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samwalkercine
Sam Walker
Narrative & Commercial
Telling stories, collaborating and making dirty frames.
🇬🇧 JXN @thejunxiontalent
OVERLOAD
Some screen grabs from the ongoing feature film, which I spoke about with @bscine magazine recently. With visual aesthetics of The Wrestler x Sound or Metal, OVERLOAD explores the world of competitive bodybuilding, from an incredibly unique singular perspective.
One block down, two more to go.
1st AC: @ollie_pp
2nd AC: @gretaspohrer
Gaffer: @tupaccarroll
Spark: @josavagefilm
Sound: @george_t.e_davies
Production Assist: @ashergramm
Special Thanks: @dannemmons / @jamienoeldirector
Camera: @theunitbag
Lightint: @greenkitlondon
OVERLOAD
Some screen grabs from the ongoing feature film, which I spoke about with @bscine magazine recently. With visual aesthetics of The Wrestler x Sound or Metal, OVERLOAD explores the world of competitive bodybuilding, from an incredibly unique singular perspective.
One block down, two more to go.
1st AC: @ollie_pp
2nd AC: @gretaspohrer
Gaffer: @tupaccarroll
Spark: @josavagefilm
Sound: @george_t.e_davies
Production Assist: @ashergramm
Special Thanks: @dannemmons / @jamienoeldirector
Camera: @theunitbag
Lightint: @greenkitlondon
OVERLOAD
Some screen grabs from the ongoing feature film, which I spoke about with @bscine magazine recently. With visual aesthetics of The Wrestler x Sound or Metal, OVERLOAD explores the world of competitive bodybuilding, from an incredibly unique singular perspective.
One block down, two more to go.
1st AC: @ollie_pp
2nd AC: @gretaspohrer
Gaffer: @tupaccarroll
Spark: @josavagefilm
Sound: @george_t.e_davies
Production Assist: @ashergramm
Special Thanks: @dannemmons / @jamienoeldirector
Camera: @theunitbag
Lightint: @greenkitlondon
‘YALE’ commercial
One of the biggest lessons I learnt came off the back of this shoot, my first TVC. The lesson was… Follow your gut and trust your eye.
A technical error nearly buggered the entire thing. An error I flagged in the day, but allowed myself to be talked out of as being an issue.
A few days later, the producer notifies me that the footage is looking “off”. My gut was right, the settings were off and the footage was naused 🤦🏻♂️ After some serious work in the grade (and butt clenching) it was able to air.
Not only did I feel that I let my close collaborators down, I let myself down by not sticking to my guns and following my gut. An important lesson learnt; surround yourself with people you trust, follow your gut and remember… just because someone says they know best, have worked on a BBC Drama this and ITV that, doesn’t mean they’re not gonna fuck up 😄
- AVAILABLE CREDITS -
Dir. Matthew Simpson
Prod. @ekstasyadvertising
Gaffer. @tallguyconnor
Spark. @simonapranulyte
Sound. Glenn Yard
‘YALE’ commercial
One of the biggest lessons I learnt came off the back of this shoot, my first TVC. The lesson was… Follow your gut and trust your eye.
A technical error nearly buggered the entire thing. An error I flagged in the day, but allowed myself to be talked out of as being an issue.
A few days later, the producer notifies me that the footage is looking “off”. My gut was right, the settings were off and the footage was naused 🤦🏻♂️ After some serious work in the grade (and butt clenching) it was able to air.
Not only did I feel that I let my close collaborators down, I let myself down by not sticking to my guns and following my gut. An important lesson learnt; surround yourself with people you trust, follow your gut and remember… just because someone says they know best, have worked on a BBC Drama this and ITV that, doesn’t mean they’re not gonna fuck up 😄
- AVAILABLE CREDITS -
Dir. Matthew Simpson
Prod. @ekstasyadvertising
Gaffer. @tallguyconnor
Spark. @simonapranulyte
Sound. Glenn Yard
‘BAR FIGHT’ feature
From haze filled basements of Croydon, to cheesey caves in Bath… and a Chinese restaurant in Chelsea. Some wonderful collaborators and friendships were forged in the fires of making of this film.
