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‘Palestine is everywhere’ came out in November 2025; we hope that it has since found its way to you. This project was borne from the conviction that, as cultural workers, it remains our duty to foreground perspectives pushing against US-Israeli genocidal violence, and articulating Palestinian liberation. It’s important we carry on with this work; in fact, it’s the bare minimum. And so, over the next year we will continue to commission and publish writing, artwork, audio, and more on our digital platform palestineiseverywhere.tba21.org. There will be a newsletter, and podcasts, and an event series. Follow us. Read and share the work of our brilliant contributors, give us your feedback, and pitch to us. We would love to hear from you.

‘Palestine is everywhere’ came out in November 2025; we hope that it has since found its way to you. This project was borne from the conviction that, as cultural workers, it remains our duty to foreground perspectives pushing against US-Israeli genocidal violence, and articulating Palestinian liberation. It’s important we carry on with this work; in fact, it’s the bare minimum. And so, over the next year we will continue to commission and publish writing, artwork, audio, and more on our digital platform palestineiseverywhere.tba21.org. There will be a newsletter, and podcasts, and an event series. Follow us. Read and share the work of our brilliant contributors, give us your feedback, and pitch to us. We would love to hear from you.

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

Of the most special was this moment @after.8.books where as the iconic @francoise_verges_decoloniale says so perfectly we could learn together (and breathe better). For the launch of my new tiny book on the painter and thinker Lalitha Lajmi for @sternbergpress_official and @dromarkholeif. Thank u to all who made it a full house of wide open eyes and minds and to the trusting visionary @galerie_anne_barrault where we also made a show ❤️‍🔥 an excerpt for the book is on @artnet thanks to @kate__brown 📚✨bookshops are where magic can happen✨

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

🇫🇷 [English below] 📖 Connaissez-vous le travail de Christian Bertin ?

Christian Bertin (Fort-de-France, 1952) a été formé à l’École régionale des Beaux-Arts de Mâcon puis à l’École des Arts décoratifs de Genève. Son œuvre, déployée à travers installations et performances, explore les thématiques de la mémoire, de la blès (la blessure) et de la guérison, en s’appuyant sur des objets du quotidien, récupérés, malmenés, magnifiés.

Découvrez l'essai consacré à sa pratique signé par Skye Arundhati Thomas, écrivaine éditrice et commissaire indienne installée à Madrid ( 🔗en bio)

Le programme TextWork est développé avec le soutien du Ministère de la Culture.

-

📖 Have you heard of Christian Bertin’s work?

Christian Bertin (Fort-de-France, 1952) studied at the École régionale des Beaux-Arts in Mâcon and later at the École des Arts décoratifs in Geneva. His work, expressed through installations and performances, explores the themes of memory, wounding, and healing, drawing on everyday objects that are salvaged, mistreated, and magnified.

Discover the essay on his practice by Skye Arundhati Thomas, an Indian writer, editor, and curator based in Madrid (🔗in bio)

The TextWork program is developed with the support of the Ministry of Culture.

@skyita @isislabeaucaberia @fondationclement @culture_gouv

Join us for the book launch of “Palestine is everywhere”, TBA21's contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, co-published with Silver Press. The volume gathers contributions by writers, thinkers, artists, and poets to map the global resonance and actuality of the Palestinian struggle for liberation.

📢 Presentation of the publication “Palestine is everywhere”
🗓️ Thursday May 7, 3 - 4:30pm
📍 Ocean Space, Venice –

We will be joined by plastic and reconstructive surgeon Dr. Ghassan Abu-Sittah, who has been operating on the frontlines in Gaza since the beginning of the genocide in 2023, and now in Beirut; artist and Eartshot founder Lawrence Abu Hamdan, whose sonic investigations confront corporate, state, and environmental injustice through forensic analysis of sound; and “Palestine is everywhere” book editor Skye Arundhati Thomas.

Together, they ask: How to bear witness to genocidal warfare when truth itself is under attack? How can that witnessing become a form of resistance?

.

