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This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

This Super Bowl will be remembered for ages for its influence and its significance during our times, and while we all are trying to digest the power behind that much needed halftime show, @raullopez had other reasons to celebrate as well, with a moment that we can only imagine what it feels like, culturally and personally.

A week before the Grammys, Gaga’s stylist got in touch with Raul, who later mentioned that the idea was a salsa inspired dress, and that nobody had ever given him an opportunity like this.

You might notice that strong yet clean shade of the custom @luar dress, which serves as a reference to the Puerto Rican flag of 1895, the light blue shade that references the sky and coastal waters of Puerto Rico.

The bias pleated dress was intended to create what he calls “something that was Titì Gaga”, and that he had no idea she was going to wear it, as he found out about it while watching the halftime show with his friends, a truly unreal moment.

Raul still keeps it close to his experience, ensuring that the ethos still embodies heritage and experience through his lifetime, and in this case, as he explains to Vogue “I designed this dress for the Caribbean women I grew up watching, listening to, and being shaped by”.

One of the most prolific and impactful designers whose influence will be remembered for a long time, while it is still being shaped, as he is one of the most important designers to come out of New York, and with his Dominican roots too, that are a strong pillar of his brand and community as well!

📷: @luar | @jehan_vazifdar | @ladygaga | @raullopez | @diegocajasparra

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

There is no @themerceredition without
Virgil.
Forever An Inspiration, Forever A Mentor.

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

In a recent interview with Hypebeast in December 2025, following the launch of Denim by @denimtears , @tremaineemory broke down the design behind the ‘1619’ (represents the arrival of the first slave ship, the white lion, in Virginia) and the ADG flower.

He emphasized the importance of exploring parts of African Diaspora history that have been overlooked or insufficiently examined in order to understand their roots, which stands as the main mission of Denim Tears.

Denim carries a deeper narrative tied to resistance and the history of the African diaspora. The Gullah Geechee people (descendants of enslaved Africans from the “Rice Coast”) brought indigo cultivation and advanced knowledge to the southeastern United States through enslavement.

On plantations in South Carolina and Georgia, enslavers exploited this expertise to make indigo one of the most profitable and important colonial crops, second only to rice.

Enslaved people were dressed in denim because it was durable, readily available and visually separated them from plantation families, with the fabric becoming a marker of forced labor and oppression.

During the Civil Rights Movement, organizers within SNCC recognized the divide between formally dressed student activists and the farmers they sought to mobilize as denim became a way to express solidarity. Matching jeans and jackets were worn when Martin Luther King Jr. and Ralph Abernathy were arrested in Birmingham in 1963, reinforcing its connection to forced labor and resistance.

By the 1980s and 1990s, hip hop culture reshaped denim, grounding it in self expression and identity through music and fashion and that influence is still felt today, as the brand actively tells these same stories through its garments, continuing the acknowledgment of this history and helping ensure it is not erased from the historical record.

Happy Black History Month 🖤

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

There is something magical about @martine_rose and her creations.

Through everyday wearable garments, she crafts work that is nuanced, catering to those who seek it out, and, for some reason, often underrated.

Hailing from South London, the British Jamaican designer is the queen of subcultures; so when Dazed asked her about the current state of subculture a year and three days ago, she pointed out that London has a unique relationship with it.

The city embraces subculture more freely than many other places in the world, an idea that is backed up through her belief that different timelines can coexist and create something entirely new, instead of rejecting one another, which is a more conservative approach.

A year later, her observation feels more relevant than ever!
In today’s landscape, we see countless influences existing side by side on an endless feed, showcasing garments from a wide range of cultures, almost as if social media has democratized fashion as a whole.

👑

Cover: Andreas Larsson
Martine Rose / Isidore Montag / Gorunway.com / Jamie Morgan / Eloise Parry.

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

Man oh man, what a time to be alive.