Work in progress screenshots…
- CREDITS -
Frames Starring. @noa.nikita & Brian McCardie
Dir. @marc_v_price
Prod. Michelle Parkyn
Gaffer. @alinakaykolosova
Spark. @a_damwaugh
1st AC (Dailies) @ollie_pp@owendiplock@connorjhutton_film
2nd AC. @gretaspohrer
Grip. @not_write_now
Sound. @geroge_t.e_davies @sound.dylanbyrne @allhailblackstar
MUA. @andree_coster_reeves_mua
‘BAR FIGHT’ feature
From haze filled basements of Croydon, to cheesey caves in Bath… and a Chinese restaurant in Chelsea. Some wonderful collaborators and friendships were forged in the fires of making of this film.
Work in progress screenshots…
- CREDITS -
Frames Starring. @noa.nikita & Brian McCardie
Dir. @marc_v_price
Prod. Michelle Parkyn
Gaffer. @alinakaykolosova
Spark. @a_damwaugh
1st AC (Dailies) @ollie_pp@owendiplock@connorjhutton_film
2nd AC. @gretaspohrer
Grip. @not_write_now
Sound. @geroge_t.e_davies @sound.dylanbyrne @allhailblackstar
MUA. @andree_coster_reeves_mua
‘TORMENTED’ short film
Lockdown rules were flexed, two households could meet up at a distance. That’s when @ashergramm and I shot this short about a ghost haunting (beating the crud) out of an ex soldier.
Wanna know what a fight scene looks like between a dude and a ghost you can’t see… we got you
‘TORMENTED’ short film
Lockdown rules were flexed, two households could meet up at a distance. That’s when @ashergramm and I shot this short about a ghost haunting (beating the crud) out of an ex soldier.
Wanna know what a fight scene looks like between a dude and a ghost you can’t see… we got you
‘TORMENTED’ short film
Lockdown rules were flexed, two households could meet up at a distance. That’s when @ashergramm and I shot this short about a ghost haunting (beating the crud) out of an ex soldier.
Wanna know what a fight scene looks like between a dude and a ghost you can’t see… we got you
‘TORMENTED’ short film
Lockdown rules were flexed, two households could meet up at a distance. That’s when @ashergramm and I shot this short about a ghost haunting (beating the crud) out of an ex soldier.
Wanna know what a fight scene looks like between a dude and a ghost you can’t see… we got you
‘ADIDAS’
This spot bagged a tasty D&AD award, yes mam! The fiasco we caused with the smoke was well worth it.
I had a choice; fork out for the fun little pencil award or a vintage comic I always wanted… I chose wisely👌🏼
Agency. @tmsagency
Creative Dir. @our_louise / @dontcopyamy
DOP. @samwalkercine
‘ADIDAS’
This spot bagged a tasty D&AD award, yes mam! The fiasco we caused with the smoke was well worth it.
I had a choice; fork out for the fun little pencil award or a vintage comic I always wanted… I chose wisely👌🏼
Agency. @tmsagency
Creative Dir. @our_louise / @dontcopyamy
DOP. @samwalkercine
TEST
A little shoot with @hollingshead89 back at the original Kings Gym.
The @ironglassadapters worked a treat, with lovely edge distortion, centre sharpness and blooming highlights.
Eager to shoot more narrative with this character rich (very budget friendly) glass and see how far we can push em…
Hey, if they were good enough for @greigfraser_dp then surely they’re good enough for any DP!
TEST
A little shoot with @hollingshead89 back at the original Kings Gym.
The @ironglassadapters worked a treat, with lovely edge distortion, centre sharpness and blooming highlights.
Eager to shoot more narrative with this character rich (very budget friendly) glass and see how far we can push em…
Hey, if they were good enough for @greigfraser_dp then surely they’re good enough for any DP!
TEST
A little shoot with @hollingshead89 back at the original Kings Gym.
The @ironglassadapters worked a treat, with lovely edge distortion, centre sharpness and blooming highlights.
Eager to shoot more narrative with this character rich (very budget friendly) glass and see how far we can push em…
Hey, if they were good enough for @greigfraser_dp then surely they’re good enough for any DP!