Ti aspettiamo per la presentazione del libro “Palestine is everywhere”, un’antologia di TBA21 che raccoglie testimonianze, poesie, saggi e opere d’arte provenienti da Gaza e oltre, pubblicata in collaborazione con Silver Press. Il volume raccoglie contributi di scrittori/trici, pensatori/trici, artisti/e e poeti/esse per tracciare la risonanza globale e l’attualità della lotta palestinese per la liberazione.

📢 Presentazione della pubblicazione “Palestine is everywhere”
🗓️ Giovedì 7 maggio, 15:00 - 16:30
📍 Ocean Space, Venezia

Alla presentazione parteciperanno il chirurgo plastico e ricostruttivo Dr. Ghassan Abu-Sittah, che opera in prima linea a Gaza dall’inizio del genocidio nel 2023 e ora a Beirut; l’artista e fondatore di Eartshot Lawrence Abu Hamdan, le cui indagini sonore affrontano l’ingiustizia aziendale, statale e ambientale attraverso l’analisi forense del suono; e la curatrice del libro “Palestine is everywhere” Skye Arundhati Thomas.

Insieme si chiederanno: come testimoniare una guerra genocida quando la verità stessa è sotto attacco? E come può questa testimonianza diventare una forma di resistenza?

Hay presencias que solo se asoman cuando la luz deja de imponerse.

¡Conoce al grupo de docentes!

Skye Arundhati Thomas es escritorx, editorx y curadorx de la India. Su último libro, una antología de escritura y arte, Palestine is Everywhere (Ed.), fue coeditado por TBA21, Silver Press y the87Press. Pleasure Gardens (coescrito con Izabella Scott) fue publicado por Mack Books en 2024, al igual que un libro sobre la pintora Lalitha Lajmi, publicado por Sternberg Press. De 2021 a 2024, coeditó The White Review. Ha comisariado exposiciones en Galerie Anne Barrault y Beaux-Arts de París y colaborado con publicaciones como The London Review of Books, The Financial Times, e-flux y frieze, entre otras.

🔮🔮🪺🔮🪺🪺🔮🪺🔮🔮🪺🪺🔮

There are presences that only appear when light ceases to impose itself.

Meet the group of tutors!

Skye Arundhati Thomas is a writer, editor, and curator from India. Their most recent book, an anthology of writing and art titled Palestine Is Everywhere (Ed.), was co-edited by TBA21, Silver Press, and the87Press. Pleasure Gardens (co-written with Izabella Scott) was published by Mack Books in 2024, as was a book on the painter Lalitha Lajmi published by Sternberg Press. From 2021 to 2024, Thomas co-edited The White Review. They have previously curated exhibitions at Galerie Anne Barrault and Beaux-Arts de Paris and have contributed to publications such as The London Review of Books, The Financial Times, e-flux, and frieze.

📸 Portrait 1: Emma Riviera
📸 Image 2: Nawal Ali @peaceandpyjamas
📸 Image 3: Zainab @zaenkoori

Images 2 and 3 are from Pleasure Gardens: Blackout and the Logic of Crisis in Kashmir, Mack Books @mack_publishing.

Hay presencias que solo se asoman cuando la luz deja de imponerse.

¡Conoce al grupo de docentes!

Skye Arundhati Thomas es escritorx, editorx y curadorx de la India. Su último libro, una antología de escritura y arte, Palestine is Everywhere (Ed.), fue coeditado por TBA21, Silver Press y the87Press. Pleasure Gardens (coescrito con Izabella Scott) fue publicado por Mack Books en 2024, al igual que un libro sobre la pintora Lalitha Lajmi, publicado por Sternberg Press. De 2021 a 2024, coeditó The White Review. Ha comisariado exposiciones en Galerie Anne Barrault y Beaux-Arts de París y colaborado con publicaciones como The London Review of Books, The Financial Times, e-flux y frieze, entre otras.

🔮🔮🪺🔮🪺🪺🔮🪺🔮🔮🪺🪺🔮

There are presences that only appear when light ceases to impose itself.

