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[WHISPERING, INDISTINCT]

Roxy Miéville, Jean-Luc Godard’s dog and the main protagonist of Adieu au language, won the Special Jury Prize at the Palme Dog Award at the Cannes Film Festival. Well deserved.

I am now training acting dogs but it’s chaos nobody listens.

Roxy Miéville, Jean-Luc Godard’s dog and the main protagonist of Adieu au language, won the Special Jury Prize at the Palme Dog Award at the Cannes Film Festival. Well deserved.

I am now training acting dogs but it’s chaos nobody listens.

Roxy Miéville, Jean-Luc Godard’s dog and the main protagonist of Adieu au language, won the Special Jury Prize at the Palme Dog Award at the Cannes Film Festival. Well deserved.

I am now training acting dogs but it’s chaos nobody listens.

Met him pike hoses @julianvandermoere and a great book sharing one word in two languages

Met him pike hoses @julianvandermoere and a great book sharing one word in two languages

Meta officially began blocking news content on Facebook and Instagram for users in Canada on August 1, 2023, in response to the Canadian government’s Online News Act (Bill C-18), which requires major tech platforms to compensate news organizations for content shared on their services.

Here’s a preview of the headlines from The Globe and Mail that will be displayed at @elikerrhq tomorrow, from 11 to 6 pm

Please note that, exceptionally, the exhibition will also be open next Sunday for its final day.

Stay sharp.
X

*rendu possible grâce à @ethermata

Like a jazz trio playing through the night:
the classic acrylic table lamp x @jeta.hello
custom cardboard bedside table x @simonsbelleau
ceramic trinket box x @___sarah_jeanne___
🎷

Some close-ups of the works on view at the gallery @elikerrhq

[…] these are not singular images, but composites. The photographs seem to have been printed, folded, scanned, and reprinted in succession. They read less as images than as documents.

/ … il ne s’agit pas d’images uniques, mais de collages. Les photographies semblent avoir été imprimées, pliées, numérisées, puis réimprimées à répétition. Elles se lisent moins comme des images que comme des documents.

Some close-ups of the works on view at the gallery @elikerrhq

[…] these are not singular images, but composites. The photographs seem to have been printed, folded, scanned, and reprinted in succession. They read less as images than as documents.

/ … il ne s’agit pas d’images uniques, mais de collages. Les photographies semblent avoir été imprimées, pliées, numérisées, puis réimprimées à répétition. Elles se lisent moins comme des images que comme des documents.

Some close-ups of the works on view at the gallery @elikerrhq

[…] these are not singular images, but composites. The photographs seem to have been printed, folded, scanned, and reprinted in succession. They read less as images than as documents.

/ … il ne s’agit pas d’images uniques, mais de collages. Les photographies semblent avoir été imprimées, pliées, numérisées, puis réimprimées à répétition. Elles se lisent moins comme des images que comme des documents.

Some close-ups of the works on view at the gallery @elikerrhq

[…] these are not singular images, but composites. The photographs seem to have been printed, folded, scanned, and reprinted in succession. They read less as images than as documents.

/ … il ne s’agit pas d’images uniques, mais de collages. Les photographies semblent avoir été imprimées, pliées, numérisées, puis réimprimées à répétition. Elles se lisent moins comme des images que comme des documents.

@elikerrhq - Walking back to the street, on the left wall stands the largest piece of the exhibition. This large sculptural fragment is the rooftop of the disassembled newsstand, turned on its side and mounted on the wall.

Once a place for sharing and gathering around printed information -un pôle d’attraction- the newsstand gradually transformed into a generic concession, selling cigarettes, trinkets, and tourist souvenirs. This shift, both mundane and symbolic, reflects the movement from a public space of communication to a space of consumption, as well as the way access to media has increasingly left the streets and entered our homes.

Two weeks left, closes on May 16.

img.4: Kiosque coin Jean-Talon et St-Denis, 21 juillet 1967

‘Substrat (Street level)’, 2026.
Kiosque à journaux (décor de cinéma), 7 tubes DEL sur mesure, contreplaqué B.C. Fir, panneau de toiture [Decommissioned newsstand roof (film prop), 7 custom LED tubes, BC Fir plywood, rooftop panel]
77 x 99 x 11 inches / 195.6 x 251.5 x 27.9 cm

photos @atlasdocumentation

@elikerrhq - Walking back to the street, on the left wall stands the largest piece of the exhibition. This large sculptural fragment is the rooftop of the disassembled newsstand, turned on its side and mounted on the wall.

Once a place for sharing and gathering around printed information -un pôle d’attraction- the newsstand gradually transformed into a generic concession, selling cigarettes, trinkets, and tourist souvenirs. This shift, both mundane and symbolic, reflects the movement from a public space of communication to a space of consumption, as well as the way access to media has increasingly left the streets and entered our homes.

Two weeks left, closes on May 16.

img.4: Kiosque coin Jean-Talon et St-Denis, 21 juillet 1967

‘Substrat (Street level)’, 2026.
Kiosque à journaux (décor de cinéma), 7 tubes DEL sur mesure, contreplaqué B.C. Fir, panneau de toiture [Decommissioned newsstand roof (film prop), 7 custom LED tubes, BC Fir plywood, rooftop panel]
77 x 99 x 11 inches / 195.6 x 251.5 x 27.9 cm

photos @atlasdocumentation

@elikerrhq - Walking back to the street, on the left wall stands the largest piece of the exhibition. This large sculptural fragment is the rooftop of the disassembled newsstand, turned on its side and mounted on the wall.

