnnmuuk

©2025 sophisticated

Art Directing for @stayc_highup
Directed by @cosmocosmo.co

STAYC 2025 @stayc_highup

Director @jaewulee

Assistant Director @gaori_s @castamold
Production House @cosmocosmo.co
Production Assistant gy__ms88 @zdoyeah @wcrocuz
Storyboard @conti.scenesketcher

D.O.P / Steadicam Operator @2gun__
1st A.C @yellowfin11
2nd A.C Heo Jun
DIT Lee Hyunsu
3rd A.C Jang Taesu
Robot Arm @robot8studio

Gaffer @flashback_lighting
1st Kim Yonggu
2nd Ahn Beomyun, Yu Seungheon
3rd Shin Dongyun, Lee Yongjia

Photography @wowjang
Photography Assistant @kangeunbii_

Art Director @TPY_SYSTEM

Stylist @stylist_pillsung
HMU Hong Umji, Son Yumin @kitts_hairmakeup

Manicurist @fantashyee

Colorist @nuvell_vague
VFX Supervisor @xoxohee_
VFX Artists @xoxohee_@g_hp
•
바쁜 와중에 도면작업 도와준 @zinc_and_iron 작가님께도 감사🙇‍♂️

Art Directing for @stayc_highup
Directed by @cosmocosmo.co

STAYC 2025 @stayc_highup

Director @jaewulee

Assistant Director @gaori_s @castamold
Production House @cosmocosmo.co
Production Assistant gy__ms88 @zdoyeah @wcrocuz
Storyboard @conti.scenesketcher

D.O.P / Steadicam Operator @2gun__
1st A.C @yellowfin11
2nd A.C Heo Jun
DIT Lee Hyunsu
3rd A.C Jang Taesu
Robot Arm @robot8studio

Gaffer @flashback_lighting
1st Kim Yonggu
2nd Ahn Beomyun, Yu Seungheon
3rd Shin Dongyun, Lee Yongjia

Photography @wowjang
Photography Assistant @kangeunbii_

Art Director @TPY_SYSTEM

Stylist @stylist_pillsung
HMU Hong Umji, Son Yumin @kitts_hairmakeup

Manicurist @fantashyee

Colorist @nuvell_vague
VFX Supervisor @xoxohee_
VFX Artists @xoxohee_@g_hp
•
바쁜 와중에 도면작업 도와준 @zinc_and_iron 작가님께도 감사🙇‍♂️

Art Directing for @stayc_highup
Directed by @cosmocosmo.co

STAYC 2025 @stayc_highup

Director @jaewulee

Assistant Director @gaori_s @castamold
Production House @cosmocosmo.co
Production Assistant gy__ms88 @zdoyeah @wcrocuz
Storyboard @conti.scenesketcher

D.O.P / Steadicam Operator @2gun__
1st A.C @yellowfin11
2nd A.C Heo Jun
DIT Lee Hyunsu
3rd A.C Jang Taesu
Robot Arm @robot8studio

Gaffer @flashback_lighting
1st Kim Yonggu
2nd Ahn Beomyun, Yu Seungheon
3rd Shin Dongyun, Lee Yongjia

Photography @wowjang
Photography Assistant @kangeunbii_

Art Director @TPY_SYSTEM

Stylist @stylist_pillsung
HMU Hong Umji, Son Yumin @kitts_hairmakeup

Manicurist @fantashyee

Colorist @nuvell_vague
VFX Supervisor @xoxohee_
VFX Artists @xoxohee_@g_hp
•
바쁜 와중에 도면작업 도와준 @zinc_and_iron 작가님께도 감사🙇‍♂️

Art Film: Vivarium

Director: YUHA JANG
Assistant director: CHAEYEONG LEE, SUKYUNG LEE
Directing team: SHINJUNG KIM, GYUIN LEE

Camera: DAHUIN SONG, JUNHYUNG PARK
Camera team: SEONGMOK JUNG

Art: HAKJU KIM(TPY_SYSTEM)
Art team: SUJIN KIM, YUSHIN SUNG

Editing: HYERI KEUM, SUKYUNG LEE
Hair/Makeup: JEONGWON LEE
Actor: SEUNGKYU KIM, NIKLAS RAUHUT

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

MONOLITH SYNDROME

Photography / Direction / Production @and_unorthodox
Photography Assist @meltingmeri
Art Direction @tpy_system
Art Assist @cyb3rpink.2001
Wirecraft @momojiri.jp
Costume @koiii_se
Hair & Makeup @maquillage_ju
Model @mo.no.tone