Meet the group of tutors!

Skye Arundhati Thomas is a writer, editor, and curator from India. Their most recent book, an anthology of writing and art titled Palestine Is Everywhere (Ed.), was co-edited by TBA21, Silver Press, and the87Press. Pleasure Gardens (co-written with Izabella Scott) was published by Mack Books in 2024, as was a book on the painter Lalitha Lajmi published by Sternberg Press. From 2021 to 2024, Thomas co-edited The White Review. They have previously curated exhibitions at Galerie Anne Barrault and Beaux-Arts de Paris and have contributed to publications such as The London Review of Books, The Financial Times, e-flux, and frieze.

📸 Portrait 1: Emma Riviera
📸 Image 2: Nawal Ali @peaceandpyjamas
📸 Image 3: Zainab @zaenkoori

Images 2 and 3 are from Pleasure Gardens: Blackout and the Logic of Crisis in Kashmir, Mack Books @mack_publishing.

Hay presencias que solo se asoman cuando la luz deja de imponerse.

¡Conoce al grupo de docentes!

Skye Arundhati Thomas es escritorx, editorx y curadorx de la India. Su último libro, una antología de escritura y arte, Palestine is Everywhere (Ed.), fue coeditado por TBA21, Silver Press y the87Press. Pleasure Gardens (coescrito con Izabella Scott) fue publicado por Mack Books en 2024, al igual que un libro sobre la pintora Lalitha Lajmi, publicado por Sternberg Press. De 2021 a 2024, coeditó The White Review. Ha comisariado exposiciones en Galerie Anne Barrault y Beaux-Arts de París y colaborado con publicaciones como The London Review of Books, The Financial Times, e-flux y frieze, entre otras.

🔮🔮🪺🔮🪺🪺🔮🪺🔮🔮🪺🪺🔮

There are presences that only appear when light ceases to impose itself.

Meet the group of tutors!

Skye Arundhati Thomas is a writer, editor, and curator from India. Their most recent book, an anthology of writing and art titled Palestine Is Everywhere (Ed.), was co-edited by TBA21, Silver Press, and the87Press. Pleasure Gardens (co-written with Izabella Scott) was published by Mack Books in 2024, as was a book on the painter Lalitha Lajmi published by Sternberg Press. From 2021 to 2024, Thomas co-edited The White Review. They have previously curated exhibitions at Galerie Anne Barrault and Beaux-Arts de Paris and have contributed to publications such as The London Review of Books, The Financial Times, e-flux, and frieze.

📸 Portrait 1: Emma Riviera
📸 Image 2: Nawal Ali @peaceandpyjamas
📸 Image 3: Zainab @zaenkoori

Images 2 and 3 are from Pleasure Gardens: Blackout and the Logic of Crisis in Kashmir, Mack Books @mack_publishing.

Be part of the 2026 Anne Hill Blanchard Uncommon Artists Lecture and learn more about artists Henri Rousseau, Gladys Nomfanekiso Mgudlandlu, and Lalitha Lajmi, with talks by Nancy Ireson, Nontobeko Ntombela, and Skye Arundhati Thomas.⁠
⁠
This free virtual program takes place Sunday, March 22, from 1 to 3 PM ET.⁠
⁠
Skye Arundhati Thomas will present on Lalitha Lajmi, a self-taught artist who worked across watercolor, oil, and etching in the context of post-Independence India. With a focus on the artist's watercolors and diaries, Thomas will introduce us to the world of an enigmatic mind whose dreamlike tableaux reflect both her real and imagined lives. ⁠
⁠
Skye Arundhati Thomas's book on Lajmi is out with @sternbergpress_official. ⁠
⁠
Link in bio to register ❤️⁠
⁠
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🎨 Lalitha Lajmi, Performer, 2011, Watercolour on Paper, 72,4 x 54,5 cm / 94,2 x 75,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Performer series, 2015, Watercolour on Paper, 109 x 73,5 cm / 115 x 80 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Woman and child with three birds, 2015, Watercolour on Paper, 36,9 x 28,1 cm / 58,2 x 49,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris

