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Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Sorondo Projects closes its inaugural year with deep joy and gratitude. A year shaped by porous practices, shared paths, and voices that travel across borders. What a meaningful way to begin a gallery!

Throughout this first year, we participated in six international art fairs, reaffirming our commitment to supporting artistic processes that honor identity, material knowledge, and lived experience. We celebrate our artists and their practices, and the conversations opened through their works as they moved across geographies. We are equally grateful to the institutions and museums that have trusted and supported our artists along the way. We look forward to continuing these conversations in 2026.

Zona Maco, Mexico City
“The Weight of Identity” with Suwon Lee, María Elena Pombo, and Luis Rentería. An exploration of displacement, materiality, and cultural memory.

Loop Busan, South Korea
“Dictée Exilée”, a solo project by Suwon Lee at Loop Lab Busan, Korea’s first media art fair. A reflection on migration, language, and memory.

Photo London, UK.
“Memoria Viva” with Silvana Trevale and Gabriel Pinto. Exploring how the transmission and reinterpretation of traditions maintain people connected to their ancestry and the history of a country.

arteBA, Buenos Aires
“La memoria de la tierra” with Antonela Aiassa and María Elena Pombo. A meditation on earth, memory, and persistence through material exploration.

ArtBo, Bogotá
“Traces of Time. The Persistence of Matter” with Armando Mesías and María Elena Pombo. Material dialogues centered on imprint and duration.

Paris Photo, France
“La Montaña Sagrada” by Suwon Lee. A series on identity, territory, and memory, composed of layered oil pigments on vintage postcards of sacred mountains, understood as palimpsests of healing and spiritual refuge.

Untitled Art, Miami Beach
“The Politics of Appearance” with Angyvir Padilla, Emiliana Henríquez, and Miranda Makaroff. A reflection on the complexity of the body, not only as form, but as a site where meaning is projected and where resistance can also emerge.

With gratitude, and with the desire to keep building together, happy 2026!

#sorondo_projects #internationalartfairs

Thrilled to be featured in @observer’s in-depth article on Venezuela’s enduring art world.

Sorondo Projects is spotlighted among the diaspora galleries sustaining Venezuelan creativity abroad. From Barcelona we are proud to somehow contribute to showcasing our Venezuelan artists’ diversity and identity.

“We regard this responsibility with the utmost seriousness,” Venezuelan born gallery director Juliana Sorondo affirms, “maintaining our deep connection to Venezuela through essential artistic practice.”

Thank you @elisartgal

Full read: https://observer.com/2026/01/venezuela-art-scene-cultural-market-museums-dictatorship/

#SorondoProjects #VenezuelanArt

Thrilled to be featured in @observer’s in-depth article on Venezuela’s enduring art world.

Sorondo Projects is spotlighted among the diaspora galleries sustaining Venezuelan creativity abroad. From Barcelona we are proud to somehow contribute to showcasing our Venezuelan artists’ diversity and identity.

“We regard this responsibility with the utmost seriousness,” Venezuelan born gallery director Juliana Sorondo affirms, “maintaining our deep connection to Venezuela through essential artistic practice.”

Thank you @elisartgal

Full read: https://observer.com/2026/01/venezuela-art-scene-cultural-market-museums-dictatorship/

#SorondoProjects #VenezuelanArt

Thrilled to be featured in @observer’s in-depth article on Venezuela’s enduring art world.

Sorondo Projects is spotlighted among the diaspora galleries sustaining Venezuelan creativity abroad. From Barcelona we are proud to somehow contribute to showcasing our Venezuelan artists’ diversity and identity.

“We regard this responsibility with the utmost seriousness,” Venezuelan born gallery director Juliana Sorondo affirms, “maintaining our deep connection to Venezuela through essential artistic practice.”

Thank you @elisartgal

Full read: https://observer.com/2026/01/venezuela-art-scene-cultural-market-museums-dictatorship/

#SorondoProjects #VenezuelanArt

Thrilled to be featured in @observer’s in-depth article on Venezuela’s enduring art world.

Sorondo Projects is spotlighted among the diaspora galleries sustaining Venezuelan creativity abroad. From Barcelona we are proud to somehow contribute to showcasing our Venezuelan artists’ diversity and identity.

