Instagram Story Save
Free Save Instagram Story, Reels, Photo, Video, Highlights, IGTV online
thetagli
THE TAGLI
Contemporary gallery showcasing art from emerging and established artists.
Upcoming: Where the Land Meets the Sea, Afonso Rocha and Simon Linington
“When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring and where the sea might deposit you; until one day you know you have lived between two places, the scene of arrival and the point of departure.” - Andrew O’Hagan
THE TAGLI Gallery is pleased to present Where the Land Meets the Sea, a duo exhibition bringing together the works of Simon Linington and Afonso Rocha. This exhibition proposes that the seafront is a psychological state of mind. The sea draws the eye to an infinite edge, the point beyond which representation gives way to feeling, to a certain kind of yearning. Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise. What emerges is a sustained, unresolved dwelling in ambivalence, and an honest, ongoing dialogue to the experience of belonging in the present tense. @sofia_hallstrom_
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for a preview of works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring and where the sea might deposit you; until one day you know you have lived between two places, the scene of arrival and the point of departure.” - Andrew O’Hagan
THE TAGLI Gallery is pleased to present Where the Land Meets the Sea, a duo exhibition bringing together the works of Simon Linington and Afonso Rocha. This exhibition proposes that the seafront is a psychological state of mind. The sea draws the eye to an infinite edge, the point beyond which representation gives way to feeling, to a certain kind of yearning. Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise. What emerges is a sustained, unresolved dwelling in ambivalence, and an honest, ongoing dialogue to the experience of belonging in the present tense. @sofia_hallstrom_
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for a preview of works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring and where the sea might deposit you; until one day you know you have lived between two places, the scene of arrival and the point of departure.” - Andrew O’Hagan
THE TAGLI Gallery is pleased to present Where the Land Meets the Sea, a duo exhibition bringing together the works of Simon Linington and Afonso Rocha. This exhibition proposes that the seafront is a psychological state of mind. The sea draws the eye to an infinite edge, the point beyond which representation gives way to feeling, to a certain kind of yearning. Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise. What emerges is a sustained, unresolved dwelling in ambivalence, and an honest, ongoing dialogue to the experience of belonging in the present tense. @sofia_hallstrom_
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for a preview of works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“When you grow up by the sea, you spend a good deal of time looking at the horizon. You wonder what on Earth the waves might bring and where the sea might deposit you; until one day you know you have lived between two places, the scene of arrival and the point of departure.” - Andrew O’Hagan
THE TAGLI Gallery is pleased to present Where the Land Meets the Sea, a duo exhibition bringing together the works of Simon Linington and Afonso Rocha. This exhibition proposes that the seafront is a psychological state of mind. The sea draws the eye to an infinite edge, the point beyond which representation gives way to feeling, to a certain kind of yearning. Rocha and Linington make visible how a place persists within you, continuing to shape and inform you, even as it evolves into something you no longer entirely recognise. What emerges is a sustained, unresolved dwelling in ambivalence, and an honest, ongoing dialogue to the experience of belonging in the present tense. @sofia_hallstrom_
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for a preview of works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Simon Linington
Dragonfly, 2026
Pigment in a glass tube with an acrylic bracket
100 x 2.6 cm
39 3/8 x 1 in
Night thoughts, 2026
