Instagram Story Save

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

Launching our new title this year, te magazine N°4 𝚂𝚙𝚒𝚗𝚊𝚕 𝙼𝚎𝚖𝚘𝚛𝚢 《脊柱记忆》. Orders now available on our website, link in bio!
🦒🦆🐎🐄🐻🦌🐦‍⬛🦜🐅🐈
从支撑生命的脊柱出发，第四期聚焦于对于非人类动物的身体利用与操控，感知与共情。本期的大多数创作者都有着与动物长期相处或持续调研的经验，他们通过观察、教育、绘画、写作与图像等创作方式，去解构既有的“伦理关系”与“秩序”。我们是否可能构建一个相对平等的多物种世界？又是否能够以更为谦卑、内省的方式，重新学习如何与他者共处？第四期并不预设答案，而是邀请读者代入他者的身体，在缓慢的交换中重新打开想象，任由一种尚未被命名的关系在此间生成。

Starting from the spine, the very pillar of life, issue 4 of te magazine focuses on nonhuman animals to explore the manipulation of their bodies alongside themes of perception and empathy. This fourth issue does not offer answers; instead, it comprises reflections and imaginations, as most contributors have long-standing experiences with or ongoing research on animals. Through observation, education, painting, writing, and image-making, they seek to loosen the existing “ethical relationships” and “orderly rules.” Is it possible to envision a relatively equal multispecies world? Can we relearn how to coexist with “the other” through a more humble and introspective lens? Issue 4 offers no definitive answers; instead, it invites readers to inhabit the bodies of others, to feel and acknowledge them. A slow exchange occurs that reopens our imagination and generates a relationship that has yet to be named.

𓇻 Featuring 10 contributions across disciplines.
𓇻 Editorial team @michaelguooo @kechuncc @nod_yek
𓇻 Graphic design, as always by @solxus

You will encounter the book at the following book fairs and in bookstores!

🌹炎热续写：《地浪》中的诗歌与影像
读诗+放映+Q&A
𝐌𝐚𝐲 𝟑𝟏, 𝐒𝐮𝐧𝐝𝐚𝐲, 𝟔-𝟖𝐩𝐦
𝐀𝐜𝐜𝐞𝐧𝐭 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝟖𝟗 𝟓𝐭𝐡 𝐀𝐯𝐞.
扫码报名 or https://luma.com/37bvgipo

由te editions @te.editions 出版的阚辛 @kanthypeng 首部艺术家书《地浪》（Ground Sea），通过73幅摄影作品编织出一段关于抑郁、记忆与失落的叙事。书中的图像横跨十余年，经由重新编排后，形成彼此回响的时间结构。

书名“地浪”一词源于古代西印度群岛人使用的词汇。人类学家、女性主义者Emily Martin在观摩情感性疾患的临床教学时，曾以“地浪”形容她的所见所感，“……指的是在晴朗的天气里，毫无任何明显原因之下，海洋突然隆起，以沉重咆哮的巨浪之势扑上岸边。造成地浪的原因，通常是一场发生在肉眼所及之外的遥远风暴。”

《地浪》同时收录了诗人更杳 @unikadiaspora 的两首诗作： 一首悼念阚辛与更杳的一位共同朋友，另一首则借由中国“小镇做题家”现象，映照阶级跃迁的艰难与压抑。二首诗皆与书中的图像彼此呼应，建立起私密而持续的共振。

在《地浪》出版一周年之际，阚辛和更杳在重音社展开对话，共同探讨诗歌与影像的边界，以及镜头语言背后隐匿的文学性。活动中，te editions的郭鹤天和重音社的李骄阳将带领读诗，更杳也将分享其诗歌创作中的文字技巧与风格形成。

活动最后，还将放映阚辛的最新双屏影像作品：《葬礼途中》。作为此次创作合作关系的进一步延伸，这也将是该作品首次在美国展映。

Poster designed by @pennyff_fan

🌹炎热续写：《地浪》中的诗歌与影像
读诗+放映+Q&A
𝐌𝐚𝐲 𝟑𝟏, 𝐒𝐮𝐧𝐝𝐚𝐲, 𝟔-𝟖𝐩𝐦
𝐀𝐜𝐜𝐞𝐧𝐭 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝟖𝟗 𝟓𝐭𝐡 𝐀𝐯𝐞.
扫码报名 or https://luma.com/37bvgipo

由te editions @te.editions 出版的阚辛 @kanthypeng 首部艺术家书《地浪》（Ground Sea），通过73幅摄影作品编织出一段关于抑郁、记忆与失落的叙事。书中的图像横跨十余年，经由重新编排后，形成彼此回响的时间结构。

