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soooonspace
SOOOON SPACE
independent artist-run space in Tbilisi
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
Some more small works my solo at @soooonspace
Mtatsminda Turn XVI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XV, 2026
Oil on lint mounted on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIV, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XIII, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XII, 2026
Oil on on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
Mtatsminda Turn XI, 2026
Oil and acrylic on oak panel
7.4 × 16.3 × 3 cm / 2.9 × 6.4 × 1.2 in
#antoncalmis
→ 29 MAY (FRIDAY) 19:00 → WHITE KIMCHI WORKSHOP by Ksenia Nam
Limited spots → DM to book !
At Soooon Space, we’re gathering again around kimchi — this time through its quieter form.
For the second workshop, Ksenia Nam @qs_naam will introduce white kimchi: a traditional recipe made without red pepper, delicate in taste and rooted in older methods of fermentation.
Together, we’ll prepare kimchi slowly by hand while speaking about inheritance, migration, and the ways food carries memory across time and place. Drawing from her Korean heritage, Ksenia approaches kimchi not only as a recipe, but as a living archive of gestures, care, and adaptation.
Participants will learn the process behind traditional white kimchi and leave with a jar they make themselves during the workshop.
Duration: 2 hours
Language: English
Price: 75 GEL
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
SOFT RENDER: Sugar-Coded Copium
By @2.5.19.20.5
Digital entropy has reached a state of physical overflow. The contemporary image no longer functions as a representation; it is served as a volatile sediment of compressed, polished, and lossy distributions. As the world is ingested into its own synthetic likeness, the fidelity of our image-sphere is dictated by omnipresent calculations and engagement economies. In this condition, SOFT RENDER explores the symbolic and behavioral logics of contemporary image consumption where the cold computational infrastructures of image circulation crash into the chaotic affective fluidity of the human condition. The result is a shimmering blurriness, a state of hyper-subjectivity, where fixed references are replaced by a perception that is perpetually softened, fragmented, and individualized.
This exhibition marks Beste first solo presentation in which these material explorations are brought together, presenting newly emerging physical manifestations of a digital culture they have been researching and producing within for years.
İleri’s works have been exhibited at Istanbul Museum of Modern Art and presented at Ars Electronica. They have received support from institutions including SAHA Association, CultureCIVIC (European Union), Istanbul Design Museum, Research & Degrowth International, are a founding member of the collectives na+CTRL, Chills and Quills, and Keter Studio.
Gallery & Studio Rental
A brand new unique space in the heart of Tbilisi (Vake).
High ceilings up to 7 meters, a beautiful private garden with fountain, gallery, bar area and a curated library — all in one stunning location.
Perfect for exhibitions, concerts, film screenings, parties, workshops, presentations and private events.
MAKE YOUR EVENT AESTHETIC
RENT THIS SPACE!
DM us to book your date →
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
On May 7, @soooonspace gallery will host an exhibition marking the outcome of a month-long collaboration with the @sketching_tbilisi community.
Over the course of the month, the gallery’s curators selected works where not only the result matters, but the process of searching itself. This exhibition captures a moment of becoming — when an artist is not yet fixed in form, but already speaks in their own language.
Opening at 7:00 PM. The evening will be accompanied by music sets by @trueconformist, creating a sonic environment where the visual continues to resonate.
Free admission — an opportunity to witness the emergence of young artistic voices.
Join us.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 9 - 17 MAY → Exhibition: MTATSMINDA TURN by ANTON CALMÎȘ @antoncalmis
9 MAY (SATURDAY) 19:00 → gathering, exhibition opening
Free entry
Mtatsminda Turn is the first body of work made through a process of layered oil transfer and procedural distancing. The paintings depict a view from a single window, photographed over four years as a factual record of a place in time. The subject inevitably shifts the question of authorship into one of ownership. Material distancing introduced at every stage of the process is an attempt to relinquish claims to the image and the place it represents. What remains is a record made from a position that is neither fully participatory nor estranged, oscillating between belonging and trespassing.
Anton Calmîș (b. 1997) is a painter based in Tbilisi, Georgia. His work begins with a film image shot from the hip or with an extended hand. Over the course of months, the image is processed: developed, scanned, printed, transferred, layered, scraped, and incised. Each step introduces a new dimension of distancing, relinquishing a degree of authorship and control, until what remains is the accretion and residue of these operations. In his work, Calmîș asks what happens to the image under this double pressure of distancing and care, when it is held in extended time, worked and reworked through error, bodily gestures, and sustained attention. Distance is the underlying subject of his practice, taken up across successive bodies of work in different domains.
Calmîș has previously exhibited at Sisters Room, Tbilisi, Georgia (2025), and Weserhalle, Berlin, Germany (2024). His work has been published in RUNT Magazine, Issue 3: DOGFIGHT (2025).
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
→ 3–6 MAY → PRINT & PHOTO SALE at SOOOON SPACE
A selection of prints and photographs by unique artists — don’t miss it.
Dmitrii Slovo @dmitry.slo Kristina Rozhkova @strapon_svinopas Militsa Clifford @crystal_sexy_doll Beste İleri @2.5.19.20.5 Vera Barkalova @vera_barkal Andrew Kirsanov @andrewkirsanow & Katya Pravda @thundergirl_xtal
and others
SOOOON SPACE
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
Thank you to everyone who joined us for the opening of SOFT RENDER: Sugar-Coded Copium by @2.5.19.20.5
Big thanks to all our guests, the musician, and the artist for making this evening special. We are grateful to share this moment with you.
The show is open at SOOOON SPACE.
Dimitry Arakishvili 18, Vake, Tbilisi.
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
On April 30, @soooonspace will host the final session of the observational sketching series.
The programme will conclude with the opening of a group exhibition at @soooonspace gallery, featuring selected participants from the sessions. After each class, the gallery curators select the most compelling works for the final presentation.
To reserve a spot for sketching, please send a direct message to @sketching_tbilisi.
The upcoming session will take place on April 30, from 15:00 to 17:00.
What to bring:
Any drawing materials — follow your own practice and artistic interests.
Details:
• Open to all levels, from beginners to professionals.
• The session begins strictly at 15:00, please arrive 5–10 minutes early to settle in comfortably.
• A short review of works will take place at the end of the session.
• Participation fee: 30 GEL
• Location: @soooonspace
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
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