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Kavor Trailer Drop!!✨
Here’s a little sneak peak of our film! Incredibly grateful to our talented cast, crew, background actors and donors who made this film possible!
Director/Writer: Joe El-Khoury
Producer: Divyashree Muruganandam
Writer: Eddie Nenedzhyan
Cinematographer: Ryan Alva
Production Designer: Kalina Kirkbride
Editor: Sean Fay-Wolfe
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
TRAILHEAD | 500T 35mm & 16mm
“In telling the story of a man succumbing to heat stroke amidst the unforgiving and volatile conditions on a hiking trail, I wanted to incorporate multiple film formats to depict the oscillations in lucidity and sensorial intensity. The lower resolution and larger grain structure of 16mm film created an amazing foundation for depicting the beauty and ever-evolving ferocity of the natural world, and jumping up to 35mm (also rated at 320 to provide a cleaner, thicker negative) emphasized the clear-eyed panic as the hiker becomes aware of his dire circumstances. This wide range of visual texture straight out of camera (later emphasized and shaped by our brilliant colorist) made film the perfect tool for this story, though it’s also such a malleable format that invites such a lovely production process that I would lean towards shooting on film whenever possible at this point!” – Ryan Alva
This short is part of our ongoing series featuring the @americanfilminstitute Cinematography 2025 Visual Essays. Each essay is three minutes long and the AFI Fellows were challenged to create a narrative without dialogue. To watch, tap the link in bio.
Director/Cinematographer: @ryanalva
Producers: @_lexipang @notsodeevious
Production Designer: @itsrjactually
Editor: @wool_sox
Story: @_michaelrogerson_ @ryanalva
UPM: @jaydonschipotle
1st AD: @comayvisualmedia
Camera Operator: @rebbrichard
Motion Control Operator: @_lucacioci
1st AC: @samjjorg
2nd AC: @summer.ward
Loader: @nyssa_gluck
Camera PA: @herbiefullerloaded
Key Grip: @thesimransawhney
Hair & Makeup Artist: @shelby_takai
Set Medic: @jeremiah_ssimon
Production Assistants: @hopegolds Alex Ledesma, Pin Wu, @z_lingxuan
ompany Grips: @takumi_nakayama @joysharmaaa @pieter.markus1 @voltage_101
Truck Driver: @claudiodpm_99
Colorist: @andrerivas.color at @pictureshop
Sound Designer: @gabbage.patch_
Visual Effects: @hamishmcleann
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New music video with @mitchlaughlove for @xxma2mxx — ‘i cannot make u understand!!!’.
Always a joy to shoot on film with lovely people. Video coming soon!
Shot on @kodak_shootfilm 16mm 7219 500T
Artist @xxma2mxx
Dir @mitchlaughlove
Producer @bryan.borders
DP 👋
1st AD @that_purdy_guy
1st AC @summer.ward @takumi_nakayama
Gaffer @nuri.utg
G&E Swing @bobby.wu288
PD @karlinna.sanchez
Art PA @juuulia_kay
HMU @zoeyynikolemua
Costume Designer @esmezohn
PA @gael.g28
New cinematography reel for 2025. Thanks to everyone who collaborated in bringing these films to life.
Excited for what’s next!!
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Some very delayed photos (they said rest this summer!!) from the first year wrap party for our Cinematography cohort at @americanfilminstitute .
These people (and the many sadly not featured here) make the frequent highs incredibly high, and the occasional lows fleeting and manageable. Lucky to know you all, and spent ~80% of my time around you between September and May!
One more year 🤙
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
Recently wrapped up my final short film of year 1 at AFI. ‘Moon Traipsers’ was an incredibly exciting artistic and technical challenge, as we aimed to channel the spirit of Gerald Finnerman’s early work on the original Star Trek in making our campy/kitschy little space comedy.
The entire visual team had to abandon many of the sensibilities that are considered “good” or “beautiful” in the contemporary sense, but being dogmatic with some of our aesthetic decisions (eg, no soft lighting, composition of almost every shot being lifted in some capacity from Finnerman’s compositional language on Trek, etc.) made for one of the most creatively fulfilling and distinct production processes that I got to experience in my first year.
Thanks to all who made this one happen.
