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tiny_handsz
kata szász-komlós
@daily.toll ~ jancsi ~ string club ~ @club___garage
magyar artist / music on gadigal
please email me i hate it here
kataa_komlos@hotmail.com
string club!!! triumphant return June 4 supporting Colle alongside local magic: our improv friendship band instigated by a desire for alternative pedagogy / experimenting rather than mastery; eventuating into year(s) of dubby silly nights of snacking, playing, reading, laughing; I’ve learnt a lot about friendship 🩵 been feeling warped in the face of the world right now and fighting the urge to become recluse in it all /photo from rare moment of us all together these days
hope this fuels the spirit for us all !!
Tickets via @finnd.co & @deepwebfm thank u <3
string club!!! triumphant return June 4 supporting Colle alongside local magic: our improv friendship band instigated by a desire for alternative pedagogy / experimenting rather than mastery; eventuating into year(s) of dubby silly nights of snacking, playing, reading, laughing; I’ve learnt a lot about friendship 🩵 been feeling warped in the face of the world right now and fighting the urge to become recluse in it all /photo from rare moment of us all together these days
hope this fuels the spirit for us all !!
Tickets via @finnd.co & @deepwebfm thank u <3
string club!!! triumphant return June 4 supporting Colle alongside local magic: our improv friendship band instigated by a desire for alternative pedagogy / experimenting rather than mastery; eventuating into year(s) of dubby silly nights of snacking, playing, reading, laughing; I’ve learnt a lot about friendship 🩵 been feeling warped in the face of the world right now and fighting the urge to become recluse in it all /photo from rare moment of us all together these days
hope this fuels the spirit for us all !!
Tickets via @finnd.co & @deepwebfm thank u <3
string club!!! triumphant return June 4 supporting Colle alongside local magic: our improv friendship band instigated by a desire for alternative pedagogy / experimenting rather than mastery; eventuating into year(s) of dubby silly nights of snacking, playing, reading, laughing; I’ve learnt a lot about friendship 🩵 been feeling warped in the face of the world right now and fighting the urge to become recluse in it all /photo from rare moment of us all together these days
hope this fuels the spirit for us all !!
Tickets via @finnd.co & @deepwebfm thank u <3
couple of journal charcoal memories from the spiritual home (castlemaine)
couple of journal charcoal memories from the spiritual home (castlemaine)
handful of magical tatu's about to land in your email inbox (dm if u want) i'm off work for a month before i leave for many months so if you've ever wanted an eternal friend in the form of one of my figures please reach out for us to find a time; its never lost on me what a privilege it is to mark someones skin with my drawings, it is as special for me as it is for you; thank you
handful of magical tatu's about to land in your email inbox (dm if u want) i'm off work for a month before i leave for many months so if you've ever wanted an eternal friend in the form of one of my figures please reach out for us to find a time; its never lost on me what a privilege it is to mark someones skin with my drawings, it is as special for me as it is for you; thank you
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
portraits across the years and places: budapest wales london melbourne sydney. I love looking with this camera. my loving eye upon every person here and not here
Liberation Cinema returns with three films responding to Māori filmmaker and academic Barry Barclay’s idea of “Fourth Cinema”. Defined by and defending the notion of Indigenous filmmaking (Fourth Cinema) - that sits beyond the constraints of a “First” or ”Third“ world framework. In a 2003 lecture, he concluded « I hope that, in the not too distant future, some practitioner or academic will ... begin a talk on Fourth Cinema which begins at this very point, rather than ends on it.» We pick up where he left off ~
Don’t Eat The Moon
Director(s): @tizintizwa
A satirical video work by the poly-disciplinary Moroccan research collective, Tizintizwa. It was featured in the 2024 Gabes Cinema Fen program and premieres for the first time on Gadigal Country.
Apiyemiyekî?
Director: Ana Vaz
An archive of drawings made by the Kinja people (“true people”), Indigenous to Amazonas in Brazil, during their first literacy experience building a collective visual memory documenting the invasion of their lands.
Marungka Tjalatjunu (Dipped in Black)
Directors: Derik Lynch and Matthew Thorne
A cinematic memoir of queer Yankunytjatjara Man, Derik Lynch. Following his return to Aputula Country, Marungka Tjalatjunu is a union between biographical details with truthful, vivid recreation.The multitudes of Lynch’s life – From survival in hostile white Adelaide, his relationship to his Anangu Mob, the hold of his childhood trauma – are depicted with the potency of a healing remedy. truly, It is Lynch’s immense openness that gives the film its poetic weight and depth. Returning to Country serves as an antidote to colonial tyranny.
*Strong content warning for the fictional reenactment of suicide*
Date & time: Thursday 23rd April 6:30pm arrival for a 7pm start.
Location: Grass area behind Gumbramorra Hall Addison Road Community Organisation, Marrickville.
This venue is wheelchair accessible.