“We regard this responsibility with the utmost seriousness,” Venezuelan born gallery director Juliana Sorondo affirms, “maintaining our deep connection to Venezuela through essential artistic practice.”

Thank you @elisartgal

Full read: https://observer.com/2026/01/venezuela-art-scene-cultural-market-museums-dictatorship/

#SorondoProjects #VenezuelanArt

We are honored to receive the Award for Best Exhibition by an Emerging Artist, presented by the Associació de Galeries d’Art de Catalunya and Art Barcelona at MACBA, for “Un puñal en un pañuelo”, Luis Rentería’s solo exhibition at the gallery.

In her accompanying text, independent curator and researcher Javiera Luisina Cádiz Bedini writes: “The exhibition’s title reframes the dagger as a signifier not of danger, but of safety; not fear, but courage.” Through textile, sculpture and installation, Renteria transforms everyday objects into pieces of protection, care, and collective memory. The symbolic duality in his work, between soft, warm textile and hard, cold cristal becomes a space from which to reconsider the meanings we inherit and the possibilities we imagine for ourselves and our communities.

This award is a recognition of Luis’s thoughtful and generous practice, and of an exhibition that invited us to consider how everyday objects can become tools for care, resilience, and transformation.

We are thankful to the jury, the teams at Art Barcelona and the Associació de Galeries d’Art de Catalunya, and above all to our dear Luis for giving us the joy to share his practice.

#premisgac #luisrenteria #sorondo_projects

We are honored to receive the Award for Best Exhibition by an Emerging Artist, presented by the Associació de Galeries d’Art de Catalunya and Art Barcelona at MACBA, for “Un puñal en un pañuelo”, Luis Rentería’s solo exhibition at the gallery.

In her accompanying text, independent curator and researcher Javiera Luisina Cádiz Bedini writes: “The exhibition’s title reframes the dagger as a signifier not of danger, but of safety; not fear, but courage.” Through textile, sculpture and installation, Renteria transforms everyday objects into pieces of protection, care, and collective memory. The symbolic duality in his work, between soft, warm textile and hard, cold cristal becomes a space from which to reconsider the meanings we inherit and the possibilities we imagine for ourselves and our communities.

This award is a recognition of Luis’s thoughtful and generous practice, and of an exhibition that invited us to consider how everyday objects can become tools for care, resilience, and transformation.

We are thankful to the jury, the teams at Art Barcelona and the Associació de Galeries d’Art de Catalunya, and above all to our dear Luis for giving us the joy to share his practice.

#premisgac #luisrenteria #sorondo_projects

We are honored to receive the Award for Best Exhibition by an Emerging Artist, presented by the Associació de Galeries d’Art de Catalunya and Art Barcelona at MACBA, for “Un puñal en un pañuelo”, Luis Rentería’s solo exhibition at the gallery.

In her accompanying text, independent curator and researcher Javiera Luisina Cádiz Bedini writes: “The exhibition’s title reframes the dagger as a signifier not of danger, but of safety; not fear, but courage.” Through textile, sculpture and installation, Renteria transforms everyday objects into pieces of protection, care, and collective memory. The symbolic duality in his work, between soft, warm textile and hard, cold cristal becomes a space from which to reconsider the meanings we inherit and the possibilities we imagine for ourselves and our communities.

This award is a recognition of Luis’s thoughtful and generous practice, and of an exhibition that invited us to consider how everyday objects can become tools for care, resilience, and transformation.

We are thankful to the jury, the teams at Art Barcelona and the Associació de Galeries d’Art de Catalunya, and above all to our dear Luis for giving us the joy to share his practice.

#premisgac #luisrenteria #sorondo_projects

We are honored to receive the Award for Best Exhibition by an Emerging Artist, presented by the Associació de Galeries d’Art de Catalunya and Art Barcelona at MACBA, for “Un puñal en un pañuelo”, Luis Rentería’s solo exhibition at the gallery.

In her accompanying text, independent curator and researcher Javiera Luisina Cádiz Bedini writes: “The exhibition’s title reframes the dagger as a signifier not of danger, but of safety; not fear, but courage.” Through textile, sculpture and installation, Renteria transforms everyday objects into pieces of protection, care, and collective memory. The symbolic duality in his work, between soft, warm textile and hard, cold cristal becomes a space from which to reconsider the meanings we inherit and the possibilities we imagine for ourselves and our communities.