TEST
A little shoot with @hollingshead89 back at the original Kings Gym.
The @ironglassadapters worked a treat, with lovely edge distortion, centre sharpness and blooming highlights.
Eager to shoot more narrative with this character rich (very budget friendly) glass and see how far we can push em…
Hey, if they were good enough for @greigfraser_dp then surely they’re good enough for any DP!
‘HUMENTalk’
“Marc is a talented photographer. We’ve worked together on Campaigns for Adidas, McDonald’s and more. Top dude. Family man and Spurs fan. So when he asked me to help shoot a short doc about his campaign to raise awareness for mens mental health, it was a no brainer.”
📸🙍♂️🤝
Credits below!
-STARRING-
@marchayden.studio
-CREW-
Producer. Marc Hayden
DOP. @samwalkercine
MUA. @kierobmakeup
Kit Hire: @shootblue
‘HUMENTalk’
“Marc is a talented photographer. We’ve worked together on Campaigns for Adidas, McDonald’s and more. Top dude. Family man and Spurs fan. So when he asked me to help shoot a short doc about his campaign to raise awareness for mens mental health, it was a no brainer.”
📸🙍♂️🤝
Credits below!
-STARRING-
@marchayden.studio
-CREW-
Producer. Marc Hayden
DOP. @samwalkercine
MUA. @kierobmakeup
Kit Hire: @shootblue
‘HUMENTalk’
“Marc is a talented photographer. We’ve worked together on Campaigns for Adidas, McDonald’s and more. Top dude. Family man and Spurs fan. So when he asked me to help shoot a short doc about his campaign to raise awareness for mens mental health, it was a no brainer.”
📸🙍♂️🤝
Credits below!
-STARRING-
@marchayden.studio
-CREW-
Producer. Marc Hayden
DOP. @samwalkercine
MUA. @kierobmakeup
Kit Hire: @shootblue
‘HANK’
@mikepedley85 asked if I’d DP his short film about mental health issues, that manifest themselves into a giant hairy monster.
If you wanna see the monster, you’ll need to check out the film. Otherwise, enjoy this legend and gentleman @michaelgeary1973
Credits below!
-CREW-
Director. @mikepedley85
DOP. @samwalkercine
1st AC. @ollie_pp
SFX Costume. @duggdaynes
Special Thanks. @dannemmons
Kit Hire: @shootblue
‘RS’
Budget “Nomadland” in East London, yeh.
Shot this with my man @luke.c.Harper for the chaps at @ekstasyadvertising who gave us our start. Was also the time I made it onto @moviesethumor 👌🏼 It was in that moment, I knew I made it into the industry 😄
🌆 🚲🔧
Credits below!
-CREW-
Director. Matthew Simpson
Prod. @mikesaraswat
DOP. @samwalkercine // @luke.c.harper
1st AC. JP Hung
Gaffer. @tallguyconnor
Kit Hire: @shootblue
‘RS’
Budget “Nomadland” in East London, yeh.
Shot this with my man @luke.c.Harper for the chaps at @ekstasyadvertising who gave us our start. Was also the time I made it onto @moviesethumor 👌🏼 It was in that moment, I knew I made it into the industry 😄
🌆 🚲🔧
Credits below!
-CREW-
Director. Matthew Simpson
Prod. @mikesaraswat
DOP. @samwalkercine // @luke.c.harper
1st AC. JP Hung
Gaffer. @tallguyconnor
Kit Hire: @shootblue
‘RS’
Budget “Nomadland” in East London, yeh.
Shot this with my man @luke.c.Harper for the chaps at @ekstasyadvertising who gave us our start. Was also the time I made it onto @moviesethumor 👌🏼 It was in that moment, I knew I made it into the industry 😄
🌆 🚲🔧
Credits below!
-CREW-
Director. Matthew Simpson
Prod. @mikesaraswat
DOP. @samwalkercine // @luke.c.harper
1st AC. JP Hung
Gaffer. @tallguyconnor
Kit Hire: @shootblue
‘RS’
Budget “Nomadland” in East London, yeh.