Be part of the 2026 Anne Hill Blanchard Uncommon Artists Lecture and learn more about artists Henri Rousseau, Gladys Nomfanekiso Mgudlandlu, and Lalitha Lajmi, with talks by Nancy Ireson, Nontobeko Ntombela, and Skye Arundhati Thomas.⁠
⁠
This free virtual program takes place Sunday, March 22, from 1 to 3 PM ET.⁠
⁠
Skye Arundhati Thomas will present on Lalitha Lajmi, a self-taught artist who worked across watercolor, oil, and etching in the context of post-Independence India. With a focus on the artist's watercolors and diaries, Thomas will introduce us to the world of an enigmatic mind whose dreamlike tableaux reflect both her real and imagined lives. ⁠
⁠
Skye Arundhati Thomas's book on Lajmi is out with @sternbergpress_official. ⁠
⁠
Link in bio to register ❤️⁠
⁠
-⁠
⁠
🎨 Lalitha Lajmi, Performer, 2011, Watercolour on Paper, 72,4 x 54,5 cm / 94,2 x 75,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Performer series, 2015, Watercolour on Paper, 109 x 73,5 cm / 115 x 80 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Woman and child with three birds, 2015, Watercolour on Paper, 36,9 x 28,1 cm / 58,2 x 49,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris

Be part of the 2026 Anne Hill Blanchard Uncommon Artists Lecture and learn more about artists Henri Rousseau, Gladys Nomfanekiso Mgudlandlu, and Lalitha Lajmi, with talks by Nancy Ireson, Nontobeko Ntombela, and Skye Arundhati Thomas.⁠
⁠
This free virtual program takes place Sunday, March 22, from 1 to 3 PM ET.⁠
⁠
Skye Arundhati Thomas will present on Lalitha Lajmi, a self-taught artist who worked across watercolor, oil, and etching in the context of post-Independence India. With a focus on the artist's watercolors and diaries, Thomas will introduce us to the world of an enigmatic mind whose dreamlike tableaux reflect both her real and imagined lives. ⁠
⁠
Skye Arundhati Thomas's book on Lajmi is out with @sternbergpress_official. ⁠
⁠
Link in bio to register ❤️⁠
⁠
-⁠
⁠
🎨 Lalitha Lajmi, Performer, 2011, Watercolour on Paper, 72,4 x 54,5 cm / 94,2 x 75,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Performer series, 2015, Watercolour on Paper, 109 x 73,5 cm / 115 x 80 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Woman and child with three birds, 2015, Watercolour on Paper, 36,9 x 28,1 cm / 58,2 x 49,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris

Be part of the 2026 Anne Hill Blanchard Uncommon Artists Lecture and learn more about artists Henri Rousseau, Gladys Nomfanekiso Mgudlandlu, and Lalitha Lajmi, with talks by Nancy Ireson, Nontobeko Ntombela, and Skye Arundhati Thomas.⁠
⁠
This free virtual program takes place Sunday, March 22, from 1 to 3 PM ET.⁠
⁠
Skye Arundhati Thomas will present on Lalitha Lajmi, a self-taught artist who worked across watercolor, oil, and etching in the context of post-Independence India. With a focus on the artist's watercolors and diaries, Thomas will introduce us to the world of an enigmatic mind whose dreamlike tableaux reflect both her real and imagined lives. ⁠
⁠
Skye Arundhati Thomas's book on Lajmi is out with @sternbergpress_official. ⁠
⁠
Link in bio to register ❤️⁠
⁠
-⁠
⁠
🎨 Lalitha Lajmi, Performer, 2011, Watercolour on Paper, 72,4 x 54,5 cm / 94,2 x 75,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Performer series, 2015, Watercolour on Paper, 109 x 73,5 cm / 115 x 80 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris⁠
⁠
🎨 Lalitha Lajmi, Woman and child with three birds, 2015, Watercolour on Paper, 36,9 x 28,1 cm / 58,2 x 49,3 cm, Courtesy of the Estate of Lalitha Lajmi and Galerie Anne Barrault (@galerie_anne_barrault), Paris

Palestine is everywhere
March 25, at BookBar, Hotel Grand Amour, 7PM @bookbarparis

with @skyita Skye Arundhati Thomas,
@houriabouteldja Houria Bouteldja and Françoise Vergès

‘Palestine is everywhere because it names a political subject of radical universal emancipation,’ writes teacher and writer Nasser Abourahme.

