Instagram Story Save

ISSUE #55 @est_living MAGAZINE OUT NOW | The Faces of Design: Names to Watch in 2025

I’m excited to be featured in the latest issue of est living magazine, The Faces of Design. This edition shines a spotlight on the leading voices in design who are shaping the future in 2025, blending innovation with craftsmanship to create exceptional work.

From the inspiring projects of Charles Zana, Antoine Simonin, and John Pawson to the emerging talents making their mark in collectable design, this issue captures the bold new ideas and timeless approaches that are redefining the industry.

Discover the full issue at estliving.com/est-magazine or via the link in bio.

Published on estliving.com
@est_living
Editor @sophlew_says
Design & Visual Editor @jackseedsman
Images by @phamstapham

ISSUE #55 @est_living MAGAZINE OUT NOW | The Faces of Design: Names to Watch in 2025

I’m excited to be featured in the latest issue of est living magazine, The Faces of Design. This edition shines a spotlight on the leading voices in design who are shaping the future in 2025, blending innovation with craftsmanship to create exceptional work.

From the inspiring projects of Charles Zana, Antoine Simonin, and John Pawson to the emerging talents making their mark in collectable design, this issue captures the bold new ideas and timeless approaches that are redefining the industry.

Discover the full issue at estliving.com/est-magazine or via the link in bio.

Published on estliving.com
@est_living
Editor @sophlew_says
Design & Visual Editor @jackseedsman
Images by @phamstapham

So very chuffed to be included in the VL50 for 2025.
Very big thank you to @beccaratti @mobilia_ and the VL team @vogueliving for this great honor. It’s so inspiring to be apart of such an amazing group of creatives.

This coveted list of local talents has been hand-selected by the Vogue Living team for showcasing distinctive style, out-of-the-box thinking and creative commitment in furthering Australian design not just in our nation but also on the global stage. The VL50 is a celebration of the diverse, evolving creative community we have and the incredible value it holds.

#VL50 #vogueliving

So very chuffed to be included in the VL50 for 2025.
Very big thank you to @beccaratti @mobilia_ and the VL team @vogueliving for this great honor. It’s so inspiring to be apart of such an amazing group of creatives.

This coveted list of local talents has been hand-selected by the Vogue Living team for showcasing distinctive style, out-of-the-box thinking and creative commitment in furthering Australian design not just in our nation but also on the global stage. The VL50 is a celebration of the diverse, evolving creative community we have and the incredible value it holds.

#VL50 #vogueliving

My pendant at APART: Applied Arts, Then and Now, presented by @lost_profile_studio at @lost_profile_gallery during @ngvmelbourne Melbourne Design Week. Good company in there. 📷 @tomas.friml

My pendant at APART: Applied Arts, Then and Now, presented by @lost_profile_studio at @lost_profile_gallery during @ngvmelbourne Melbourne Design Week. Good company in there. 📷 @tomas.friml

Stone Cold. Sourced stone, drilled out. On show this weekend as part of A Sense of Occasion at NHO, Fitzroy – @thomasmaxamstudio with images by @matthewmcquiggan 🪨

Stone Cold. Sourced stone, drilled out. On show this weekend as part of A Sense of Occasion at NHO, Fitzroy – @thomasmaxamstudio with images by @matthewmcquiggan 🪨

I’m stoked to be part of this brilliant exhibition curated by @thomasmaxamstudio 🍾🥂

A Sense of Occasion, the champagne bucket becomes more than an object; it becomes a vessel for shared human moments, holding not just ice, but a moment to celebrate and gather. Featuring new designs from @adamcornishdesign @adrianahannaoffice @after___mood @brahmanperera @charliewhitewhite @corbet.objet @deannorton @fomu @giels_world @ham_don @jay_jermyn @_jordanfleming @marlo__lyda @studioceravolo @space_man.studio @steelotto_official @studiodokolaglass @studiotops @thomasmaxamstudio @veardesign

Exhibition: 14–17 May 2026 @NHO, 1/108 Moor Street, Fitzroy
Opening Times: 10:00am-5:00pm

Presented by: @thomasmaxamstudio
Champagne partner: @champagnepolroger
Venue and Marketing and Communications: @nho_________
Creative and Visual identity: @studio_round
Production support: @wellcomanz
Photography: @matthewmcquiggan

#MelbourneDesignWeek
@NGVMelbourne

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.