Shot this with my man @luke.c.Harper for the chaps at @ekstasyadvertising who gave us our start. Was also the time I made it onto @moviesethumor 👌🏼 It was in that moment, I knew I made it into the industry 😄
🌆 🚲🔧
Credits below!
-CREW-
Director. Matthew Simpson
Prod. @mikesaraswat
DOP. @samwalkercine // @luke.c.harper
1st AC. JP Hung
Gaffer. @tallguyconnor
Kit Hire: @shootblue
‘RS’
Budget “Nomadland” in East London, yeh.
Shot this with my man @luke.c.Harper for the chaps at @ekstasyadvertising who gave us our start. Was also the time I made it onto @moviesethumor 👌🏼 It was in that moment, I knew I made it into the industry 😄
🌆 🚲🔧
Credits below!
-CREW-
Director. Matthew Simpson
Prod. @mikesaraswat
DOP. @samwalkercine // @luke.c.harper
1st AC. JP Hung
Gaffer. @tallguyconnor
Kit Hire: @shootblue
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘TOXIC’ short film
My guy @ashergramm gets stuck in playing not one, but two roles in this short. Using nothing but available light, bounce and neg.
Best part of this; my niece Jaia got her first experience operating, clapper loading AND even some directing on this shoot. Operating is the best role on set according to her.
I encourage any HOD’s to get more young woman like my niece on set where you can. The industry needs more voices and diverse story tellers behind & in front of camera.
Credits below!
-STARRING-
@ashergramm
-CREW-
Director. Jaia / @swalkeroni
Prod. Bloombox
DOP. @samwalkercine
1st AC. @ollie_pp
Operator. Jaia
Sound. @george_t.e_davies
Location. @eastcroydoncool
‘ASDA’
“Kids, Christmas and a surprise visit from Santa… An undercover set build, along with unscripted scenes, in a fully running school. What could go wrong 😄”
🏫🎄🎅🏼
Credits below!
-STARRING-
@dev
-CREW-
Director. @swalkeroni
Prod. Global
DOP. @samwalkercine
1st AD. @gavmukerji
1st AC / A-CAM. @ollie_pp
1st AC / B-CAM @owendiplock
Operator. @kateeccarius
2nd AC. @gretaspohrer
Gaffer. @alinakaykosolova
Spark. @a_damwaugh
Sound. @george_t.e_davies
MUA. @abkmakeup
Kit Hire: @shootblue
Exec Prod. @k8bp
Prod. Joseph Aspinall
Production Assist. @ashergram
‘ASDA’
“Kids, Christmas and a surprise visit from Santa… An undercover set build, along with unscripted scenes, in a fully running school. What could go wrong 😄”
🏫🎄🎅🏼
Credits below!
-STARRING-
@dev
-CREW-
Director. @swalkeroni
Prod. Global
DOP. @samwalkercine
1st AD. @gavmukerji
1st AC / A-CAM. @ollie_pp
1st AC / B-CAM @owendiplock
Operator. @kateeccarius
2nd AC. @gretaspohrer
Gaffer. @alinakaykosolova
Spark. @a_damwaugh
Sound. @george_t.e_davies
MUA. @abkmakeup
Kit Hire: @shootblue
Exec Prod. @k8bp
Prod. Joseph Aspinall
Production Assist. @ashergram
‘ASDA’
“Kids, Christmas and a surprise visit from Santa… An undercover set build, along with unscripted scenes, in a fully running school. What could go wrong 😄”
🏫🎄🎅🏼
Credits below!
-STARRING-
@dev
-CREW-
Director. @swalkeroni
Prod. Global
DOP. @samwalkercine
1st AD. @gavmukerji
1st AC / A-CAM. @ollie_pp
1st AC / B-CAM @owendiplock
Operator. @kateeccarius
2nd AC. @gretaspohrer
Gaffer. @alinakaykosolova
Spark. @a_damwaugh
Sound. @george_t.e_davies
MUA. @abkmakeup
Kit Hire: @shootblue
Exec Prod. @k8bp
Prod. Joseph Aspinall
Production Assist. @ashergram
‘ASDA’
“Kids, Christmas and a surprise visit from Santa… An undercover set build, along with unscripted scenes, in a fully running school. What could go wrong 😄”
🏫🎄🎅🏼
Credits below!
