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simonchasalow
Simon Chasalow
Director and Executive Producer
Founder @theparallelagency @parallelstudios
Founder @apolloposthouse
The Fall-Off | Additional Album Cover
Photographer: @simonchasalow
“Over time, The Fall-Off concept expanded and the album blossomed into a double disc. I felt there should be an additional cover that represented that. Something just as strong as the first, with my face on it, so that when I look back in 20 years, I can see an image of who I was at the time I released the project I worked on for so long.
This is that cover.“ - Cole
Shot on CineStill 400D
Production Company: @parallelstudios x @freenjoy
Executive Producers: @realcoleworld, @kingofqueenz25
Executive Producers: @simonchasalow, @freenjoy, @tarasheree, @tonypillow
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @anuaraly
Production Manager: Sean Wen
Production Supervisor: @natallejastrow
Production Coordinator: Lindsay Kappius
Production Designer: @mattt.toth
The Fall-Off Creative Direction: @scott_lazer and @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Creative Director: @linusandhiscamera
Creative Director: @a_ciggs
Lighting Director: @tristanmoffatt
Digitech: @reneedodge
Digitech: @waphoto
BBE: Jacob Hinson
SLT #1: Santana Wilkenson
SLT #2: Giorgio Palermi
Key Grip: @sassygripstudiorental
BBG: Robert Powell
Grip: Chad Hoyle
Grip: Steve Allen
Art Director: Shannon Malone
Set Dresser: Fess Rice
Set Dresser: Amanda Rudd
J Cole Stylist: @melissa___deleon
J Cole Grooming: Timesha
Production Assistant: John Cole
Production Assistant: Katherine Stewart
Production Assistant: Matt Hand
Production Assistant: Paul Kilpatrick
Production Assistant: Daniel Allison
Location Scout: Shannon Lechner
Film: CineStill @cinestillfilm
Develop & Scan: Picture House + Small Darkroom @phtsdr
Retouch: @simonchasalow, @a_ciggs, @linusandhiscamera, @elliothensford
Special Thanks: Steve Carter @stevecarter
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off | Two Six 💥💿
Grateful for this incredible crew and for the many amazing people we met in Fayetteville who helped us achieve this vision across many weeks. Thank you to every single person who dedicated their time, ideas and energy. This was a massive team effort.
Thank you @realcoleworld @kingofqueenz25 and my family @dreamville
Huge thank you to @tonypillow, @ap.mov , @anuaraly , @taliiweizman, @sergiomvaccaro for giving this every fiber of your effort and attention and to @freenjoy , @tarasheree for your dedicated and consistent support as we developed each idea.
Thank you @cory.burmester, @_zacksta, @michael.younker, @tristanmoffatt @tj.saw1, @elliothensford, @a_ciggs for the constant enthusiasm and engagement toward elevating this project and for being excellent creative partners always.
Thank you to our amazing team @apolloposthouse and @danielpianezza for your excitement and constant dedication toward pushing the envelope in new ways.
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow @freenjoy @tarasheree @tonypillow @anuaraly
Producer: @taliiweizman
Producer: @sergiomvaccaro
Producer: @freenjoy
Post Producer: @ap.mpv
Creative Director: @tj.saw1
Creative Director: @elliothensford
Production Manager: @natallejastrow
Writer: @simonchasalow
Writer: @a_ciggs
DP: @cory.burmester
Production Designer: @michael.younker
VFX Supervisor: @taylorkyles
The Fall-Off Creative Directors: @scott_lazer x @feltonamus
The Fall-Off Art Director: @waltercbarnett
The Fall-Off Digital: @_david_peters
Fayetteville Ground Team: Mike Shaw, RJ, Tim Dudley
Fayetteville Unit DP: @garrett.hoffmann
Hope Mills Unit DP: @ojijay
Terry Sanford Unit DP: @jeremyiswild
1st AD: @rj.collins
2nd AD: @watfordlandon
Production Logistics: @cole_world757
1st AC: @paulwiedt
2nd AC: Seth Lewis
Black Arm Driver + Ronin Op: @nickcoconuts
Gaffer: @tristanmoffatt
BBE: William Sozanski
Electric: @giorginobambinoi
Electric: Anthony Riggi
Electric: Robert Poisella
The Fall-Off. Midnight.