I’m stoked to be part of this brilliant exhibition curated by @thomasmaxamstudio 🍾🥂

A Sense of Occasion, the champagne bucket becomes more than an object; it becomes a vessel for shared human moments, holding not just ice, but a moment to celebrate and gather. Featuring new designs from @adamcornishdesign @adrianahannaoffice @after___mood @brahmanperera @charliewhitewhite @corbet.objet @deannorton @fomu @giels_world @ham_don @jay_jermyn @_jordanfleming @marlo__lyda @studioceravolo @space_man.studio @steelotto_official @studiodokolaglass @studiotops @thomasmaxamstudio @veardesign

Exhibition: 14–17 May 2026 @NHO, 1/108 Moor Street, Fitzroy
Opening Times: 10:00am-5:00pm

Presented by: @thomasmaxamstudio
Champagne partner: @champagnepolroger
Venue and Marketing and Communications: @nho_________
Creative and Visual identity: @studio_round
Production support: @wellcomanz
Photography: @matthewmcquiggan

#MelbourneDesignWeek
@NGVMelbourne

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.

I’m stoked to be part of this brilliant exhibition curated by @thomasmaxamstudio 🍾🥂

A Sense of Occasion, the champagne bucket becomes more than an object; it becomes a vessel for shared human moments, holding not just ice, but a moment to celebrate and gather. Featuring new designs from @adamcornishdesign @adrianahannaoffice @after___mood @brahmanperera @charliewhitewhite @corbet.objet @deannorton @fomu @giels_world @ham_don @jay_jermyn @_jordanfleming @marlo__lyda @studioceravolo @space_man.studio @steelotto_official @studiodokolaglass @studiotops @thomasmaxamstudio @veardesign

Exhibition: 14–17 May 2026 @NHO, 1/108 Moor Street, Fitzroy
Opening Times: 10:00am-5:00pm

Presented by: @thomasmaxamstudio
Champagne partner: @champagnepolroger
Venue and Marketing and Communications: @nho_________
Creative and Visual identity: @studio_round
Production support: @wellcomanz
Photography: @matthewmcquiggan

#MelbourneDesignWeek
@NGVMelbourne

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.

|| SYNTHESIS ||

An immersive interior installation curated by Ruby Shields featuring over 40 artists, designers & makers.

Set within the Bishop’s Parlour at Abbotsford Convent, Synthesis explores how we live with design. Colour, material, light and scent held together, not in isolation, but in relationship.

At its core, Synthesis is about collective authorship. This isn’t about objects on plinths. It’s about what happens when everything comes together. Many voices, one interior language.

Opening Night ~ 16th May 6pm

Featuring works by:
Amy Vidler, Anne U, Angela Hayes, Astrid Salomon, Bel Williams, Bolaji Teniola, Cameron Green, Carl Broesen Studio, Craig Shanahan / Mood Workshop, Curtis Bloxsidge & 2am Close, Culture Cush, Dean Norton, Em Frank, Femme Brutale, Fools Glass, Georgia Harvey, Hannah Nowlan, Indigo Tolhurst, Jenny Jones, Jordan Fleming, Kelly Brown, KOEH Studio, Locki Humphrey, Marlo Lydia, Martyn Thompson, Max Copolou, Melvin Josy, Nicole Lawrence, Objects for Thought, Patrick Scott, Patrick Shields, Ro Noonan, Saturday Yard Work, Studio Dokola, Studio Kaytar, Studio Tops, Subject Matters, Sundance Studio, Tantri Mustika, Thannie Phan, Theodosius Ng, Thomas Maxam, Zoe Diacolabianos.

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne

|| SYNTHESIS ||

An immersive interior installation curated by Ruby Shields featuring over 40 artists, designers & makers.