-STARRING-
@dev
-CREW-
Director. @swalkeroni
Prod. Global
DOP. @samwalkercine
1st AD. @gavmukerji
1st AC / A-CAM. @ollie_pp
1st AC / B-CAM @owendiplock
Operator. @kateeccarius
2nd AC. @gretaspohrer
Gaffer. @alinakaykosolova
Spark. @a_damwaugh
Sound. @george_t.e_davies
MUA. @abkmakeup
Kit Hire: @shootblue
Exec Prod. @k8bp
Prod. Joseph Aspinall
Production Assist. @ashergram
‘ASDA’
“Kids, Christmas and a surprise visit from Santa… An undercover set build, along with unscripted scenes, in a fully running school. What could go wrong 😄”
🏫🎄🎅🏼
Credits below!
-STARRING-
@dev
-CREW-
Director. @swalkeroni
Prod. Global
DOP. @samwalkercine
1st AD. @gavmukerji
1st AC / A-CAM. @ollie_pp
1st AC / B-CAM @owendiplock
Operator. @kateeccarius
2nd AC. @gretaspohrer
Gaffer. @alinakaykosolova
Spark. @a_damwaugh
Sound. @george_t.e_davies
MUA. @abkmakeup
Kit Hire: @shootblue
Exec Prod. @k8bp
Prod. Joseph Aspinall
Production Assist. @ashergram
‘UBER’ social
“This intimate short doc was part of a series made to remind folks, that Uber drivers are people too. So be nice.”
🎣🚘📱
Credits below!
-STARRING-
Adam ‘the pike fisherman’
-CREW-
Director. @norrling
Prod. @bornsocial
DOP. @samwalkercine
1st AC. @connorjhutton_film
Gaffer. @alinakaykolosova
Kit Hire: @shootblue
Prod. Emma Doherty
Exec Prod. @georgina_halliday
Creative Dir. @elinbutler
‘UBER’ social
“This intimate short doc was part of a series made to remind folks, that Uber drivers are people too. So be nice.”
🎣🚘📱
Credits below!
-STARRING-
Adam ‘the pike fisherman’
-CREW-
Director. @norrling
Prod. @bornsocial
DOP. @samwalkercine
1st AC. @connorjhutton_film
Gaffer. @alinakaykolosova
Kit Hire: @shootblue
Prod. Emma Doherty
Exec Prod. @georgina_halliday
Creative Dir. @elinbutler
‘UBER’ social
“This intimate short doc was part of a series made to remind folks, that Uber drivers are people too. So be nice.”
🎣🚘📱
Credits below!
-STARRING-
Adam ‘the pike fisherman’
-CREW-
Director. @norrling
Prod. @bornsocial
DOP. @samwalkercine
1st AC. @connorjhutton_film
Gaffer. @alinakaykolosova
Kit Hire: @shootblue
Prod. Emma Doherty
Exec Prod. @georgina_halliday
Creative Dir. @elinbutler
‘UBER’ social
“This intimate short doc was part of a series made to remind folks, that Uber drivers are people too. So be nice.”
🎣🚘📱
Credits below!
-STARRING-
Adam ‘the pike fisherman’
-CREW-
Director. @norrling
Prod. @bornsocial
DOP. @samwalkercine
1st AC. @connorjhutton_film
Gaffer. @alinakaykolosova
Kit Hire: @shootblue
Prod. Emma Doherty
Exec Prod. @georgina_halliday
Creative Dir. @elinbutler
‘UBER’ social
“This intimate short doc was part of a series made to remind folks, that Uber drivers are people too. So be nice.”
🎣🚘📱
Credits below!
-STARRING-
Adam ‘the pike fisherman’
-CREW-
Director. @norrling
Prod. @bornsocial
DOP. @samwalkercine
1st AC. @connorjhutton_film
Gaffer. @alinakaykolosova
Kit Hire: @shootblue
Prod. Emma Doherty
Exec Prod. @georgina_halliday
Creative Dir. @elinbutler
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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