That 2017 Drake was a different animal, dropping More Life that summer with a lot of UK artists who at the time weren’t really embraced in the US on a commercial level (one point for Drake here - evident with Cench as well), like Skepta and Giggs and Jorja too (Passionfruit will forever be that track to go to, no matter when, no matter what; right next to Get It Together. There is always magic when these two are working together).

The 22-track album came out about a year after Views, with Drake describing it as a playlist, perhaps showcasing his ability to continuously produce good work; a practice that remains a main aspect of his output, earning him his status in today’s culture through hard work as well.

The 6 God himself has been dropping albums for 16 years now. Don’t let it go over your head…

Big US features on this one too! Thugger, Quavo, Travis, 2 Chainz and PartyNextDoor.

Wheel It!!!

+++

Cover -Mark Peckmezian
Photography: @champagnepapi .

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

We are going to kick off by saying that opinions do not pay the bills on the first of the month, and quite arguably, if anything - they rather cause us to spend resources instead of contributing to the overall image and everything we are trying to build or achieve, mentally, physically, and creatively too, in case you were wondering.

“Oh, that’s so cringe” “somebody done it before” - yea yea, we got you. After all, we all live in the same universe (figuratively) and consuming the same type of content on the same feed, on the same device; so you are not bringing anything new to the table. And if it’s not new, it’s old. And if we are trying to move forward, we can’t look back at old ways, because as the name suggests, they are old, so we are being left behind at the end of the day.

Article No.89 “Worrying About Opinions Is a Full-Time Job With No Paycheck.” is now live on Substack, and the link is in our bio.

“Letters from the front row” Every Monday, Wednesday and Friday.

Photography: Downtown 81, shot by John McNulty

Edit:

The draw is closed, Winner been contacted ✨✨

No plans this weekend? We got you

We teamed up with @blackbookrecords to provide 1 lucky fan with 2 tickets to one of the sold out Chris Lake shows under the K Bridge!

The dates:
* Friday, June 5th, 7PM.
* Saturday, June 6th, 7PM
* Sunday, June 7th, 7PM

The winner will receive a Mercer x Chris Lake branded disposable camera courtesy of @espcamera to document the night. The next day we will collect and develop the film and post your photos live on The Mercer Edition.

To Enter:
* Follow both @themerceredition + @blackbookrecords
* Comment which day you would like to attend
* Tag the friend you want to bring to the show
* Share this post to your IG story

Important Details:
* The winner must be 21+ with valid ID
* 1 entry per person
* 1 winner will receive 2 tickets and be selected at random on Friday, June 5th at 1pm EST
* The winner will be contacted via DM by The Mercer Edition
* No purchase necessary.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

@i_d’s latest limited edition zine is truly unique, offering something we love to see and draw inspiration from: real conversations with real substance.

Shot by Petra Collins, the series of amazing photographs gives us a glimpse into the mind of Euphoria star Alexa Demie, who has largely stayed out of the public spotlight.

She opens up about her journey with novelist Ottessa Moshfegh and discusses a range of topics that many can relate to, whether they are public figures or not. After all, as creatives, we are all heading toward the same destination in the end.

The full interview drops in six days on i-D’s website, but a few excerpts are already available on the i-D Substack. New Yorkers can pick up the zine at Climax on June 9.

Swipe for a peek 💫

Imagery - courtesy of i-D Magazine.

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

When we first heard that @gregyuna, one of the most respected jewelers in the game, was opening a pawn shop downtown, just a few minutes walk from the Mulberry store, we got excited.

New Yorkers now have a place where they can go and be treated fairly when they need to pawn items, while also receiving honest, unbiased opinions on the value of their items, as the place meant to bring a sense of community first and foremost.

We knew we had to talk to Greg, so we asked him a few questions. The full interview and his responses are now live on our website (link in bio!).

Swipe to learn more about @thepawnshop.ny and stop by when you can!