Set within the Bishop’s Parlour at Abbotsford Convent, Synthesis explores how we live with design. Colour, material, light and scent held together, not in isolation, but in relationship.

At its core, Synthesis is about collective authorship. This isn’t about objects on plinths. It’s about what happens when everything comes together. Many voices, one interior language.

Opening Night ~ 16th May 6pm

Featuring works by:
Amy Vidler, Anne U, Angela Hayes, Astrid Salomon, Bel Williams, Bolaji Teniola, Cameron Green, Carl Broesen Studio, Craig Shanahan / Mood Workshop, Curtis Bloxsidge & 2am Close, Culture Cush, Dean Norton, Em Frank, Femme Brutale, Fools Glass, Georgia Harvey, Hannah Nowlan, Indigo Tolhurst, Jenny Jones, Jordan Fleming, Kelly Brown, KOEH Studio, Locki Humphrey, Marlo Lydia, Martyn Thompson, Max Copolou, Melvin Josy, Nicole Lawrence, Objects for Thought, Patrick Scott, Patrick Shields, Ro Noonan, Saturday Yard Work, Studio Dokola, Studio Kaytar, Studio Tops, Subject Matters, Sundance Studio, Tantri Mustika, Thannie Phan, Theodosius Ng, Thomas Maxam, Zoe Diacolabianos.

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne

|| SYNTHESIS ||

An immersive interior installation curated by Ruby Shields featuring over 40 artists, designers & makers.

Set within the Bishop’s Parlour at Abbotsford Convent, Synthesis explores how we live with design. Colour, material, light and scent held together, not in isolation, but in relationship.

At its core, Synthesis is about collective authorship. This isn’t about objects on plinths. It’s about what happens when everything comes together. Many voices, one interior language.

Opening Night ~ 16th May 6pm

Featuring works by:
Amy Vidler, Anne U, Angela Hayes, Astrid Salomon, Bel Williams, Bolaji Teniola, Cameron Green, Carl Broesen Studio, Craig Shanahan / Mood Workshop, Curtis Bloxsidge & 2am Close, Culture Cush, Dean Norton, Em Frank, Femme Brutale, Fools Glass, Georgia Harvey, Hannah Nowlan, Indigo Tolhurst, Jenny Jones, Jordan Fleming, Kelly Brown, KOEH Studio, Locki Humphrey, Marlo Lydia, Martyn Thompson, Max Copolou, Melvin Josy, Nicole Lawrence, Objects for Thought, Patrick Scott, Patrick Shields, Ro Noonan, Saturday Yard Work, Studio Dokola, Studio Kaytar, Studio Tops, Subject Matters, Sundance Studio, Tantri Mustika, Thannie Phan, Theodosius Ng, Thomas Maxam, Zoe Diacolabianos.

Melbourne Design Week is an initiative of the Victorian Government through Creative Victoria.
Explore the full program: designweek.melbourne

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

I’m very pleased to share my most recent commission — the Dromen Lamp with custom switch and dimmer.

Dromen [droːmə(n)] meaning ‘to dream explores forms which subtly shift from soft to hard, and the palette from light to dark and pays homage to Studio Tops’ ongoing exploration of materiality and functionality.

The Dromen Lamp is a fibreglass form cast with loose cane embedded in the substrate, giving the surface texture and allowing light to pass through with variation across the panel. The faceted front face is bevelled at the edges, directing the glow inward and forward. Available in raw (natural) or blackened fibreglass.

Images by @georgiasmedley / @objectmassive ◼️

Issue No. 20 of @thelocalproject is out now, and I’m very honoured to be featured.

There’s so much that goes into making Studio Tops what it is — the hours of fabrication, the building of relationships, the ideation that happens long before anything takes physical form, and I’m always so grateful when that work is recognised.

Thank you to @thelocalproject and the wonderful Emily Riches for such considered words, and to @matthewmcquiggan, @tesskellyphotography, @florenceflorence_au and @phamstapham for the beautiful images.

Issue No. 20 of @thelocalproject is out now, and I’m very honoured to be featured.

