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We are pleased to be included in the AD100 2026, the list that highlights the world’s most influential designers and architects.
A recognition made possible by the trust of our clients and the commitment of the people we work with every day.

ph: @albertostradastudio
@ad_italia #AD100

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

Defined by a clear and essential structure, our new Director’s Chair designed for @snoc__official translates a functional archetype into a refined object. Inspired by the world of boating, it combines lightness and precision, where every element serves a clear purpose.
The folding structure becomes a defining gesture, balancing practicality and form. The result is a piece that is simple, rigorous, and quietly distinctive, part of the Sestri Collection launched at MDW 2026.

—

ph: @albertostradastudio for @studioklass

We designed the booth for Snoc, Istanbul-based outdoor furniture brand making its debut at Salone del Mobile.Milano 2026.

The project reinforces the brand’s aesthetic direction, moving away from the most common codes of the sector and proposing its own vision of the world of outdoor furniture. The exhibition becomes an installation in which the furniture is not only displayed, but also narrated. It is surrounded by an environment that conveys the brand’s imagery, carrying with it its simplicity and intention.

@snoc__official
PH: @studio.brinth

We designed the booth for Snoc, Istanbul-based outdoor furniture brand making its debut at Salone del Mobile.Milano 2026.

The project reinforces the brand’s aesthetic direction, moving away from the most common codes of the sector and proposing its own vision of the world of outdoor furniture. The exhibition becomes an installation in which the furniture is not only displayed, but also narrated. It is surrounded by an environment that conveys the brand’s imagery, carrying with it its simplicity and intention.

@snoc__official
PH: @studio.brinth

We designed the booth for Snoc, Istanbul-based outdoor furniture brand making its debut at Salone del Mobile.Milano 2026.

The project reinforces the brand’s aesthetic direction, moving away from the most common codes of the sector and proposing its own vision of the world of outdoor furniture. The exhibition becomes an installation in which the furniture is not only displayed, but also narrated. It is surrounded by an environment that conveys the brand’s imagery, carrying with it its simplicity and intention.

@snoc__official
PH: @studio.brinth

We designed the booth for Snoc, Istanbul-based outdoor furniture brand making its debut at Salone del Mobile.Milano 2026.

The project reinforces the brand’s aesthetic direction, moving away from the most common codes of the sector and proposing its own vision of the world of outdoor furniture. The exhibition becomes an installation in which the furniture is not only displayed, but also narrated. It is surrounded by an environment that conveys the brand’s imagery, carrying with it its simplicity and intention.

@snoc__official
PH: @studio.brinth

We designed the booth for Snoc, Istanbul-based outdoor furniture brand making its debut at Salone del Mobile.Milano 2026.

The project reinforces the brand’s aesthetic direction, moving away from the most common codes of the sector and proposing its own vision of the world of outdoor furniture. The exhibition becomes an installation in which the furniture is not only displayed, but also narrated. It is surrounded by an environment that conveys the brand’s imagery, carrying with it its simplicity and intention.

@snoc__official
PH: @studio.brinth

A single die-cast aluminum element, repeated and connected with itself, gives rise to our new table collection for @mdfitalia_official .

SK table — 2026

A single die-cast aluminum element, repeated and connected with itself, gives rise to our new table collection for @mdfitalia_official .

SK table — 2026

A single die-cast aluminum element, repeated and connected with itself, gives rise to our new table collection for @mdfitalia_official .

SK table — 2026

A single die-cast aluminum element, repeated and connected with itself, gives rise to our new table collection for @mdfitalia_official .

SK table — 2026

SK Table interprets elegance and technicality in a carefully balanced equilibrium, naturally combining lightness and precision.

Designed for @mdfitalia_official , the result is a collection that adds a recognizable signature to contemporary living.

At the core of the project, the repetition of an iconic element—composed of two aluminum arches that join at the ends—defines a recognizable visual rhythm, generating the very structure of the table.

Technical details become invisible, and the range of finishes for the tabletops, available in wood veneer, marble, and glass, expands the expressive possibilities of the table while always preserving its distinctive character.

—
Ph: MDF Italia, Lorenzo Cappellini Baio
Video: MDF Italia, SSHS

SK Table interprets elegance and technicality in a carefully balanced equilibrium, naturally combining lightness and precision.