Shot on 8 Perf VistaVision
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow, @freenjoy, @tarasheree, @tonypillow
Producer: @sergiomvaccaro, @taliiweizman
Production Manager: @itswentime
Production Supervisor: @natallejastrow
Production Coordinator: Lindsay Kappius
Creative Direction: @scott_lazer x @feltonamus
Digital: @_david_peters
Album Art Director: @waltercbarnett
Product Manager: @wave_bandana
DP: @cory.burmester
Production Designer: @mattt.toth
Post Production Company: @apolloposthouse
Head of Post & Post Producer: Alex Peterson @ap.mov
Colorist: Aubrey Woodiwiss @aubreycolor
Color Producer: James Gooding @gooding75
1st AD: John Scott Wilson
1st AC: @paulwiedt
2nd AC: Jake Dugger
Gaffer: @tristanmoffatt
BBE: Jacob Hinson
SLT #1: Santana Wilkenson
SLT #2: Giorgio Palermi
Key Grip: @sassygripstudiorental
BBG: Robert Powell
Grip: Chad Hoyle
Grip: Steve Allen
Art Director: @shannon_malone_
Set Dresser: @lxrdfess
Set Dresser: @_amandarudd
J Cole Stylist:@melissa___deleon
J Cole Grooming: @lunah_me
Production Assistant: John Cole
Production Assistant: Katherine Stewart
Production Assistant: Matt Hand
Production Assistant: Paul Kilpatrick
Production Assistant: Daniel Allison
Sound Op: Josh Stowe
Location Scout: Shannon Lechner
BG Stylist: Robbie Forriest
BG Key HMU: Kim Konsler
BG HMU Assist: Amity Rosa
Camera: Illumination Dynamics
Film Scan and Dev: Fotokem
Catering: Melvins
Expendables: Cinealease
Dolly: Sassy Grip Rental
Drives: B&H Photo
Electric: Cinealease
Grip: Sassy Grip Studio Rental
Production Supplies: Cordell Production Rental
Vehicles: Enterprise Rent A Car
Walkies: Cordell Production Rental
The Fall-Off 💥
Shot on 8 Perf VistaVision
Director: @simonchasalow
Production Company: @parallelstudios x @freenjoy
Executive Producers: Jermaine Cole, Ibrahim Hamad
Executive Producers: @simonchasalow, @freenjoy, @tonypillow, @anuaraly
Producer: @sergiomvaccaro, @taliiweizman
Production Manager: @itswentime
Production Supervisor: @natallejastrow
Production Coordinator: Lindsay Kappius
Creative Direction: @scott_lazer x @feltonamus
Digital: @_david_peters
Album Art Director: @waltercbarnett
DP: @cory.burmester
Production Designer: @mattt.toth
Post Production Company: @apolloposthouse
Head of Post & Post Producer: Alex Peterson @ap.mov
Colorist: Aubrey Woodiwiss @aubreycolor
Color Producer: James Gooding @gooding75
1st AD: John Scott Wilson
1st AC: @paulwiedt
2nd AC: Jake Dugger
Gaffer: @tristanmoffatt
BBE: Jacob Hinson
SLT #1: Santana Wilkenson
SLT #2: Giorgio Palermi
Key Grip: @sassygripstudiorental
BBG: Robert Powell
Grip: Chad Hoyle
Grip: Steve Allen
Art Director: @shannon_malone_
Set Dresser: @lxrdfess
Set Dresser: @_amandarudd
J Cole Stylist:@melissa___deleon
J Cole Grooming: @lunah_me
Production Assistant: John Cole
Production Assistant: Katherine Stewart
Production Assistant: Matt Hand
Production Assistant: Paul Kilpatrick
Production Assistant: Daniel Allison
Sound Op: Josh Stowe
Location Scout: Shannon Lechner
BG Stylist: Robbie Forriest
BG Key HMU: Kim Konsler
BG HMU Assist: Amity Rosa
Camera: Illumination Dynamics
Film Scan and Dev: Fotokem
Catering: Melvins
Expendables: Cinealease
Dolly: Sassy Grip Rental
Drives: B&H Photo
Electric: Cinealease
Grip: Sassy Grip Studio Rental
Production Supplies: Cordell Production Rental
Vehicles: Enterprise Rent A Car
Walkies: Cordell Production Rental
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
26 🎂
Grateful for a year filled with the people I love most. Privileged to work alongside my family at @theparallelagency @parallelstudios and @apolloposthouse every single day. This year we made the best art so far, opened an office in LA for Apollo, and continued to knock major goals off of our lists. Proud to be surrounded by so many amazing people who make everything possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
Might Delete Later • 📺💥📀
Spent 4 months between the end of 2023 and the beginning of this year laser-focused on not only building the world of MDL to be aesthetically cohesive but also creating something impactful and unexpected during the era of the 24-hour news cycle.
The Nino Brown Story DVD and The Carter Doc were both significant influences for bringing snippets back and showcasing tour life. The only way to listen to 30 Minutes To New Orleans before its release was to play the same clip of Wayne on his tour bus on repeat. It wasn’t in stores or on iTunes, you had to watch the Carter Doc over and over for two years.