Once a place for sharing and gathering around printed information -un pôle d’attraction- the newsstand gradually transformed into a generic concession, selling cigarettes, trinkets, and tourist souvenirs. This shift, both mundane and symbolic, reflects the movement from a public space of communication to a space of consumption, as well as the way access to media has increasingly left the streets and entered our homes.

Two weeks left, closes on May 16.

img.4: Kiosque coin Jean-Talon et St-Denis, 21 juillet 1967

‘Substrat (Street level)’, 2026.
Kiosque à journaux (décor de cinéma), 7 tubes DEL sur mesure, contreplaqué B.C. Fir, panneau de toiture [Decommissioned newsstand roof (film prop), 7 custom LED tubes, BC Fir plywood, rooftop panel]
77 x 99 x 11 inches / 195.6 x 251.5 x 27.9 cm

photos @atlasdocumentation

@elikerrhq - Walking back to the street, on the left wall stands the largest piece of the exhibition. This large sculptural fragment is the rooftop of the disassembled newsstand, turned on its side and mounted on the wall.

Once a place for sharing and gathering around printed information -un pôle d’attraction- the newsstand gradually transformed into a generic concession, selling cigarettes, trinkets, and tourist souvenirs. This shift, both mundane and symbolic, reflects the movement from a public space of communication to a space of consumption, as well as the way access to media has increasingly left the streets and entered our homes.

Two weeks left, closes on May 16.

img.4: Kiosque coin Jean-Talon et St-Denis, 21 juillet 1967

‘Substrat (Street level)’, 2026.
Kiosque à journaux (décor de cinéma), 7 tubes DEL sur mesure, contreplaqué B.C. Fir, panneau de toiture [Decommissioned newsstand roof (film prop), 7 custom LED tubes, BC Fir plywood, rooftop panel]
77 x 99 x 11 inches / 195.6 x 251.5 x 27.9 cm

photos @atlasdocumentation

my fav fragment;
Substrat (The New York Times), 2026
Kiosque à journaux (décor de cinéma), Raspberry Pi, écran LCD, unes de la veille, contreplaqué B.C. Fir, aluminium, verre [Decommissioned newsstand (film prop), Raspberry Pi, LCD screen, yesterday’s headlines, BC Fir plywood, aluminum, glass]
24 x 32 x 4 in / 61 x 81.3 x 10.2 cm

chez @elikerrhq
only 4 samedis left 😢

img @atlasdocumentation

my fav fragment;
Substrat (The New York Times), 2026
Kiosque à journaux (décor de cinéma), Raspberry Pi, écran LCD, unes de la veille, contreplaqué B.C. Fir, aluminium, verre [Decommissioned newsstand (film prop), Raspberry Pi, LCD screen, yesterday’s headlines, BC Fir plywood, aluminum, glass]
24 x 32 x 4 in / 61 x 81.3 x 10.2 cm

chez @elikerrhq
only 4 samedis left 😢

img @atlasdocumentation

my fav fragment;
Substrat (The New York Times), 2026
Kiosque à journaux (décor de cinéma), Raspberry Pi, écran LCD, unes de la veille, contreplaqué B.C. Fir, aluminium, verre [Decommissioned newsstand (film prop), Raspberry Pi, LCD screen, yesterday’s headlines, BC Fir plywood, aluminum, glass]
24 x 32 x 4 in / 61 x 81.3 x 10.2 cm

chez @elikerrhq
only 4 samedis left 😢

img @atlasdocumentation

great bedside wake-up note // ‘Stars at Noon’ by Tindersticks, 2022, 3:39min
Album: Stars at Noon

[…] Embedded within the piece (left) is a small video monitor displaying a sequence of words. These are programmed to update each morning, drawn from the previous day’s top headlines. By the following day, a new sequence appears, as the news continuously shifts. These words are drawn exclusively from The Globe and Mail, one of Canada’s leading national newspapers, and will continue to do so indefinitely. Only when the newspaper ceases publication will the sequence come to a halt, its final headlines looping endlessly.

@globeandmail Yesterday’s headlines, on view today at the gallery, are:
—A moment Pierre Poilievre didn’t want to meet
—Buoyed by majority, Carney predicts more ‘substance’ from MPs, unveils temporary gas tax break
—Finance Minister will release spring economic update on April 28

Show closes in 31 days @elikerrhq

Left:
Substrat (The Globe and Mail), 2026. Decommissioned newsstand (film prop), print mounted on aluminum, Raspberry Pi, LCD screen, yesterday’s headlines, BC Fir plywood, museum glass. 87 x 31 3/4 x 4 in , 221 x 80.6 x 10.2 cm

Right:
Substrat (Imprimerie 2), 2026.
14 1/2 x 16 x 3 3/4 in , 36.8 x 40.6 x 9.5 cm

Photo @atlasdocumentation

Merci au magicien-programmeur @ethermata
Merci pour les impressions @surface.bureau
Merci pour l’aide transport @andreane_bernard