RSVP via link in bio then pay for your ticket at the screening or via bank transfer (details listed on humanitix page and in the next slide)
Incredible poster design by Kata Szász-Komlós @tiny_handsz
Liberation Cinema returns with three films responding to Māori filmmaker and academic Barry Barclay’s idea of “Fourth Cinema”. Defined by and defending the notion of Indigenous filmmaking (Fourth Cinema) - that sits beyond the constraints of a “First” or ”Third“ world framework. In a 2003 lecture, he concluded « I hope that, in the not too distant future, some practitioner or academic will ... begin a talk on Fourth Cinema which begins at this very point, rather than ends on it.» We pick up where he left off ~
Don’t Eat The Moon
Director(s): @tizintizwa
A satirical video work by the poly-disciplinary Moroccan research collective, Tizintizwa. It was featured in the 2024 Gabes Cinema Fen program and premieres for the first time on Gadigal Country.
Apiyemiyekî?
Director: Ana Vaz
An archive of drawings made by the Kinja people (“true people”), Indigenous to Amazonas in Brazil, during their first literacy experience building a collective visual memory documenting the invasion of their lands.
Marungka Tjalatjunu (Dipped in Black)
Directors: Derik Lynch and Matthew Thorne
A cinematic memoir of queer Yankunytjatjara Man, Derik Lynch. Following his return to Aputula Country, Marungka Tjalatjunu is a union between biographical details with truthful, vivid recreation.The multitudes of Lynch’s life – From survival in hostile white Adelaide, his relationship to his Anangu Mob, the hold of his childhood trauma – are depicted with the potency of a healing remedy. truly, It is Lynch’s immense openness that gives the film its poetic weight and depth. Returning to Country serves as an antidote to colonial tyranny.
*Strong content warning for the fictional reenactment of suicide*
Date & time: Thursday 23rd April 6:30pm arrival for a 7pm start.
Location: Grass area behind Gumbramorra Hall Addison Road Community Organisation, Marrickville.
This venue is wheelchair accessible.
RSVP via link in bio then pay for your ticket at the screening or via bank transfer (details listed on humanitix page and in the next slide)
Incredible poster design by Kata Szász-Komlós @tiny_handsz
"from where i wrote you" 2025
acrylic, chalk
for sale.
my painting from @club___garage show image by @davidsuyasa
"from where i wrote you" 2025
acrylic, chalk
for sale.
my painting from @club___garage show image by @davidsuyasa
visited by a little bird man in my dreams who showed me how he plays his own nest into existence; golden trumpet blowing coils of soft green arms, enveloping us both in its warmth.
maybe you too if you’d like it to.
visited by a little bird man in my dreams who showed me how he plays his own nest into existence; golden trumpet blowing coils of soft green arms, enveloping us both in its warmth.
maybe you too if you’d like it to.
visited by a little bird man in my dreams who showed me how he plays his own nest into existence; golden trumpet blowing coils of soft green arms, enveloping us both in its warmth.
maybe you too if you’d like it to.
next Thursday night Jancsi returns to warm the hearth of Lewis’s album launch. a truly beautiful album. I will be sharing something new, for those in need of a little transcendence, momentary meditative altered state, the words of Atilla József;
the thinning veil blown aside by drone
maybe something silly too if you’re paying attention
see u there yeah? In a home in earlwood
next Thursday night Jancsi returns to warm the hearth of Lewis’s album launch. a truly beautiful album. I will be sharing something new, for those in need of a little transcendence, momentary meditative altered state, the words of Atilla József;
the thinning veil blown aside by drone
maybe something silly too if you’re paying attention
see u there yeah? In a home in earlwood
next Thursday night Jancsi returns to warm the hearth of Lewis’s album launch. a truly beautiful album. I will be sharing something new, for those in need of a little transcendence, momentary meditative altered state, the words of Atilla József;
the thinning veil blown aside by drone
maybe something silly too if you’re paying attention
see u there yeah? In a home in earlwood
next Thursday night Jancsi returns to warm the hearth of Lewis’s album launch. a truly beautiful album. I will be sharing something new, for those in need of a little transcendence, momentary meditative altered state, the words of Atilla József;
the thinning veil blown aside by drone
maybe something silly too if you’re paying attention
see u there yeah? In a home in earlwood
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
2025 the (half)year of sterling; some make the argument for minimising material attachments to “things” lest we remain rigid in our wanting but I don’t think those people have ever driven my car; 2025 is accented by driving the first car; with friends, visiting nagyika / helping family with ease, driving around to play shows with my leather suitcase of toys, so so much swimming in new places, lending sterling to wheel-less friends, finding new walks, the inevitable welcoming of horizons. listening to Ryan Davis “Dancing on the edge” cassette an impossible amount, bordering on embarrassing. (remembering my first car, in the near and distant future, will always bring me back to this album. A perfect driving album). I think someone could write someting about virgos and cars but I won’t attempt it; the second half of a year defined(in part) personally by movement, forward momentum, being of service being silly
top driving cassettes:
1. Ryan Davis & the roadhouse band
2. Kispál es a Borz
3. VIPP
4. Miranda Spatula
5. Arthur Russell
6. Champion Racehorse
7. Good Moon
an old one on found board: dreams of split pianos, doorways and windows, gnomes dancing on ear lobes
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