Cast:
@jessica_lia @mmmaaarrrlllyyy @esteban_carmona_ @aliciamariebody @sfvox @eoinpg @gagerialite
Crew:
Dir: @newblackxtreme
Pro: @michelle777889
Scr: @hadleyrosemitchell @zo.bees
DP: 👋
PD: @zainatripp
Edi/Sound/VFX: Sean Fay-Wolfe
UPM: @qiuping_han
PC: @shirleysuihe
1st AD: @sauliusbaradinskas @ninelivesandre
2nd AD: @julleeessss
PA: Grace Godvin @joey11_cao
Cam Op: @rebrebz
1st AC: @jkpawlowski
2nd AC: @thenoahneumann
Gaffer: @jasperkhadjenouri
KG: @dandebrey
DG: @anthonylandowne91
BBE: @joysharmadop
BBG: @emilymarquetfilm
Grip: @summer.ward @ebg.cinema
Electric: @takumi_nakayama @chloepascalll
Construction Lead: @lukaosadcijs
Art Director: @jinng604
Costume Designer: @sewpunny
MUA: Shawnee Cerkowiniak
BTS: @brennywilson
Stunt Coordinator: @theejamaldennis
Sound Mixer: Christian Lainez
Boop Op: Mason Brown
Truck Driver: @crystalized_epiphany
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
My @americanfilminstitute 1st Year Visual Essay, ‘Your Better Half,’ is finally done! Thanks to everyone that joined in on the mad dash that is making one of these (1 roll of 5222 35mm film, 6 hours to build/light/shoot/strike, and no second takes). Special shoutout to the A++ core team on this one - director/producer @chillgirlpal , production designer @_.rj10._ , and editor @ann_zhao_ , and our wonderful cast @livkatherineg and @mmmaaarrrlllyyy . You all brought so much to this project, and I feel immensely lucky to have gotten to collaborate with you.
Cast:
@livkatherineg @mmmaaarrrlllyyy
Crew:
Dir/Pro: @chillgirlpal
DP/Story: 👋
PD: @_.rj10._
Edit/Sound: @ann_zhao_
UPM: @jack.ruefli
1st AD: @comayvisualmedia
PA: @sarahgoodyfilm
1st AC: @diana_dahllund
2nd AC: @zhihanzhang_
Gaffer: @jasperkhadjenouri
Key Grip: @ciggiesmalls
Swing: @jakewayne.74 @tanay.ig
Production Designer: @_.rj10._
Set Dressers: @kareemleferro @littlemyers @lyncis_niu @hughesransom @jeremy__stewart @tofuumaker @japhetdadon
Editor/Sound Designer: @ann_zhao_
Made in partnership with @panavisionofficial @fotokem_la @kodak_shootfilm
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
Shot my Cycle 2 short film at AFI, ‘Alex in Wonderland,’ with a dream cast and crew. Was a pleasure working with all of you!
Dir: @mitchlaughlove
DP: 🙋
Pro: @ellazhangez
Scr: @beayilinjiang
PD: @mollyzhu_u
Edit: @ponka_wonka
Cast: @sara.tepper @rachelsarahlevy @kasia
Camera Operator: @adam_birch
1st AC: @jkpawlowski
2nd ACs: @claudiasepulveda_ @jacksonnburns
Gaffers: @nyssa_gluck @yandy_liu
Key Grip: @baooole
BBE: @shaunette__
BBG: @giogoestohell
Grips: @yorickmfilms Oscar Labovich @toby.schwartz
G&E Swing: @chansoultao @_thomas467_
UPM: @evelyn_tmq
1st AD Mentor: Micah Johnson
1st AD Mentee: @piper_de_palma
2nd AD: @beayilinjiang
2nd 2nd AD: Wendy Zhuo
Script Supervisor: @tofuumaker
Intimacy Coordinator: @allisonbibicoff
Choreographer: @marygracemcnally
Art Director: @roey_zhang
Set Decorators: @jade.has.a.very.long.username @shirleywu327
Set Dresser: @jinng604
Location Manager: @ellazhangez
Production Coordinator: @poceluiev
Production Sound Mixer: Christian Lainez
Boom Operator: Blake Emerson
Assistant Editor: @zhuofhou
Music Editor: Christian Lainez
Re-Recording Mixer: @ponka_wonka @ywu.0125
Costumer: “Jessica” Sijia Du
Hair and Makeup Artist: @madison.rosemua
Colorist: @ryanalva
VFX Artist: its_pbu @hamishmcleann
Truck Drivers: @river.zhanyinxiao1998 @poceluiev
Production Assistants: @river.zhanyinxiao1998 Yash Saraf
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
For everyone who’s asked some version of ‘where the hell have you been [loca],’ I’ve been here
Love you all ❤️
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
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#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
.
