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Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Last light of the day with @vaneyck.laura livin’ the bike life.

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor pt.2

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience.

The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Extrema Outdoor Pt.1

Last year, I experimented with a particular semi-compact setup for photography during other work on events and festivals. During a weekend at Extrema, I equipped myself with my modern Canon R6 paired with a manual vintage Soviet-era lens, famously known as the Helios 44. This forced me to work only with manual focus and no zoom options. As someone who primarily shoots digital with autofocus, this was an interesting new take on the photography experience. The manual focusing has its downsides and I wouldn’t use it for the majority of the shots during a paid gig but I enjoyed not having the AF going all crazy on me in the midst of the flashing lights and jumping ravers 😉

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Moments of @voodoovillagefestival

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

Some top-down aerial photography I was able to capture during the process of our final Space & Service Design project at Thomas More, where we worked with the entire team on an experience center concept for the park and its visitors. It was a unique experience to work with around twenty people on the same project, but focusing on different challenges, opportunities, and spaces in smaller sub-groups.

The end result culminated in an immersive poster exhibition with a large pitch presentation on these different challenges. The aerial images seen here had little to do with the actual work within the project. Still, for me, they were an extra way to immerse myself in the topic/location and to literally gain different perspectives on the location at hand.

Institute: @thomasmore.be
@postgradspaceandservicedesign
Client: @vrijbroekpark

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

One year ago today, vibing at
@geheimzinnigdoen open air. Posted from the crewcamping of @voodoovillagefestival today.

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Some snippets from my visit to @lovetomorrow_be exactly one month ago. A day filled with insightful and 'average' talks in the unique Tomorrowland festival setting, that alongside networking and casual job hunting. (hire me pls)

Don’t ask me about the afterparty, unfortunately, I didn’t make it to that part of the day for once ;)

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Reddish fragments from the @laloca__________ project.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

Looking back on an older fashion shoot I did 2 years ago with entrepreneur @lynnmikolajczak , the founder of the @the_acquired app for fashion lovers who want to organize their wardrobe on their phone.

When I look back on this small shoot, I think it was all about achieving something elegant with a very minimal setup and organization. This was one of those shoots where we didn't try to change the atmosphere of the scene, didn't bring backup gear, lights, or special lenses/prisms. No assistants, just the camera, the model, and me as the photographer. Shooting projects like this always tend to feel liberating and stressful at the same time.

DP work for @laloca__________

About half a year ago we made this small campaign for last year's clothing line release of La Loca Studio. A fun project delivered within a limited timeframe. I hope to find the time to revisit the material soon and share some of the extras. Always a pleasure looking back on projects full of talented people :)

Drone: @tommy_visuals
Montage: @tommy_visuals
Photography/direction: @elienjansen
Clothing Design: @eliasjansen.design
Models: @gilles.mornae @vaneyck.laura @alexcdnys
Mua: @make_up_by_ashh
Music: @armsandsleepers via @helloaudiio

Memories from @soultribefestival 2024

@manezzofficial working his magic at @club_vaag