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New Variable Monospace coming soon...

New Variable Monospace coming soon...

I can't imagine a book font without an optical axis anymore. (working on Serapion Neo)

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

This font consists of eighty .otf styles, which are quite confusing, I just want to illustrate the inevitable shift to Variable format: www.stormtype.com/families/moyenage-sans

The continuation of Baskerville’s revolutionary idea is here. If we perceive the typography of the 18th century as “transitional” in the aesthetic sense, the same applies to the first quarter of the 21st century in the technological sense. Interestingly, all Baroque type designs have survived to this day, especially those that have adapted to the new environment. Printing is no longer the only destination for fonts, today web applications dominate within the framework of visual identity, and especially user interfaces (ui/ux). There, the Variable format is already an established standard, to which our design and aesthetic experience is added.
Together with John Baskerville and his court engraver John Handy, we have prepared a perfect timeless font system.

The continuation of Baskerville’s revolutionary idea is here. If we perceive the typography of the 18th century as “transitional” in the aesthetic sense, the same applies to the first quarter of the 21st century in the technological sense. Interestingly, all Baroque type designs have survived to this day, especially those that have adapted to the new environment. Printing is no longer the only destination for fonts, today web applications dominate within the framework of visual identity, and especially user interfaces (ui/ux). There, the Variable format is already an established standard, to which our design and aesthetic experience is added.
Together with John Baskerville and his court engraver John Handy, we have prepared a perfect timeless font system.

The continuation of Baskerville’s revolutionary idea is here. If we perceive the typography of the 18th century as “transitional” in the aesthetic sense, the same applies to the first quarter of the 21st century in the technological sense. Interestingly, all Baroque type designs have survived to this day, especially those that have adapted to the new environment. Printing is no longer the only destination for fonts, today web applications dominate within the framework of visual identity, and especially user interfaces (ui/ux). There, the Variable format is already an established standard, to which our design and aesthetic experience is added.
Together with John Baskerville and his court engraver John Handy, we have prepared a perfect timeless font system.

The continuation of Baskerville’s revolutionary idea is here. If we perceive the typography of the 18th century as “transitional” in the aesthetic sense, the same applies to the first quarter of the 21st century in the technological sense. Interestingly, all Baroque type designs have survived to this day, especially those that have adapted to the new environment. Printing is no longer the only destination for fonts, today web applications dominate within the framework of visual identity, and especially user interfaces (ui/ux). There, the Variable format is already an established standard, to which our design and aesthetic experience is added.
Together with John Baskerville and his court engraver John Handy, we have prepared a perfect timeless font system.

The continuation of Baskerville’s revolutionary idea is here. If we perceive the typography of the 18th century as “transitional” in the aesthetic sense, the same applies to the first quarter of the 21st century in the technological sense. Interestingly, all Baroque type designs have survived to this day, especially those that have adapted to the new environment. Printing is no longer the only destination for fonts, today web applications dominate within the framework of visual identity, and especially user interfaces (ui/ux). There, the Variable format is already an established standard, to which our design and aesthetic experience is added.
Together with John Baskerville and his court engraver John Handy, we have prepared a perfect timeless font system.

Feeling Free Again!

From now on, all Storm Type Foundry fonts are managed centrally, so we can focus on delivering only the best. Design and technology evolve quickly, and we keep pace—while maintaining fair, transparent licensing. Creating original type systems for clients of all sizes has always been at the heart of what we do, and we welcome direct collaboration.

Our major families are now available in customisable variable formats, with expanded character sets, broader language support, and careful updates to older fonts. Our aim is simple: to keep our work current, distinctive, and alive.

Working with MyFonts has been a pleasure. With Monotype, less so—but the experience has been instructive. We believe type design is driven by ideas and human judgement. Corporations acquire, assess, and sell. Independent foundries create—like rivers that flow, like birds that move freely, like language itself without borders.

... still going on

https://www.stormtype.com/tags/variable

NEW: @stormtypefoundry has just updated several fonts on Fontstand and added many more. Explore some reliable text faces like Bohemica, Hercules or Academica families, gothic-inspired Julinka, Wittingau and Dream Within A Dream or brilliant experimental display Mortal.
.
#Fontstand #typeface #font #fonts #typography#type #typedesign #bookdesign #editorialdesign #gothictype #displaytype #calligraphy #experimentaltype

NEW: @stormtypefoundry has just updated several fonts on Fontstand and added many more. Explore some reliable text faces like Bohemica, Hercules or Academica families, gothic-inspired Julinka, Wittingau and Dream Within A Dream or brilliant experimental display Mortal.
.
#Fontstand #typeface #font #fonts #typography#type #typedesign #bookdesign #editorialdesign #gothictype #displaytype #calligraphy #experimentaltype

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

I can't believe this font is a quarter of a century old - that's a reason for a major upgrade... Biblon Neo: https://www.stormtype.com/families/biblon

November font: Friedhof.

November font: Friedhof.

November font: Friedhof.

November font: Friedhof.

November font: Friedhof.

November font: Friedhof.

November font: Friedhof.

Baskerville Sans variable coming soon...