书名“地浪”一词源于古代西印度群岛人使用的词汇。人类学家、女性主义者Emily Martin在观摩情感性疾患的临床教学时，曾以“地浪”形容她的所见所感，“……指的是在晴朗的天气里，毫无任何明显原因之下，海洋突然隆起，以沉重咆哮的巨浪之势扑上岸边。造成地浪的原因，通常是一场发生在肉眼所及之外的遥远风暴。”

《地浪》同时收录了诗人更杳 @unikadiaspora 的两首诗作： 一首悼念阚辛与更杳的一位共同朋友，另一首则借由中国“小镇做题家”现象，映照阶级跃迁的艰难与压抑。二首诗皆与书中的图像彼此呼应，建立起私密而持续的共振。

在《地浪》出版一周年之际，阚辛和更杳在重音社展开对话，共同探讨诗歌与影像的边界，以及镜头语言背后隐匿的文学性。活动中，te editions的郭鹤天和重音社的李骄阳将带领读诗，更杳也将分享其诗歌创作中的文字技巧与风格形成。

活动最后，还将放映阚辛的最新双屏影像作品：《葬礼途中》。作为此次创作合作关系的进一步延伸，这也将是该作品首次在美国展映。

Poster designed by @pennyff_fan

🌹炎热续写：《地浪》中的诗歌与影像
读诗+放映+Q&A
𝐌𝐚𝐲 𝟑𝟏, 𝐒𝐮𝐧𝐝𝐚𝐲, 𝟔-𝟖𝐩𝐦
𝐀𝐜𝐜𝐞𝐧𝐭 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝟖𝟗 𝟓𝐭𝐡 𝐀𝐯𝐞.
扫码报名 or https://luma.com/37bvgipo

由te editions @te.editions 出版的阚辛 @kanthypeng 首部艺术家书《地浪》（Ground Sea），通过73幅摄影作品编织出一段关于抑郁、记忆与失落的叙事。书中的图像横跨十余年，经由重新编排后，形成彼此回响的时间结构。

书名“地浪”一词源于古代西印度群岛人使用的词汇。人类学家、女性主义者Emily Martin在观摩情感性疾患的临床教学时，曾以“地浪”形容她的所见所感，“……指的是在晴朗的天气里，毫无任何明显原因之下，海洋突然隆起，以沉重咆哮的巨浪之势扑上岸边。造成地浪的原因，通常是一场发生在肉眼所及之外的遥远风暴。”

《地浪》同时收录了诗人更杳 @unikadiaspora 的两首诗作： 一首悼念阚辛与更杳的一位共同朋友，另一首则借由中国“小镇做题家”现象，映照阶级跃迁的艰难与压抑。二首诗皆与书中的图像彼此呼应，建立起私密而持续的共振。

在《地浪》出版一周年之际，阚辛和更杳在重音社展开对话，共同探讨诗歌与影像的边界，以及镜头语言背后隐匿的文学性。活动中，te editions的郭鹤天和重音社的李骄阳将带领读诗，更杳也将分享其诗歌创作中的文字技巧与风格形成。

活动最后，还将放映阚辛的最新双屏影像作品：《葬礼途中》。作为此次创作合作关系的进一步延伸，这也将是该作品首次在美国展映。

Poster designed by @pennyff_fan

🌹炎热续写：《地浪》中的诗歌与影像
读诗+放映+Q&A
𝐌𝐚𝐲 𝟑𝟏, 𝐒𝐮𝐧𝐝𝐚𝐲, 𝟔-𝟖𝐩𝐦
𝐀𝐜𝐜𝐞𝐧𝐭 𝐒𝐢𝐬𝐭𝐞𝐫𝐬, 𝟖𝟗 𝟓𝐭𝐡 𝐀𝐯𝐞.
扫码报名 or https://luma.com/37bvgipo

由te editions @te.editions 出版的阚辛 @kanthypeng 首部艺术家书《地浪》（Ground Sea），通过73幅摄影作品编织出一段关于抑郁、记忆与失落的叙事。书中的图像横跨十余年，经由重新编排后，形成彼此回响的时间结构。

书名“地浪”一词源于古代西印度群岛人使用的词汇。人类学家、女性主义者Emily Martin在观摩情感性疾患的临床教学时，曾以“地浪”形容她的所见所感，“……指的是在晴朗的天气里，毫无任何明显原因之下，海洋突然隆起，以沉重咆哮的巨浪之势扑上岸边。造成地浪的原因，通常是一场发生在肉眼所及之外的遥远风暴。”

