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Originals United | Adidas X Manchester United | Starring @keoghan92

An absolute privilege to help bring this beautiful film to life across a few days in the rain, sun and hail of Manchester. Thank you to the creative legends at @homegroundldn for the opportunity and special shoutout to @arthur_lok1 @jackfcantrell @carlmasonfilm who all bought their own bit of magic to the screen 🤝

Client: @adidasfootball
Creative Agency: @homegroundldn
Executive Creative Directors: @henryscotland and Rachid Ahouiyek
Creatives: @cparkerbparker and @jonnydmarsh
Social Lead: @dominichew_
Design Director: @Dave.miss
Business Lead: @nicotuppen
Account Team: Lottie Tonks
Agency Producer: @davidsluszny
Music: Underworld - Born Slippy

Production Company: @wegoagain
Director: @tomday
2nd Unit Director: @jackfcantrell
Sports Choreographer: @marccumberchoreo

Producer: @carlmasonfilm
Production Assistant: Molly Singer
Location Manager: @thechampionsparkplug
Location Assistant: Steve Cooper

1st AD: @dannystoker_
2nd AD: Jacqueline Moore
3rd AD: @noahchebouli
Floor Runners: @ashleyg_ad and Elliot Richards

DOP: @arthur_lok1
1st AC (Day 1): @denizyildiz2
1st AC (Day 2): @lewisthompsoncamera
2nd AC: Jazz Rivans
Steadicam Operator: @karygent
Playback Operator: Lewis Evers
DIT: Faisal Muhammad
Camera Trainees: @bolia_bamolende and @chris_speddings

2nd Unit DOP: @fred.white35
2nd Unit 1st AC: @stephofilms

Gaffer: @arrttiieeee
Sparks: adamwtaylor , @scott_tolladay and @matthewedge_
2nd Unit Gaffer: @kiranbm_

Sound Recordist: Richard Two and @jakemh_audio

Art Director: Alex Walmsley
Art Assistants: James Kirk, Ruth Jones and Adam Chapman

Hair & Makeup Artist: @louisemeadowsmakeup
Makeup Assistants: @ruchiratna and Holly Dunwoody

Wardrobe Stylist: Emma Jade
Wardrobe Assistants: Claire Hatch, Zoe Wilson, Leila Milne and @flossiescotland

Editor: @jackfcantrell
Sound Design: @kinglearlondon
Colourist: @philiplouishambi at @millchannel

Paramedics: @promedservices
Catering:Tara Merritt-Windsor at @forkandlescatering
Coffee & Refreshments: Danny Turner at @dccoffee
Minibus: Paul Burnett
Security: @capricornsecuritygroup

Battle of the Baddest | Official Trailer

Out now on @netflix 🍿

Produced by @wegoagain

@turkialalshik
@tysonfury
@francisngannou

BRUCE. A man no stranger to the drama of boxing or cinema - lets us in to America’s oldest gym to tell a story of his own.

Big thank you for @gleasonsgym having us around. If you’re ever in NYC go check it out.

Creative Studio - @wegoagain
Director - @tomday
Cinematographer - @arthur_lok1
Producer - @trucollins
Gaffer - @jonathan.dasilva
Focus Puller - @fred.white35
2nd AC - Joe Luk
Sound Recordist - Javier Caso
Editor - @jackfcantrell
Colourist - @philiplouishambi
Colour - @millchannelcolour
Colour Producer - @producedbydan
Colour Executive Producer - @leiannagilmartin
Colour Assistants - @caitlin151 @kennedydawson03 @roryleighton_colour
Sound Design - @olivermapp

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Battle of The Baddest.

A few nuggets that I hope 25 year old me would’ve taken something from. The overriding theme of this one is: trusting your gut in the moment and being good people. Not rocket science but it will take you far.

Produced by @wegoagain
Shot in 2023 / Released on Netflix in 2024.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

Project 25. Tashan’s Story.

I’ve always been a big believer that we should share more of our process on this platform - not just the final images / film. I should have done this a lot sooner. I’ve labelled this ‘Project 25’ and it’s with the 25 year old me in mind. I know I would have taken something from this. So I hope someone else can too. The above is all about the balance of sensitivity and coverage.

Early on in my career, I’ll never forget asking Director @rafrafalat loads of questions on a plane to Barcelona once about how he was planning on covering the shoot, working with footballers etc. I learnt so much from him from one conversation and I hope this series (across commercials, documentaries, general industry experience) can provide something someone can use in the future.

THIS IS HIM. NOW. @m.itauma

Starring @ansu.official_ + @durimofficial

Thank you to @islingtonboxingclub
——

Client: @queensberrypromotions
Production: @wegoagain
Written by: @_ergyman_ + @tomday
Director: @tomday
Producer: @jessica.shadwell

Grade: @philiplouishambi @absolute__colour
VFX: @joeanthonyluk

Sound Design: @patricklee.sound
Music: @brother___music @hugoellingham

Runner: @aodhfint

DoP: @arrttiieeee
1st AC: @lewiswattssharps
2nd AC: @fred.white35

Key Grip: edridgeandy
Grip Trainee/Driver: Frank Edmunds

Gaffer: @joemorganhunt
Spark: @gonlopess
Spark: @joebakermedia
Lighting Trainee: Tom Gregory