In Palestine is everywhere, writers, thinkers, poets and artists map the Palestinian struggle for freedom and its global resonances. Vital dispatches from Gaza, essays, poems, protest chronicles, images and letters from prison reflect upon resistance, solidarity and the right to self-determination. Amid a world-historical moment marked by unknowability and loss, this collection offers essential reading for those interested in Palestinian liberation.

This collection is edited by Skye Arundhati Thomas, with contributions from Alaa Abd El-Fattah, Nasser Abourahme, Amal Al-Nakhala, Muhammad Al-Zaqzouq, Maisara Baroud, Ahmed Bassiouny, Houria Bouteldja, Anees Ghanima, Sahar Khalifeh, Laleh Khalili, Lujayn, Mira Mattar, Lina Meruane, Mohammed Mhawish, Nahil Mohana, Rahul Rao, Nasser Rabah, Adam Rouhana, Ahmad Zaghmouri.

Commissoned by @tba_21 Published by @silver.press
All royalties from this project will be donated to Medical Aid Palestine.
Photo by @samaa.gaza

Palestine is everywhere
March 25, at BookBar, Hotel Grand Amour, 7PM @bookbarparis

with @skyita Skye Arundhati Thomas,
@houriabouteldja Houria Bouteldja and Françoise Vergès

‘Palestine is everywhere because it names a political subject of radical universal emancipation,’ writes teacher and writer Nasser Abourahme.

In Palestine is everywhere, writers, thinkers, poets and artists map the Palestinian struggle for freedom and its global resonances. Vital dispatches from Gaza, essays, poems, protest chronicles, images and letters from prison reflect upon resistance, solidarity and the right to self-determination. Amid a world-historical moment marked by unknowability and loss, this collection offers essential reading for those interested in Palestinian liberation.

This collection is edited by Skye Arundhati Thomas, with contributions from Alaa Abd El-Fattah, Nasser Abourahme, Amal Al-Nakhala, Muhammad Al-Zaqzouq, Maisara Baroud, Ahmed Bassiouny, Houria Bouteldja, Anees Ghanima, Sahar Khalifeh, Laleh Khalili, Lujayn, Mira Mattar, Lina Meruane, Mohammed Mhawish, Nahil Mohana, Rahul Rao, Nasser Rabah, Adam Rouhana, Ahmad Zaghmouri.

Commissoned by @tba_21 Published by @silver.press
All royalties from this project will be donated to Medical Aid Palestine.
Photo by @samaa.gaza

Palestine is everywhere
March 25, at BookBar, Hotel Grand Amour, 7PM @bookbarparis

with @skyita Skye Arundhati Thomas,
@houriabouteldja Houria Bouteldja and Françoise Vergès

‘Palestine is everywhere because it names a political subject of radical universal emancipation,’ writes teacher and writer Nasser Abourahme.

In Palestine is everywhere, writers, thinkers, poets and artists map the Palestinian struggle for freedom and its global resonances. Vital dispatches from Gaza, essays, poems, protest chronicles, images and letters from prison reflect upon resistance, solidarity and the right to self-determination. Amid a world-historical moment marked by unknowability and loss, this collection offers essential reading for those interested in Palestinian liberation.

This collection is edited by Skye Arundhati Thomas, with contributions from Alaa Abd El-Fattah, Nasser Abourahme, Amal Al-Nakhala, Muhammad Al-Zaqzouq, Maisara Baroud, Ahmed Bassiouny, Houria Bouteldja, Anees Ghanima, Sahar Khalifeh, Laleh Khalili, Lujayn, Mira Mattar, Lina Meruane, Mohammed Mhawish, Nahil Mohana, Rahul Rao, Nasser Rabah, Adam Rouhana, Ahmad Zaghmouri.

