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torontobiennial
Toronto Biennial of Art
12 weeks of FREE contemporary art across Toronto. September 26 - December 20, 2026
#TBA2026
The announcement you’ve been waiting for:
Titled Things Fall Apart, the fourth edition of the Toronto Biennial is shaped by Curator Allison Glenn’s research-driven and site-responsive approach. TBA 2026 centres on artists whose practices engage rupture as a generative force, reconsidering histories, geographies, and systems that shape contemporary life while proposing new ways of understanding the present.
From Chinua Achebe’s landmark 1958 novel—whose title originates from W.B. Yeats’s 1921 poem The Second Coming—to its rearticulation in The Roots’ fourth studio album, the phrase Things Fall Apart signals fractured moments that reverberate across time and geographies.
This year, we’re thrilled to bring you:
- 30+ Artists
- 30+ Artist Projects
- 12+ Venues across the city of Toronto
For the first time, the Biennial will extend beyond the Greater Toronto Area through a series of artist projects and institutional collaborations across North America.
We can’t wait to invite you to discover Things Fall Apart from September 26 through December 20, 2026.
Read the full list of artists, venues, and partners atour link in bio.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
Meet the curator for the 2026 Toronto Biennial of Art, Allison Glenn @msallisonglenn!
We're thrilled to announce that the incredible New York-based curator and writer will be shaping our fourth edition.Known for her ambitious, experimental, site-specific, and research-intensive curatorial lens throughout her 15-year-plus career, Allison is currently the Artistic Director of @theshepherddetroit, an arts campus in Detroit's cultural district.
“Toronto is one of the most diverse cities in the world and is located on the Great Lakes waterway–a system that contains 20% of the world’s freshwater. This will undoubtedly impact the curatorial framework,” says Allison. “I am honoured to be invited to consider a city so close to home, and to learn from the vast histories of the region while working closely with the brilliant members of the National Curatorial Advisory, enthusiastic TBA team, and dedicated partners of the 2026 Toronto Biennial of Art.”
Allison will be collaborating with our newly formed National Curatorial Advisory, composed of five curators from leading institutions across Canada. The group will inform and support her work, providing further insight into Canadian contexts and artist practices from across the country.
David Diviney (@dmdiviney) from @artgalleryns
Eva Respini (@curator_on_the_run) from @vanartgallery
Heather Igloliorte (@inukartprof) from @universityofvictoria
Léuli Eshrāghi (@leulieshraghi) from @mbamtl
Michelle Jacques from @remaimodern
Learn more about Allison and the advisory committee by reading our official release from our link in bio.
Headshot: Grace Roselli (@gracerosellistudio)
#TorontoBiennial #TBA2026 #TorontoArt #TorontoArtCommunity #TorontoArtExhibit #TorontoEvent #CanadianArt #ArtCurator #ContemporaryArt #SiteSpecificArt
↪️ Meet the Artists of TBA 2026
Charisse Pearlina Weston (b. 1988, Houston, TX; based in Harlem, NY) is a conceptual artist and writer whose work explores the tension between violence and intimacy through repetition, concealment, and transformation.
Across sculpture, installation, text, and sound, Weston creates works that examine how histories, emotions, and power structures are carried within materials, gestures, and space.
Her work has been exhibited at the Whitney Museum of American Art, MoMA PS1, Queens Museum, and SITE SANTA FE, among others. Recent fellowships and residencies include a John Simon Guggenheim Memorial Foundation Fellowship, the Hodder Fellowship at Princeton University, the Jerome Hill Fellowship, and the Studio Museum in Harlem Artist-in-Residence Program.
At the 2026 Biennial, Charisse Pearlina Weston’s work will be co-presented with the Art Museum at the University of Toronto (@artmuseumuoft) and made possible with the generous support of Jack Shainman Gallery (@jackshainman) and the Women Leading Initiative. More details to come.
Visit our link in bio to learn more about the artist and stay tuned as we share more about this project.
📸 Photo by Olivia Horwitz
This summer, from acclaimed American artist Dawoud Bey, comes a focused installation of film and photographs that anchor the tenuous relationships between North American landscapes and Black diasporic experiences. This installation features a selection of works from the artist's three landscape-based projects: Night Coming Tenderly, Black; In This Here Place; and Stony the Road. Dawoud Bey: Material Histories, Living Landscapes provides a space for contemplating the enduring legacies of history in the contemporary moment.