Sound: @joewarner_

Camera Kit: @cinepups @focuscanning
Lighting Kit: @shl.london

No More Red. Tashan’s story 🤍
@arsenal @adidasuk @arsenal_in_the_community

——

Adidas:
Carmela Vitale - Senior Comms Manager
Abi Morgan - Head of PR

Arsenal:
Allie Smith - Senior Partnerships Manager
Matt Whiteside - Senior Marketing Manager
Kieran Owen - Comms Manager
Jack Ironside - Senior Manager Social Inclusion
Jennifer Kikomeko - Community Partner Project Manager

Agency: @homegroundldn
Creative / Founder: @henryscotland
Creative Director: @cparkerbparker @jonnydmarsh
Agency Producer: Patrick Haynes
Group Account Director: Lottie Tonks
Account Manager: Elanor Harris

Production: @wegoagain
Dir: @tomday
Producer: @jessica.shadwell
Exec Producer: @arthur_lok1
Editor: @jackfcantrell @thequarryedit
Grade: @philiplouishambi @absolute__colour
Sound design: @patricklee.sound @brother___music
Composition: @tommyevansmusic

1st AD: @dannystoker_
2nd AD: @gwynellismann
3rd AD: AURELIA BLAIR
Runners: Xavier Blair
Runner: Ellie Lever

DoP: @arrttiieeee
2nd Unit DoP: @naoisekettle
Steadicam Op: @steadifabs

A CAM 1st AC: @lewiswattssharps
B CAM 1st AC: @fred.white35
C CAM 1st AC: @lewisthompsoncamera

A CAM 2nd AC: @bethlamyman
B CAM Camera Trainee: @omerdernek
C CAM Camera Trainee: @leabrunet.w

Key Grip: @jem_morton @thegripcompany
Grip: edridgeandy
Head Tech: @brensenden
Grip Trainee/Driver: Richie McDonald

Gaffer: @typical_ianblax
Spark: @onsetwithhannah
Spark: @captaingingernut
Spark: @emil_nolan
Lighting Trainee: @elisendadewit

‘Community Day’ Gaffer: @solar_buckler @solar_corp_lights
Spark: Stephan Krastev

Playback: Steven Toft
DIT: @colore_dit

Sound: @joewarner_
2nd Unit Sound: @rickybarbs

Camera Kit: @cinepups @focuscanning
Lighting Kit: @greenkitlondon

Proud to have signed with @wme 🤝

We started We Go Again just two years ago with the goal of putting our own stamp on the sports documentary space, telling stories in a way that has not been done before.

Signing with WME recognises that - we cannot wait to show you what’s coming next, working closely with the best in the game.

Arthur & Tom

Proud to have signed with @wme 🤝

We started We Go Again just two years ago with the goal of putting our own stamp on the sports documentary space, telling stories in a way that has not been done before.

Signing with WME recognises that - we cannot wait to show you what’s coming next, working closely with the best in the game.

Arthur & Tom

Watch The Throne: bareknuckle fight scene

Is it really a documentary when you drop in to 2 minutes of this? Who knows. But that’s what @wegoagain do. Switch up the game. And it makes perfect sense when you watch the film!

Shot so viscerally by @arthur_lok1 that makes you feel every punch (at one point he did ask the performers to quite literally hit him) and produced expertly by @carlmasonfilm.

In the edit, inspired by the fight sequences in Bourne, we wanted this scene to feel as raw and organic as possible - with room for a moment or two of dark humour to breathe - and giving time to the young boy (portraying a young Tyson Fury) experiencing what’s unfolding through his eyes.

Another decision we made was to ensure this sequence was not over the top in fast cuts -where you can’t even tell what’s going on - like some big screen similar scenes can be. Considering you are hiding punches that didn’t actually land - I think we achieved that right balance in pacing - which is a massive thanks to the performances and cinematography.

An incredible learning experience to edit our first fight sequence (that’s not in a boxing ring!) and do hit us up for Bourne 5.

Big shout to @rumble.post who took our track lay (laying in sfx during the edit) and levelled it up to create such a brutal and organic soundscape that you can truly feel.

Also at one point we had ‘Come and get your love’ as the soundtrack but we couldn’t afford it in the end so maybe next time.

Starring Chris Webb and Lockhart Olgilvie
Produced by @wegoagain @carlmasonfilm
Written and directed by @tomday
Cinematography by @arthur_lok1
Gaffer @arrttiieeee
Edit by @jackfcantrell
Sound by @rumble.post
Colour by @philiplouishambi

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Watch The Throne: bare-knuckle madness 👊👊

Brutal scene in the film this, but also with some dark humour thrown in. Amazing experience to shoot and direct my first proper fight sequence. Shoutout to @arthur_lok1 who got right in there and took a few knocks for the team 😅

Production @wegoagain
Produced by @carlmasonfilm
BTS by @augustinhardy

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

Short film Fridays - big up the crew on this mad one! 👊

BTS by @evan.film
Cinematography by @fred.white35
Art Direction @lizzy.leech
Gaffer @bomorganlighting
Location @abeautifulplacetogetlostagency

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi

‘The Original Sports Club’ | Bayern Munich x Adidas

Luis Diaz on his first day of training - discovering Bayern Munich is more than just a football team - it was actually founded in 1900 as a ‘sports club’ 🏋🚴🏌️⛹️

Shoutout @homegroundldn for having me onboard.

Shot by @arthur_lok1
2nd Unit @arrttiieeee @rhyswarren
Edit by @jackfcantrell
Colour by @philiplouishambi