《地浪》同时收录了诗人更杳 @unikadiaspora 的两首诗作： 一首悼念阚辛与更杳的一位共同朋友，另一首则借由中国“小镇做题家”现象，映照阶级跃迁的艰难与压抑。二首诗皆与书中的图像彼此呼应，建立起私密而持续的共振。

在《地浪》出版一周年之际，阚辛和更杳在重音社展开对话，共同探讨诗歌与影像的边界，以及镜头语言背后隐匿的文学性。活动中，te editions的郭鹤天和重音社的李骄阳将带领读诗，更杳也将分享其诗歌创作中的文字技巧与风格形成。

活动最后，还将放映阚辛的最新双屏影像作品：《葬礼途中》。作为此次创作合作关系的进一步延伸，这也将是该作品首次在美国展映。

Poster designed by @pennyff_fan

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

The cover image of 𝙩𝙚 𝙞𝙨𝙨𝙪𝙚 𝟰 𝙎𝙥𝙞𝙣𝙖𝙡 𝙈𝙚𝙢𝙤𝙧𝙮 courtesy of @robert_zhao, a sambar deer in Singapore—a place where the city and forest coexist, subtly shaping locals’ understanding and observational approaches to species. Zhao turns his attention to the “in-between forms” of life within the urban environment. His writing, 𝙏𝙝𝙚 𝙇𝙞𝙫𝙚𝙨 𝙤𝙛 𝙊𝙩𝙝𝙚𝙧𝙨: 𝙒𝙧𝙞𝙩𝙞𝙣𝙜 𝘼𝙣𝙞𝙢𝙖𝙡𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙇𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚𝙨 𝙤𝙛 𝘾𝙤𝙣𝙩𝙧𝙤𝙡, comprises observational fragments collected during his travels, documenting a series of unexpected coexistences between non-human life and manmade structures. In Zhao’s view, true ecology may not reside in the distant “wild,” but rather lurks in everyday life at the intersection of city and forest.

In Zhao’s thermal imagery, the deer glows through the heat of its body, sharing the same terrain as the distant human-lit towers. Echoing this layer of presence, the title of the magazine was printed in a fluorescent spot color, giving it a subtle, glowing effect.

🦌 ·• •.

新加坡是一座城市与森林几乎共存的地方，这种环境也在无形中影响着当地人对于物种的理解和观察路径。艺术家赵仁辉把目光转向生物在城市中的“中间形态”。《边缘地带的生灵叙事：当扰动成为栖所》由他在各地旅行时的观察片段组成，记录了一系列意想不到的非人类生命与人造结构之间的共存状态。在赵仁辉看来，真正的生态，未必存在于遥远的“野外”，反而潜伏在城市与森林交界的日常之中。

杂志封面的热成像摄影由赵仁辉拍摄，图中的水鹿因体温而发光，与远处楼宇中的人类共生于同一片土地。为了呼应这层温度，标题特别使用了荧光专色印刷，使其透出一种微微发光的视觉。

Designed by @solxus
te-editions.com

We’re here in LA for @printedmatter_artbookfairs, ready for the weekend! Our table C2 is right at the entrance to area C. Come say hi!

We’re bringing our new title, 𝕥𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, along with the issue’s special poster (available only at book fairs) and the tote bag, all beautifully designed by @solxus. You can get the full green collection with a special discount. 📗💚We also have 𝔻𝕒𝕟𝕔𝕖 𝕀𝕟 ℍ𝕖𝕣𝕝𝕒𝕟𝕕 by @lukayang, and the 𝔾𝕣𝕠𝕦𝕟𝕕 𝕊𝕖𝕒 special edition by @kanthypeng, accompanied by very limited prints!

MAY 7
6–9 PM

MAY 8–9
11 AM–7 PM

MAY 10
11 AM–6 PM

at @artcenteredu South Campus
@printedmatter_artbookfairs
@printedmatterinc
#laabf2026

We’re here in LA for @printedmatter_artbookfairs, ready for the weekend! Our table C2 is right at the entrance to area C. Come say hi!

We’re bringing our new title, 𝕥𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, along with the issue’s special poster (available only at book fairs) and the tote bag, all beautifully designed by @solxus. You can get the full green collection with a special discount. 📗💚We also have 𝔻𝕒𝕟𝕔𝕖 𝕀𝕟 ℍ𝕖𝕣𝕝𝕒𝕟𝕕 by @lukayang, and the 𝔾𝕣𝕠𝕦𝕟𝕕 𝕊𝕖𝕒 special edition by @kanthypeng, accompanied by very limited prints!