Pigment in a glass tube with an acrylic bracket
100 x 2.6 cm
39 3/8 x 1 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Simon Linington
Dragonfly, 2026
Pigment in a glass tube with an acrylic bracket
100 x 2.6 cm
39 3/8 x 1 in
Night thoughts, 2026
Pigment in a glass tube with an acrylic bracket
100 x 2.6 cm
39 3/8 x 1 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Afonso Rocha
Ashore, 2026
Oil on canvas
55 x 75 cm
21 5/8 x 29 1/2 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Afonso Rocha
Ashore, 2026
Oil on canvas
55 x 75 cm
21 5/8 x 29 1/2 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Afonso Rocha
Ashore, 2026
Oil on canvas
55 x 75 cm
21 5/8 x 29 1/2 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Where the Land Meets the Sea
A duo exhibition by Afonso Rocha and Simon Linington
Opening next Tuesday and running until Sunday 7 June
67 Great Titchfield St, London
Afonso Rocha
Ashore, 2026
Oil on canvas
55 x 75 cm
21 5/8 x 29 1/2 in
DM us for details and a full list of available works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
“A defining feature of Piers Alsop’s recent paintings is the way in which the surfaces have been touched; touched with paint; touched with matter, touched with thought. This thought-as-touch happens on and against a jute-on-jute ground. Jute is not an impartial surface that receives paint. It inevitably leads to the paint becoming embedded into its fibres; paint sinks in and settles on top, but it never fully blankets the jute. Jute is that which lies under (hypokeimenon) but also that which ultimately persists, that which seemingly repels the paint it so readily catches in its weave. It becomes stained with pigment, enmeshed, as it’s dragged across the ground. @scott_mccracken_
Piers Alsop
White cliff, 2025-26
Oil and mixed media on jute
35 x 30 x 2 cm
13 3/4 x 11 3/4 x 3/4 in
Piers Alsop’s solo exhibition ‘Eternal Crumble’ is open until 13th June at the Corn Hall Diss.
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
The sweet, 2026
Pigment and wood
13.5 x 50.5 x 8.5 cm
5 1/4 x 19 7/8 x 3 3/8 in
Simon’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
The sweet, 2026
Pigment and wood
13.5 x 50.5 x 8.5 cm
5 1/4 x 19 7/8 x 3 3/8 in
Simon’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
The sweet, 2026
Pigment and wood
13.5 x 50.5 x 8.5 cm
5 1/4 x 19 7/8 x 3 3/8 in
Simon’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
The sweet, 2026
Pigment and wood
13.5 x 50.5 x 8.5 cm
5 1/4 x 19 7/8 x 3 3/8 in
Simon’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Needed today…
Afonso Rocha
A Quick Dip , 2026
Oil on canvas
85 x 75 cm
33 1/2 x 29 1/2 in
Afonso’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Needed today…
Afonso Rocha
A Quick Dip , 2026
Oil on canvas
85 x 75 cm
33 1/2 x 29 1/2 in
Afonso’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Needed today…
Afonso Rocha
A Quick Dip , 2026
Oil on canvas
85 x 75 cm
33 1/2 x 29 1/2 in
Afonso’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Needed today…
Afonso Rocha
A Quick Dip , 2026
Oil on canvas
85 x 75 cm
33 1/2 x 29 1/2 in
Afonso’s work will be featured in our upcoming exhibition opening next week.
Where the Land Meets the Sea
Afonso Rocha and Simon Linington
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
Heavy Water, 2026
Pigment in an acrylic vitrine
150 x 3.5 cm
59 x 1 3/8 in
“In their artistic practices, they are united in negotiating an ongoing, lingering question: what do you do when home is somewhere you have left, and belonging is something you can not quite locate anywhere?
This enquiry is quite literal in Linington’s work. An array of slender glass rods, each sealed and filled with pigments, mixed by Linington and inspired by the many different hues of sand found at Alum Bay on the Isle of Wight.” @sofia_hallstrom_
Simon Linington’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Simon Linington
Heavy Water, 2026
Pigment in an acrylic vitrine
150 x 3.5 cm
59 x 1 3/8 in
“In their artistic practices, they are united in negotiating an ongoing, lingering question: what do you do when home is somewhere you have left, and belonging is something you can not quite locate anywhere?