There’s so much that goes into making Studio Tops what it is — the hours of fabrication, the building of relationships, the ideation that happens long before anything takes physical form, and I’m always so grateful when that work is recognised.

Thank you to @thelocalproject and the wonderful Emily Riches for such considered words, and to @matthewmcquiggan, @tesskellyphotography, @florenceflorence_au and @phamstapham for the beautiful images.

Issue No. 20 of @thelocalproject is out now, and I’m very honoured to be featured.

There’s so much that goes into making Studio Tops what it is — the hours of fabrication, the building of relationships, the ideation that happens long before anything takes physical form, and I’m always so grateful when that work is recognised.

Thank you to @thelocalproject and the wonderful Emily Riches for such considered words, and to @matthewmcquiggan, @tesskellyphotography, @florenceflorence_au and @phamstapham for the beautiful images.

Issue No. 20 of @thelocalproject is out now, and I’m very honoured to be featured.

There’s so much that goes into making Studio Tops what it is — the hours of fabrication, the building of relationships, the ideation that happens long before anything takes physical form, and I’m always so grateful when that work is recognised.

Thank you to @thelocalproject and the wonderful Emily Riches for such considered words, and to @matthewmcquiggan, @tesskellyphotography, @florenceflorence_au and @phamstapham for the beautiful images.

As DONE/UNDONE drew to a close this weekend, I’ve been reflecting on the role @craftvictoria plays in shaping, identifying and amplifying the craft and design community in Melbourne and also across Australia. It’s a space that backs experimentation, material enquiry and creates room for meaningful work to exist.

Very grateful to have been part of this exhibition.

@craftvictoria
@piercarthew
@joseph_gardner

As DONE/UNDONE drew to a close this weekend, I’ve been reflecting on the role @craftvictoria plays in shaping, identifying and amplifying the craft and design community in Melbourne and also across Australia. It’s a space that backs experimentation, material enquiry and creates room for meaningful work to exist.

Very grateful to have been part of this exhibition.

@craftvictoria
@piercarthew
@joseph_gardner

Convergence Light (2025) for DONE/UNDONE as featured in @vogueliving was built over several days and acts as a merging of oppositional forces.

I’m deeply proud to have been part of this show and would like to thank both @joseph_gardner and @craftvictoria for their trust and patience.

Curated by @joseph_gardner for @craftvictoria DONE/UNDONE explores the creative process as a space of constant negotiation — a series of decisions to build, erase, repeat, or let be.

Images by @piercarthew 📸

Convergence Light (2025) for DONE/UNDONE as featured in @vogueliving was built over several days and acts as a merging of oppositional forces.

I’m deeply proud to have been part of this show and would like to thank both @joseph_gardner and @craftvictoria for their trust and patience.

Curated by @joseph_gardner for @craftvictoria DONE/UNDONE explores the creative process as a space of constant negotiation — a series of decisions to build, erase, repeat, or let be.

Images by @piercarthew 📸

Convergence Light (2025) for DONE/UNDONE was built over several days and acts as a merging of oppositional forces.

Curated by @joseph_gardner for @craftvictoria DONE/UNDONE explores the creative process as a space of constant negotiation — a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely.

Convergence Light (2025) for DONE/UNDONE was built over several days and acts as a merging of oppositional forces.

Curated by @joseph_gardner for @craftvictoria DONE/UNDONE explores the creative process as a space of constant negotiation — a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely.

A recent commission for @tntthenewtrend at The Carlisle in Brisbane, engaged by @aki_interiordesign .
A free standing double sided mirror made for the rhythm of the room and the way people move through it.

Photographed by Brock Beazley @brockb____

A recent commission for @tntthenewtrend at The Carlisle in Brisbane, engaged by @aki_interiordesign .
A free standing double sided mirror made for the rhythm of the room and the way people move through it.

Photographed by Brock Beazley @brockb____

A recent commission for @tntthenewtrend at The Carlisle in Brisbane, engaged by @aki_interiordesign .
A free standing double sided mirror made for the rhythm of the room and the way people move through it.

Photographed by Brock Beazley @brockb____