.
.
.
.
#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
.
.
.
.
.
#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
.
.
.
.
.
#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
.
.
.
.
.
#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Went to the Eras tour and got bulldozed by 3 1/2 hours of the most astonishing piece of live spectacle I’ve seen in my entire life.
Taylor Swift and the hundreds of people that pulled this production together are very, very good at this.
.
.
.
.
.
#fujiframez #concertphotography #taylorswift #erastour #agameoftones #artofvisuals #cinebible #moodygrams #somewheremagazine #rentalmag #lensculture #gominimalmag #houseoftones #snapseed #justgoshoot #lensbible #justifiedmagazine #cinematography #cinematographer #filmmaking
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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.
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.
.
#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
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.
.
.
.
#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
.
.
.
.
.
#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Shot a spec ad for @perrierjouet for the wonderful @littlemyers this past weekend. Worked with a crew as immensely talented as they are lovely to collaborate with. Very very excited to see this one come together.
Dir. @littlemyers
Producer @reginapigs
DP 🙋
1st AC @luis_adrian_lara
Talent @kayleechungg
Prod. Design @lindimu
MUA @kiraimua
Gaffer @dennisweilee
KG @iconicizzy
PA @jeremy__stewart
.
.
.
.
.
#spec #speccommercial #justgoshoot #productcinematography #lensbible #filmmaking #cinematography #cinematographer #directing #shortfilm #agameoftones #artofvisuals #shotonred #cinebible #lensculture #houseoftones
Exciting major life update: I’ll officially be attending AFI in the fall as a Cinematography Fellow. Some of you have known about this for awhile, but the world of student loans is a fickle thing and I didn’t want to make any kind of post til those were sorted. But, they’re set, so here we are.
This has been my dream school since I decided to pursue film in the first place. Getting in always felt like a bit of a pipe dream, and until receiving the acceptance letter, I’d made peace with it staying that way. Still a bit shocked honestly. Thank you to my family for supporting me in going back to school in the first place, and for your endless love and your patience with my pursuit of a career in a famously challenging industry. And thank you to @laurenguiteras and @jeremy__stewart for your words of encouragement and generous letters of recommendation. I owe you both immensely.
Anyway, feeling a bit sentimental and nostalgic about the path to this point, so here’s a photo from the set of the first film I ever shot, just over a decade ago, and then some of my earliest work behind the camera (circa 1998).
Exciting major life update: I’ll officially be attending AFI in the fall as a Cinematography Fellow. Some of you have known about this for awhile, but the world of student loans is a fickle thing and I didn’t want to make any kind of post til those were sorted. But, they’re set, so here we are.
This has been my dream school since I decided to pursue film in the first place. Getting in always felt like a bit of a pipe dream, and until receiving the acceptance letter, I’d made peace with it staying that way. Still a bit shocked honestly. Thank you to my family for supporting me in going back to school in the first place, and for your endless love and your patience with my pursuit of a career in a famously challenging industry. And thank you to @laurenguiteras and @jeremy__stewart for your words of encouragement and generous letters of recommendation. I owe you both immensely.
Anyway, feeling a bit sentimental and nostalgic about the path to this point, so here’s a photo from the set of the first film I ever shot, just over a decade ago, and then some of my earliest work behind the camera (circa 1998).
Exciting major life update: I’ll officially be attending AFI in the fall as a Cinematography Fellow. Some of you have known about this for awhile, but the world of student loans is a fickle thing and I didn’t want to make any kind of post til those were sorted. But, they’re set, so here we are.
This has been my dream school since I decided to pursue film in the first place. Getting in always felt like a bit of a pipe dream, and until receiving the acceptance letter, I’d made peace with it staying that way. Still a bit shocked honestly. Thank you to my family for supporting me in going back to school in the first place, and for your endless love and your patience with my pursuit of a career in a famously challenging industry. And thank you to @laurenguiteras and @jeremy__stewart for your words of encouragement and generous letters of recommendation. I owe you both immensely.
Anyway, feeling a bit sentimental and nostalgic about the path to this point, so here’s a photo from the set of the first film I ever shot, just over a decade ago, and then some of my earliest work behind the camera (circa 1998).
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