Commissoned by @tba_21 Published by @silver.press
All royalties from this project will be donated to Medical Aid Palestine.
Photo by @samaa.gaza

📚 Le 41ème TextWork est en ligne : « Ce pays très humide que j’aime beaucoup »

Dans cet essai, Skye Arundhati Thomas, écrivaine, éditrice et commissaire d’exposition indienne installée à Madrid, explore l’œuvre de l’artiste martiniquais Christian Bertin en tissant des liens entre histoire coloniale, négritude et relecture critique du patrimoine artistique européen.

« Le travail représente cette autonomie, cette force et cette condition matérielle par lesquelles une vie, une communauté, et même une nation se constituent. »

Le texte est à lire en intégralité sur le site de la Fondation (🔗en bio)

🔜 Laëtitia Badaut Haussmann selon Laura McLean-Ferris (parution au printemps 2026)

Le programme éditorial TextWork est conçu avec le soutien du ministère de la Culture.

_

📚 The 41st TextWork is out: “This very humid land that I love so much”

In this essay, Skye Arundhati Thomas, a writer, editor, and curator from India based in Madrid, explores the work of Martiniquan artist Christian Bertin, drawing connections between colonial history, Negritude, and a critical reexamination of European artistic heritage.

“Labour is the autonomy, strength, and material condition by which a life, community, or even a nation is constituted.”

The full text is available to read on the Fondation’s website. (🔗in bio)

🔜 Laëtitia Badaut Haussmann according to Laura McLean-Ferris (to be published in Spring 2026)

The TextWork editorial program is developed with the support of the French Ministry of Culture.

-

Crédits : Courtesy de l’artiste © ADAGP, Paris, 2026. Photos : Robert Charlotte (1 – 3) ; Skye Arundhati Thomas (4) ; Luc Jennepin (5).

@skyita @isislabeaucaberia @fondationclement @culture_gouv

📚 Le 41ème TextWork est en ligne : « Ce pays très humide que j’aime beaucoup »

Dans cet essai, Skye Arundhati Thomas, écrivaine, éditrice et commissaire d’exposition indienne installée à Madrid, explore l’œuvre de l’artiste martiniquais Christian Bertin en tissant des liens entre histoire coloniale, négritude et relecture critique du patrimoine artistique européen.

« Le travail représente cette autonomie, cette force et cette condition matérielle par lesquelles une vie, une communauté, et même une nation se constituent. »

Le texte est à lire en intégralité sur le site de la Fondation (🔗en bio)

🔜 Laëtitia Badaut Haussmann selon Laura McLean-Ferris (parution au printemps 2026)

Le programme éditorial TextWork est conçu avec le soutien du ministère de la Culture.

_

📚 The 41st TextWork is out: “This very humid land that I love so much”

In this essay, Skye Arundhati Thomas, a writer, editor, and curator from India based in Madrid, explores the work of Martiniquan artist Christian Bertin, drawing connections between colonial history, Negritude, and a critical reexamination of European artistic heritage.

“Labour is the autonomy, strength, and material condition by which a life, community, or even a nation is constituted.”

The full text is available to read on the Fondation’s website. (🔗in bio)

🔜 Laëtitia Badaut Haussmann according to Laura McLean-Ferris (to be published in Spring 2026)

The TextWork editorial program is developed with the support of the French Ministry of Culture.

-

Crédits : Courtesy de l’artiste © ADAGP, Paris, 2026. Photos : Robert Charlotte (1 – 3) ; Skye Arundhati Thomas (4) ; Luc Jennepin (5).

