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May 29th All night long @stereobarmtl
Boarding starts early & ends late.

🎫link in bio

🌀🫰

Honoured to be part of this legendary compilation. @bar25music

For 13years, this artwork has been tied to so many records and artists that genuinely shaped my taste and love for electronic music. Quite jazzed have this song sitting somewhere in that world.

If you know the label, then you already know the level of care and magic inside the catalogue.

Honest but Probably Inadvisable PSA: Radio edits cut the corners… I recommended the scenic route always. Long live the CLUB MIX.

FUL E.P dropping on @bar25music next month 🫰

Honoured to be part of this legendary compilation. @bar25music

For 13years, this artwork has been tied to so many records and artists that genuinely shaped my taste and love for electronic music. Quite jazzed have this song sitting somewhere in that world.

If you know the label, then you already know the level of care and magic inside the catalogue.

Honest but Probably Inadvisable PSA: Radio edits cut the corners… I recommended the scenic route always. Long live the CLUB MIX.

FUL E.P dropping on @bar25music next month 🫰

Honoured to be part of this legendary compilation. @bar25music

For 13years, this artwork has been tied to so many records and artists that genuinely shaped my taste and love for electronic music. Quite jazzed have this song sitting somewhere in that world.

If you know the label, then you already know the level of care and magic inside the catalogue.

Honest but Probably Inadvisable PSA: Radio edits cut the corners… I recommended the scenic route always. Long live the CLUB MIX.

FUL E.P dropping on @bar25music next month 🫰

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Affinity 4.0. No messing around.
Set recording vanished.
We’ll call it performance art.

🤝 @keepitdeep_mtl
📸 @leonarddumas._
🎥 @brunosavard

Releasing music is an adventure.

Moments lived freely out in the wild.
Ideas flying by. Some caught, most gone.
Left brain gathers. Right brain builds.
Time alone, refining.

Always circling the same question:
“When is art finished?”

Finding the right home & label.
Shaping the sound’s visual identity.

And then after years
beda bing bada boom…

It’s lands.
From seed to shareable WAV.

Proud of what’s hitting the airwaves in ’26.
Wild part? The train’s barely left the station. 🚂

Releasing music is an adventure.

Moments lived freely out in the wild.
Ideas flying by. Some caught, most gone.
Left brain gathers. Right brain builds.
Time alone, refining.

Always circling the same question:
“When is art finished?”

Finding the right home & label.
Shaping the sound’s visual identity.

And then after years
beda bing bada boom…

It’s lands.
From seed to shareable WAV.

Proud of what’s hitting the airwaves in ’26.
Wild part? The train’s barely left the station. 🚂

Releasing music is an adventure.

Moments lived freely out in the wild.
Ideas flying by. Some caught, most gone.
Left brain gathers. Right brain builds.
Time alone, refining.

Always circling the same question:
“When is art finished?”

Finding the right home & label.
Shaping the sound’s visual identity.

And then after years
beda bing bada boom…

It’s lands.
From seed to shareable WAV.

Proud of what’s hitting the airwaves in ’26.
Wild part? The train’s barely left the station. 🚂

@sxmfestival, you are a magical place 🪄

FULL SET NOW AVAILABLE ON SOUNDCLOUD.

Big Big BIG ups @julianprincesxmf — I get it now. Living legend sir.🎩

#sxmfestival #saintmartin

SMR very welcomed Nico Morano with a new sublime remix on Simbasol and Timo Maas collaboration “Open Arms”. Available now on all platforms, also soon as vinyl edition.

SMR very welcomed Nico Morano with a new sublime remix on Simbasol and Timo Maas collaboration “Open Arms”. Available now on all platforms, also soon as vinyl edition.

SMR very welcomed Nico Morano with a new sublime remix on Simbasol and Timo Maas collaboration “Open Arms”. Available now on all platforms, also soon as vinyl edition.

SMR very welcomed Nico Morano with a new sublime remix on Simbasol and Timo Maas collaboration “Open Arms”. Available now on all platforms, also soon as vinyl edition.

Built from feeling, not formulas.

“Like A Feather” came out exactly how it needed to 🪶🪽

Out now. Go feel it — link in bio.

@supersapiens_ofc

🎥 @buisson._

#indiedance #melodichouse #newrelease

Canadian producer SimbaSōl makes his @supersapiens_ofc debut with a two-track single built on tension, atmosphere, and slow-burning club dynamics.

‘Like A Feather’ 🪶 delivers a deliberate intensity, its ticking percussive elements, clanging one-shots, and jagged drum rolls cascading between an ominous bass growl and wavering vocals, before melting into ethereal Rhodes and a woozy, ecstatic, and expansive breakdown.

‘Fly Fly’ 🪶 balances the mood with a forward-moving pulse, guided by a thick, wandering digital bassline which gives way to smooth guitar textures, fluttering pads, and layered vocals.

Supported by a diverse roster of artists like Adriatique, Paco Osuna, Themba, Facundo Mohrr, Nico Morano & Be Svendsen. Link in Bio ✨

Canadian producer SimbaSōl makes his @supersapiens_ofc debut with a two-track single built on tension, atmosphere, and slow-burning club dynamics.

‘Like A Feather’ 🪶 delivers a deliberate intensity, its ticking percussive elements, clanging one-shots, and jagged drum rolls cascading between an ominous bass growl and wavering vocals, before melting into ethereal Rhodes and a woozy, ecstatic, and expansive breakdown.

