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servicesgeneraux
SERVICES GÉNÉRAUX
Directors Duo
+ Image-making studio,
Creating visual narratives.
—
hello@servicesgeneraux.net
We are opening several new full time positions, in-house.
Happy to meet new talents, willing to join our team long term !
CGI ARTIST (Mid to Senior)
PARIS-BASED
FLUENT ENGLISH
STARTING SOON
+3-4 YEARS OF EXP C4D AND/OR HOUDINI
OCTANE AND/OR REDSHIFT
AI SKILLS
Email us using "JOB: CGI ARTIST " as the subject
• Full job descriptions on our website
• Include your Portfolio + Few words about yourself
• Please apply only if you truly fit the description 🙃
Looking forward to meet you ! 🖤
NIKE TRAINING
Campaign directed by @servicesgeneraux
Production @maemybad @aldricmenanteau @__kotro
Nike Training: @niketraining
Nike Art Directors: @99.figs @lulubi_garcia
Nike Lead Designer: @lulubi_garcia
Nike Production: @yoging_around
DOP: @vicmorisse
1st AD: @pim.caloni
1st AC: @lucastourret
2nd AC: @mathis_bonnaeu
Steadicam Operator: @steadi_carl
Gaffer: @hadrien.perrot
Light: @alexsbogart @french_brt @cha_nd_@enzo_sayag
Machinists: @edouardbordier @mathis_liabeuf
Movement Director @manondubourdeaux
Technical Movement Director @jeson.lngdn
Production Designer: @prudencepalle
Builders: @build.paris
Assistants Set Designer: @alexisdougha @felzinx k__zam
Stylist: @damese
Assistant Stylist: @gaux.hinas @alex100drame
HMU: @paulinesuze
Models:
Djamal
Maé
Marvin
Edwige
CREATIVE POST-PRODUCTION BY @servicesgeneraux
[No AI]
NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life 🪨
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy
Tap the link in bio to watch the full film on NOWNESS 🎬
Director @servicesgeneraux (Antoine + Valentin)
Executive Production & Post Production @servicesgeneraux
PR @cc__system
Model @antuuu__
Original Music @paraoner
NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life 🪨
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy
Tap the link in bio to watch the full film on NOWNESS 🎬
Director @servicesgeneraux (Antoine + Valentin)
Executive Production & Post Production @servicesgeneraux
PR @cc__system
Model @antuuu__
Original Music @paraoner
NEW! Casting the myth of Sisyphus into a digitally manipulated environment, image-making studio Services Généraux builds a cinematic meditation on free will for the experimental film ‘SISYPHE’ – echoing Albert Camus’ interpretation of the myth as a reflection of modern life 🪨
Between encounters with beauty and harsh confrontations, the experimental film reinstates the free will of its absurd hero, handing him the reins to take back control through a radical act of autonomy
Tap the link in bio to watch the full film on NOWNESS 🎬
Director @servicesgeneraux (Antoine + Valentin)
Executive Production & Post Production @servicesgeneraux
PR @cc__system
Model @antuuu__
Original Music @paraoner
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
About last night
Thanks for coming
Sorry for the line and the heat
Pictures by @_jtef @tendaysinparis
PR @cc__system @barth.knk
Scenography @ninogibert
PS: about the most asked question : yes, it was a real dog ( @ring_rider_ryuk_ )
SISYPHE
A short film by Services Généraux.
Coming soon.
Actor: Antoine Puylaert @antuuu__
Soundtrack: Para One @paraoner
DoP: Victor Morisse @vicmorisse
Edit: Vincent Fleischmann @vincentfleischmann
Color: John O’Riordan @_johngrades_
Post: Services Generaux
Styling: Camille Cabanis @k1000reloaded
Production: @maemybad
This was our last party at La Station.
4 years, 4 legendary parties.
All thanks to @_fetva_ and all these amazing DJs
SG26
Scenography :
@aleksandrkontini
DJs :
@angeparadiz
@ouri.riou
@badgalmelv
@aamne__
@babypantera
@bamaoyende
Vidéo by @yvoaracy and @ashes_____________________
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
MOCKING (UP)
In our post-truth era, mockups gained a new status. A double-edged sword, both sides cutting deep.
On the client side, it started with asking for notes of intent. Then came moodboards, then treatments, then still mockups, then moodtapes, and now full-on video mockups. Today, clients want to see the film before they buy the film. For free, as you can imagine. And as a profession, we gave up, unprotected by production companies and agencies.
On the service-provider side, that mindset went ahead and contaminated our feeds and portfolios. We now see more mockups of projects than projects. Fictive projects hold the same value as real ones. Designers care more about the in-situ mockup of their new identity project than about the actual identity itself. Agencies care more about the mocked-up in-situ activation of their 360 campaign than the campaign itself. So much so that some companies now specialize in selling ready-made generic mockups (!). So as a service provider, you now have to spend your own money to fake doing the project you’re actually trying to get.
Mocking up the thing is not doing the thing.
To celebrate this nonsense, SG is offering the creative community a free-of-charge, ready-to-use mockup collection, to offer the best fake in-situ context to your fake projects!
Download link in stories highlights
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