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Dan Flavin, “Untitled (to Bob and Pat Rohm)”, 1969-1970, red, green, and yellow fluorescent light, 48 x 48 x 4 inches. Shown at Team in the Fall of 2014 as part of “ghost outfit”, organized by Todd von Ammon.

Alex Da Corte, “Garlic Pussy”, 2011, plastic, foam, brass tacks, clamps, earrings, sunglasses, glue sticks, cigarette, zip ties, glass, ribbon, rubber, table, glove, plaster, playing card, gum, baguette, pizza wallet, motor oil, detergent, fringe, colander, compact disc, 2nd generation iPod with engraving, tape, sequins, wood glue, sneaker, plastic flowers, Jayson Musson’s “Hennessy Youngman Grinch Hat”, conditioner, mannequin hand, plug, wood glue, duster, mask, PVC hose, Strauss Bourque-LaFrance’s “Clay Rocks” and cell phone, dimensions variable. Shown at Team in the Summer of 2011 as part of “re: Empire”, curated by Miriam Katzeff.

Peter Hujar, “Nude Self-Portrait No. 1”, 1967, vintage silver print mounted on board, 16.5 x 13.5 inches. Shown at Team in the Fall of 2003 as part of “My People Were Fair and Had Cum in Their Hair (But Now They’re Content to Spray Stars From Your Boughs)”, curated by Bob Nickas.

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

Gardar Eide Einarsson, “Flagwaste (Stars and Stripes)”, 2016-2018, fabric refuse, dimensions variable. Still one of the best works I’ve ever had the opportunity to show. First in L.A. at Team Bungalow in 2016 (it was up during the national election) and then in 2018 at Team’s Grand Street space. Made in much the same manner as Robert Morris’ 1968 piece, Untitled (Threadwaste), the materials were obtained directly from U.S. flag factories, the residual waste of their daily labor. That this isn’t in an American public collection is a pity. @geeinarsson

By my count, one of the world’s ten best galleries for over three decades. @airdeparis @airdeparis_flow

A moment from EPISODE 3: HEARTH & HOME currently open at Zero… in Milan. Left to right: Patrick Sarmiento, Liam Neff, Nicole Wermers. @werewolf_foot @liam_neff89 @nicwermers @galleriazero

I’ve constructed a playlist of 32 films to accompany my THE HAPPINESS PROJECT, EPISODE 3: HEARTH AND HOME. You don’t have to watch all of them, a handful would do. Just remember, there might be a quiz. @galleriazero

I’ve constructed a playlist of 32 films to accompany my THE HAPPINESS PROJECT, EPISODE 3: HEARTH AND HOME. You don’t have to watch all of them, a handful would do. Just remember, there might be a quiz. @galleriazero

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph 1:@robertomarossi
Ph 2, 3: Violante Buonocore

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph 1:@robertomarossi
Ph 2, 3: Violante Buonocore

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph 1:@robertomarossi
Ph 2, 3: Violante Buonocore

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

-

[…] HEARTH & HOME is an installation that attempts to replicate, in skeletal form, a domestic setting — the gallery acting as a minimalist stage set for a piece of Brechtian theater. There are chairs, lighting fixtures, vases, vanity mirrors, and other objects of interior design. The works on view, however, are hardly props. Although they sometimes echo the real in their form, or physically incorporate functional items, they remain fictive. The placement of the works — which include sculpture, painting, photography, and video — across the two floors of Zero... generates a jagged, paratactic meaning, leaving viewers to connect these points of signification to each other and to the exhibition’s motif: to follow its hermeneutic line. […]

-

on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

Ph: @robertomarossi

-
#thehappinessproject #galleriazero #milano

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

Thanks to all the nice folks who came out for the opening of EPISODE 3 in Milan. My only regret is that I forgot to spend the 3 hours taking pictures. So many missed opportunities! @galleriazero

THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME

Curated by José Freire
@teamgal

Lizzi Bougatsos, Sylvie Fleury, Richard Hoeck & John Miller, Christian Holstad, Elisabeth Kley, Liam Neff, Kayode Ojo, Patrick Sarmiento, Dash Snow, and Nicole Wermers

“Remember that in our day every cultured man, even the most healthy, is most irritable in his own home and among his own family.”   
Anton Chekhov

opening tomorrow, April 17, from 6 pm
on view through July 24

@baby_seal777 @fleury49000  @richard_hoeck  @the_middle_of_the_day  #christianholstad @ehkley  @liam_neff89 @kayodeojo @werewolf_foot  #dashsnow @nicwermers 

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#thehappinessproject #galleriazero #milano

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero

Rejecting momentous shared moments in favor of small private ones, Liam Neff’s paintings are fragments of quotidian existence that glisten like mosaics. There’s enough there — in the color and the structure — to pull us in, but these pictures remain enigmatic, details of a world that is only now, through the artist’s intercession, being brought to our attention. The casual nature of his chosen images is belied by the tender and diligent manner in which they’ve been rendered. His paintings of objects lit by artificial means always have a slight edge to them, like items from 90’s neo-noirs, sometimes calling to mind the chintzy allure of stained glass. On the other hand, Neff’s daytime window views, all urban in the extreme, are odes to potentiality, taking place on the one day in a hundred where the New York City sky is a triumph of blue.

Liam Neff will form a part of THE HAPPINESS PROJECT, EPISODE 3: HEARTH & HOME at Zero… in Milan, opening on 17 April 2026. @liam_neff89 @galleriazero