This award is a recognition of Luis’s thoughtful and generous practice, and of an exhibition that invited us to consider how everyday objects can become tools for care, resilience, and transformation.

We are thankful to the jury, the teams at Art Barcelona and the Associació de Galeries d’Art de Catalunya, and above all to our dear Luis for giving us the joy to share his practice.

#premisgac #luisrenteria #sorondo_projects

We are honored to receive the Award for Best Exhibition by an Emerging Artist, presented by the Associació de Galeries d’Art de Catalunya and Art Barcelona at MACBA, for “Un puñal en un pañuelo”, Luis Rentería’s solo exhibition at the gallery.

In her accompanying text, independent curator and researcher Javiera Luisina Cádiz Bedini writes: “The exhibition’s title reframes the dagger as a signifier not of danger, but of safety; not fear, but courage.” Through textile, sculpture and installation, Renteria transforms everyday objects into pieces of protection, care, and collective memory. The symbolic duality in his work, between soft, warm textile and hard, cold cristal becomes a space from which to reconsider the meanings we inherit and the possibilities we imagine for ourselves and our communities.

This award is a recognition of Luis’s thoughtful and generous practice, and of an exhibition that invited us to consider how everyday objects can become tools for care, resilience, and transformation.

We are thankful to the jury, the teams at Art Barcelona and the Associació de Galeries d’Art de Catalunya, and above all to our dear Luis for giving us the joy to share his practice.

#premisgac #luisrenteria #sorondo_projects

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

Impressions of a touchingdiscussion about female representation between Patricia Kasaeva, Hodei Herreros, and Arale Reartes at Sorondo Projects, held within the framework of The Collector Is Present.

The panel centered on authorship, visibility, intimacy, and the changing possibilities of female self-representation through questions posed by Patricia, a Cuban researcher and curator deeply connected to the everyday practice of our gallery. Herreros and Reartes considered image creating as a place for building, observation, and resistance, where individual stories become instruments for more comprehensive cultural and political reflection.

The debate took place in conjunction with an exhibition intervention on the upper floor of the gallery, which brought together artists from the gallery’s programme and Laura del Arco’s collection.

#Sorondo_Projects #TheCollectorIsPresent #PatriciaKasaeva #HodeiHerreros #AraleReartes

#ListeGalleries Sorondo Projects, Barcelona @sorondo_projects presents María Elena Pombo @fragmentario_ and Nikolay Morgunov @nikolaymorgunov

For Liste 2026 Sorondo Projects proposes a site-specific dialogue between Nikolay Morgunov and María Elena Pombo featuring inked cotton paintings, cement sculptures, fossil rubbings on paper and a stromatolite specimen. This project creates a shared field of material migration where geological displacement meets procedural erosion. Morgunov’s precise grids collide with spontaneous coal gestures and resin surfaces that soften the tension between control and abandonment. Pombo’s rubbings trace tectonic drift while carrying ancient tropical fossils into present time. Together their practices resonate between origin and trace, absence and presence, allowing persistent form to emerge as everything else shifts in motion.

Images:
1: Presenting by María Elena Pombo, 2024
2: Portrait of the artist, María Elena Pombo
3: Bigotry by Nikolay Morgunov, 2025
4: Portrait of the artist, Nikolay Morgunov

Courtesy:
The Artists and Sorondo Projects

Liste
15–21 June 2026
Hall 1.1, Messe Basel

#Liste2026 #ListeArtFairBasel

#ListeGalleries Sorondo Projects, Barcelona @sorondo_projects presents María Elena Pombo @fragmentario_ and Nikolay Morgunov @nikolaymorgunov

For Liste 2026 Sorondo Projects proposes a site-specific dialogue between Nikolay Morgunov and María Elena Pombo featuring inked cotton paintings, cement sculptures, fossil rubbings on paper and a stromatolite specimen. This project creates a shared field of material migration where geological displacement meets procedural erosion. Morgunov’s precise grids collide with spontaneous coal gestures and resin surfaces that soften the tension between control and abandonment. Pombo’s rubbings trace tectonic drift while carrying ancient tropical fossils into present time. Together their practices resonate between origin and trace, absence and presence, allowing persistent form to emerge as everything else shifts in motion.