MAY 7
6–9 PM

MAY 8–9
11 AM–7 PM

MAY 10
11 AM–6 PM

at @artcenteredu South Campus
@printedmatter_artbookfairs
@printedmatterinc
#laabf2026

We’re here in LA for @printedmatter_artbookfairs, ready for the weekend! Our table C2 is right at the entrance to area C. Come say hi!

We’re bringing our new title, 𝕥𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, along with the issue’s special poster (available only at book fairs) and the tote bag, all beautifully designed by @solxus. You can get the full green collection with a special discount. 📗💚We also have 𝔻𝕒𝕟𝕔𝕖 𝕀𝕟 ℍ𝕖𝕣𝕝𝕒𝕟𝕕 by @lukayang, and the 𝔾𝕣𝕠𝕦𝕟𝕕 𝕊𝕖𝕒 special edition by @kanthypeng, accompanied by very limited prints!

MAY 7
6–9 PM

MAY 8–9
11 AM–7 PM

MAY 10
11 AM–6 PM

at @artcenteredu South Campus
@printedmatter_artbookfairs
@printedmatterinc
#laabf2026

We’re here in LA for @printedmatter_artbookfairs, ready for the weekend! Our table C2 is right at the entrance to area C. Come say hi!

We’re bringing our new title, 𝕥𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, along with the issue’s special poster (available only at book fairs) and the tote bag, all beautifully designed by @solxus. You can get the full green collection with a special discount. 📗💚We also have 𝔻𝕒𝕟𝕔𝕖 𝕀𝕟 ℍ𝕖𝕣𝕝𝕒𝕟𝕕 by @lukayang, and the 𝔾𝕣𝕠𝕦𝕟𝕕 𝕊𝕖𝕒 special edition by @kanthypeng, accompanied by very limited prints!

MAY 7
6–9 PM

MAY 8–9
11 AM–7 PM

MAY 10
11 AM–6 PM

at @artcenteredu South Campus
@printedmatter_artbookfairs
@printedmatterinc
#laabf2026

We’re here in LA for @printedmatter_artbookfairs, ready for the weekend! Our table C2 is right at the entrance to area C. Come say hi!

We’re bringing our new title, 𝕥𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, along with the issue’s special poster (available only at book fairs) and the tote bag, all beautifully designed by @solxus. You can get the full green collection with a special discount. 📗💚We also have 𝔻𝕒𝕟𝕔𝕖 𝕀𝕟 ℍ𝕖𝕣𝕝𝕒𝕟𝕕 by @lukayang, and the 𝔾𝕣𝕠𝕦𝕟𝕕 𝕊𝕖𝕒 special edition by @kanthypeng, accompanied by very limited prints!

MAY 7
6–9 PM

MAY 8–9
11 AM–7 PM

MAY 10
11 AM–6 PM

at @artcenteredu South Campus
@printedmatter_artbookfairs
@printedmatterinc
#laabf2026

📦📦📦 Can’t wait for May and June. We will be bringing the freshly printed 𝕥𝕖 𝕞𝕒𝕘𝕒𝕫𝕚𝕟𝕖 𝕚𝕤𝕤𝕦𝕖 𝟜, to art book fairs across different cities. 在上海unfold书展，我们会带上《她乡舞曲》（Dance In Herland）国内版，由编辑为你介绍这本书。欢迎各位！

May.2-3
Jersey Art Book Fair @itsdense
at @manacontemporary
table A18

May.7-10
@printedmatter_artbookfairs
at @artcenteredu
table C2

May.9-10
@seattleartbookfair
at @washingtonhall206
table 27

May.9-10
@solxus will bring some copies of issue 4 to
@ghentartbookfair at @kunsthalgent
Find @rcavisua ‘s table!

May.15-17
@vancouverartbookfair
at @roundhousecc

June.11-14
@shanghaiartbookfair
at 新天地喇格纳小学

June.12-13
@biblioteka_library
at @the_warburg_institute

June.24-28
@sibf_official
at @coexinternational
Booth B459

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

📠 印刷進行中 ！
→ te magazine N°4 Spinal Memory is in the printing process; paper is folding. 📑📑
Publication designed by @solxus. p1, 3 comes from @milkmaneggg

Copies will be ready in the following art book fairs, stay tuned!

Packing our titles! Some of you may know, #otherislands2026 is happening this weekend in Brooklyn.

te’ll be bringing the freshly arrived sample copy of te magazine Issue 4 to the fair, where pre-orders will be available in person, with free shipping 📦

Book your free ticket through @prattgradcomd link in bio.

Packing our titles! Some of you may know, #otherislands2026 is happening this weekend in Brooklyn.

te’ll be bringing the freshly arrived sample copy of te magazine Issue 4 to the fair, where pre-orders will be available in person, with free shipping 📦

Book your free ticket through @prattgradcomd link in bio.