Designed for @mdfitalia_official , the result is a collection that adds a recognizable signature to contemporary living.

At the core of the project, the repetition of an iconic element—composed of two aluminum arches that join at the ends—defines a recognizable visual rhythm, generating the very structure of the table.

Technical details become invisible, and the range of finishes for the tabletops, available in wood veneer, marble, and glass, expands the expressive possibilities of the table while always preserving its distinctive character.

—
Ph: MDF Italia, Lorenzo Cappellini Baio
Video: MDF Italia, SSHS

SK Table interprets elegance and technicality in a carefully balanced equilibrium, naturally combining lightness and precision.

Designed for @mdfitalia_official , the result is a collection that adds a recognizable signature to contemporary living.

At the core of the project, the repetition of an iconic element—composed of two aluminum arches that join at the ends—defines a recognizable visual rhythm, generating the very structure of the table.

Technical details become invisible, and the range of finishes for the tabletops, available in wood veneer, marble, and glass, expands the expressive possibilities of the table while always preserving its distinctive character.

—
Ph: MDF Italia, Lorenzo Cappellini Baio
Video: MDF Italia, SSHS

SK Table interprets elegance and technicality in a carefully balanced equilibrium, naturally combining lightness and precision.

Designed for @mdfitalia_official , the result is a collection that adds a recognizable signature to contemporary living.

At the core of the project, the repetition of an iconic element—composed of two aluminum arches that join at the ends—defines a recognizable visual rhythm, generating the very structure of the table.

Technical details become invisible, and the range of finishes for the tabletops, available in wood veneer, marble, and glass, expands the expressive possibilities of the table while always preserving its distinctive character.

—
Ph: MDF Italia, Lorenzo Cappellini Baio
Video: MDF Italia, SSHS

SK Table interprets elegance and technicality in a carefully balanced equilibrium, naturally combining lightness and precision.

Designed for @mdfitalia_official , the result is a collection that adds a recognizable signature to contemporary living.

At the core of the project, the repetition of an iconic element—composed of two aluminum arches that join at the ends—defines a recognizable visual rhythm, generating the very structure of the table.

Technical details become invisible, and the range of finishes for the tabletops, available in wood veneer, marble, and glass, expands the expressive possibilities of the table while always preserving its distinctive character.

—
Ph: MDF Italia, Lorenzo Cappellini Baio
Video: MDF Italia, SSHS

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

We curated the creative direction for the launch of the new furniture collection MTM – Made to Measure designed by Herzog & de Meuron.
MTM originates from a primary gesture: an open constructive principle, grounded in a coherent geometry and a scalable structure capable of extending and reconfiguring itself without losing identity.
For this reason, in the shots of the photographic project the furnishings are not staged, but positioned as autonomous presences. They do not illustrate a way of living, but occupy the space with restraint: placed on a mineral surface pigmented in red, they allow their structural nature to emerge.

—
Creative Direction: Studio Klass
Graphic Design: Nicola Matteo Munari
Photo: Alberto Strada Studio
Art/Sand: Natália Trejbalová, Benedetta Maiani
DOP: Luca Quagliato
Video: Variante Artistica
Coordination: UniFor Mktg & Communication
Print: Grafiche Antiga
2026.04

@studioklass @albertostradastudio @munaridesign @__zxccv @natalia_trejbalova @unifor_official @variante_artistica @herzogdemeuron @hdm_objects

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

Working on the launch of MTM – @unifor_official latest collection designed by @herzogdemeuron we curated the Non Places installation at Spazio UniFor. Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

A cylinder of curved glass eight meters in diameter: a clear, autonomous, legible perimeter. A transparent threshold that both separates and reveals. Inside, a landscape that belongs to no recognizable place. A mineral surface, almost Martian. A primordial, abstract ground, suspended.

The non-place becomes the condition that allows the collection not to be defined once and for all, but to adapt, migrate, and transform.

@unifor_officialMilano Design Week 2026
W/ @albertostradastudio @natalia_trejbalova @__zxccv @variante_artistica @circularagency

An exploration of the relationship between elegance and technical precision.

With SK Table, Studio Klass investigates the tension between two complementary dimensions — precision and lightness — shaping a language that is both rigorous and welcoming.

Developed through a continuous dialogue with mdf italia, the project evolves through research, prototypes, and refinement, reaching a synthesis that is essential, coherent, and built to last.