🟩🟩🟩🟩🟥 ••• 80%

🟩🟩🟩🟩🟥 ••• 80%

[Ballistic mask for SEVENTEEN - MAESTRO]
세븐틴의 MAESTRO 뮤비를 위한 발리스틱 마스크를 제작했습니다.
머리 끈 길이 조절과 LED 점등이 가능합니다.
.
Produced by @sl8_official
Directed by @725.sl8ight
.
빼빠맨 @shihwan1ee
.
#seventeen #MAESTRO #3dmodeling #prop #propmaking

[Ballistic mask for SEVENTEEN - MAESTRO]
세븐틴의 MAESTRO 뮤비를 위한 발리스틱 마스크를 제작했습니다.
머리 끈 길이 조절과 LED 점등이 가능합니다.
.
Produced by @sl8_official
Directed by @725.sl8ight
.
빼빠맨 @shihwan1ee
.
#seventeen #MAESTRO #3dmodeling #prop #propmaking

[Ballistic mask for SEVENTEEN - MAESTRO]
세븐틴의 MAESTRO 뮤비를 위한 발리스틱 마스크를 제작했습니다.
머리 끈 길이 조절과 LED 점등이 가능합니다.
.
Produced by @sl8_official
Directed by @725.sl8ight
.
빼빠맨 @shihwan1ee
.
#seventeen #MAESTRO #3dmodeling #prop #propmaking

[Ballistic mask for SEVENTEEN - MAESTRO]
세븐틴의 MAESTRO 뮤비를 위한 발리스틱 마스크를 제작했습니다.
머리 끈 길이 조절과 LED 점등이 가능합니다.
.
Produced by @sl8_official
Directed by @725.sl8ight
.
빼빠맨 @shihwan1ee
.
#seventeen #MAESTRO #3dmodeling #prop #propmaking

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

Cyberpunk style prop for
@txt_bighit

<AWAKE>, <STARLIGHT> Album Photo

ART DIRECTOR: @nomess_ss
SET DESIGN: @milo.blnk
ART TEAM LEADER: JungSik Lee, ChaeJeong
Kim, JiHyun Park, HyoJin Oh, SeoYoung Lim

Art Prop by
@tpy_system

#txtbighit #txt

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

작년 12월 강동아트센터에서 상연한 연극 ‘맨 끝줄 소년’의 무대를 디자인 및 제작했습니다.

맨 끝줄 소년은 후안 마요르가의 2000년작 동명의 희곡을 원작으로 삼습니다.
조용한 소년 클라우디오가 쓴 글을 문학 교사 헤르만이 지도하면서 이야기가 전개되는데,
관객은 헤르만의 시선을 통해 클라우디오의 진술을 따라가면서 어디까지가 사실이고 어디까지가 허구인지 끊임없이 의심하게 됩니다.

작품의 핵심 장치인 침투하고 투과하는 시선을 무대 공간으로 풀어내기 위해 반투명한 소재와 블라인드 등의 요소를 사용해 흐릿하게 경계된 공간을 설계했습니다.
무대의 중심을 이루는 반투명 렉산 프레임들은 그 자체로 뷰포인트가 되며, 프레임들이 겹쳐질수록 시선은 중첩되고 그에 따라 공간의 진실성은 점점 희미해집니다.
무대 양옆과 중앙엔 블라인드와 회전 장치를 두어 인물들의 제스처에 따라 열리고 닫히는 유동적인 구조를 만들고자 했습니다.

좋은 기회 주신 임진우 연출님, 함께한 모든 동료분들과 배우분들, 특히 몇달 코 꿰여 도와준 정윤과 무작정 현장에 달려와준 친구들에게 끝없는 감사를 전합니다!

I designed and built the set for the play The Boy at the Back of the Class, which was staged at Gangdong Arts Center in December last year.

The play is based on the 2000 script of the same name by Juan Mayorga. The story unfolds as a quiet student named Claudio submits a piece of writing that his literature teacher, Germán, begins to mentor. Through Germán’s perspective, the audience follows Claudio’s narrative—constantly questioning how much of it is true and where fiction begins.

I wanted to translate the play’s central theme—a gaze that penetrates and observes, yet remains uncertain—into the spatial language of the stage. To that end, I designed a fragmented and ambiguous environment using translucent materials and movable blinds, creating blurred boundaries between spaces.
The stage was structured around semi-transparent Lexan frames, which themselves served as shifting viewpoints. As these layers overlapped, the visual field became more complex, and with it, the sense of spatial "truth" became increasingly unstable.
Blinds and a revolving door were installed on both sides and at the center of the stage, allowing spaces to open and close in response to the characters’ gestures. Rather than defining fixed locations, I aimed to create a fluid, responsive structure where space could change with movement and meaning.