@skyita @isislabeaucaberia @fondationclement @culture_gouv

📚 Le 41ème TextWork est en ligne : « Ce pays très humide que j’aime beaucoup »

Dans cet essai, Skye Arundhati Thomas, écrivaine, éditrice et commissaire d’exposition indienne installée à Madrid, explore l’œuvre de l’artiste martiniquais Christian Bertin en tissant des liens entre histoire coloniale, négritude et relecture critique du patrimoine artistique européen.

« Le travail représente cette autonomie, cette force et cette condition matérielle par lesquelles une vie, une communauté, et même une nation se constituent. »

Le texte est à lire en intégralité sur le site de la Fondation (🔗en bio)

🔜 Laëtitia Badaut Haussmann selon Laura McLean-Ferris (parution au printemps 2026)

Le programme éditorial TextWork est conçu avec le soutien du ministère de la Culture.

_

📚 The 41st TextWork is out: “This very humid land that I love so much”

In this essay, Skye Arundhati Thomas, a writer, editor, and curator from India based in Madrid, explores the work of Martiniquan artist Christian Bertin, drawing connections between colonial history, Negritude, and a critical reexamination of European artistic heritage.

“Labour is the autonomy, strength, and material condition by which a life, community, or even a nation is constituted.”

The full text is available to read on the Fondation’s website. (🔗in bio)

🔜 Laëtitia Badaut Haussmann according to Laura McLean-Ferris (to be published in Spring 2026)

The TextWork editorial program is developed with the support of the French Ministry of Culture.

-

Crédits : Courtesy de l’artiste © ADAGP, Paris, 2026. Photos : Robert Charlotte (1 – 3) ; Skye Arundhati Thomas (4) ; Luc Jennepin (5).

@skyita @isislabeaucaberia @fondationclement @culture_gouv

📚 Le 41ème TextWork est en ligne : « Ce pays très humide que j’aime beaucoup »

Dans cet essai, Skye Arundhati Thomas, écrivaine, éditrice et commissaire d’exposition indienne installée à Madrid, explore l’œuvre de l’artiste martiniquais Christian Bertin en tissant des liens entre histoire coloniale, négritude et relecture critique du patrimoine artistique européen.

« Le travail représente cette autonomie, cette force et cette condition matérielle par lesquelles une vie, une communauté, et même une nation se constituent. »

Le texte est à lire en intégralité sur le site de la Fondation (🔗en bio)

🔜 Laëtitia Badaut Haussmann selon Laura McLean-Ferris (parution au printemps 2026)

Le programme éditorial TextWork est conçu avec le soutien du ministère de la Culture.

_

📚 The 41st TextWork is out: “This very humid land that I love so much”

In this essay, Skye Arundhati Thomas, a writer, editor, and curator from India based in Madrid, explores the work of Martiniquan artist Christian Bertin, drawing connections between colonial history, Negritude, and a critical reexamination of European artistic heritage.

“Labour is the autonomy, strength, and material condition by which a life, community, or even a nation is constituted.”

The full text is available to read on the Fondation’s website. (🔗in bio)

🔜 Laëtitia Badaut Haussmann according to Laura McLean-Ferris (to be published in Spring 2026)

The TextWork editorial program is developed with the support of the French Ministry of Culture.

-

Crédits : Courtesy de l’artiste © ADAGP, Paris, 2026. Photos : Robert Charlotte (1 – 3) ; Skye Arundhati Thomas (4) ; Luc Jennepin (5).

@skyita @isislabeaucaberia @fondationclement @culture_gouv

📚 Le 41ème TextWork est en ligne : « Ce pays très humide que j’aime beaucoup »

Dans cet essai, Skye Arundhati Thomas, écrivaine, éditrice et commissaire d’exposition indienne installée à Madrid, explore l’œuvre de l’artiste martiniquais Christian Bertin en tissant des liens entre histoire coloniale, négritude et relecture critique du patrimoine artistique européen.

« Le travail représente cette autonomie, cette force et cette condition matérielle par lesquelles une vie, une communauté, et même une nation se constituent. »

Le texte est à lire en intégralité sur le site de la Fondation (🔗en bio)

🔜 Laëtitia Badaut Haussmann selon Laura McLean-Ferris (parution au printemps 2026)

Le programme éditorial TextWork est conçu avec le soutien du ministère de la Culture.