This enquiry is quite literal in Linington’s work. An array of slender glass rods, each sealed and filled with pigments, mixed by Linington and inspired by the many different hues of sand found at Alum Bay on the Isle of Wight.” @sofia_hallstrom_
Simon Linington’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in
“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work.” @sofia_hallstrom_
Afonso Rocha’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in
“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work.” @sofia_hallstrom_
Afonso Rocha’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in
“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work.” @sofia_hallstrom_
Afonso Rocha’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in
“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work.” @sofia_hallstrom_
Afonso Rocha’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Afonso Rocha
First Blossoms , 2026
Oil on canvas
140 x 170 cm
55 1/8 x 66 7/8 in
“Rocha’s paintings are sun-drenched and warm, populated with leisurely poolside figures. The scenes read, at first glance, like holiday postcards, set with a colour palette of lush greens and blue water. But look closer and something stranger is at work.” @sofia_hallstrom_
Afonso Rocha’s new body of work will be featured in our upcoming exhibition, ‘Where the Land Meets the Sea’ a duo exhibition between Afonso Rocha and Simon Linington.
67 Great Titchfield St,
London W1W 7PT
02 - 07 June 2026
DM us for details and a list of works.
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Thomas Cameron
Fast Food, 2025
Oil on canvas
90 x 120 cm
35 3/8 x 47 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Thomas Cameron
Fast Food, 2025
Oil on canvas
90 x 120 cm
35 3/8 x 47 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Thomas Cameron
Fast Food, 2025
Oil on canvas
90 x 120 cm
35 3/8 x 47 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Thomas Cameron
Fast Food, 2025
Oil on canvas
90 x 120 cm
35 3/8 x 47 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Murray Clarke
Untitled , 2025
Oil on canvas
175 x 125 cm
68 7/8 x 49 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Murray Clarke
Untitled , 2025
Oil on canvas
175 x 125 cm
68 7/8 x 49 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Murray Clarke
Untitled , 2025
Oil on canvas
175 x 125 cm
68 7/8 x 49 1/4 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Nassim L’Ghoul uses 3D animation and sculpture to reimagine everyday observations and autobiographical experiences. L’Ghoul’s practice subverts common notions of objects and figures, working to detach material from classic iconographic interpretations. Objects assert an alternate autonomy in this world-building process of note-making and drafting. Figures are transformed into motifs, constantly breaking and building visual languages, entering into deeper, underlying dimensions. The computer plays a central role, where thoughts are translated into a visual language. L’Ghoul uses digital and conceptual tools to abstract personal experiences and interweave them with found material. By re-contextualising these fragments, hybrid environments are created that oscillate between the real and the imaginary.
Nassim L’Ghoul
Untitled , 2024
3D animation, 01:00 min. loop, wooden box
18 x 13 cm
7 1/8 x 5 1/8 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Nassim L’Ghoul uses 3D animation and sculpture to reimagine everyday observations and autobiographical experiences. L’Ghoul’s practice subverts common notions of objects and figures, working to detach material from classic iconographic interpretations. Objects assert an alternate autonomy in this world-building process of note-making and drafting. Figures are transformed into motifs, constantly breaking and building visual languages, entering into deeper, underlying dimensions. The computer plays a central role, where thoughts are translated into a visual language. L’Ghoul uses digital and conceptual tools to abstract personal experiences and interweave them with found material. By re-contextualising these fragments, hybrid environments are created that oscillate between the real and the imaginary.
Nassim L’Ghoul
Untitled , 2024
3D animation, 01:00 min. loop, wooden box
18 x 13 cm
7 1/8 x 5 1/8 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Nassim L’Ghoul uses 3D animation and sculpture to reimagine everyday observations and autobiographical experiences. L’Ghoul’s practice subverts common notions of objects and figures, working to detach material from classic iconographic interpretations. Objects assert an alternate autonomy in this world-building process of note-making and drafting. Figures are transformed into motifs, constantly breaking and building visual languages, entering into deeper, underlying dimensions. The computer plays a central role, where thoughts are translated into a visual language. L’Ghoul uses digital and conceptual tools to abstract personal experiences and interweave them with found material. By re-contextualising these fragments, hybrid environments are created that oscillate between the real and the imaginary.
Nassim L’Ghoul
Untitled , 2024
3D animation, 01:00 min. loop, wooden box
18 x 13 cm
7 1/8 x 5 1/8 in
DM us for details and available works
#ArtGallery #ContemporaryArt #LondonArt #thetagli
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.