Sending my infinite gratitude and appreciation to @eeeewwoou for the opportunity, to all the collaborators and actors I had the pleasure of working with, to the friends who just showed up on site, and especially to @jyoon_421, who got stuck with me for months and still pulled through!

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG

IFEYE - NERDY MV

Participated as an Art Director with big bro @________8sp8ces ✊️✊️

CREATIVE STUDIO｜AEDIASTUDIO

DIRECTOR｜ XIMIN OH (@ximin_oh)

ASSISTANT DIRECTOR｜HEESUN JWA (@ecxaex), INHA RYU (@ryuinhax), ENO

CREATIVE DRECTOR｜AWKPAK

VISUAL DIRECTOR｜YEEUN YIM

EXECUTIVE PRODUCER｜SPEARMAN30
PD｜JIHEE KIM
LINE PD | YUNJUNG KIM

DOPㅣSUNGHUN HONG
1STㅣHYUNGMIN JIN
2NDㅣHYUNSU KIM(Day1), HYUNGJUN KANG(Day2,3)
3RDㅣWOONGHEE LEE
DITㅣJAYOUNG KIM(Day1), DONGHWA HAM(Day2), YUNTAE KO(Day3)

GAFFERㅣBYUNGJU PARK (@b.think_light)
1STㅣJUNMIN YANG
2NDㅣWOOHYEONG JEONG, HOJUN CHOI
3RDㅣYEONGJAE KIM, JEONGSEO KIM, SEUNGSOO EUN, GYEONGMAN LEE, JEONGPYO HAM, WONJUN LEE
GENERATOR TRUCKㅣHYEONGGEUN SONG, YEONGGYU BANG
LIGHT CRANEㅣYOUNGIL PARK

ART DIRECTORㅣGYUSEONG LIM (@________8sp8ces), HAKJU KIM (@tpy_system)
ASSISTANT ART DIRECTORㅣSUJIN KIM, SOJUNG KIM
ON-SET TEAMㅣJAEHEON RYU, SANGWOO PARK, TEHHO BAK, GYUCHANG LIM

JIMMY JIB OPERATORㅣKITAE KIM (@yeonhuidong_dalguzi)
1STㅣJAESUNG LEE (@jaettery)
2NDㅣJUNGHYUN BING
3RDㅣHYUNGMIN KIM

KEY GRIPㅣYOUNGJAE YOON
1STㅣSUKHWAN CHOI
2NDㅣWOOHYUN HAN
3RDㅣCHIHUN OH, SANGSUN YOO

DRONEㅣGODFINGER (DAY1)
PILOT HEAD OPERATORㅣMINJAE LEE
GIMBAL OPERATORㅣJUNHWAN CHA
1STㅣYOUNGJUN PARK

DRONEㅣ HOYEOL LEE (DAY3)

EDITㅣXIMIN OH

VISUAL EFFECT BY AEFX
VFX SUPERVISOR｜SUHWAN LEE
VFX PD｜SEUNGHYUK HAN
3D VFX｜SUHWAN LEE,ONEW KIM, YOUNGWOONG KIM
2D COMPOSITING｜YOUNGWOONG KIM, SUHWAN LEE
MATCHMOVE BY JUNSEON PARK
ROTOSCOPING BY THE LAST VFX

VFX STUDIO｜VY @vy.works
VFX LEAD ARTIST｜SEOYEON KIM
3D ARTIST｜SEOYEON KIM, HANYUL KIM

VFX｜SEUNGRIM WOO

2D ｜HYUNAH CHA (@chapps__)

CLEANING｜JIAN SHIN, WANSEO LEE

2D CLEANING｜ THE LAST VFX (TLV STUDIO)
CHIEF EXECUTIVE OFFICER｜SUN UK YANG
VFX PRODUCER｜PHAM THI THUY DUONG
PROJECT MANAGER｜NGUYEN QUANG VINH
MATCHMOVE｜DAO MINH SON, PHAN NHAT TAN
COMP LEADS｜NGUYEN THANH QUANG
COMP ARTISTS｜TRAN CHI THANH, LE HUYEN GIA HAN, CAO THANH TIN, LE HUU MANH, NGUYEN THAO HANH, DAO KHANH DUY
IT DEPARTMENT｜HOANG QUYNH

COLORIST | CHANGBEEN YU (THEPOSTLAB)
DI ASSISTANT | SEOWOO KANG, YEREUM YANG

LOCATIONㅣHANSAEM KIM (@_wwaaoo_), YEBIN LEE, DONGJU LEE

CONTI WRITERㅣEUNKU KANG