In keeping with that influence, all of these snippets were planned out, produced, and shot same day in whichever city we happened to be in. Some snippets are stripped back, while others we elevated into a new creative pocket. Then we snuck them into each long-form episode, dropping them as surprises for fans to appreciate.
Smack DVD is another obvious influence, but we also cherry-picked and paid close attention to our other favorite 90s and early 2000s digital styles. That’s where this amalgam of an aesthetic really flourished. Infrared, Night Vision, VHS, CRT TV textures, DVD Menu Details, Scene Selection, and QVC Call Screens - everything was married together to create something new.
Even earlier in 2023, @aditya.1001 instilled in me the importance of bringing snippets back and emphasized the lack of presence of the old mixtape release method in most modern release strategies. All credit where credit is due to him for planting the seed and getting me energized around the possibility of this style of rollout for a mixtape project. It was well-timed; only a few months later Cole and Ib presented the exact same idea with excitement and we ran with it.
One of the greatest privileges of this year was assembling and working alongside the capture and post team that executed Might Delete Later. Without them, none of this would have been possible.
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
25 today.
Grateful beyond belief. This past year has consisted of the most challenging and exciting projects of my life. Can’t express enough gratitude for all of our teams @theparallelagency @parallelstudios & @apolloposthouse without whom nothing would be possible. To everyone I’ve had a chance to collaborate with, and to those who have helped grow me into who I am today, thank you. Too many names to list.
Thank you @ianbuosi for the mugshot
@realcoleworld x @champagnepapi ☁️🦉
———————————————
3+ weeks of planning to turn this project out less than 15 hours after the show. Couldn’t have done it without this team. Full cut on YouTube.
Director: @simonchasalow
Creative Director: @a_ciggs
Producers: @tonypillow @simonchasalow
Creative Producers: @feltonamus @_david_peters
Prod. Company: @parallelstudios
DOP: @cory.burmester
1st AC: @alexiomah
Video Team: @owenschatz @_zacksta @evanhammerman @heisenberg.mov
FPV/Drone: @samshapiromedia
Post Prod. Supervisor: @ap.mov
3D/Animation Lead: @d3signeric
Editors: @ap.mov @griffinolis @_zacksta
Sound Design: @ap.mov @griffinolis @_zacksta
Sound mix: @ap.mov
DIT: @chrisvtheg
Colorist: @josephbicknell / @company_3
Color Producer: @cassidy.cnwy
Character Artist: sunilkumarkondi
FX, Owl Rig & Animation: @indianvfxschool
Special Asset Design Coordinator: @wave_bandana
Rental House: @bokeh.rentals
@realcoleworld x @champagnepapi ☁️🦉
———————————————
3+ weeks of planning to turn this project out less than 15 hours after the show. Couldn’t have done it without this team. Full cut on YouTube.
Director: @simonchasalow
Creative Director: @a_ciggs
Producers: @tonypillow @simonchasalow
Creative Producers: @feltonamus @_david_peters
Prod. Company: @parallelstudios
DOP: @cory.burmester
1st AC: @alexiomah
Video Team: @owenschatz @_zacksta @evanhammerman @heisenberg.mov
FPV/Drone: @samshapiromedia
Post Prod. Supervisor: @ap.mov
3D/Animation Lead: @d3signeric
Editors: @ap.mov @griffinolis @_zacksta
Sound Design: @ap.mov @griffinolis @_zacksta
Sound mix: @ap.mov
DIT: @chrisvtheg
Colorist: @josephbicknell / @company_3
Color Producer: @cassidy.cnwy
Character Artist: sunilkumarkondi
FX, Owl Rig & Animation: @indianvfxschool
Special Asset Design Coordinator: @wave_bandana
Rental House: @bokeh.rentals
@realcoleworld x @champagnepapi ☁️🦉
———————————————
3+ weeks of planning to turn this project out less than 15 hours after the show. Couldn’t have done it without this team. Full cut on YouTube.
Director: @simonchasalow
Creative Director: @a_ciggs
Producers: @tonypillow @simonchasalow
Creative Producers: @feltonamus @_david_peters
Prod. Company: @parallelstudios
DOP: @cory.burmester
1st AC: @alexiomah
Video Team: @owenschatz @_zacksta @evanhammerman @heisenberg.mov
FPV/Drone: @samshapiromedia
Post Prod. Supervisor: @ap.mov
3D/Animation Lead: @d3signeric
Editors: @ap.mov @griffinolis @_zacksta
Sound Design: @ap.mov @griffinolis @_zacksta
Sound mix: @ap.mov
DIT: @chrisvtheg
Colorist: @josephbicknell / @company_3
Color Producer: @cassidy.cnwy
Character Artist: sunilkumarkondi
FX, Owl Rig & Animation: @indianvfxschool
Special Asset Design Coordinator: @wave_bandana
Rental House: @bokeh.rentals
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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