Presented at the AGO, in partnership with the Toronto Biennial of Art 2026, this exhibition is curated by Allison Glenn, Curator of the 2026 Toronto Biennial of Art. It opens July 25, 2026 and will be on view through Spring 2027.
With thanks to Lead Sponsor @td_canada for their support of this exhibition.
•
Untitled (James River Through the Opening) from the series Stony the Road, 2023, Dawoud Bey (American, born 1953), gelatin silver print. Virginia Museum of Fine Arts, Gift of Mrs. Alfred duPont, byexchange. Image © Dawoud Bey
Step inside the curatorial process… 👀
…and into the studio of James Perkins (@jamesperkinsstudio), an American sculptor who creates a contemporary discourse for the “nonsite” — a term originated by Robert Smithson in 1968. Perkins collaborates with nature to make a mark, rather than presenting raw earth as an art object.
We can’t wait to share more about the work James will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt
Step inside the curatorial process… 👀
…and into the studio of James Perkins (@jamesperkinsstudio), an American sculptor who creates a contemporary discourse for the “nonsite” — a term originated by Robert Smithson in 1968. Perkins collaborates with nature to make a mark, rather than presenting raw earth as an art object.
We can’t wait to share more about the work James will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt
Step inside the curatorial process… 👀
…and into the studio of James Perkins (@jamesperkinsstudio), an American sculptor who creates a contemporary discourse for the “nonsite” — a term originated by Robert Smithson in 1968. Perkins collaborates with nature to make a mark, rather than presenting raw earth as an art object.
We can’t wait to share more about the work James will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt
↪️ Meet the Artists of TBA 2026
Carolina Fusilier (b. 1985, Buenos Aires) is a multidisciplinary artist working across moving image, film, painting, sound, performance, and site-specific installation.
Her practice moves fluidly between mediums, often using film and image-making to explore perception, narrative, and the relationship between space, time, and the body.
Fusilier has received major international support, including the Pollock-Krasner Foundation Grant, the Raúl Urtasun–Frances Harley Grant at The Banff Centre for Arts and Creativity, and the ACC Cinema Fund from the Asian Culture Center. Her films have screened at Museum of Modern Art, IDFA, NYFF, Dok Leipzig, and Yamagata, among others, and her work has been exhibited at institutions including Museo Jumex, Museo Tamayo, SculptureCenter, and The Drawing Center.
At the 2026 Biennial, Carolina Fusilier’s work will be co-presented with the Art Museum at the University of Toronto (@artmuseumuoft) and made possible with the generous support of the Women Leading Initiative. More details to come.
Visit our link in bio to learn more about the artist and stay tuned as we share more about this project.
Join us for the 2026 Toronto Biennial of Art Opening Party!
Be amongst the first to see our main exhibition at the Art Museum at the University of Toronto (@artmuseumuoft) featuring Canadian and international artists Rebecca Belmore, Julien Creuzet, Kent Monkman, and more.
Celebrate the opening of TBA 2026 with artists, art enthusiasts, tastemakers, and our partners at this special event featuring Biennial artist performances, DJ sets, festive drinks, and delicious food by @ascarihg all night long!
Event details:
Date: Friday, September 25, 2026
Time: 7:00 - 11:00 PM
Location: Art Museum at the University of Toronto | 15 King’s College Circle
Purchase your tickets at the link in our bio.
Special thanks to our Opening Party Presenting Sponsor @eycanada_ for making this event possible!
All proceeds from this event go directly toward the Toronto Biennial of Art, a registered charity, so that we can continue to provide free exhibitions, public programs, and learning experiences.
↪️ Meet the Artists of TBA 2026
Carole Harris is a Detroit-based fiber artist whose work expands the possibilities of quiltmaking as a contemporary art form. Introduced to textiles at an early age, she has maintained a studio practice for decades rooted in material exploration and craft.
Her work reflects on memory and time, using colour, fabric, and composition to create layered surfaces that echo lived experience—moments that blur, fade, and return.
Harris holds a BFA from Wayne State University and, after more than three decades running a commercial interior design firm, transitioned in 2007 to focus fully on her studio practice. She is a recipient of the Kresge Arts Foundation Fellowship, and her work is held in collections including the Detroit Institute of Arts. Recent exhibitions include Art Basel in Paris and a solo exhibition at the Museum of Contemporary Art Detroit.