_

📚 The 41st TextWork is out: “This very humid land that I love so much”

In this essay, Skye Arundhati Thomas, a writer, editor, and curator from India based in Madrid, explores the work of Martiniquan artist Christian Bertin, drawing connections between colonial history, Negritude, and a critical reexamination of European artistic heritage.

“Labour is the autonomy, strength, and material condition by which a life, community, or even a nation is constituted.”

The full text is available to read on the Fondation’s website. (🔗in bio)

🔜 Laëtitia Badaut Haussmann according to Laura McLean-Ferris (to be published in Spring 2026)

The TextWork editorial program is developed with the support of the French Ministry of Culture.

-

Crédits : Courtesy de l’artiste © ADAGP, Paris, 2026. Photos : Robert Charlotte (1 – 3) ; Skye Arundhati Thomas (4) ; Luc Jennepin (5).

@skyita @isislabeaucaberia @fondationclement @culture_gouv

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

Images from the book launch of ‘Palestine Is Everywhere’ at the Parliament of Ghosts, Anand Warehouse, Mattancherry. 🕊️📖

Edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, this contributor-led anthology gathers testimony, poetry, essays, and artworks from Gaza and beyond. The launch was followed by a moving audiovisual presentation with Nahil Mohana, bringing the book's narratives and the accompanying digital art project to life in an immersive setting.

Following the launch of the anthology, the Parliament of Ghosts transitioned into a resonant space for a collaborative sound piece by Mohamed Choucair and Avian D’Souza, along with a powerful poetry performance by Hussain Haidry. Together, these presentations expanded the printed word into a sensory experience, turning the venue into a site of collective witness.

#KochiMuzirisBiennale #KochiBiennaleFoundation #ForTheTimeBeing #NikhilChopra #KMB2025

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

We invite you to the launch of Palestine Is Everywhere, a contributor-led anthology of testimony, poetry, essays, and artworks from Gaza and beyond, edited by Skye Arundhati Thomas and co-published by TBA21 and Silver Press, to be held on 9 February from 2 to 4 PM at Parliament of Ghosts, Anand Warehouse, Mattancherry.

In Palestine Is Everywhere, writers, thinkers, poets, and artists map the Palestinian struggle for freedom and its global resonances.

9 February, 2 to 4 PM
Parliament of Ghosts, Anand Warehouse, Mattancherry.

For the @londonreviewofbooks on Ladakh; where the deep sea bed is now the roof of the world 🏔️🪸 where militarization goes together with industry, and where an ice grafting indigenous peoples movement mobilizes to protect water that reaches nearly 2 billion people 💧when Ladakh protests, it’s probably because your water, too, is at risk.

For the @londonreviewofbooks on Ladakh; where the deep sea bed is now the roof of the world 🏔️🪸 where militarization goes together with industry, and where an ice grafting indigenous peoples movement mobilizes to protect water that reaches nearly 2 billion people 💧when Ladakh protests, it’s probably because your water, too, is at risk.

For the @londonreviewofbooks on Ladakh; where the deep sea bed is now the roof of the world 🏔️🪸 where militarization goes together with industry, and where an ice grafting indigenous peoples movement mobilizes to protect water that reaches nearly 2 billion people 💧when Ladakh protests, it’s probably because your water, too, is at risk.

For the @londonreviewofbooks on Ladakh; where the deep sea bed is now the roof of the world 🏔️🪸 where militarization goes together with industry, and where an ice grafting indigenous peoples movement mobilizes to protect water that reaches nearly 2 billion people 💧when Ladakh protests, it’s probably because your water, too, is at risk.

For the @londonreviewofbooks on Ladakh; where the deep sea bed is now the roof of the world 🏔️🪸 where militarization goes together with industry, and where an ice grafting indigenous peoples movement mobilizes to protect water that reaches nearly 2 billion people 💧when Ladakh protests, it’s probably because your water, too, is at risk.