365 Broome St, New York, NY 10013

Gucci Core? More like Gucci Monte Carlo, the furthest you can get from the archetypes presented on 42nd St not so long ago…

Summer is around the corner, and this time Gucci decided to tap into the hot sun of Monaco, presenting what the ultimate European summer looks like; until the moment that Venmo request hits your phone about splitting the bill, call it “Final Destination”...

Credits: Gucci

Gucci Core? More like Gucci Monte Carlo, the furthest you can get from the archetypes presented on 42nd St not so long ago…

Summer is around the corner, and this time Gucci decided to tap into the hot sun of Monaco, presenting what the ultimate European summer looks like; until the moment that Venmo request hits your phone about splitting the bill, call it “Final Destination”...

Credits: Gucci

Gucci Core? More like Gucci Monte Carlo, the furthest you can get from the archetypes presented on 42nd St not so long ago…

Summer is around the corner, and this time Gucci decided to tap into the hot sun of Monaco, presenting what the ultimate European summer looks like; until the moment that Venmo request hits your phone about splitting the bill, call it “Final Destination”...

Credits: Gucci

Gucci Core? More like Gucci Monte Carlo, the furthest you can get from the archetypes presented on 42nd St not so long ago…

Summer is around the corner, and this time Gucci decided to tap into the hot sun of Monaco, presenting what the ultimate European summer looks like; until the moment that Venmo request hits your phone about splitting the bill, call it “Final Destination”...

Credits: Gucci

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

We are looking at Dot’s fourth studio album; one that earned him a Grammy and the historic Pulitzer Prize for Music, a moment that, even now years later, remains difficult to fully comprehend in terms of its significance, as the first and only rap album to ever win it.

603k first week. For an album that can also be played in reverse order;which, conceptually, surprises no one. When the lyricism is operating at a godly level, that kind of detail is simply a field day, a complement to the lyrical exercise flowing through the studio, with producers such as Bēkon, Mike Will Made It, Dahi, Sounwave, James Blake, Top Dawg, Steve Lacy, Thundercat, ALC, and countless other talented names alongside them.

And if you thought we wouldn’t mention @9thwonder - go find that YouTube beat breakdown for Duckworth, guaranteed to leave you speechless.

Clean on the features, minimal and precise: Zacari, Riri, U2.
Easily a top-10 album to keep on rotation, no matter when, no matter what.

++++

Cover: Theo Wargo/WireImage
Album Cover: Dave Free a.k.a. The Little Homies
Project Graphic Designer: Vlad Sepetov
Images: Valerie Macon/AFP/Getty Images / Kenny Sun

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /

Provocative, right?

The second part of that sentence | “but it’s way more complex” | says it all.

That interview dropped on February 26, 2026, so it is interesting to see how public reception of Blazy’s work at Chanel has shifted since the first show. At the time of the interview, we were looking at his first three collections under the house; a period that can still reflect the progress of building a new modern image for a legacy house, particularly as its new creative director, and only the fourth in 116 years.

But can the meaning of a house be ever-defined in an ever-evolving market and landscape? At its core, yes, it can maintain its image - but the problem arises when it stops evolving.

Perhaps that is something the brand’s most devoted fans need to understand: a fashion house cannot be rooted (strictly) in its codes forever, and everything must evolve.

That is exactly what Blazy is doing here, and doing successfully. The numbers back it up.

#1 on the Lyst Index, a 2% revenue increase to $19.3 billion USD; what more is there to say? Blazy is right: knowing what a brand means is more complex than what appears on the surface.

Five collections in, any attempt to question his abilities seems like a waste of time. New stores are set to open, and we haven’t even touched on the social media frenzy.

Saddle up as Blazy is set to present his second Chanel Haute Couture collection on July 7th, with two shows at 10am and noon.

++++

Interview: AnotherMag
Cover: Dana Lixenberg
Isidore Montag / Gorunway.com / Armando Grillo / Filippo Fior /