‘Fly Fly’ 🪶 balances the mood with a forward-moving pulse, guided by a thick, wandering digital bassline which gives way to smooth guitar textures, fluttering pads, and layered vocals.

Supported by a diverse roster of artists like Adriatique, Paco Osuna, Themba, Facundo Mohrr, Nico Morano & Be Svendsen. Link in Bio ✨

Canadian producer SimbaSōl makes his @supersapiens_ofc debut with a two-track single built on tension, atmosphere, and slow-burning club dynamics.

‘Like A Feather’ 🪶 delivers a deliberate intensity, its ticking percussive elements, clanging one-shots, and jagged drum rolls cascading between an ominous bass growl and wavering vocals, before melting into ethereal Rhodes and a woozy, ecstatic, and expansive breakdown.

‘Fly Fly’ 🪶 balances the mood with a forward-moving pulse, guided by a thick, wandering digital bassline which gives way to smooth guitar textures, fluttering pads, and layered vocals.

Supported by a diverse roster of artists like Adriatique, Paco Osuna, Themba, Facundo Mohrr, Nico Morano & Be Svendsen. Link in Bio ✨

Canadian producer SimbaSōl makes his @supersapiens_ofc debut with a two-track single built on tension, atmosphere, and slow-burning club dynamics.

‘Like A Feather’ 🪶 delivers a deliberate intensity, its ticking percussive elements, clanging one-shots, and jagged drum rolls cascading between an ominous bass growl and wavering vocals, before melting into ethereal Rhodes and a woozy, ecstatic, and expansive breakdown.

‘Fly Fly’ 🪶 balances the mood with a forward-moving pulse, guided by a thick, wandering digital bassline which gives way to smooth guitar textures, fluttering pads, and layered vocals.

Supported by a diverse roster of artists like Adriatique, Paco Osuna, Themba, Facundo Mohrr, Nico Morano & Be Svendsen. Link in Bio ✨

Dialing in my lane.
Locked in my sound.
Putting out music that truly aligns.

@supersapiens_ofc feels just like home.

Like A Feather EP — tomorrow 🪶🪽

Big ups to @lucasaporito_ofc for the vision.

📸 @precise_momentz

Dialing in my lane.
Locked in my sound.
Putting out music that truly aligns.

@supersapiens_ofc feels just like home.

Like A Feather EP — tomorrow 🪶🪽

Big ups to @lucasaporito_ofc for the vision.

📸 @precise_momentz

Dialing in my lane.
Locked in my sound.
Putting out music that truly aligns.

@supersapiens_ofc feels just like home.

Like A Feather EP — tomorrow 🪶🪽

Big ups to @lucasaporito_ofc for the vision.

📸 @precise_momentz

Dialing in my lane.
Locked in my sound.
Putting out music that truly aligns.

@supersapiens_ofc feels just like home.

Like A Feather EP — tomorrow 🪶🪽

Big ups to @lucasaporito_ofc for the vision.

📸 @precise_momentz

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

Coming in hot 🥵

For this second edition, we welcome @simbasol_sounds, a Montreal-born artist whose sound moves between deep grooves, expansive synthscapes, and emotional storytelling. More than a DJ set, his performances are immersive journeys—blurring the line between dance floor and inner exploration.

With releases on labels such as Gardens of Babylon, Super Sapiens, Kinetika, BAR25, Melody Lab, Shanti Mansion, Redolent, Sanctuary, I AM HER, and We of Youth, SimbaSōl has been steadily carving a path through the global melodic and organic electronic scene.

Rooted in rhythm, spirit, and movement, his sets invite listeners to open up, connect, and lose themselves in the moment. Expect a night where the dance floor becomes a shared space of presence, joy, and release. 🌿

Enjoy the ride and make sure to subscribe for awesome content. Don’t forget to drop a comment and show some love ❤️‍🔥

#theloftseries

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

@simbasol_sounds had been building a lane that sits comfortably between club function and melodic writing, and “Open Arms” felt like a clear signal that he wanted range in his catalog without losing identity. The materials around the record pointed to multiple versions, including one connected to Timo Maas, plus plans for a vinyl pressing and a remix as part of the wider rollout, so the intent read like a full release campaign rather than a one-off single.

What made this interview useful was how plainly he explained the gap between what an audience experiences as spontaneity and what a DJ experiences as preparation. He talked about visualizing the room, digging for the right records, and studying music with focus, then using that groundwork to stay responsive once the night starts making decisions for you. He also described the moment when a plan stops helping, and a DJ has to pivot mid-set without letting anxiety take over the booth.

He kept coming back to presence, restraint, and trust, and he framed “push and pull” as a practical skill, not a slogan. When he noticed himself overthinking, he described resetting, simplifying, and returning to the groove, and when the pressure to deliver crept in, he focused on intention and connection instead of performance.

Taken together, his answers read like a working method for staying consistent over time while still taking real risks when the room calls for it.

HAPPY RELEASE DAY! The Gardens of Babylon Records proudly welcomes SimbaSōl with his evocative new EP, “Peace Of Mind.”

A deeply emotional two-track journey where organic grooves, introspection, and movement merge into one.

“Peace Of Mind” a deep, indie-leaning dancefloor gem. Grounded bassline, spiritual pads, and whimsical melodies creating a sense of release and reflection.

“Push”delicate, luminous, and flowing. Light in mood, rich in detail, inviting movement without urgency.

A reminder that the most powerful moments on the dancefloor come from restraint, intention, and soul.

Dive in and add this perfect EP to your next set or playlist!

🖤