Images:
1: Presenting by María Elena Pombo, 2024
2: Portrait of the artist, María Elena Pombo
3: Bigotry by Nikolay Morgunov, 2025
4: Portrait of the artist, Nikolay Morgunov

Courtesy:
The Artists and Sorondo Projects

Liste
15–21 June 2026
Hall 1.1, Messe Basel

#Liste2026 #ListeArtFairBasel

#ListeGalleries Sorondo Projects, Barcelona @sorondo_projects presents María Elena Pombo @fragmentario_ and Nikolay Morgunov @nikolaymorgunov

For Liste 2026 Sorondo Projects proposes a site-specific dialogue between Nikolay Morgunov and María Elena Pombo featuring inked cotton paintings, cement sculptures, fossil rubbings on paper and a stromatolite specimen. This project creates a shared field of material migration where geological displacement meets procedural erosion. Morgunov’s precise grids collide with spontaneous coal gestures and resin surfaces that soften the tension between control and abandonment. Pombo’s rubbings trace tectonic drift while carrying ancient tropical fossils into present time. Together their practices resonate between origin and trace, absence and presence, allowing persistent form to emerge as everything else shifts in motion.

Images:
1: Presenting by María Elena Pombo, 2024
2: Portrait of the artist, María Elena Pombo
3: Bigotry by Nikolay Morgunov, 2025
4: Portrait of the artist, Nikolay Morgunov

Courtesy:
The Artists and Sorondo Projects

Liste
15–21 June 2026
Hall 1.1, Messe Basel

#Liste2026 #ListeArtFairBasel

#ListeGalleries Sorondo Projects, Barcelona @sorondo_projects presents María Elena Pombo @fragmentario_ and Nikolay Morgunov @nikolaymorgunov

For Liste 2026 Sorondo Projects proposes a site-specific dialogue between Nikolay Morgunov and María Elena Pombo featuring inked cotton paintings, cement sculptures, fossil rubbings on paper and a stromatolite specimen. This project creates a shared field of material migration where geological displacement meets procedural erosion. Morgunov’s precise grids collide with spontaneous coal gestures and resin surfaces that soften the tension between control and abandonment. Pombo’s rubbings trace tectonic drift while carrying ancient tropical fossils into present time. Together their practices resonate between origin and trace, absence and presence, allowing persistent form to emerge as everything else shifts in motion.

Images:
1: Presenting by María Elena Pombo, 2024
2: Portrait of the artist, María Elena Pombo
3: Bigotry by Nikolay Morgunov, 2025
4: Portrait of the artist, Nikolay Morgunov

Courtesy:
The Artists and Sorondo Projects

Liste
15–21 June 2026
Hall 1.1, Messe Basel

#Liste2026 #ListeArtFairBasel

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

En “Grafismos desterrados”, su primera exposición individual en Sorondo, la artista textil argentina Lucrecia Lionti (Tucumán, 1985 – vive en Buenos Aires) lleva al límite la escritura que siempre ha habitado su práctica: “me he quedado sin palabras, ahora solo tejo garabatos”. Las piezas expuestas se sitúan en un umbral inestable entre escritura y dibujo. Sus grafismos evocan tanto la caligrafía infantil como el automatismo distraído del doodle, como si la escritura se hubiera desviado hacia el cuerpo y la mano recordara antes que la palabra.

Hasta el 12 de junio de 2026 en Sorondo Projects, Trafalgar, 32, Barcelona, España.

In “Graphisms in Exile”, her first solo exhibition at Sorondo, Argentine textile artist Lucrecia Lionti (Tucumán, 1985 – lives in Buenos Aires) pushes the boundaries of writing, which has always been central to her practice: “I’ve run out of words, now I’m only weaving scribbles.” The exhibited pieces exist on an unstable threshold between writing and drawing. Her graphisms evoke both children’s handwriting and the distracted automatism of doodling, as if writing had shifted toward the body and the hand remembers before the word.

Until June 12, 2026 at Sorondo Projects, Trafalgar, 32, Barcelona, Spain.

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

In light of “The Collector Is Present”, Sorondo Projects brings together artists Arale Reartes and Hodei Herreros for a dialogue with curator and researcher Patricia Kasaeva around the theme of female representation, creating a space for exchange and reflection through their respective practices.