SK Table by Studio Klass for #mdfitalia
Unveiling at Salone del Mobile 2026.

#salonedelmobile
#milanodesignweek2026

An exploration of the relationship between elegance and technical precision.

With SK Table, Studio Klass investigates the tension between two complementary dimensions — precision and lightness — shaping a language that is both rigorous and welcoming.

Developed through a continuous dialogue with mdf italia, the project evolves through research, prototypes, and refinement, reaching a synthesis that is essential, coherent, and built to last.

SK Table by Studio Klass for #mdfitalia
Unveiling at Salone del Mobile 2026.

#salonedelmobile
#milanodesignweek2026

An exploration of the relationship between elegance and technical precision.

With SK Table, Studio Klass investigates the tension between two complementary dimensions — precision and lightness — shaping a language that is both rigorous and welcoming.

Developed through a continuous dialogue with mdf italia, the project evolves through research, prototypes, and refinement, reaching a synthesis that is essential, coherent, and built to last.

SK Table by Studio Klass for #mdfitalia
Unveiling at Salone del Mobile 2026.

#salonedelmobile
#milanodesignweek2026

An exploration of the relationship between elegance and technical precision.

With SK Table, Studio Klass investigates the tension between two complementary dimensions — precision and lightness — shaping a language that is both rigorous and welcoming.

Developed through a continuous dialogue with mdf italia, the project evolves through research, prototypes, and refinement, reaching a synthesis that is essential, coherent, and built to last.

SK Table by Studio Klass for #mdfitalia
Unveiling at Salone del Mobile 2026.

#salonedelmobile
#milanodesignweek2026

MDW26/03 NON PLACES

Exhibition Design, Creative Direction

Working on the launch of MTM – Made to measure, @unifor_official latest collection designed by Herzog & de Meuron, we curated the Non-places installation at Spazio UniFor and the photographic and editorial project dedicated to the collection.
Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

Spazio UniFor
Viale Pasubio 15, Milano
April 21st—26th 2026
10:00 am 8:00 pm

W/ @albertostradastudio @natalia_trejbalova @__zxccv @circularagency @variante_artistica

MDW26/03 NON PLACES

Exhibition Design, Creative Direction

Working on the launch of MTM – Made to measure, @unifor_official latest collection designed by Herzog & de Meuron, we curated the Non-places installation at Spazio UniFor and the photographic and editorial project dedicated to the collection.
Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

Spazio UniFor
Viale Pasubio 15, Milano
April 21st—26th 2026
10:00 am 8:00 pm

W/ @albertostradastudio @natalia_trejbalova @__zxccv @circularagency @variante_artistica

MDW26/03 NON PLACES

Exhibition Design, Creative Direction

Working on the launch of MTM – Made to measure, @unifor_official latest collection designed by Herzog & de Meuron, we curated the Non-places installation at Spazio UniFor and the photographic and editorial project dedicated to the collection.
Non Places is a spatial device that suspends any typological definition. Our intervention doesn’t recreate a recognizable environment, but instead introduces an abstract condition: an unassigned space capable of accommodating the product without determining it.

Spazio UniFor
Viale Pasubio 15, Milano
April 21st—26th 2026
10:00 am 8:00 pm

W/ @albertostradastudio @natalia_trejbalova @__zxccv @circularagency @variante_artistica

MDW26/02 VETRA, PARALLEL, MERIDIAN

Night container, Wardrobe Doors and Accessories

At Palazzo Molteni we are unveiling Vetra for @molteniandc — a new night container that evokes a place at the edge: a suspended, historic space connected to water, emptiness, and reflection. A silent nocturnal island that emerges through subtraction.

For the occasion we are going to unveil also Parallel, a collection of wardrobe accessories designed for the Gliss Master system by Molteni&C.
The Meridian collection this year has been updated with a new handle, created with the intention of bringing formal richness and design refinement to the
wardrobe system.

Palazzo Molteni
Via Alessandro Manzoni 9, Milano
April 21st—26th 2026

MDW26/02 VETRA, PARALLEL, MERIDIAN

Night container, Wardrobe Doors and Accessories

At Palazzo Molteni we are unveiling Vetra for @molteniandc — a new night container that evokes a place at the edge: a suspended, historic space connected to water, emptiness, and reflection. A silent nocturnal island that emerges through subtraction.