第四期杂志即将上线！距离第三期出版，已过去一年半。新一期的写作者们有着与非人类动物长期相处或持续调研的经验，他们的书写在反思与想象之间徐徐展开。让我们一起进入一个多物种的世界！

te magazine Issue 4 arrives this spring—a year and a half since our last. The coming issue brings together contributors who have long-standing experiences with or ongoing research on non-human animals. Their writings and thinkings unfold between reflection and imagination. Let’s dive into a multi-species world！

🐦‍⬛ 〰️
B͟A͟S͟E͟ ͟P͟H͟O͟T͟O͟G͟R͟A͟P͟H͟ @robert_zhao
A͟N͟I͟M͟A͟T͟I͟O͟N͟ ͟(͟F͟L͟Y͟I͟N͟G͟ ͟S͟W͟A͟L͟L͟O͟W͟)͟ @udhiqni
G͟R͟A͟P͟H͟I͟C͟ ͟D͟E͟S͟I͟G͟N͟@solxus

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

《她乡舞曲》Dance In Herland入围了莱比锡Forms of Publication, printed publications 2026！

作者Author @lukayang
编辑&出版Edited and published by @te.editions
书籍设计Graphic design @infoandupdates

The exhibition is now on view. You can browse both the printed and digital publications from Forms of Publication 2026, including shortlisted and award-winning titles.

March 21 – June 14, 2026
Neubau, Karl–Tauchnitz–Str. 9–11, 04107 Leipzig
@gfzk.leipzig @forms_of_publication

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

It’s spring migration season, and like the birds, we’ve landed in Dallas for our first art book fair of 2026. Thank you to everyone who stopped by! 再会达拉斯！
@dallascontemporary

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

✧ exhibitor spotlight ✧

✧ Library Mothership
London

Library Mothership is a visual odyssey that crawls on the surface of the image.
It serves as a visual and textual archive, systematically researching, archiving, and curating image studies in artist’s books, super books, and printed fashion objects. Through its published and furnished surfaces, where words meet objects, cyber-interfaces mesh analog materials, an iconography of contemporary life and death is drawn.
@library_mothership

✧ Luka Yuanyuan Yang & te editions
New York / Beijing / London

Luka Yuanyuan Yang is a visual artist and filmmaker based in Beijing and London, working across documentary film, video art, photography and performance to explore themes of identity, migration, and memory.
te editions is a curatorial, editorial, and publishing collective operating in New York and Beijing, dedicated to exploring the intersection of art and the humanities. They examine historical and contemporary social landscapes through a diversified and microscopic lens, focusing on how cultures encounter, collapse, and transform each other within global cultural flows. Launched with a bilingual annual magazine in 2021 and formally established in 2023, they collaborate with research-driven artists, scholars, and communities to produce physical publications together.
@te.editions @lukayang

✧ Nomad Papaya Books
Düsseldorf / Taipei

Nomad Papaya BOOKS is an art book / zine publishing house focusing on transition of culture(s) and identit(ies), based in Taiwan / Germany.
The founder started questioning the notions of identity and nationality but get really confused by himself, so he decided to make art books and collaborate with people, try (not) to seek answers and form new ideologies and relations.
What is changing when you cross the border, leaving your own history/home behind?
Can encounter form new Identities?
@nomadpapayabooks

—
Outland Publishing Fair 2026
📅 17 – 19 April
📍 @copelandparkse
#outlandpublishingfair #artbookfair #zinefair #londonevents #publishing

📚 Digital publication: ‘The Borderless Shelf: Re-imagining a Library Space’

Last summer, @te.editions’ residency as @asymmetryartorg Librarians-in-Residence unfolded across New York City and London, travelling farther than we had imagined. ‘The Borderless Shelf: Re-imagining a Library Space’ is a digital publication that documents these encounters and continues to hold and circulate the ideas, conversations, and practices that emerged during, and beyond, the programmes we organised together.

The publication features te editions’ conversations with reading rooms and bookshops, reflections on the Drifting Backpack initiative, and a commissioned essay by our Curatorial Fellow Sharon X. Liu @sharonxyza. Sharon’s text investigates the Chinese literati Tian Han’s studies and social life during the Taishō period in Tokyo, tracing a once-existing transnational cosmopolitanism and asking: how might we imagine, and create new connections and solidarities in the present moment?

By sharing this publication, we hope to encourage reading as a communal event, and the library as a porous site that moves between the singular and transmission, allowing conversations to continue, as reading is about us all.

📖 Read the publication via link in bio👆

Designed by @fleurbleueeeee