Arale Reartes explores identity, authorship, and representation through intimate and quietly subversive self-portraiture.

Hodei Herreros works through sculpture and installation, constructing poetic and non-linear narratives through form, materiality, and gesture.

Both artists explore the construction of identity and self-image, approaching the body and representation as spaces of intimacy, projection, and inner and critical reflection.

Also featured in the exhibition are artists Jinhee Kim and Nadia Waheed, both from Laura Del Arco’s
collection, broadening the many interpretations of the female body and its identity.

Join us tomorrow at 18h at 📍 Sorondo Projects, Trafalgar, 32.

#aralereartes #hodeiherreros #sorondo_projects

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Lucrecia Lionti at Sorondo, Barcelona
“Grafismos Desterrados”
April 9 – June 12, 2026
Photos: courtesy of the artist and Sorondo, Barcelona
@sorondo_projects @lucrecialionti

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Explore the artworks of “Grafismos desterrados” by Lucrecia Lionti in more detail.

The exhibition continues Lionti’s ongoing series “Grafismos de lana,” which began in 2024, by presenting a new group of textile pieces created between 2025 and 2026. She moves from compositions based on particular phrases and socio-political allusions toward a more formal, abstract vocabulary, always grounded in textile materiality.

Weaving allows for the development of line, sign, and gesture as a type of writing in which meaning is sensed rather than fixed. Her work in this show is also influenced by concepts of displacement and metamorphosis, referencing the tradition of Argentine artists who were exiled in the Barcelona, such as Oscar Masotta and Juana Bignozzi. In this regard, writing with words has given way to a language that falters and reconfigures itself through material.

Visit the exhibition, in collaboration with Barro Galería, until June 12th.

#lucrecialionti #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

Impressions of “Poética de la Confrontació” by Arale Reartes.

For her debut solo exhibition, the Catalan photographer combines three photographic essays that develop through self-portraiture. In her work, the female body is not just depicted but also explored as a location where identity, control, and perception converge.

Her work makes evident how body awareness becomes a condition, ranging from sights that vanish with repetition to cyclical rhythms translated into mechanical states and subtle impositions built into common office products. An approach of navigating the world that is influenced by perception, understanding, and frequent predetermination.

Throughout, the office serves as both a stage and a structure. It is a place where inherited norms and productivity systems meet, where these conflicts are practiced, assimilated, and normalized.

The exhibition raises a question rather than providing a solution: Why is this awareness still required?

Arale Reartes
Poética de la Confrontació
On view at Sorondo Projects until May 9th.

#aralereartes #sorondo_projects

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

María Elena Pombo at “Greater New York”

We are very proud of our dear María Elena, who is currently exhibiting in “Greater New York” at MoMA PS1, a survey that brings together artists shaping the contemporary art discourse in the city.

For the occasion, we hosted, together with María Elena, a sancocho at her studio, gathering a close circle of friends from the art world.

Pombo’s practice is rooted in material processes that carry memory and displacement. Her installation “Tejiendo el guayabo” (2018–26) presents cascading threads of reddish yarn suspended from metal panels. The yarn is produced using water collected from different locations and dyed with avocado pits and brown algae.
Through its irregular, fragile structure, the work reflects on migration, fragmentation, and the ways in which connections are formed and sustained within the urban fabric of New York.

Maria Elena Pombo. “Tejiendo el guayabo”, 2018-2026 Metal panels; yarn made from water (sourced from Argentina, Australia, Belgium, Canada, Chile, Colombia, Denmark, Germany, England, Finland, France, India, Italy, Japan, Mexico, Netherlands, Nigeria, Norway, Panama, Peru, Portugal, Puerto Rico, Spain, United States, Venezuela), avocado seeds, brown algae extract, and glycerine 118 1/8 × 354 5/16 × 22 7/16” (3 × 9 × 0.57). Pictures of the Installation view of “Greater New York”, on view at MoMA PS1 from April 16 through August 17, 2026. Courtesy MoMA PS1. Photo: Kris Graves.

#momaps1 #mariaelenapombo #greaterny

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados

Más notas de grafismos desterrados
💖

https://sorondoprojects.com/grafismosdesterrados