For the occasion we are going to unveil also Parallel, a collection of wardrobe accessories designed for the Gliss Master system by Molteni&C.
The Meridian collection this year has been updated with a new handle, created with the intention of bringing formal richness and design refinement to the
wardrobe system.

Palazzo Molteni
Via Alessandro Manzoni 9, Milano
April 21st—26th 2026

MDW26/02 VETRA, PARALLEL, MERIDIAN

Night container, Wardrobe Doors and Accessories

At Palazzo Molteni we are unveiling Vetra for @molteniandc — a new night container that evokes a place at the edge: a suspended, historic space connected to water, emptiness, and reflection. A silent nocturnal island that emerges through subtraction.

For the occasion we are going to unveil also Parallel, a collection of wardrobe accessories designed for the Gliss Master system by Molteni&C.
The Meridian collection this year has been updated with a new handle, created with the intention of bringing formal richness and design refinement to the
wardrobe system.

Palazzo Molteni
Via Alessandro Manzoni 9, Milano
April 21st—26th 2026

MDW26/02 VETRA, PARALLEL, MERIDIAN

Night container, Wardrobe Doors and Accessories

At Palazzo Molteni we are unveiling Vetra for @molteniandc — a new night container that evokes a place at the edge: a suspended, historic space connected to water, emptiness, and reflection. A silent nocturnal island that emerges through subtraction.

For the occasion we are going to unveil also Parallel, a collection of wardrobe accessories designed for the Gliss Master system by Molteni&C.
The Meridian collection this year has been updated with a new handle, created with the intention of bringing formal richness and design refinement to the
wardrobe system.

Palazzo Molteni
Via Alessandro Manzoni 9, Milano
April 21st—26th 2026

MDW26/01 SK TABLE COLLECTION

Dining table

Our new collaboration with @mdfitalia_official has given rise to SK Table, a collection that interprets elegance and
technicality in a carefully balanced equilibrium.
At the core of the project is the repetition of an iconic element—composed of two aluminium arches joined at their ends—which defines a recognizable visual rhythm and generates the structure of the table.

Milano Rho Fair
Hall 24 Booth C14 D19

MDW26/01 SK TABLE COLLECTION

Dining table

Our new collaboration with @mdfitalia_official has given rise to SK Table, a collection that interprets elegance and
technicality in a carefully balanced equilibrium.
At the core of the project is the repetition of an iconic element—composed of two aluminium arches joined at their ends—which defines a recognizable visual rhythm and generates the structure of the table.

Milano Rho Fair
Hall 24 Booth C14 D19

MDW26/01 SK TABLE COLLECTION

Dining table

Our new collaboration with @mdfitalia_official has given rise to SK Table, a collection that interprets elegance and
technicality in a carefully balanced equilibrium.
At the core of the project is the repetition of an iconic element—composed of two aluminium arches joined at their ends—which defines a recognizable visual rhythm and generates the structure of the table.

Milano Rho Fair
Hall 24 Booth C14 D19

MDW26/01 SK TABLE COLLECTION

Dining table

Our new collaboration with @mdfitalia_official has given rise to SK Table, a collection that interprets elegance and
technicality in a carefully balanced equilibrium.
At the core of the project is the repetition of an iconic element—composed of two aluminium arches joined at their ends—which defines a recognizable visual rhythm and generates the structure of the table.

Milano Rho Fair
Hall 24 Booth C14 D19

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio

We designed the installation for Museo City Milano and UniFor, ‘La città degli oggetti’ – Aldo Rossi and Francesco Somaini, celebrating the dialogue between two leading figures of twentieth-century Italian culture.

The exhibition connects Aldo Rossi, architect, and Francesco Somaini, sculptor, through a shared vision of the city as a symbolic space shaped by form, matter, and memory. Known for the expressive strength of his work and for his collaboration with Luigi Caccia Dominioni on integrated architectural pavements, Somaini expands the relationship between sculpture and urban space.

Conceived in collaboration with UniFor, the exhibition presents a selection of Aldo Rossi’s products designed for UniFor, placing them in dialogue with Somaini’s sculptural works. The installation interprets this exchange as a true city of objects, where architecture and sculpture meet and complete one another.

@unifor_official
@museocity
@fondazionesomaini
@affcomunicazione
@alessiafattorifranchini

Ph: @alessandrosaletta @dsl__studio