At the 2026 Biennial, Carole Harris’s work will be co-presented with the Art Museum at the University of Toronto (@artmuseumuoft) and made possible with the generous support of the Women Leading Initiative. More details to come.
Visit our link in bio to learn more about the artist and stay tuned as we share more about this project.
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
We left the Venice Biennale inspired, so we’re taking you with us.
Our team recently travelled to Venice to take in this year’s showcase. It was a pleasure to see TBA artists from the past and present, including Abbas Akhavan (TBA 2019), Alexa Kumiko Hatanaka (TBA 2019), Bonnie Devine (TBA 2026), Buhlebezwe Siwani (TBA 2022), Manuel Mathieu (TBA 2024), and Rajni Perera (TBA 2024).
Pictured here:
1-2 Abbas Akhavan, Entre chien et loup, (2026) at the Canada Pavilion
3-4 Alexa Kumiko Hatanaka, Moveable (2026), Immoveable (2026), Namazu, (2023)
5-6 Bonnie Devine, Battle for the Woodlands (2014)
7-9 Buhlebezwe Siwani, Amagugu, (2022), sculptures Zanenkosi and Ilifa lakhe, (2022)
10-11 Manuel Mathieu, Abundance and Drought (2024), the short film Pendulum (2023), painting GENOCIDE (2026)
12-14 Rajni Perera and Marigold Santos, Efflorescence/The Way We Wake (2023)
↪️ Meet the Artists of TBA 2026
Cameron Harvey (b. 1977, So. Pomfret, VT; lives in Los Angeles, CA) is an artist whose practice explores abstraction, perception, and the relationship between form and meaning.
Working primarily in painting, Harvey creates compositions that balance structure and intuition, inviting a slower, more attentive way of looking.
She holds an MFA from ArtCenter College of Design, a post-baccalaureate in painting from the School of the Art Institute of Chicago, and a BA from Wellesley College. Her recent solo exhibitions include The Shape of Being at the Frederick R. Weisman Museum of Art and Gathering at Official Welcome. Her work has also been included in group exhibitions such as In an effort to be held at The Shepherd, and she will be an artist in residence at Yaddo in Spring 2026.
At the 2026 Biennial, Cameron Harvey will present a new work co-commissioned by the Toronto Biennial of Art and the Anchorage Museum (@anchoragemuseum), co-presented with the Art Museum at the University of Toronto and made possible with the generous support of the Women Leading Initiative. The work will be exhibited concurrently at both commissioning venues. More details to come.
Visit our link in bio to learn more about the artist and stay tuned as we share more about this project.
Step inside the curatorial process 👀
During her research process for TBA 2026, Allison Glenn made more than 125 studio visits, including one to the studio of Brooklyn-based artist Wen Liu (@wen_liu_1217).
Liu’s work spans across sculpture, installation, and mixed media, and her practice examines migration, memory, and the evolving structures through which individuals construct belonging.
We can’t wait to share more about the work Wen Liu will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
Step inside the curatorial process 👀
During her research process for TBA 2026, Allison Glenn made more than 125 studio visits, including one to the studio of Brooklyn-based artist Wen Liu (@wen_liu_1217).
Liu’s work spans across sculpture, installation, and mixed media, and her practice examines migration, memory, and the evolving structures through which individuals construct belonging.
We can’t wait to share more about the work Wen Liu will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
Step inside the curatorial process 👀
During her research process for TBA 2026, Allison Glenn made more than 125 studio visits, including one to the studio of Brooklyn-based artist Wen Liu (@wen_liu_1217).
Liu’s work spans across sculpture, installation, and mixed media, and her practice examines migration, memory, and the evolving structures through which individuals construct belonging.
We can’t wait to share more about the work Wen Liu will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
Step inside the curatorial process 👀
During her research process for TBA 2026, Allison Glenn made more than 125 studio visits, including one to the studio of Brooklyn-based artist Wen Liu (@wen_liu_1217).
Liu’s work spans across sculpture, installation, and mixed media, and her practice examines migration, memory, and the evolving structures through which individuals construct belonging.
We can’t wait to share more about the work Wen Liu will be exhibiting this fall.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
We’ve expanded our reach! We couldn’t be more excited about this year’s TBA venues, both locally and internationally.
Stay tuned as we roll out more details about our venue partnerships. In the meantime, you can view a map of the venues by clicking this post in our link in bio.
#TBA2026 #TorontoArt #ContemporaryArt #CanadianArt
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